I'm trying to print out a bunch of stickers using Photoshop CS5 and a Brother MFC-265C printer. Problem is that sticker paper seems to be bad in quality/very thin thus the colors comes off very dull. how to maximize brilliant colors? I'm using CMYK colors.
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I am almost sold on getting Xara. But I know MOST of what I will be doing is making people's faces look better. Are there easy tools for enhancing skin and in general enhancing portraits? are there videos?
View 1 Replies View RelatedI'm trying to create some icons using layer style/blending options.
I do emboss and apply gradient and add glow and so on.
Looks all really nice. But then, when I save for web and devices as a .gif file, there is some ugly "blur" around my created shape. As if .gif. interpreted the embossing thing in a wrong way,giving it some color instead of transparency ...
I saw this picture (below) and am trying to figure out how to create the blue/green faded color effect that is bascially the background of the image.
View 2 Replies View RelatedMy paper space is white, don't show the colors of the layers I'm using. How to restore them?
View 5 Replies View RelatedI have a sticker in PSCS6. I need to print 600 but each needs to have a number from 1000-1599. How can I do this without having to make 600 separate files?
View 2 Replies View RelatedI'm printing some spot colors on colored paper, and wondering if there is a way in illustrator (CS6) to approximate the ink/paper interactions. Im worried about the ink color (greens) shifting to brown on a yellow/peach paper. I've approximated the paper color in Illustrator, and designated the pantone colors. I tried Multply- and the ink color definitely shifts to what I think it would- but not sure if that is the best way.
View 8 Replies View RelatedI like to do some freelance Photoshop projects once in a while. Lasts months has been more . Now i made a logo for a restaurant which they want to print as a vinyl sticker for on their windows. I send this logo to the printing company, but they asked me for a seperate outline-file, because the sticker will be contoured cut around the logo. But in Photoshop i cannot seem to find a method to make a outline file.
View 9 Replies View RelatedI have captured a still image using premiere pro 2. When I open the image in photoshop cs2 the image is grainy and has the interlaced lines.
So how do you make this image as clear as possible and get rid of the grains and lines?
I have tried FILTER>VIDEO>DE INTERLACE options but nothing seems to work.
I have saved the image from premiere as a bmp file.
Im working as a photo analyst for a scientific research project that is estimating sardine populations off the coast of north america. In a nutshell me and about 4 other guys are going to be staring at pictures of water until the wee hours in the morning all month with the hopes that in the end we can identify a rough estimation of sardine populations. Now me and all the other guys are not exactly what you would call photoshop pros, but between the 5 of us we know that adjusting the light levels, saturation, hue, and a few other things we can see the schools of fish pop out in all the photos. This is a lengthy process and if done for each picture we would take all year to finish when we only have a month. I was wondering if anyone on here had any experience doing this sort of thing or would be able to advise me on how to do this quick and/or make the schools pop up extremely clearly.
Original photo (shot by a plane at 8000ft)
Post lightroom editing, and touch ups in photoshop we get
Ive resized the after picture to make it smaller but you get the drift. The dark spots are the schools of fish and what we are after in the photo. At best we get a few that stand out in extreme contrast to the water but most of the time it takes 20minutes of fiddling around with settings to get barely darker smudges to come out for us.
I have a request for a profile picture I have. Its a picture of me wearing a skull mask. Now I was trashing around with photoshop myself for a little bit but the only thing I could do to it was make the edges dark so that it looks like darkness around me.
what I tried to do myself, but what failed.......quite a bit XD, was making my eyes glow red or bleu and maybe make the background of my room more......death style like :P but what I am mainly really curious about is the eyes
here is the picture
I've used an A&D mat to create a polished plastic floor.Now I would like to apply a circle-shaped sticker onto the floor by using a tif, tga or png, but the only result I get is either the sticker (alpha masked -> cirlce shaped) and a totally black A&D mat (premultiplied alpha off) OR the sticker (not alpha masked -> circle shaped sticker and the rest of the white bckgr bmp) and a black A&D mat (premultiplied alpha on).
As shown this procedure works with the standard material but won't with an A&D mat.Or maybe provide an alternative method to apply alpha masked bmp onto A&D Materials?
We all know the illustration in the glossy car brochure has been enhanced - before Pshop days it was done by film retouches. I admire that work and would like to achieve similar results - making my car photos more like 'glamor' shots or 'studio' shots, starting with pictures of my own vintage car a 1936 Ford.
So far I've struck out on searching the web for techniques specific to this task, probably because I'm not using the best search terms. Automobile glamor retouching, or vehicle retouching was no luck.
Is there a specific name for this kind of retouching/enhancing/studio look? If I had a clue as to whether it's a recognizable trade or specific job I might be able to follow that lead.
Understand, i'm not asking you to do the work, just point me in the right direction.OTOH, if you do know of a site devoted to this I'd be very interested. I do remember completing a lesson in Scott Kelby's earlier 7 point book, where an automobile shot was improved, and that's been useful.
I have a couple or three (probably more) small-ish sized images that have crappy quality (they're grainy/noisy-ish and whatnot y'know).
My question is: in general, what would be the best way to enlarge the photo, make it look smooth, and more/less "professional quality" without losing any color? I know whichever method of doing this would require playing around with the settings in each step with each picture.
I have elemnts 10. I have been unable to perform editing and cropping of my pictures due to the following error message:
your system is low on disk space and elements cannot perform this opperation. Try removing some files to free up space
I have a 6gb harddrive on my computer with 530 gb of free space
I have deleted pictures from my catalog
I have purchased 20gb space on your site
I have checked for any problems with my computer none found
What else would you recommend that I do?
Our company logo exists as an outlined .eps file. Wouldn't I simply send the logo to the printer and have them resize it as needed? How do you set up a file with no height designation?
View 5 Replies View RelatedIn my opinion i think the Ellipse Select Tool could be a little more ellipse (even in a 800% zoom). In this image we see that the ellipse tool starts out as a small square; than it will gradually become a circle. i'm not against it but i do think there should be an option for you to pick, in the Ellipse Select Tool options, between a pixelated circle or a perfect circle.
The same can be said about the Rectangle Select Tool when it is rotated.
I have a png file that has some letters, the letters are blurry after thescanning and I would like to enhance the tone of the letters, the lettersare black and the document is in many colours but black. How can I isolatethe black, thus the letters, from all the other colours and then enhance thecolour black so that the letters are thick and solid.
View 6 Replies View RelatedI'm fairly new to using bump maps and have a question about a wood grain bump map.
I am using a bmp file in the material editor for the wood grain, along with a UVW modifier to make the grain run differently on the different pieces of the furniture. I was hoping to "enhance" the appearance of the grain on the wood, so I thought I would try a bump map by using the same bmp file and set it to 30%. While there is much more texture to the grain than wanted, I'm wondering why the vertical instances of the wood do not seem to have the map applied?
Aside from that question, is there a better way of enhancing the grain pattern without necessarily increasing the texture?
I am useing a Canon Pro 9000 MKII and when I try to print 11x14 paper, it will not alow custom paper size. The Canon printer driver does have custom size but it does not show up in printer settings.
View 1 Replies View RelatedI'm using version 7, I'm trying to create a curled paper effect then paste an image on the "paper". A couple of web sites suggested creating a rectangle then create a path or something like that and then using the pen tool and the "handles" manipulate the corners. I'm not sure if I have the terminology correct but the problem is that when I create the rectangle and go to add the path (the icon looks like a circle with handles on it) it's grayed out and can not be selected and manually creating a path with the pen tool doesn't work.
View 5 Replies View RelatedQ I am trying to set the paper size for a H 30cm x W 80cm image using roll paper on an Epson R3000 printer. Computer Dell I7 64b and using Elements 9.
View 3 Replies View RelatedI would like to make a 10" x 3" bumper sticker (one half being one image, one half being another image). Are there options to layering (Vertical |, diagonal /, horizontal --) or am I stuck with manipulating the imported image by hand. I use the Move tool after I drag and drop an image onto the canvas (background).
View 2 Replies View RelatedI'm having issues with importing an image I created in photoshop that has a background transparency into another photoshop project. The part of the image that should be invisible, is not.
View 5 Replies View RelatedWhen I print 11 x 17 paper on Epson R2880 in LR the image begins printing before the leading edge of the paper reaches the printerhead (not prininting borderless.) Only happens in LR and not PS. I am using the LR paper standards for borders.
View 1 Replies View RelatedI recently installed CS5 on my laptop after first removing it from my previous machine.All licences were validated so no problems there.Now when using paint bucket in Photoshop, the colors that I select in the color picker are not the colors that result when I use the paint bucket.
If I create a new black canvas then the colors selected in color picker work with paint bucket.But if I attempt to recolor the background in an existing image that I import into Photoshop, I get the mismatch with colors when I use paint bucket. My method for selecting colors is the same in each case, I select 'set foreground color' and set the color using html values entry at the bottom of the panel.
Just wanted to print a new photo and realized that the colors in print preview do not match the colors in soft proofing. In both cases I selected the same icc profile and rendering method. The print colors matched the colors in print preview. I never had a problem so far. All new prints will be checked with soft proofing and adjusted when necessary. I never paid attention to the color rendition in print preview and all prints perfectly matched the colors from the soft proofing. I was surprised when my print came out of the printer and the colors weren't matching the soft proofing colors, but that of the print preview.
I don't understand why Photoshop renders the colors differently in the first place. See attached screenshot for the difference in the blue/cyan colors. I don't care if the print view colors will match the print, but I do care when soft proofing is not working.
I have a Project Template that is used when creating a new project. I noticed that the Tool Palette in the Project Template and the Tool Palette in the new Project are not the same. How do I get the new Projects to pull the same Tool Palettes from the Project Template?
View 2 Replies View RelatedHow can I change the way the Project Browser maps the creation of new projects?
Currently, the new project folder is created and named according to the Project Name prompt. We want the folder to be named according to the Project Number prompt...
I've built a project up with several smaller project file components. It's an easier way to create a video than editing one big project.
Opening the overall project and running it on screen is not a problem. However, when I try to create a smart package of the composite project, I get a consistent error message rejecting the process because of the existence of the component vsp's.
Is there a way to avoid the error and create a smart package from a project file that has smaller component project files?
Is it possible to assign a project number to a project file and have it fill in the project Iproerties field?
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