Lightroom :: Cannot Export Luminance Settings When Exporting TIF From V4
Nov 13, 2012
I use quite heavy Luminance noise reduction on my images as they are shot at very high speed ISO...
I adjust this in L4, picture in preview looks as smooth as a babies bottom and perfect...
I then export as a TIF file at Adobe 1998 and when I open it in Photoshop 5 the image is really noisy like I've not done the adjustments at all...
I use a 17inch Macbook Pro with the lastest operating system, this is the second performace issue over the last few week (problems with LB too)...I export my files manually using a card reader as RAW files, from a Canon 5D Mark 3...
I have just moved my LR4 Catalog (Exporting as Catalog) from my Mac to an external Hard Drive. Now when I view the DNG Images in LR4 I notice that all of my adjustments e.g. (Exposure, WB, Camera Profil...etc,) are nolonger there! (hours of work missing). I have also noticed that all Virtual Copies are missing! The files are now as when I first imported into LR4.
Say I have an image where I'm attempting to extract a mask from and I've found that one of the channels will serve as a good starting point. Further suppose that I have found that I want to increase the luminance level of pixels in the range of 60 - 65 by 10 luminance levels each:
i.e. all pixels with luminance values of 60,61,62,63,64,65 would, after the operation have luminance values of 70,71,72,73,74,75. Is such a thing possible with Photoshop?
What are the smallest eports settings for printing up to 8x12? Does resizing to 2400px on the Long edge at 200ppi make sense? I would like the smallest printable file possible. I am emailing thousands of Santa photos to hundreds of people and sending 10MB files is out of the question.
I want to do some Luminance Smoothing on only the sky, in Lightroom 4. I don't think it is possible so would like to know how to do it in Photoshop if it is possible there?
I've built up an extensive heirarchial keyword list in one of my catalogs. I want to export that list to use in other catalogs. I see how you export the keyword list and I get a text file, however, settings applied to each keyword doesn't seem to get exported (i.e. the settings for "Include on Export", "Export Containing Keywords" and "Export Synonyms"). I spent a lot of time building the list such that only the leaf-level keywords get exported to my image. However, when I export my keyword list from one catalog and import it into a new catalog, those settings are lost. Is there a way to export those settings as well? I could create keyword sets, but that would be another time consuming endeavour.
Is it possible to export the settings of each photo with the photo itself. Like. I want to save the adjustments (clarity, exposure, higlights etc) I made for each photo in some text file or within photo's metedata maybe. Reason being, later if I want to reproduce the same effect on same or different photo I can do so. (I'm not talkin about copy option where it copies the settings and you can apply to the oher pics.)
In my work flow, I want to export collections for use in printing photos as well as using them in another program to create high quality slide show to view on HD TVs. I will also be storing them on a seperate drive as a back up in case I lose my catalog. I can't figure out if I should use jpeg, tiff in file format. Also in color space sRPG or AdobeRPG or ProRPG. I like jpeg as it takes my raw files from 30 mb to 8 mb so they are managable. The problem with AdobeRPG and Pro is the files become 120 mb and way to large.
When I shapen my photos in lightroom I can see that the sharpen tool works but when I export my photos, they don't export with my sharpen changes. Here are my export settings:
JPG Quality > 100 Color space > sRGB Resize to fit > unchecked Resolution > 300 Pixels per inch
I can not upload my files to an online site to design a photo album. Apparently they are too large. Any screen print of how the export should be set to produce a quality 10 x 10 album and will upload in a reasonable time frame?
I imported some pictures into LIghtroom 5 with the SAME jpg numbers as a prior import. The first import consisted of pictures from Trip 1 folder on my hard drive, the second import was from Trip 2 folder on hard drive. I see the Trip 1 and Trip 2 folders in LIghtroom 5, but am experiencing problems with emailing and exporting pictures, getting messages such as "Missing file" or "Export does not show up. Were there problems with the import?
I have made several presets in ACR (CS3 on XP pro) and I'd like to save them out to share with friends or use on other computers, is there any way of doing this?. I know it can be done with Lightroom, so I'm guessing theres a way with CS3 ?
Client supplies template for acad with title block c/w attributes that eventually get populated via their doc management system.I open template in inventor, drop in views from me model, then dimension & annotate.I have previously created styles in inventor so all layers, text etc is correct. And colours used match clients ctb file.
I then export to acad 2010 dwg using sheet to layout with best visual fidelity and the acadiso.dwt as a template.I then open in acad and add my bits into title block.
I check layer manager as quite often inventor converts acad colour 'red' to a RGB colour code in inventor; so these need resetting.Then repair or delete and redo dimensions that have not come over well.However, I now have everything on paperspace - not ideal. Ideally I would like everything in modelspace at 1:1.
I have tried other setting sin export and it just doesn't work.What is the best way and best settings for this export? I will adapt my workflow to suit best way.
I have a map using multiple layers with different textures/colours/etc on each one. I now want to create a new map but use the same layer settings. Is it possible to export or copy the first map's layer settings to use on the second?
The company I work for uses exclusively grayscale art and often the same art is used for print as well as online. Sometimes the art we export as .gifs (not my choice - company mandated file type) looks fuzzy (Times New Roman is company mandated typeface). I'm just wondering what the best settings for creating a grayscale .gif graphic would be? Currently, we use:
I managed to get a nice set of different settings to publish a corel file to pdf. Now I would like copy these settings to multiple other pc's in the office. where a can find the file/folder in which these settings are being saved?
Otherwise I would have to set all different pc's individually and I rather spend my time otherwise.
I am having an issue exporting my sequence which contains final AIFF mix (24 bit 48 kHz) into a 'same-as-source' ProRes 422 file with 24 bit audio. I am specifically trying to export media with 'Match Sequence Settings' checked to create an identical output of what my sequence is. I wind up only creating a PR422 with 16 bit audio rather than 24 bit audio.
My sequence contains ProRes 422 media and 24 bit AIFF final stereo mix (1 audio file) from our Sound department.
My sequence is currently setup as "Custom" at 1920x1080, 23.976 fps, Square Pixels, Progressive, etc. Audio is 48 kHz (I don't see an option for choosing different bit rates in the 'Sequence Settings').
Using 'Match Sequence Settings', my options to alter the audio are "greyed out" and unavailable. I'm not sure why 'Match Sequence Settings' doesn't recognize that I am cutting with 24 bit audio and, instead, only exports 16 bit audio.
I’m a long time Photoshop user but recently picked up LR4 to try to fine tune my workflow. I’ve noticed that after importing new files (RAW, I haven’t tried with jpg) into my library as I scroll through them (1-up, not in grid) the preview comes up and then after a second or so the WB changes to a much colder image.
Does LR4 initially preview at specific settings and then change to the individual image settings? Even if so, the final images seem very cool and I feel like I have to up the temp more than I should have to. My previous workflow was to sort in Bridge and then use ACR to import to Photoshop. I feel like I did much less tweaking of my WB this way. I feel like I’m starting from square one with LR4.
im currently workin between photoshop and flash but am havin problems with the size of my files.
I am saving my images form photoshop - for example size 700px x 800px. and then set my stage size within flash to 700px x 800px, but when i import the file into flash they are not set to the values and are a lot smaller?
I just finished editing a 67 minute documentary, and I'm preparing to send it to the replication company. The problem I'm running into is that the project looks very clear and clean in premiere pro, however as soon as I export and burn it to a disc via encore, the finished video is noticibly pixelated/grainy, and a lower quality.
The footage was shot in HD. I've tried exporting MPEG-DVD and MPEG so far. The MPEG-DVD setting was worse than MPEG, but that wasn't great.
Is there anything I can try to get this footage to look better? (It's due at the replication company on Tuesday.)
I can export a brush to an .abr file but it doesn't keep its settings like Shape Dymanics, Color Dynamics or Scattering?How do I do this? I'm using CS6.
What can be done to reduce or alter chromatic luminance qualities in photographic subjects of people (skin tones) and liquids (beverages, water, ice, etc.)?
I have 18 pictures that I want to have, for research purposes, EXACTLY the same luminance. The pictures are cut out faces and the background needs to stay white.
I have a series of polygons for a dataset that I need to export as an SDF. One of these polygons has a hole in the middle which I need to preserve. If I export it as it is, then I will get two polygons, one inside the other that will sit one on top of the other.
My issue is that I have a number of presets-brushes, tools, actions, workspace setup, etc, that allow me to have speed and focus on getting the job done. I also work with a wacom tablet, and although that is 3rd party, I need know that photoshop is set up to maximize the brush sensitivity of the tablet.
Is there a way for me to export my settings from one machine to another? And a way for them to revert back to thier own after I finish?
I need to export a vector image to a .png for use on Retina display devices. What is the workflow and settings for exporting that results in the best possible quality .png image?
I've recently come across from FCP to Premiere Pro CS6. I've also acquired a Canon XF100 camera (the output being MXF files) and have been shooting some HD test footage which is 1920x1080. However, the project I will be shooting needs to be exported as a PAL SD .MOV file, as it is to be used for broadcast by a non-HD community station.
I have tried many different sequence and export settings to create the SD .MOV file, but in nearly all of them I keep getting blurring lines across the screen. I am now not sure if I should be shooting in SD or HD... I thought that I could shoot in HD for a better image before rendering out a SD final export.(I used to do this in FCP)
