Photoshop :: Script For HDR :: Automated Process For Capturing JPG's And Merging

Jun 15, 2006

I've been trying to set up an automated process for capturing JPG's and merging them -without user input- to an HDR and then save it to an OpenEXR file.

The capture process is functioning correctly, but I need someone to explain me this:
How do I tell photoshop (with Javascript or VBScript) to merge the contents of, let's say, 'C:HDRJPEG' to a HDR, without attemping to align, and then save it to 'C:HDRHDR.exr' ?

I am using Photoshop CS2 on Windows XP. I don't understand the scripting langages completely

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Aug 15, 2012

I have a batch program which I want to launch from a LISP program.

First this is an attempt at an automated process whereby user input is extremely restricted. Other than the first click of the mouse on the menu item to save a copy of the file to a very restricted folder, no other user input is allowed.

AutoCAD, like most commercial apps writes a temporary file and then renames it when you choose save or saveas. And due to the restrictions in this folder that will not work. Crazy, I know but it's the parameters I must work within.

The batch file I'm launching calls another batch program in it's execution and I'm wondering if that could be where control is lost. But the thing is I can type this at the command line in AutoCAD:

(startapp "//a_very_long/novell_server_path/my_folder/vlisp/mybatchfile.bat")
 
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(command "._STARTAPP" "CMD //a_very_long/novell_server_path/my_folder/vlisp/mybatchfile.bat")or(command "._STARTAPP" "CMD ""//a_very_long/novell_server_path/my_folder/vlisp/mybatchfile.bat"")
 
or just about anything else I try it fails to run. Perhaps I've been looking at this problem too long. I think I may move on to a VB.NET process to do this but I am really baffled why it will run from the command line but not within the program.

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AutoCAD Visual LISP / AutoLISP :: Dynamic Blocks Not Changing Visibility State With Automated Process

Oct 6, 2011

I have created a bunch of templates (title block type drawings) for my company. In these templates there is a dynamic block used for a particular note. Based on customer number, this note will be changed.

We have a program that will insert the correct template based on the drawing type. It will know the customer number and change the dynamic block visibility state to reflect the correct text in the note.

Here's the problem; I don't know why, but sometimes the visibility state does not change. It's not the code as it works just fine in some drawings.

I've gone in and just changed the visibility state name, then changed it back, then saved the drawing and it worked.  In some cases, I've also just gone into the template and deleted the dynamic block and re-inserted it, and it began to work again.

Having trouble with dynamic block visibility states not working when using an automated process?

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How the PMS color palettes "simulate" on screen how the color will print on different substrates (glossy vs matte vs uncoated paper). That's great for comps, but if you convert it to CMYK to print it, and the values are representing a "simulated" color it won't look correct (by that I mean come close to matching the spot color). For example, the uncoated palette simulates the color by making them appear a bit washed out on screen - pretty good visual simulation. But it might do so by adding black and cyan to orange for example, etc. - effectively dulling the original color.

So if I convert that to CMYK within the new Pantone + color palette, and then send it to the printer - it won't appear as it did on screen, it will dull the end color even more because it's converted the color to the dull simulated version - what a disaster! It's only doing half the job - showing us what it should look like on screen. In order to be truly efficient for design professionals the CMYK conversion might remove black and cyan completely to effectively brighten the color in the final output on uncoated paper. I would prefer it just stick to the standard conversion, which Pantone did have as a standard palette option (PMS to process), and then I can adjust if I think it's necessary.
 
Any corporate branding system will likely start with a PMS spot color palette for the identity. Then it will build into many different adaptations - full color brochures, large format banners and trade show graphics, website, advertising. So any corporate branding system will need to have PMS, CMYK and RGB versions of their main corporate color palette. There was a standard for these translations that was automatically consistent in the Adobe software and that is now all over the place, so it relies on individuals manually adapting the color mixes for final use - what a great way to screw things up.

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First, I'm not new to this. I don't need instructions on how to create 2-color DCS files from 3- or 4-color art. I do it quite often. Only I do it manually (using different methods, depending on the art).
 
What I have are hand-drawn illustrations, mostly black line with blue tints. The problem is they're 4-color. The colors are consistent — I have the same 4 tints or shades of blue plus black (or 3 tints of blue and one blue/black mix + black). I have no issues using grayscale + levels to generate the spot color channels, or Select Color Range and different percentage fills in those channels.
 
What I have is about a thousand of them — yes, literally 1,000 images — and I need them done as soon as possible. I don't relish the idea of going through all of them with the same operation, not when it can be automated.
 
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set theColorRange to 67, 32, 23, 6
select theColorRange
fill channel Pantone Black 4 U 40%
fill channel Pantone Process Blue 100%
 
set theColorRange to 45, 15, 15, 0
etc...
 
(PS 5.1, Mac OS 10.5)

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4. Save the NEF to another specified folder.
 
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Nov 26, 2012

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Aug 27, 2012

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Mar 24, 2011

I have been using VS for quite a few years firstly with VS6 and currently have X3 (depending on a few things I will probably upgrade to X4).

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