Lightroom :: 4.4 Not Recognizing RAW Files From Supported Cameras?
Apr 3, 2013
I started to get problems with Lightroom not recognizing RAW files from my Fuji XE-1 and Canon 5D Mark 3 cameras but I thought it was a problem with RC. After downloading some files today in 4.4 without a problem I encountered the same error message (unable to inport listed RAW files) again. The files open fine in Bridge.
Will the current plugins for Sigma DP1/2 RAW files work with files from the DP1/2 Merrill cameras? And if not, is Adobe developing plugins for these cameras?
As of yesterday, my lightroom no longer recognises the raw files from my Nikon D7000. It won't import them. Not sure why as it worked fine prior to then.
I have LR 4.2 installed. I just tried to import my 5D MK III images for the first time and is gave me a camera not recognized (409) error. From what I can see the 5 MK III was supposed to be supported from 4.1 on. Did the tether fix in 4.2 break the native image support? If not, have 4.2 installed that does recognize MK III files (within the past week)? I ran the update check and it reported that I had the latest version installed and no updates were available.
Suddenly, after 3 months of easy use, LR5 says it can't import standard JPEG files form my Olympus OMD because it can't read them. But iphoto has no problem and imports them easily. This just started happening out of the blue.
I just upgraded to LR 5 mainly because it su[pports videos in slideshows; however in the import dialog box, videos do not show as "supported files". These are AVI files from my camera.
I have been evalutating LR4 and am stuck on how to import my files from another DAM into LR4.
I am able to write XMP into JPG files, and provide sidecar XMP files for RAW (CR2) and MOV/MP4/MTS files, writing my hierarchical keyword information into the xmp-dc:Subject and xmp-lr:HierarchicalSubject fields.
LR4 seems to read the XMP keywords from the JPG and RAW files just fine and re-creates my keyword hierarchy.
LR4 seems to ignore on import the XMP for the non-image files such as the MOV/MP4/MTS files for which I have provided sidecar files.
LR4 also does not write out XMP files for the non-image files, when I use save Medatada.
Does LR4 just ignore import/writing XMP for these non-image files?
I downloaded all of the updates that I thought were necessary to be able to edit D600 raw files but they are still coming up as "Preview unavailable for this file" and saying it's not supported.
LR has stopped importing my Nikon d600 raw files, first says no preview available then when I click import it says not supported. I have upgraded to ver 4.4 but still have the same problem.
I am attempting to shoot with both of the above cameras tethered to lightroom, but when I swap cameras it won't shoot as the display on the camera states that it is busy. So is it possible to shoot with two cameras attached to lightroom at the same time?
I'm running the latest version of LR on Mac OSX, shooting tethered.I'm product shooting, I need to shoot 1 shot from the front, then from above, 1 shot from the front, then from above, and so on, i'll have 2 cameras in position.
My question - can i tether both cameras into LR at the same time.
I recently tried to compare images taken with a Nikon D300 (12.3 mgapixel-small sensor), D800 (36 megapixels-large sesnsor) and D4 (16.1 megapixels - large sensor) using the LR4.1 Compare function with not very satisfactory results (iMac 27, Lion). I took 4 images each of the same subject with a 60mm f2.8 Nikon lens on a tripod at F8, at 200,400,800 and 1600 ISO and imported the images into LR. Selecting images of the same ISO and using the Compare function, they all looked pretty much the same so I viewed them at 1:1 and 2:1 trying to get a closer look at the fine details to check for sharpness and noise. Regardless of how I cropped the images, I couldn't get any of them from the different cameras to be the same size on the screen in the closeup views. I presume the combination of sensor size and megapixel capture on the sensors caused this problem but I don't have the technical expertise to either understand (or care). Is there a way in LR to overcome these differences?
How do you sort by captured time all the photos that came from 2 different camera but they're in the same folder? I've tried to use view -> Sort by -> capture time. But all the files from Canon got sorted first, and then all the files from Sony got sorted second. Two cameras time has been synced prior to shooting.
I'm currently trying to match six cameras and all their different lenses to produce identical images and I need fine tuning my workflow on making the camera profiles.
Me and my team are shooting weddings. We have Nikon D3s, Nikon D3, 2x Canon 5D mk III, Canon 1D mk 3, Canon 5D mk II with 17 lenses and I'm in the middle of the process of matching their colors so when we shoot together I don't go crazy trying to match the white balance between all the cameras in Lightroom.
The issue I have is that I managed to make all the colors, contrast, saturation and brightness for all cameras and lenses on daylight shots identical (with minimal differences) but shots under 2800k light are very different.
I bought a 24 patch color checker and took photos with all cameras - once with a 2800k halogen lamp and then with a 5500k strobe (Nikon SB-800 @ 1/16 power). I shot in RAW. The exposures are good - no blown highlights or unexposed parts. In Camera raw I applied the "Camera neutral" color profile for all cameras. I exported the shots in DNG. For each camera and lens I imported the halogen and flash lit file into DNG Profile editor.In the chart section I created a color table for the "2850 K only" halogen lit shot and then for the flash lit shot choosing "6500 K only".
So far so good. The colors are good but to achieve them for the different cameras or lenses I need to input different color temperatures and tint. What I want is to set identical color temperature for all photos (say 5500k) and to get identical colors regardless of camera or lens.
So the next step I took to get at least the daylight shots identical is to play with the "White balance calibration" under the "Color matrices" tab. For instance - DNG Profile editor determines that the flash shot should be set to 6050k +8 tint. I move the "white balance calibration" sliders until I reach the numbers I want above the flash shot (5500k). Because the colors shift I press the "Create color table" button again. My goal is to show the program that I want these (calibrated) colors to be achieved at 5500k +0 tint and not 6050k +8 tint. I get the result I want but that affects the 2850k shot. If I readjust the "white balance calibration" sliders for the 2850k shot and use "create color table" again, that ruins the 6500k adjustment.
So using this workflow I get either the daylight shots right or the tungsten lit shots, but not both.
So in short my question is - How do I create proper profiles that produce identical colors among all cameras and lenses under all white balance settings?
I used to have a Nikon D600. When I first got it I didn't upgrade from PSE9 and consequently I processed quite a number of files in ViewNX 2.
On revisiting those files now that I have PSE11 (which works well with D800 files) PSE11 doesn't seem to recognize and when I go into the Editor and try to open one from there I get the following message: I had thought that PSE11 would work with the D600 NEF files - is this not the case?
I recently used a second shooter for the first time at a wedding I shot, and I have tried in vain to get them to be sorted in Lightroom using Capture Time. I've changed the times to match up already, and that worked, but when I sort those picture by capture time, it only sorts camera 1 by capture time, followed by camera 2. It will not sync the two cameras times together.
I accidentally combined my Canon 30D 2011-12 folder with my Hp 850 2011-12 folder, now one camera's images show missing, and so does the folder for the missing images. Since they have all been keyworded and developed, how can I recover the appropriate ones back into the right missing folder?
I tried browsing my computer for the default program to open .psd files, but when I double click photoshop cs6, it doesn't show up in the list of default programs. Photoshop can open .psd files automatically in other user accounts, but not on mine.
I have recently output a job to print that was supplied .AI with a simple .TIFF image placed on an artboard at its desired crop.
After referring to the original TIFF file I have realised whilst inside illustrator my image suddenly has a clipping mask attached to it, and a lot of it is missing. (however in outline, illustrator only see's a single TIFF bounding box)
Looking more closely at the TIFF in Photoshop, i've found it has x3 paths inside it!) Illustrator is picking these up and masking my photo. Is there a default function or process that can stop this from happening in the future, so it ignores any paths within the file?
I've been using Photoshop Elements 10 to edit raw .NEF files from my Nikon D3000 with no problems. Recently I purchased a Nikon D3200 and I shoot in raw .NEF files using that also but Photoshop Elements 10 will not recognize those .NEF files to edit. The error I'm getting is saying the file type is not correct.
I'm importing pictures from different cameras into the same catalog. I set the world time on both cameras so they could seamlessly integrate into one catalog by time. What setting do i need to choose in the catalog to make the pictures from the 2 different cameras integrate by time shot?
Why are my previously edited canon 5d mark 3 raw xmp files no longer recognized and all sliders set to zero? I can see the xmp files associated with the raw file in their folder. The files were originally edited in CS6/ACR 7.x -in July 2012 - and recently re-opened in the same CS6/ACR 7.x.
The canon 5d mark 2 files from the same time/event are showing up fine. I have updated everything, but both before and after the update, same issue with the Mark 3 files.
On a side note:We have found that opening mark 2 files (that were originally edited in CS4 / ACR 5.7) in CS 6 / ACR 7.x and making any changes such as color coding causes all previous xmp information being zero'd out in the mark 2 xmp file. Not sure if this is a symptom of the same problem? Except the difference here is the Mark 3 files have never been touched outside of version CS6/ACR7.x - however the folder which holds both mark 2 & mark 3 files from the same event has been opened in the CS4 / ACR 5.7 window but without touching the files. By opening the folder in CS4 I can see that the Mark 3 files aren't reading and then know this event was originally edited in CS6/ACR 7.x
Specifics: PS CS6 13.0.4 x64 Mac OSX 10.6.8 Canon 5d Mark 3 Raw files
i want to know if their is a solution for files MOV H264 60 fps, because when i previsualize clib : no probleme, and in project windows the sound is correct but video completly slow. I have the same probleme on vs x3 and vs x5 ultimate... in the publicity of vs x5 ultimate it is write that input video h264, quicktime, but i think it is ONLY in 30 fps ! but not in 50/60 fps ! i wait answer from corel.. because the technical support said this input isn't supported in vs x5 !
My Lightroom 4.4 does not recognize my raw format photos files from my Olympus EP-5. It does recognize files from my Canon 5D marc2. I'm using a Mac computer by the way.
I recently upgraded to Photoshop Elements 11 and seem to have lost the ability to work with NEF files. Everytime I try to "get files" from my computer in eithr the Organizer or Editor I get the error message thht this type of file is not supported. What's up? Where do I go?
I have a question, my old Nikon d3000 and photoshop elements9 had worked great together. Now I upgraded my camera to the Nikon d600 and the RAW files are not supported by it.