I've noticed that when I drop a CC on a clip in the timeline with AutoKey turned off, if I adjust a paramater a keyframe is still added. But, if I enter the module, no keyframe is added. Also, if I enter the module and exit back out, no keyframe is added adjusting paramaters.
View 1 RepliesIn CW, is there any way we want to check whether the color are legal/over burn etc..?I know there a scope indicator but not very sure how it works.
View 2 Replies View Relatedwhat is a better tool?
A Colour Correct
B Colour Warper
Are both capable of delivering the same result? Is the underlying tech the same on both and its only a matter of UI?
Smoke 2013 Ext1
17" Mac Book Pro
OS X 10.8.5
16 GB RAM
Whenever i use CC soft Fx for a clip, Smoke only processes either CC or CW changes but not both. Why does this happen? And if this is the regular workflow then what can i do , when i have a clip on timeline which need CC and CW both together.
View 2 Replies View RelatedI am having issues with the color warper in Autodesk Smoke Prerelease 6. As soon as you change any values (ie changing the saturation to 99.9%) in the color warper the image glitches out and you see weird inverted colours and other artifacts. It is completely unusable.
The workstation I am currently using is a 12 Core Mac Pro 5,1, 16GB Ram, GTX285.
I do not have the issue with the latest version Smoke 2012.
I'm having issues exporting still frames from Smoke. How do you specify the frame to export as a Single Frame? I can see anywhere where you tell Smoke what frame should be the Single Frame to export from a timeline.
I need to export a series of frames, about 200 in total but they are at random places in a 1 hour 30 min timeline so I need a fast and easy way to get this done.
I am on a retina Macbook Pro. I am dropping frames. I ran the debug, and they are being dropped by grx, not the disk.1080 29.97 project. all fx are rendered.
View 6 Replies View RelatedIf there is still an option somewhere where I can force my import to be frames and set duration to 5 or 10 frames like in 2012. or force a set of sequences o be imported as one clip.
Update: Found the frames option but no frame durations available. But no single clip available in case of importing multiple sequences or frames that need to be in a single sequence.
Currently dancing between Flame Premium 2013x2sp3/2013Sp4 nd Smoke on mac 2013Ext1
Actually, we are working in this project: URL....and we have a big problem, cause our problem is the same like this: URL....
but absolutely out of control.We are desperated, because deadline project is coming to the end..We work in Smoke around 85% and is a 90 minutes film. Is a huge project..We use pre rendered CFX.
Is there a way for me to output certain in and out points instead of a whole sequence. I have a long clip and only want a small section of it, where in Smoke 2013 can I input the in and out points I want rendered? I can't see it in CFX and If I mark an In and Out point on the timeline it still renders the whole clip.
View 4 Replies View RelatedTrying to launch Smoke 2013 OSX Ext 1 but the app just stops and hangs at "Analyzing Frames 100%". I've tried rebooting, restarting all services, creating a new user, creating a new project, trying old projects, etc.
View 7 Replies View RelatedIf I have a 10 frames long clip and a 20 frames long clip for compositing, and with those clips, I wanna set the 10 frames long clip moved 5 frames in Action, How can I do it without Slip and Transparency options? I tried to find the way from Animation tap, but I could not.
View 3 Replies View RelatedI searched through all the key short cuts, looked through the user guide and I'm at a loss where you can nudge a clip back and forth by single frames. I saw you can hold 'D" and SLIP the clips one frame at a time, but not move them outright.
So, since nudging is one of the absolute most basic requirements of any editor, I know it's in there. But alas, they hid it too well. here it might be?
Maybe hiding next to a trim mode I don't see where I can see how my slips and slides affect the area around the clip?
correct process for animating a Material color change using AutoKey and the Curve Editor.
Right now, I am only able to crudely manipulate the color change by setting the material color change while the AutoKey is active.
The problem is that I am unable to control the speed/time at which the color change actually transpires in the scene.
So far, the only solution I have found, is to set the color change hundreds of frames after the point at which I want the color change to actually occur.
Normally, I would go into the curve editor and and manipulate the keys for the color change to slow or speed up the transition, and to control the exact timing.
However, even though I am able to locate the color change key(s) in the Curve Editor, I either do not know how to properly manipulate them, or I don't know what keys I actually want to manipulate.
I am accustomed to sliding keys left and right and using null keys to hold a key frame (in the this case the color prior to change, which is grey, and then the color after the change, which is fuchsia. however sliding keys around in the curve editor, when I have the "fuschia" key(s) selected (I misspelled the name, so in the file it is "fuschia" not "fuchsia"), does not seem to affect the actually timing of the color change.
FYI, the material that I am attempting to animate is the "fuschia" material in the Compact Material Editor.
what is still missing in smoke is having the color wheel while picking a color. The color wheel will enable us to pick any color straight from the wheel , it's much faster rather than trying to mix the desired color using RGB combination. it will be cool to see this feature in next release.
View 1 Replies View RelatedI'm conforming a sequence - importing RED files - then exporting that sequence for color. When importing the RED files, what color setting should I use? Camera, user etc? If user then what other options should I use knowing that I'll export a dpx sequence for color?
View 4 Replies View RelatedExporting to H.264 while preserving your color correction. I have not found anything definitive that addresses this issue. I'm bringing it up here as I do a lot of web delivery in H.264 and am tired of the color/gamma shift.
View 1 Replies View RelatedIs it possible to just simply work with the highlights in a shot (for example boosting the gain), without having to work with selective, or masks, and without changing the color? Cause there is the 'wheel' for highlights, but as soon, as you turn it in one direction, you start to change the color.
Smoke 2012 SAP2 SP4
and
Smoke 2013 SP2 (Smoke Classic Keyboard Shortcuts)
Mac Pro 4,1
OS X 10.6.7
12 GB RAM
NVIDIA Quadro 4000
14 TB RAID (Areca)
In 2012 it was very easy to select a gap segment and click color source in the soft effects. In 2013 it appears to be much more difficult, you need to create it in a folder then edit it into a sequence. Am I missing something? I wish there was a color source option in the effects ribbon.
View 2 Replies View RelatedI have found a thread about exporting and/or publishing an edl to import into Resolve for color-grading and then back to conform in Smoke for output. Is there a detailed video on the Smoke Learning Channel yet.
View 6 Replies View Relatedhow to make color correction and color grading in Autodesk Smoke.
View 2 Replies View RelatedCan Smoke export XML?
What if I edit in smoke and want to export an xml of my sequence for color correction in another app that imports xml.
Does Smoke have the ability to do one level of color correction without having to process?
View 5 Replies View RelatedI was wondering if there was an easy way to view individual color channels (Red, Green, Blue) in the viewer, and if so what the shortcuts are. I know you can do this simply in flame but can't seem to find a way to do it in Smoke.
View 3 Replies View RelatedI cut out the sky in the top layer of the timeline and the sky still beneath it is showing through. I need to color match the two shots. How can I see both shots in the CC effect so I can match the two?
View 5 Replies View Relateda) is it possible to change the default font that gets activated for a project or sequence? Every time we add a title it defaults to "Discreet" - it would be good if it learns from past changes at least for the sequence.
b) it would be good if the default font color changes to a color that contrasts with the background when starting to type. E.g. we had a rather white scene, started typing and no text ever showed up. I then had to go back to the full text editor, change the color etc.
c) moving the color sliders in the color selector manually without a Wacom seems to slow by default. It takes forever to move to a brighter color. And using the picker is cumbersome (we do that as a work-around instead of moving the slider). The OK button for the color sliders is not very visible, sometimes leading to us clicking away without saving the newly selected color by accident.
it seems to be a bit messy. I set it to F10 like in 2012 and the small popup box with the color picker doesnt seem to pop up proper. Something blinks on the top right corner and disappears. Same goes for colorbar. Any workaround or fix for this one?
Currently dancing between Flame Premium 2013x2sp3/2013Sp4 nd Smoke on mac 2013Ext1
How does one toggle a grade on and off within the timeline color corrector to check a correction?
View 4 Replies View RelatedHow can i transform and color a video without affecting cfx Text with any movement or color . I'm working on a stereoscopic project.
View 1 Replies View RelatedHow do I display just the current shot in Color Corrector Page time line, not whole sequence ?
Screen grab shows I am parked on a shot in Colour Warper but timeline shows whole 6 minute sequence rather than the shot I am working on.
I know that the AJA Kona 3 card has 2 outputs. Can Smoke send one eye to one channel and the other eye to the other of the Kona 3 card? Dual Stream output is what I am really getting at.
View 4 Replies View Related