I'm trying to apply an along stroke gradient to a stroke made with an artistic watercolor brush that comes with the program. Whenever I try to do this the gradient comes out greyscale. In the gradient window it will show as the colors I've chosen (ex. white -> orange), but when I draw the stroke it comes out greyscale regardless. If I draw the stroke with a different brush, like a regular round brush, it works perfectly fine. It seems to be doing this with all "artistic" brushes.
Is there a link there between artistic brushes and greyscale? Am I just doing something very wrong?
I'm running the trail version, does it have something to do with that?
I just dicovered the gradient stroke feature in illustrator CS6, the problem now is I can't get out of it. I am simply trying to apply a gradient within a shape, and it keeps only applying it to the stroke. If I try to add a gradient to a path that doesn't have a stroke, it will automaticallly add a stroke.
My black color slider is stuck as a multicolored gradient. The file was originally in RGB mode and I've seen it happen before but usually if I change my color mode to CMYK the black slider bar goes back to normal.
Any way to fix this with illustrator open? It doesn't go away unless I close and re-open illustrator. I don't think that it affects my output colors...
Is it possible to cut or erase part of a gradient stroke? The attached image shows a. the stroke I need to cut and b. the stroke as I would like it to appear - (at the moment I have just covered it(b) with white fill. I have tried Expanding, Outlining path and Flattening, but with no luck.
Why I can’t add a gradient to a brush stroke. As soon as I select the drawn brush stroke and I try playing around with the gradient, the whole stroke goes black…This is driving me nuts. And the weird thing the gradient can be applied only to the basic brush type…not the one that I need unfortunately. I’m not sure why that is…I can only add colour to the brush stroke but no gradient sadly. Is there something I’m doing wrong or a setting which prevents this from happening?
It seems that all these gradients-in-stroke options are only available for strokes that are aligned to the center of the path. I have tried to set inside and outside strokes, but i cannot for the life of me activate the right two options (even though they look like i can click on them).
Updated Illustrator to CC and now my apply gradient to stroke is acting funny (also does it with apply along stroke). First i can't get it to show up unless I find a number it likes (start out with 1 pt, don't see a stoke so increase size 1 pt at a time up to 11 to see it) now the corners have gotten strange, They seem to be missing small patches. You can see in the image I am not doing anything fancy, it's type and then just to make sure it wasn't a font problem I tried just a rectangle. It seems to be worst with corner set to round joint.
Why is it that when I apply a gradient to a stroke I cannot use the gradient tool to change the direction or position of the gradient? I can make a fill and offset the path and then move that gradient (which is a very similar effect), but gradient tool does not work on a stroke. I am just baffled by the idea that I can put a gradient on a stroke but then only change it by using the gradient palette to change the angle and /or height /width...and that honestly dosen't work well.
I'm creating text that will be printed on a deep gray to black tshirt.
I created text, added an offset path to it with a gradient, and a deep gray color fill on top, achieving the gradient stroke. However, I'm not exactly sure what color the shirt itself will be, other than deep gray to black. And I didn't want the deep gray/black fill in my text to appear and look awkward on the shirt. Unless that is something I shouldn't be considered about.
To be safe, how would you create transparent text with a gradient stroke? I'm using Illustrator CS5.
I need the frame of the image below as a stroke style (or at least I prefer that above having to copy-paste the elements of the sides 100 times along a frame in my design )
The thing is: it contains gradients. How do I get the frame to a stroke style so I can easily use it in Illustrator?
Im trying to vexel hair.. First I tried a shape for each strand,but that looks crappy.. now im trying to stroke my path with the simulate pressure button. Looks better, but I also want to have a gradient, not only 1 stroke colour.. is this possible? If not, how do you fill your shape with a gradient?
I am following along a tut where you make a selection (navbar) with the rectangular marquee tool. Create a new layer and apply a gradient to the selection. Then you choose blending options and apply a stroke to the selection. However when I try to apply the stroke I have problems. Instead of just applying the stroke to the outside edge of the navbar it actually overlays the entire navbar and changes the colour of it. I have used the stroke before and never had this problem so Im not sure what I could be doing wrong. Im following the tut as it is written too.
Is there a way or an option I am missing to convert my regular paths to a path stroked with a brush profile,while maintining the proper stroke width?
For instance, I have a regular line with a stroke of 5 and then add a brush profile, which then converts the original stroke to whatever the brush was made at.
Sometimes when I have an object selected and I go to select a fill color for it, the object turns a corresponding shade of grey, even though I'm selecting a color from the color picker.
Other objects on the artboard have color, so it doesn't seem to be a global setting....
I own a textile screen printing business. Sometimes I vectorise photos or images into greyscale. This gives nice halftone images, once I output to my printer through my RIP, (I use Accurip). This allows us to reproduce some great images with 1 ink colour. The great thing is that we can output the greyscale image, then use any ink colour we choose on the printing press to actually print the image. If we output greyscale, we can use scarlet ink to give us all shades of scarlets and pinks if we print onto a white shirt, for example. No problem there.
However, greyscale is essentially based on a black ink, with variable transparency. When I want to do a mockup for the customer of what the image would look like with a different base/ink colour other than black, (and the variable opacities of black that form the swatch pallette), I'd like to show the image using the actual base pantone spot colour we will use. That way, the customer can see how the variences in ink transparency will look on any shirt base colour that we choose to put in a layer behind the image. Right now, we can only show what it looks like if we choose black ink.
So..... once I have a vector in greyscale, how can I recolourise all the various opacities (of black), to various opacities of...say, Red?
If I try any kind of overlay or hue / saturation changes in photoshop, the base black colour is still present, and doesn't accurately represent what would print on a white shirt.
Is it possible to set the grayslide color picking slider to go to full black? The reason I would like to do this is because:
1. The slider (or another workflow) should offer a fast way to select a grayscale color.
2. In CS6 there is no other fast way to select an arbitrary grayscale color. The other other way to select an arbitrary desaturated color is to create a color swatch by selecting it through the Photoshop-style color picking dialog accessible by double clicking the color display in the Tools window.
3. It is not possible to slide across a selection of gray scale values in the RGB color picker in the Color Window. Which would be preferable in general as this would unify and retain the workflow of selecting an arbitrary grayscale value within the RGB selection of the Color Window.
I've been using Photoshop intensely this year for school assignments, and I'm learning to get around very well. The issue I'm currently having is that it want to make a layer mask that fades from the mask to the image behind, from color to transparent to create a smooth transition.
I've attached a sample image of what I'm trying to do. Just note, I used a very round-about method to get this image, but I want to achieve the same effect with a vector mask.
I have a complex vector object, containing of forms of all kinds and what not. They have two colours: black and red. To use this logo in a background area, I need to make it all grey. Everything which is black or red shall then be light grey or so. But the appearance panel can't do a single thing. It just says "this is a group, I can't handle that". So I ungrouped the entire object, then there were other sub-groups. I could go on ungrouping everything forever, but that can't be the solution. When I just click on a colour in that colour panel instead, it sets the outline colour of every single element. It hasn't always done that, there were times when it would set the fill colour of all elements. But there's no switch to tell it what exactly to set. Should I way until an even or odd day so that it would set the fill colour again?
I have a shape with a black stroke and green fill. I have a white line segment over it. How do I get it so that the end of the line segment doesn't show over the black stroke of the object? If I try to put the line segment behind the object, then the object fill hides it completely.
I'm new to illustrator and I've tried to search for an answer but I don't know the best way to accomplish what I want to do. Seems like some combination of transparency or knockout groups and I've read a bit about this and can't figure out what I need to do.
I need an outline on a stroke that i drew but when i apply object>path>outline stroke i keep getting my initial stroke applied as well. I only need the outline, not the initial stroke. I use Illustrator CC.
I'm trying to print colour to my epsom inkjet but for some reason Illustrator keeps converting my colour image to greyscale.
Now I've been using Illustrator for years and this is a new problem I've not come across before. Is there something I can do to stop it doing it - maybe there's a setting that has accidentally switched on that converts all to greyscale.
If not then I suppose I'll have to revert to "turning it on and off again"!
Is there a way to export a document @ a different resolution than 72DPI? I know I can set the horizontal/vertical scale to save it at a larger dimension at 72DPI, but I need the file to be actual size and 300DPI.
This is part of a larger process, and I'd prefer to do the entire process from Illustrator, and not have to open the files in Photoshop to change the size/resolution.
Also, is it possible to change the color mode to CMYK or Greyscale for the exported Jpeg?
Any Illustrator equivalent to Photoshop’s Displacement Map?
I need to be able to horizontally displace an area of vertical stripes using a specific greyscale displacement map. It’s fairly simple in Photoshop but I would much prefer vector output.
O.k., I could do it in Photoshop and then vectorize the result with Live Trace, but is there a less roundabout method?
I'm trying to figure out a way to automate a simple, yet repetative process I do countless times a day. Ideally, I'd like to tie it to a keystroke to speed up my workflow.
I work on line art and colorways for footwear, so the way I'm coloring these shapes and strokes break apart the different materials and pieces of the shoe.
While coloring line art, I work with Pantone spot colors as fills for closed path objects. I then have to manually apply that same color to the stroke, set the stroke to 0.5px weight, convert that spot stroke color to CMYK, and add 15% to the K value.
I found some code in an older post for applying the actively selected object's fill color to the stroke, but I'm having but I'm having trouble with the next step of figuring out how to take that spot stroke color and convert it to a CMYK build that I can then add 15% black to. Is this something that's even possible? I've spent about an hour playing with the script and have only had luck matching the fill color or turning the stroke white.
