AutoDesk Smoke :: How To View Individual Color Channels
Mar 8, 2012
I was wondering if there was an easy way to view individual color channels (Red, Green, Blue) in the viewer, and if so what the shortcuts are. I know you can do this simply in flame but can't seem to find a way to do it in Smoke.
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Oct 2, 2012
I am experimenting with Smoke 2013 pre-trial and I am having issues with importing images and video with alpha channels.
1. If I have a layered Photoshop file or png with an alpha channel (a still frame lower third), I see that I can import it as a multi layered clip, but what is the best way to have it in the sequence to show up properly?
2. If I have a QuickTime in animation format or Pro Res4444 format with an embedded alpha, how can I import that file to show and cut it on a top layer to animate above my video?
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Sep 27, 2013
Using Extension 1, I am importing an RGB Uncompressed clip with 8 channels of audio with 7&8 a stereo pair. Only the first 6 come in correctly, the 7th channel has no audio and is not marked as a stereo channel. The 8th channel is not shown at all.
I tested the same clip in Flame 2012 and all 8 channels import correctly.
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Nov 24, 2013
I haven't tested every single combination yet in the publish menus. To save me trying them all, is there any option that works to publish all the shots in a sequence together with alpha channel?
I have a sequence of CFXa clips with matte output connected in CFX, I duplicate the sequence and commit cfx... every clip has a matte container. So far, so good. Now I want to output the whole sequence as individual shots with alpha.
Tried the EDL option, changing file type to OpenEXR... no alpha. Tried EDL, changing output type to movie and then selecting ProRes 4444. Alpha was solid black.
Is it possible to get publish to create individual movie files for each shot at all? Everytime I try this it writes one continuous quicktime file even though I select a shot number token. Writing individual shots seems only to work with image sequences, is that the case?
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Oct 14, 2013
Is there any shortcut key or provision for disabling the view of an individual clip on the video track, like in FCP CNTRL + B is used.
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Oct 21, 2013
Is there a way to automatically export a timeline, wherein Smoke will render out image sequences for each shot with handles to separate directories on my filesystem? If so, this will save me a lot of time in online tomorrow.
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Feb 7, 2012
I need to show a particular part in a drawing view so that it's clearly visible. I mean, I can see it fine, but I would like it to pop out a bit more than it does and not blend in with other lines around it. Is there anyway to do this? I know you can make an entire view colored, but I just want one part colored within that view.
If not, then how do I remove the lighting from a particular view so that the parts will show as solid colors in a drawing view? They currently show with like a white reflection or sheen and a sort of gradient coloring to them.
IV2012
Windows XP SP3 32-bit
Intel Core 2 Duo 6400 @ 2.13 GHz
Nvidia Quadro FX 3450/4000 SDI 256MB Vram
2 GB Ram
160GB HDD
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Aug 12, 2013
I need to know how to save an individual color channel. I am able to split the channels, but they are in gray and not color. How would I save them in color? My PS is CS5.
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Sep 26, 2008
I'm working on a RGB file and I accidentally hit 'Ctrl 3' which brought up the blue channel - I really liked the image in that channel and I was wondering if it was possible to print it - as it's black and white it looks quite moody and interesting..
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May 2, 2009
I've been trying to change the brightness/contrast of a single channel (red channel, etc.), but it always applies to all of them, even if I select only one of them. I havn't been able to find and option which will allow me to work with them individually.
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Jul 25, 2012
While in CFX, Action, Text edit, Axis etc, is there a way to see the output of the timeline? I know while in CFX you can set the CFX output as a context but what if I have multiple CFX composites stacked up and I want to see the final output of the timeline while editing or modifying something inside a CFX or Action node?
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Nov 7, 2013
I cant view my exporting job list . I want to cancel all my current export and make it fresh. My sequence is exporting again and again in same location with same file name. I need a support number in india.
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Apr 29, 2013
When you are viewing the desktop, the view is available in the library and you can see which folder you are viewing. But when you have the player open the view icon disappears.
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Jul 24, 2012
I am looking for a way to easily view the separate rgb channels as grey values for key pulling on each channel. Also, I am looking for a way to change the viewer gamma value without changing the fx value.
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Apr 22, 2013
When I am in cfx in action 1-up, I press shift 3 or shift 4 to view side and top view. Nothing happens. What is the correct hotkey (smoke) to show the view. The hotkey suggested does not work. And if you manually select it, it takes quite a while to decide it will change view for you.
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Mar 16, 2013
Is there any visual tool in smoke so i can view the alpha/matte and rgb at the same time (by overlaying alpha on top of the rgb) ? I can't find a way to do it. Did i miss something ? or does this tool exist ?
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Jul 5, 2012
Why not have a swipe option for the Record viewer on the right side in Thumbnail View and allow locking the source thumbnails to sync with each other - Flame style (just no Reel view). If this could be saved with the current folder view it would largely cover a toolset comment I made before plus another great way to edit quickly.
who said that for editing there should only be one source window ? Why not multiples ? In fact, isn't that a large part of editing in the first place ? Allow multiple selections in the thumbnail view and link the sources together, select a point in the timeline and go to town for checking your editorial options.
This is really about gaining a functionality that’s around in AVID and used extensively by editors I’m trying to get on board with considering smoke as a real alternative. The Reel Locking mechanism in Flame is a great tool that could be expanded upon massively and brought into smoke via synched/locked multiple selection in the thumbnail view.
And another - The ability to see an edit as thumbnail view that can be re-arranged so you can group shots per your own liking but still allows drag and drop FX. This would allow another view on an edit that is incredibly powerful for many functions but color correction an obvious one. If you could save these 'views' you could have a fantastic basis for management.
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Dec 16, 2013
When you're in source-sequence mode and push "f15" key (that is "player view mode" shortcut) several times, you can switch between different view modes. One in particular kept my attention: you can output a video frame with 3840x1080 resolution (double full hd), composed by primary output (on the left) and secondary output (on the right).
The strange thing is that these two video streams (primary and secondary) are not in sync: in fact secondary one is always delayed by one frame.
What is the purpose of this view mode? Is it possible to sync primary and secondary output in this particular mode? It would be great, because this way we could finally output stereoscopic 3D in side-by-side mode!
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Oct 28, 2012
Does large timeline view exist in smoke 2013?
(as does in Flame timeline)
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Jun 2, 2012
how to adjust the curve of individual RGB channels. I am assuming the LR4 Tone Curve works like the PS Curves dialog with the channel dropdown.
To make adjustments to individual points on the tone curve, choose an option from the Point Curve menu, click the Edit Point Curve button , and do any of the following:
Choose an option from the Channel pop-up menu. You can edit all three channels at once, or choose to edit the Red, Green, or Blue channel individually. When I click the little icon in the lower right corner of the Tone Curve panel, the panel shrinks so that I don't see the Regions sliders. If I click again, they are visible again. I can't find where to select one of the three indvidual channels.
The Help refers to "the Point Curve menu." Where is the Point Curve menu? Is the Point Curve different from the Tone Curve?
If I right-click (Windows) in the curve dialog, the context menu has a Show Info option. I click it on/off and don't see any change or any info. Where should I be looking for info?
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Nov 17, 2012
what is still missing in smoke is having the color wheel while picking a color. The color wheel will enable us to pick any color straight from the wheel , it's much faster rather than trying to mix the desired color using RGB combination. it will be cool to see this feature in next release.
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Oct 2, 2012
Whenever i use CC soft Fx for a clip, Smoke only processes either CC or CW changes but not both. Why does this happen? And if this is the regular workflow then what can i do , when i have a clip on timeline which need CC and CW both together.
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Jun 5, 2013
But, how do I enable Snap to Markers in the Timeline View?
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Mar 3, 2013
Is there a way to mange all of the renders and projects from one place or view?
Is there a good tutroal or write up on managing projects, renders, media, and libraries?
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Jan 15, 2013
Why doesn't Selecting clips in the "Timing" view in CFX reveal which clip it is the Schematic? I realize there is a very small corresponding number, but a nice yellow surround would be nice.
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Aug 10, 2012
Smoke classic shortcut is not working for Schematic vuew in CF, tried on three machines. Also why there is short cat for all "delete" "add" but not just plain move anymore. space M is not working. What's the logic?
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Oct 18, 2012
how do I switch the vectorscope widget from circular to 3D view? Can this thing be scaled to see it more closely?
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Feb 11, 2013
At the moment I am in action building a composite. We I am viewing the entire comp via the default camera, I can see all the effects applied to the comp, but when I switch to perspective view. All the effects are gone.
Is there a way to see the effects why in perspective view?
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Jul 21, 2012
I am learning about using channels as a mean of channel masking in CS5. The instructor on a dvd starts with a general understanding of channels. Within the first 2 minutes, I can't seem to replicate his instructions.
Here are steps I take to look at the individual channels Red, Green, Blue.I invoke "Channels" in my layers palette. What appears is the RGB, Red, Green, Blue Channels (with the eyeball showing in each of the individual channels).The instructor says to click on each of the channel and you will see the appropriate a tone map of each individual channels.
When I click on lets say the red channel, nothing happens ... all of the layer eyeballs are still on and I get no individual tone map. If I deselect all of the eyeballs, then I can get the individual channel tone maps.
I suppose that the instructor is using a shortcut key to invoke each individual channel tone map, but he doesn't explain it.how to get an individual tone map directly after opening up the channels palette, without having to manually remove each eyeball.
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Jul 9, 2012
In Ken LaRue's demo (see attachment B), theres a lot more option for you to tinker with in CFX.mine (see attachment A) only stops at 'timing' option. what do i need to do to view the rest of it?
and because i cant view the rest of the option, i can't change CFX schematic view to Action schematic view.
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Feb 8, 2013
In the camera view is there a way to hide everything outside the output region, I'm finding it really hard to judge the layout with all the overlapping layers in my scene..?
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