I am attempting to shoot with both of the above cameras tethered to lightroom, but when I swap cameras it won't shoot as the display on the camera states that it is busy. So is it possible to shoot with two cameras attached to lightroom at the same time?
View 4 RepliesIs it possible to add a shoot name to photo's that have already been imported, I can't see an option to do this in rename photo's
View 1 Replies View RelatedUsing Lightroom to shoot tethered to a Leica M9?how to do it?
View 7 Replies View RelatedI was under the false impression that Lightroom 5 would work with my Nikon D90. This does not seem to be true..
View 2 Replies View RelatedI did a studio shoot recently and all 400+ images were properly exposed. But at one point during the shoot I must have hit a setting on my camera that under-exposed by 1 stop or so about nine frames. Is there a way in Lightroom 4 to bring those nine frames up to the same exposure value as the others. I was shooting in Canon camera RAW.
View 2 Replies View RelatedCan I shoot tethered into Lightroom 4.2 with my Nikon D3X?
View 2 Replies View RelatedI need to shoot in tethered capture mode and have found that my D90 in not fully supported in this mode. A D7000 is fully supported, but will cost somewhat more than I had hoped to spend. The new D3200 would be an excellent match for our needs (dental photography). My question: Do this camera is supported in tethered capture and if not, does Adobe plan on adding it as a compatible camera anytime soon?
View 1 Replies View RelatedIt seems that even with a calibrated screen and across multiple print labs and colour profiles, my prints will always come out about a third stop darker than what looked good on the screen. I attribute this to the screen emitting light vs. the page only reflecting it. My question: is there an efficient way to give an equal exposure boost across an entire shoot? I don't want to sync a specific exposure setting. I want to make virtual copies for print and then add maybe 0.3 exposure to all files, on top of their current setting.
The only way I can think do to it now is to export 16-bit tiffs which will reset the exposure to 0.00 for those files, and then sync them all at +0.3 exposure. This is really inefficient for time and hard drive space. Even a preset will only set a specific overall exposure setting. I want a preset that adds exposure to the existing number.
I am a mac user with 10.7 OS. I recently upgraded to LR5.3 and thought to try out the tethered shooting feature with my Nikon D300. In the ‘Tethered Capture Settings’ window it shows the naming format as a DNG file. I only import image files in their native ‘NEF’ format though I am aware of the advantages of ‘DNG’ files.Anyway I noticed the captured images were named as ‘nef’ files with its standard sidecar xmp file. Note the lower case lettering for 'nef'. I am not able to import these files to my external HD because these images were grayed out in the Import window. However if I changed the format names to upper casing, NEF, these images are visible for import.
How can I avoid the extra step of having to the change the casing of the letters and have the captured images in the tethered shoot all have the correct upper casing instead?
I just upgraded to LR 4.2 and have lost the ability to shoot tethered with my Canon 5D. I reloaded LR 3 and everything works fine, so this eliminates a bad camera or tether cord. Something has happened in the upgrade!
View 2 Replies View RelatedI am trying to practice shooting tethered for an upcoming shoot. I am unable to get Lightroom and my Canon 70D to connect. I receive the dialog box shown below several seconds after attempting to connect. I went through all the steps on the "Troubleshooting tethered capture in Lightroom" and can shoot tethered using Canon's software. I am using Lightroom 5.3 on a MacBookPro 13 inch with 16 gb ram running system 10.9.1
View 1 Replies View RelatedWay to import the raw file when I shoot jpeg and raw at the same time.. and then develop those files ? Also did there used to be a setting during development for "lights" ?
canon 5d canon 70 to 200 2.8 L
Win 7 64bit
Lightroom 4.1
Photoshop CS5
The Filename Template Editor has different options depending where it is opened from
If it is opened from the Import menu there is an option to add "Shoot Name".
If opened from the Library>Rename Photos there is no option to add "Shoot Name".
Furthermore, if one invokes a preset by the Library>Rename Photo route, that was created during Import with a "Shoot Name", then the "Shoot Name" part doesn't show up in the preset.
I'm running the latest version of LR on Mac OSX, shooting tethered.I'm product shooting, I need to shoot 1 shot from the front, then from above, 1 shot from the front, then from above, and so on, i'll have 2 cameras in position.
My question - can i tether both cameras into LR at the same time.
I recently tried to compare images taken with a Nikon D300 (12.3 mgapixel-small sensor), D800 (36 megapixels-large sesnsor) and D4 (16.1 megapixels - large sensor) using the LR4.1 Compare function with not very satisfactory results (iMac 27, Lion). I took 4 images each of the same subject with a 60mm f2.8 Nikon lens on a tripod at F8, at 200,400,800 and 1600 ISO and imported the images into LR. Selecting images of the same ISO and using the Compare function, they all looked pretty much the same so I viewed them at 1:1 and 2:1 trying to get a closer look at the fine details to check for sharpness and noise. Regardless of how I cropped the images, I couldn't get any of them from the different cameras to be the same size on the screen in the closeup views. I presume the combination of sensor size and megapixel capture on the sensors caused this problem but I don't have the technical expertise to either understand (or care). Is there a way in LR to overcome these differences?
View 2 Replies View RelatedHow do you sort by captured time all the photos that came from 2 different camera but they're in the same folder? I've tried to use view -> Sort by -> capture time. But all the files from Canon got sorted first, and then all the files from Sony got sorted second. Two cameras time has been synced prior to shooting.
View 4 Replies View RelatedI'm currently trying to match six cameras and all their different lenses to produce identical images and I need fine tuning my workflow on making the camera profiles.
Me and my team are shooting weddings. We have Nikon D3s, Nikon D3, 2x Canon 5D mk III, Canon 1D mk 3, Canon 5D mk II with 17 lenses and I'm in the middle of the process of matching their colors so when we shoot together I don't go crazy trying to match the white balance between all the cameras in Lightroom.
The issue I have is that I managed to make all the colors, contrast, saturation and brightness for all cameras and lenses on daylight shots identical (with minimal differences) but shots under 2800k light are very different.
I bought a 24 patch color checker and took photos with all cameras - once with a 2800k halogen lamp and then with a 5500k strobe (Nikon SB-800 @ 1/16 power). I shot in RAW. The exposures are good - no blown highlights or unexposed parts. In Camera raw I applied the "Camera neutral" color profile for all cameras. I exported the shots in DNG. For each camera and lens I imported the halogen and flash lit file into DNG Profile editor.In the chart section I created a color table for the "2850 K only" halogen lit shot and then for the flash lit shot choosing "6500 K only".
So far so good. The colors are good but to achieve them for the different cameras or lenses I need to input different color temperatures and tint. What I want is to set identical color temperature for all photos (say 5500k) and to get identical colors regardless of camera or lens.
So the next step I took to get at least the daylight shots identical is to play with the "White balance calibration" under the "Color matrices" tab. For instance - DNG Profile editor determines that the flash shot should be set to 6050k +8 tint. I move the "white balance calibration" sliders until I reach the numbers I want above the flash shot (5500k). Because the colors shift I press the "Create color table" button again. My goal is to show the program that I want these (calibrated) colors to be achieved at 5500k +0 tint and not 6050k +8 tint. I get the result I want but that affects the 2850k shot. If I readjust the "white balance calibration" sliders for the 2850k shot and use "create color table" again, that ruins the 6500k adjustment.
So using this workflow I get either the daylight shots right or the tungsten lit shots, but not both.
So in short my question is - How do I create proper profiles that produce identical colors among all cameras and lenses under all white balance settings?
I started to get problems with Lightroom not recognizing RAW files from my Fuji XE-1 and Canon 5D Mark 3 cameras but I thought it was a problem with RC. After downloading some files today in 4.4 without a problem I encountered the same error message (unable to inport listed RAW files) again. The files open fine in Bridge.
View 2 Replies View RelatedShooting tethered only seems to allow me to store the images in lightroom, not on my camera - really would like to do both
View 1 Replies View RelatedI recently used a second shooter for the first time at a wedding I shot, and I have tried in vain to get them to be sorted in Lightroom using Capture Time. I've changed the times to match up already, and that worked, but when I sort those picture by capture time, it only sorts camera 1 by capture time, followed by camera 2. It will not sync the two cameras times together.
View 2 Replies View RelatedI took pictures on different cameras. I now want to import these pictures into 4.3 in the same folder fro the two memory cards.
View 16 Replies View RelatedI accidentally combined my Canon 30D 2011-12 folder with my Hp 850 2011-12 folder, now one camera's images show missing, and so does the folder for the missing images. Since they have all been keyworded and developed, how can I recover the appropriate ones back into the right missing folder?
View 6 Replies View RelatedI'm importing pictures from different cameras into the same catalog. I set the world time on both cameras so they could seamlessly integrate into one catalog by time. What setting do i need to choose in the catalog to make the pictures from the 2 different cameras integrate by time shot?
View 6 Replies View RelatedHas it become a possible option to automatically grab the Date-of-shoot (instead of the DAYToday) when renaming files (that should show shooting- date) in LR5?
View 4 Replies View RelatedWill the current plugins for Sigma DP1/2 RAW files work with files from the DP1/2 Merrill cameras? And if not, is Adobe developing plugins for these cameras?
View 2 Replies View RelatedI've had the initial idea of using my camera to take a reasonably good composition, with moderately good lighting etc, but I'd like to use Photoshop to adjust and tweak the image.
As up until now, I've done just transport (in particular, aviation and aircraft) action shots of transport and still objects... However, not much in the way of human photography.
How to edit a whole group of shots in CS4. Like 300 surfing shots at basically the same aperture, lens magnification...time of day. Of course, toss a bunch that have no punch...leaves several hundred files to be edited. At 3 frames per second, I am overwhelmed (but secretly loving my new Canon sports camera)
Most of my shots the surfer is "dead center" and in focus..but too far removed at 400mm even! So I painstakingly crop it up a bunch...surfers like to see their faces....is that me? or is that Kelly Slater! Then a "ton" of adjustments to each file....but....mostly the exact same edits?
Here is an edited surf photo...done, one by one.
I shoot in RAW but for some strange reason Elements 10 has started to convert the files to JPEG. For example, if I open the file in iPhoto the file extension is shown as RAW. If I then import the file into Elements Organizer and then subsequently try to edit that file it shows the file extension as JPEG! Previously a RAW file would automatically open for editing in Camera Raw so I have clearly altered something somewhere!
View 1 Replies View RelatedIs it true that raw images from cameras introduced after CS4 such as the Canon D5 MkII will only be supported with CS4 and not with ARC in CS3?
View 3 Replies View RelatedIs it possible to script a render for 8 cameras , each render to save to its camera name? If so what would the script look like .
View 3 Replies View RelatedI shot an interior. How do I get the lines of a room straight? I used the straighten tool in the cropping area but one side get straight and the other is off.
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