What does it mean when Illustrator v.15.1.0 ceases to contract a shape using offset paths and will only expand a shape? Seems like only yesterday I could render both ways. Wait a minute, it was only yesterday! Why would it suddenly stop funtioning?
View 3 RepliesI want to join two paths to create a shape that I can fill but at the same time retain one of the original paths (the red one in the image below). I can copy the path I want to retain but surely there is a more elegant solution. See below for for an illustration:
View 6 Replies View RelatedI love the width tool but when I try to use it on a custom brush I am unable to isolate one side or the other to expand/contract. I'm assuming the behavior should be the same as when used on a basic stroke. Is this a bug?
View 8 Replies View RelatedI'm doing an offset path command on a random shape and I need to repeat that in 4mm increments. I noticed that this command is far from accurate. To be as precise as possible I copy the base shape, paste it in front, apply the offset path command +4mm, +8mm etc (since the shape has round edges I chose round and a miter of 5000), and expand appearance. However, at 8mm expansion the round curves become pointy curves and therefore not mimicking the original shape.
AI CS6 latest
OS 10.7.5
I was trying to make a logo and for doing as I sketched it I thought Offset path will do. But unfortunately it didnt. By using this feature repeatedly the shape is losing its initial form. This is what I want (as concept) but as you can see the shapes don't have the same form as the original cloud:
I know is almost impossible to make this without any distortion, but I was wondering if there is any other methond with less shape deformation.
How do I offset the path of a random shape (for example the outline of a guitar) without having it automatically inset the path as well? Is there an easier way to delete the segments of path I don't want than double clicking continuously with the white arrow?
View 10 Replies View RelatedI'm trying to take a shape from illustrator and have the iOS graphics engine draw it without having to import the file. In order to do this, I need to somehow get a text break down of all the bezier paths / curves / points that comprise the shape so I can tell the iOS graphics engine the points that need to be drawn. Is there anyway to get a list of these points from illustrator?
View 1 Replies View Relatedi had imported a few hundred Illustrator paths to After Effects, then used "Create shapes from vector layer" to make them editable Shape layer paths to then run scripts that equalize the number of vertices on each path.
After this i thought via online tutorial that Edit > Edit Original.. would replace or update the originating paths to same number of vertices back in Illustrator, but this was proven wrong.
1) how import AE Shape paths and their Fills to Illustrator?
When I have made a logo and there's mutiple parts and I want to center it, it messes all the parts up. How do I center it while keeping the shape without combining it all? Example in photo: [URL]
View 12 Replies View RelatedI have a path that turned out to be a litt ethicker than it needs to be.
I see that I can expand a path with Offset Path. I have read online that you can contract a path by entering a negative number, but when I try that, it ignores the minus sign and expends the path instead.
Is there some other way to contract the path?
I'm creating a sign. I started from a font, then converted the text to a shape to provide the sign maker with vector art.
Some of the lettering is metal-like mounted on a dark acrylic backing that 's supposed to create a 3D stroke-like effect. In the original design I actually had a stroke on the lettering to mock up the effect. But now, in order to seperately cut the letters and the backing, the sign maker needs vector art for both the metal-like lettering AND the backing pieces, which extend another 1/8" beyond the metal-like in every direction.
I duplicated that shape to create the background. The background needs to be 1/8" bigger in EVERY direction, so that when the metal-like letter is mounted on top of it, the brown background will create a stroke effect:
I need to grow every border of this brown B by the same amount--the exterior as well as the 2 interior edges--so that when the yellow B (above) is placed on top of it, the brown shows a 1/8 "stroke" around the yellow B. I tried doing a straight transform, but that doesn't achieve the desired result. Another poster in the forum (answering a similar question) suggested using Modify > Expand, but I can't get that to work (the command is greyed out for some reason).
for some reason i am unable to contract/expand my selection area when i highlight the entire area. I havent had any problem with this before. Does anybody have any idea what may fix this? perhaps i hit a wrong button or something.
View 4 Replies View RelatedI'm using CS3 on a Mac.
I outlined my text and subtracted it (and the tree image) from the black background. When I did this both appear thinner - particularly the tree.
If I then take the original version and the new subtracted version, and view them both overlayed one on top of the other in wire frame (outline) mode, there is no difference in the actual lines.
It seems to be a problem with the way illustrator previews the images. This wouldn't concern me, but when I export the file as a jpeg, the lines also appear thinner in the export.
I can create a manual solution by offsetting the path before subtracting, but this isn't ideal.
I have two layers on the bottom I have text, and on the top I have a shape.
How do I make the shape transparent so the shape may be filled with the background color?
I'm trying to repurpose some artwork and am running into an issue. In the image below, I simply want to delete the bottom right corner of the blue box so that the orange background is visible along the right edge of the curved shape and the blue box is visible along the left edge of the curved shape. But I cannot figure out how to do this. I've tried all the Pathfinder choices and none work. How can I do this? CS6, Windows 7.
View 12 Replies View RelatedI'm trying to cover a section of letters that have been outlines with a red box over a serif for a homework project. HOWEVER. Everytime I do this, it looks like I have it all lined up and when I make another point, the points move on its own to be off and not cover the object Say I complete the box and try to cover the object by just dragging and dropping, it will avoid that area and move it off to one side or the other but never align with the actual object I'm trying to cover for a smooth and even coverage. Trying to get the red box to cover the black serif and it won't do it.
View 6 Replies View RelatedIn PS i can Magic wand selection shape from one layer, drop to sub layer and copy that selected shape from that sub layer. How do I do this in illistrator, and moreover, from multiple layer at the same time.
For instance, in PS = Import an image of gold - select a text phrse with wand - drop to gold - copy paste = gold text.
I'm new to Adobe Illustrator (CS5) and, as the topic says, have an very basic question: how to hide a shape behind another shape? (say a star shape behind a rectangle)
I've looked up on tutorials and such and from what I've seen, the layers order containing each of the objects decides how the occlusion should occur, however I've tried doing that but with no luck, am I missing something here?
I am looking for a way to create a single hairline object displaced outside, so many millimeters from another object.
View 5 Replies View RelatedI used to use the pen tool for quick shape paths - like a circle, but can't find anyway to do it in CS6.
View 2 Replies View RelatedIs there any "view" that enables you to see the path/shape lines (not the fill, just the lines) that you have done in different layers?
I hate to keep switching opacity on and off to see where the other lines end and stuff.. I know you can turn of and on the paths with CTRL ALT H, but that is only for one layer.. and I want to see them for all the layers while Im working on one.
I'm trying the trial version of Photoshop CS6, and I'm wondering whether or not it's possible to change the length of a shape with the amount of text entered into it, with the text still being editable? For example, if I had typed in 'hello', the size of the shape should be just big enough for the text to fit inside, without me having to change anything. On the other hand, if I typed in 'good morning', would I be able to make it so the size of the shape would change for the text to fit without having to use the transform tool?
I'm trying to make annotations for a video, and it would be annoying to have to transform to the correct measurements every single time.
So I am preparing a document for printing on an Epilog Zing Laser 10000. I have an outline for a cut I need to make, but I need to accomodate for the kerf of the laser. I am trying to select the circles and use the Offset Path tool to make new circles in the same places slightly smaller. However when I apply the negative offset I get a new circle on the outside of the path and on the inside.
As you can see there is now a larger circle as well as a smaller circle, but the smaller circles don't even have a smaller circle only a larger one despite the fact I entered a negative offset.What can I do to only get the smaller circle in all the circle? Am I even on the right path as far as the path offset tool? Pun intended.
In Photoshop CS6, when you have a shape layer with a layer mask, and the two are not linked together, and the layer mask is selected, you should be able to scale the layer mask independently of the shape. What actually happens is the shape gets scaled and the layer mask stays untouched. In fact, even if you option-click on the layer mask to show the mask by itself, and then try to scale it, you still end up scaling the shape instead of the mask. Even if you go as far as to make a pixel selection of the layer mask and attempt to scale the pixels, the shape still gets scaled and the layer mask still stays put! Unbelievable!
This works correctly in CS4, but not in CS6 (don't know about CS5).
I'm creating a logo that consists of the word DIFFERENT in text and a shape, a dot (an ellipse) that I want to appear above the I and be vertically aligned with I.
How can I do this?The problem is that I can't see how to identify the point in the text - the centre of the I - to act as the target. I can't seem to get any of the Snap to Object tools to work.
I feel that I should be able to mark a specific point anywhere on a shape or an object and use those points to align.
I suspect that I could achieve the effect that I want by splitting the text characters up into individual objects, than I can align them more obviously but then I set up some other issues with kerning.
I'm working with CorelDraw X3 and want to fill text into a round shape, while keeping it's exact outline. Hence, cutting of parts of words and letters is fine with me as long as the shape is well-defined. Unfortunately when filling paragraph text into a shape, the automatic line breaks lead to a quite irregular shape regardless of font size.
As workaround I arranged a mask in front of background and text but this requires a square paragraph text which is larger than the background. Since paragraph text obviously cannot be cropped with other objects I made the mask size bigger and filled it white. When exporting my document as image everything looks neat, but there must be a better way to do this in CorelDraw itself?
I tried converting the paragraph text into artistic text and cropping this, which works fine for a few words and a small object. But I'm talking around 1000 words here, and trying to crop this artistic text leads to very random cropping results. I guess such a large number of objects and knots is too much for CorelDraw to handle!?
I want to engrave the text 'TEST' all the way around this clonal object. When I use the emboss tool, selecting the option 'wrap to face,' it gives me an error message that the "face selected is not tangent to the profile plane."
I am using a work plane that is offset from the XY plane. I included a screen shot and the file that I am using (Inv. 2014)
I want to make a vector shape from a path. Is there a way to bypass having to define a new custom shape? I just want to quickly add the vector shape to a new layer, but I don't need it defined as it'll just be used once.
View 5 Replies View RelatedShape making from multiple complex shape and path layers?
so i have few layers(all vector paths and shapes) .
now how to make a shape from all of that. every new shape is layer for itself. I need it for logo.
I just read the thread the thread "...plus ask about erasers" but it doesn't answer my question about combining shapes to remove unwanted portions - or at least I didn't quite understand it. Here's my issue. I've created a nice "background" image with ripples and live effects, but it has gaps, and isn'tthe right shape. I need to erase parts of it and clip it to the right shape, but every time I try to do this using the slice tool, it puts the gaps back into the image! Attached is my image and the shape I want to clip it to.
I just tried converting the ripple shape to a bitmap copy and then slicing the shape - that doesn't get me the rippled effect I want - just the shape I already have. Then, I tried just creating the water ripples in my shape - but again that leaves gaps and when I try to "slice" them away it does all kinds of weird things to the shape..
any way to delete more than a single shape at a time from a shape collection file, other like step by step with the option key? I have one collection with about 400 shapes and would like to save it to some "groups", like people, arrows, devices..
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