We have to make a new version of the cover, and PART of what I want to do is a faceless WWI soldier. I found a good-sized picture of a soldier from that time period, but I can't adequately remove the face.
only with no eyes or nose either.
Here is the picture I am trying to change:
I have tryed clone stamping and brushes in different modes, and smudging.
Let's just say, I failed.
What's the best way of removing this pelmet?
I've been told the tall lady is too orange (the bride is very pale), but having got it wrong once with another orange lady, what in you view is the best way of taking out some of her fake tan?
Last I did this, what looked okay on screen did not look good in the prints as whilst I took some of the tungsten orange out of the room's glow, it seems that the ladies lipstick had the same tone - thus the result was that it looked like she's been a feeding vampire not 2 minutes before the picture such was the impression of blood on her lips!
Lastly, if I want to blow out the highlights here in the window as there's still some details from the 'orrible net curtains, what do you recommend?
How does one remove the boundary box for a detail view? I don't want it sitting in my main view, as this is a conveyor and it's very obvious at to where the drive arrangement is sited. See attached.
I'm guessing changing it to another layer that does not print is one option, or?
Im looking for a tutorial on how to integrate to photos of facial features in to one.There are plenty of them doing the rounds at the moment.For example the one of bin laden/bush is an example of the work I am attempting to do.Another is one of a soccer players face coming through on shreks face.Below is a link to that pic to give you an idea of what Im looking for.
View 9 Replies View RelatedI have a large picture that has ballpoint ink written on part of it. I had no trouble getting the background edited since it was basically the same color. I did end up cloning two different parts of the background and covering it twice to get a blended effect which worked great.
The problem is facial tones. There is ink covering the neck area on the left and the right and the head is at an angle. I haven't been able to pick a color or gradient that works. I tried to clone a different area of the face but that didn't work either. Then I zoomed way in and got each square (pixel?) to show up but it would take me hours to color in each one and there isn't any part of the neck that isn't covered in ballpoint ink so I can't even pick the right skin color/tone.
I downloaded a Gimp program but honestly since I don't know what all those tools are, I don't know which one to use to get it right so I'm hoping someone here can say "use this for this and that for that" so I don't have to trial and error each tool/effect.
Or, if there's another free photo editing program that's easier to use, point me in that direction.
I'm running photoshop cs3 on XP. Does anyone Know how to change the color or I should say the grayscale of facial features on a photo without changing the texture or anything else. These photo are all grayscale.
For instance if I take a photo and invert it all the grayscale is changed. The hair might be lighter, the nose darker, the eyes somewhere inbetween. Of coarse a perfect negative is made. But lets say I want to lighten the nose a bit without changing its texture or anything else about the nose. And I want it all to blend together just as it was done when the photo was initially inverted ....
How do people put makeup on them using photoshop? and i got ps 7
and how do you change the complex of the skin or facial features?
Also how do you change the skin into a pale complex?
vexeling eye lashes or eyebrows?
View 5 Replies View RelatedI have tried numerous times to turn off the facial recognition in Elements Organsiser 10 but the "who is this" boxes keep coming up. why this will not turn off.
View 8 Replies View RelatedHow can I merge duplicate tags from facial recognition in Photoshop Elements 11? For example, if I mistakenly created two tags, both called Bill, how can I put all Bill's pictures in one file? I found an answer for previous editions of Photoshop Elements, but Photoshop Elements 11 has changed the organizer so I can't figure out how to do it. Also, it doesn't seem possible to see two sets of tags at the same time - is this a glitch?
View 1 Replies View RelatedI recently began using Unity at work, exporting from Maya does not allow me to keep Blend Shapes or Deformers (not even by doing a Geometry Cache, Unity does not read any of that) and wanted to test out how to make a facial rig using joints in case I ever need one.I have seen demos using 3D Studio Max and I see the gist of it is to create a round joint hierarchy around the mouth and eye, mimicking the edge flow. The place where I got stuck is when I saw a NURBS controller in Max move a parent joint without affecting the children joints. I know how to move a parent joint without affecting its children (press Insert) but not how to set a constrain to do the same in Maya. If I use a parent constrain or direct parenting moving the parent joint drags all the children along.
How can I get a constrain to affect only the parent joint and not its children?
Im trying to reconstruct a face using the skull..I have marked the skull with the tissue depths of the face by placing depth markers(cylinders) in each of the areas in the face..what is the best way to fill in the skin?
View 2 Replies View Relatedhow to get a nose to blend into the facial skin. I've searched on the web with no luck. I've used the mesh fill and vector objects with transparencies, but I can't get it to look right..
View 4 Replies View Relatedwhy my facial control rig is not updating my character morph targets in real time? I would have to go into the modifier in order to see changes after clicking the slider. I used both the reaction manager method and the wired parameters but neither is working.
View 2 Replies View Relatedwondering how to implement the many facial expressions from facegen to 3ds max to use as morph targets for facial animation. fairly new to max animation.
View 1 Replies View RelatedI'm just starting a new project. I've started the skin with a mesh fill. I'm wondering, what is the best way to handle the facial features. Vector blends etc or more individual mesh fills. If I do individual vector objects, what's the best way to blend features with the mesh skin?
Below you can see what I have so far.
I want to rig a face for animating. (not for a game). and I can't figure out which is better and why: having all joints, and those joints driving parts of the face.. or just making blend shapes for all expressions like smile, angry, sad etc....
I know blend shapes won't work for games, but I'm planning to do mmo's anyways so I'll never need a complicated joint setup for faces... but as far as film, what works better?
I was hoping to see facial recognition module for fast tagging of pictures.
View 2 Replies View RelatedI am working on (yet another) minecraft character rig xD
So i have set up a facial control panel, using blend shapes and driven keys, but i need it to follow my character. If i parent it to the head, i doesn't follow when i grab the skeleton and move the character around, and if i bind it to the neck joint, i am not able to use the control panel, because the movement of the controls are locked, since they're binded to a joint.
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Drawing A has a grid system Xref-ed into it. It also has a block reference in it, repeated in various places throughout the drawing.
I Xref-ed the grid into the block to check something, and now I can't get it out. This means that the grid now repeats all over Drawing A as well and is generally being a nuisance.
If I try to unload the Xref within the block, it unloads it in Drawing A too. If I try to detach it from the block, it returns this message: Xref [Xref name] has multiple references. Not detached. If I try to detach the Xred from Drawing A, it returns the same message.
How do I unload the same Xref that occurs in a block in a drawing, and in the drawing itself, independently of each other?
I'm using two Mac computers, both with PS CS5 12.0.4, ACR 6.6.0, and OS x10.6.8. On one computer, PS and ACR work fine. On the other, I have the following problem:
When I apply Sharpening in the ACR Detail panel, setting all the sliders, then open the image in PS as a smart object, the sharpening has not taken effect on the image in PS. When I re-open the image in ACR, I find that the Amount slider in the Sharpening panel has re-set itself to zero. The other sliders in the panel are still where I had set them.
However, the output sharpening in the ACR Workflow Options area does take effect in PS, and appears to be working fine. I just re-installed everything, but no improvement. As I said, it all works on the other computer, so I have a reference for what PS should do.
I have a 1024x768 pixels background (for an app). It's a wood background. I was told I need to "reduce the detail" because it's taking up too much space. How do I do this?
When I Image > Image Size > Resolution it changes the dimensions. Which I don't want to do.
Here's the Image size window --
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I have this picture of the sky (wooooooooo). I figured out how to make the blue more vibrant using 'Selective Color'. But I cannot figure out how to make the clouds have more detail. My end production comes out rather flat.
View 3 Replies View RelatedUsually we talk about the details of the image is mostly lightness or grayscale detail, but there's another image detail type-saturation detail which we can take for use in the image manipulation,the usage of saturation detail depends on our careful observation and blend mode knowledge which give us more control of the image correction.
View 2 Replies View RelatedWhen I open an image in Photoshop it looks blurry at any zoom including 100%.Same image looks fine in GIMP, Explorer, etc.Here's an example. The left side is what it looks like in Photoshop.
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Below is my system info.
Adobe Photoshop Version: 13.0 x64Operating System: Windows 7 64-bitVersion: 6.1 Service Pack 1Physical processor count: 4Logical processor count: 8Processor speed: 3703 MHzBuilt-in memory: 6142 MBFree memory: 1209 MBMemory available to Photoshop: 5350 MBMemory used by Photoshop: 86 %Image tile size: 128KImage cache levels: 4OpenGL Drawing: Enabled.OpenGL Drawing Mode: AdvancedOpenGL Allow Normal Mode: True.OpenGL Allow Advanced Mode: True.OpenGL Allow Old GPUs: Not Detected.Video Card Vendor: NVIDIA CorporationVideo Card Renderer: GeForce GTX 460/PCIe/SSE2
I understand we no longer get thumbnails in file/open (apple and microsoft). But what happened to the detail panel for tiffs? I see it for jpegs (like who works with jpegs anymore). But not for tiffs. I have photoshop CS6 and am on Windows XP. I have the file/open function set for 'list.' I find setting it for anything else too cumbersome. And toggling bk and forth between file/open in photoshop and bridge is beyond cumbersome. How is this an improvement?
View 10 Replies View RelatedIm creating some textures for a Maya project I'm doing. The images I have right now are .psd's at 1024,1024. Im finding out now that the res might not be high enough to produce good results in maya.
So I want to double the texture file to 2048,2048. But I dont want to lose any of the current detial or have it start to wash out and/or become pixelated. Is there a,filter, tool, plugin, or anything that could atleast aid me in keeping some of the detail? Thanks for all the replies.
How to get the skin and the cloth texture detail in any photograph in photo shop?
View 2 Replies View RelatedI understand layers fine, sot hats not what i need help on.
Just if i wanted to add a friend in the middel where its collapsed.
Being a fence with lots of holes, what would be the best way to make it look realistic that he was standing behind the fence?
I tryed playing round with the opaticity but it didnt look right
well i have been trying to get this to turn out but cannot.
i have used the search quite a few time today but no luck.
i need an outline of a fire, i dont need color or much detail.
I am trying to paint a texture map in detail with Photoshop. the uv map is not ready, or it appears not to be.How do I separate/unwrap these uv's for easy texturing in Photoshop.
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