Is there a way to automatically export a timeline, wherein Smoke will render out image sequences for each shot with handles to separate directories on my filesystem? If so, this will save me a lot of time in online tomorrow.
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i'm new in Smoke, and in the first time i'm learning the conform and editing tools,one thing i'm looking for is how to sequential rename my shots in the timeline, i found this article in the forum but it's for the 2012 and i didn't found this tool in the 2013 version. URL....
View 2 Replies View RelatedThis is based on prior work with Adobe Premiere and switching over to Smoke 2013...
since you were asking for feedback on the editor UI from Mac users...
a) is there a cut button that allows to cut a clip into two at the current marker positions? (e.g. to repeat certain elements)
b) is there an easy way to add extra frames at the beginning or the end of the clip by holding the first or last frame? (very important, but cannot find how to do this). Ideally this would just require dragging the beginning or end of the clip somehow...
c) There should be an easy option to add frames by extending the last or first frame in the case of transitions. Is there one? On Premiere, there's an option for this, makes it much faster to add transitions if there is limited movement in the source material
d) is there a way to auto stretch a clip on insert into the timeline to the selected region? time warp and frame-hold options (beginning, end, both)?
e) why is it not possible to drag clips back into the media hub on the left? (e.g. imported an AAF with a bunch of clips, now want to store some of the clips for later re-use in another timeline or part instead of having to keep it on the timeline)
f) the zooming into the timeline is cumbersome - is there a way to draw a rectangle to auto-zoom into that area? Premiere has a little scroller at the boom to select the zoom level. very useful.
g) for timeline zooming, could you support gestures on the MacBook touch pad? If you push two fingers apart, the timeline should horizontally zoom in. Two fingers together should allow to zoom out. This is actually not just for the timeline. We need this in all views in Connect FX, Action etc. Would make working so much quicker. And it's really standard Mac stuff. (Two fingers without pushing apart could enable panning? And/or space + mouse movement to pan?)
Is there a way to export the in & out from the Timeline?
It isn't done until it is finished.
I have an edit and now I want to export as DPX sequence. A couple of questions:
First, is there an easy way to take a single edit and export it with handles? I realize that I can make a subclip but is there an easier/better way to do this?
I can't find an automated way to set handles on export. I have about 175 shots that I need to export .
I can not seem to export my timeline. The job goes to the queue, but the status just says waiting. There is a timestamp in the started column, but nothing is happening. I have deleted, re-exported, suspended, restarted, tried different export settings... I tried rendering to both an attached firewire drive and the desktop of my macbookpro. There is no file in either location.
I opened the service monitor and there is a green status light for all components.
I have been using smoke for about 2 weeks now and I keep having audio glitching and skipping on my timeline as well as when I try to export my project to proresHQ. I am working with proresHQ media and a mp3 music track. Sometimes I can restart smoke and it will go away for a while but it always seems to come back and at random places and always shows up when I export. I am unable to export any projects do to this
System
smac2013ext1
osx 10.8.5
32GB RAM
nvidia quadroFX4800
nvidia Geforce 8800 GT 512MB
onboard sound used
AJA KONA 3G(Installed but not used in Smoke2013, no monitors hooked up)
Internal 6TB RAID0
I cut out the sky in the top layer of the timeline and the sky still beneath it is showing through. I need to color match the two shots. How can I see both shots in the CC effect so I can match the two?
View 5 Replies View RelatedIs there any shortcut key or provision for disabling the view of an individual clip on the video track, like in FCP CNTRL + B is used.
View 1 Replies View RelatedI was wondering if there was an easy way to view individual color channels (Red, Green, Blue) in the viewer, and if so what the shortcuts are. I know you can do this simply in flame but can't seem to find a way to do it in Smoke.
View 3 Replies View RelatedIs there a way to access the timeline within CFX ( much like in Flame ) ? I see the timing button but this doesn't seem to have the same control as a timeline for a specific clip.
Also, is there a way other then "explode one" or "explode all" to go within a CFX within a CFX ( pre comp ) ? i.e. a setup that is then put within the BG of action.
Is there a way to get rid of the play tab on the timeline?
View 1 Replies View RelatedIs it possible to grab the head or tail of the video segment and have the timeline stay stationay and you drag the edge to the timeline position?
View 6 Replies View RelatedWhile in CFX, Action, Text edit, Axis etc, is there a way to see the output of the timeline? I know while in CFX you can set the CFX output as a context but what if I have multiple CFX composites stacked up and I want to see the final output of the timeline while editing or modifying something inside a CFX or Action node?
View 9 Replies View RelatedNew to Smoke (DS 14 years, FCP 4 years) and hoping to learn it so I can purchase when 2013 is released. Is there a way to zoom the timeline while playing? I searched around but I can't seem to find if it can be done or if I just don't know how.
View 9 Replies View RelatedIt is possible to duplicate/copy a clip/gap effect on the timeline? Or do you *have to* drag/copy it to a Source Area first? In this particular case, I've got 3 gap effects that I'm essentially using as adjustment layers...for some reason I thought I could hold down F & drag them somewhere else in the timeline which would create a duplicate and drag them to wherever I dropped them. But maybe not...? In the meantime, I just copied them to a Source Area, and then dropped them back on the timeline where I needed them, which worked just fine.
View 9 Replies View RelatedWe are working on a 4K HD timeline using Proxies at 1920x1080. Can we export an HD Prores using all the Proxy renders? Everything I do from export, Hard commit, burn letterbox all wants to start rendering the full res footage. Is there a workaround a trick to bake out a proxy res version?
View 2 Replies View RelatedHow do you extract a section of a timeline but keep sync further down the timeline?
I wanted to take a section out near the start, it just had V and A1, A2. There was A3-6 further down the timeline but they hadn't started yet.
For some reason I can't get Smoke to cut a track that hasn't got any media before that point. So, at the section I needed to remove I couldn't place a cut and so when I removed a section A3-6 stayed where they were.
I also tried marking in to out and extract but again it left the other audio tracks.
Such a simple thing, but I can't work out how to do it
Is it possible to move keyframes in the timelime or do I have to go into the animation curves menu to do it?
View 2 Replies View RelatedThere is a shortcut key that I have been using in FCP for years. That is to select the edge of a clip and hit "E" and the clip will extend to where ever the timeline is.
Is there a function like this in smoke 2013?
Graphics import into the library with a default length of 1 frame. Is there a way to lengthen that so I don't have to zoom way in to grab the edge of the clip?
View 1 Replies View RelatedWith PR4 the right click contextual menu for the timeline seems to have been re-arranged to accomodate new features.
As a result, when you right-click a timeline element to remove all effects you have to move your pointer up through a list of about 15 items to reach the "Remove Effect" command.
There also appears not to be an assignable keyboard shortcut to remove all effects from a selected timeline element. (apart from Option+Clicking on the effect in the effect bar which just removes a single item).
Would it not make sense to have this remove effect command at the bottom so that it appears right near your pointer when you activate the menu?A keyboard shortcut binding would be ideal as I realise the contextual menus are probably in a state of constant change at the moment.
In 2012 it was very easy to select a gap segment and click color source in the soft effects. In 2013 it appears to be much more difficult, you need to create it in a folder then edit it into a sequence. Am I missing something? I wish there was a color source option in the effects ribbon.
View 2 Replies View RelatedI have got some questions:
1. How can I select many clips on the timeline? (I work with a Wacom tablet.) When I press the pen onto the tablet and move it, I can only pull the gap. In connect fx it works, when I hold cmd.
2. If I set markers in the timeline, is there a way to also see them in connect fx?
3.There is a function in Final Cut: When I I select a clip from the timeline and press "f" , I can go on working on its source clip in the viewer. Is there something similar in smoke? I cannot find the name for this function, so I cannot search for it in the keyboard shortcuts.
4. If I render something, is there a way that Smoke automatically copies the file (without copying the effects)? The reason for that question is: I applied timewarp to a clip, then I wanted to go on working on the clip in connect fx, but the length of the clip changed - it was shorter. When I went on working in action and put some lense flares and rendered it, everything was bended and looked weird. It looked great but I did not intend to do something like this.
The next questions are no real questions but rather problems.
5. When I work with audio (audio clip locked), I cannot really cut on the music, because 5a. sometimes the amplitudes do not match the music. An example: There is no amplitude, but the music goes on for 2 seconds. 5b. And when it is correct and I cut on the beat and render it, it is not sync anymore some moments later or when I restart smoke. (It only displaces 1 or 2 seconds from the sync.)
6. Since I have updated from pre-release 4 to pre-release 5, I cannot export anymore. I have read a lot on blogs, but I could not really find my problem. I cannot even press the export button.
I'm looking for the workflow for Red Footage.
In our facility, we are shooting 4k HD format. Then we can finish our final project as HD.
I installed Red Rocket and the Red Footage as Half premium debayer (1920x1080) playback in realtime at preview window of the "Media" tab.
However, I insert the same clip on the timeline (1920x1080, same as Half premium debayer), smoke automatically puts resizing effect. When I open the effect, I notice this effect doesn't do anything.
Is it possible to delete a keyframe from the Sequence timeline using a hotkey, similar to ALT-[ in the editor?
View 1 Replies View RelatedHow do you ripple all the layers of a timeline? I can't find hide nor hair of it in the manual.
View 1 Replies View Relatedwhat does exactly mean the red line under a clip in the timeline ?
I noticed the clip with red timeline has red effect, but it doesn't seems to mean i have to render them.
What would be a bonus is at anytime I could go to the timeline and click on an imported piece of footage and tell smoke to Include YUV headroom after the fact of it being imported and used.
View 7 Replies View RelatedI'm trying to make a PIP in a timeline with Axis. PIP is a easy thing so I made it of course.
But the problem is When I use multiple PIPs. There's no Global axis like in Action, so I couldn't control PIPs at once. I thought make a Gap effect with axis or Container would be work, but It didn't work as I thought.
Do I have to make a mask for PIP? Is there any way to move, rotate, scale them together easily? & Axis could have only one image? In animation view, there's a Global axis and a image axis.
I was wondering if when I stop a looping clip playing in my timeline, I could have it stop at the frame I stop on instead of stopping at the positioner or in-point. This is a very vital problem I'm having.
I have come up with a work-a-round but it doesn't work near as smoothly as I would like it to.
All I do for the workaround is instead of hitting space when I stop, I hit right alt to set an in point then hit space to stop and "A" to move to my newly created in-point. But it doesn't work as smoothly as it should. I would really like it to perform like playing a clip in the desktop works. It just loops around and when I stop, it actually stops.
