I'm working with Layers, and wondering if it's possible to use a brush to reveal the layer beneath. If so, how would I do it? I'm thinking of an effect a bit like when you have a window that's all steamed up, and you run your finger across it.
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I need to cut into a mask to reveal a layer. I have a alpha image with thousands of lights scattered around the image. I'm laying the lights layer over an image of a city to create more lights in various buildings. All I need to do is create some form of mask that when I cut into it reveals the lights below which is over the city.
View 3 Replies View RelatedHow can I cut out a shape from my PS image to expose the background layer? I will "Save for Web" with a transparent background. The shape will be a rectangle, and a text layer will later be added to display within the rectangle.
My goal is to use the PS image as part of a Web page, allowing the Web page background to show through the rectangle which surrounds the text. Hope this explanation makes sense.
I have an image silohetted on a transparent background. In order to put a drop shadow on it that only affects the bottom half of the image, I duplicated the layer, added a drop shadow layer style and a layer mask>reveal to fade the effect of the drop shadow. This worked but the layer masked added black or darker coloring to the over all image - then I reduced the fill on that particular layer to 0% and still got the discoloration. Why is the overall image getting darker with the addition of the lay mask on the layer style?
View 9 Replies View RelatedUsing CS2 and images that were shot in RAW and have been converted to jpgs or psds.
When I create a duplicate b&w layer and try to erase over a color that is not bright (in the more neutral family, like blue eyes or faded blue colors), the bottom color layer is not showing true to its color and is instead showing as a yucky orange peach. This does not happen with brighter colors of any type - erasing to reveal them will reveal the true color.
This does not happen with my older documents that came out of my camera as jpgs. Also, no amount of changing modes, color spaces or anything like that seems to help.
I am doing a kinetic typography project for for set to a certain song.
At one point I want two words to be displayed with simple text movement and once those two words are in place I would like an image to rise from behind them to be on top of them(not in 3d sapce but standard 2D). Since text is transparent you can see the image behind the text before the image is set to move.
I tried creating a mask around the image which does mask it out but when I move the image up the mask moves with the image, thus keeping the image masked. I thought maybe a null object with a mask would be needed but I cannot get to see to get it work. I feel this should be easy but I just do not have the skills to put the pieces together....
Am I missing something very basic?? I am trying to invert a mask on a sculpt layer. I don't seem to be able to invert a mask on a sculpt layer.
I have a layer with sculpting on it an I need to separate it out into two different layers. I painted a mask for the parts that I want to mask out and then duplicated the layer. Now I want to invert the mask to reveal the masked out sculpting on the second layer but I don't see the "invert mask" function that I thought for sure was there. I see invert freeze but not invert mask.
When i am using layer masks in elements 9 I can conceal paint with a black brush, but when I want to go back over something to reveal (white brush) nothing happens. I have the layer mask selected as active and it works perfectly fine in reverse (black).
View 1 Replies View RelatedI'm using a tablet with gimp and I want to be able to set the brush size for the paint brush and also for the eraser, separately. What happens now is that I'll set the paintbrush size to 10px, paint for a little while, turn the pen over to erase and the eraser will now be at 10px. So I'll adjust the eraser size to something like 50px, erase, turn over, and now the paintbrush is at 50px. Grrrrrrr... I tried creating new brushes for both the paintbrush and the eraser, but there's no brush size option. This is my first time using gimp so I'm probably missing something.
View 4 Replies View Relatedis it possible for a gif's transparent background to extend past its border? when I say border, I mean the black border that frames the image in photoshop...
I ask because I seem to be getting a space beneath my image when I embed into my web page and I've taken care of the html side of things (all padding and margins set to 0px, etc.)...
is it possible for a gif's transparent background to extend past its border?when I say border, I mean the black border that frames the image in photoshop...
I ask because I seem to be getting a space beneath my image when I embed into my web page and I've taken care of the html side of things (all padding and margins set to 0px, etc.)...
I've opened an older InDesign document (I don't know with which version it was created) and found odd little number/letter "coordinates" [Example: 21W(13)] displayed beneath each and every text box in the document. They are the same color as the layer they inhabit, they don't disappear when I turn off invisibles, they move with the text box, they don't appear under image boxes, and the numbers are all different but the "W" always follows the first number. After some experimenting I learned that the number in parens refers to character count. I can't figure out what the "number/W" signifies. I've searched all over the web for information about this and found nothing. I've checked preferences, palettes, settings, views, etc. and also found nothing. I've worked in InDesign since its inception and have never seen such a thing. The styles in the document are all messed up, I'm wondering if these numbers are causing the problem. Can they be shut off? What are they? Does this have something to do with InCopy?
View 1 Replies View RelatedI work with .dds texture files a lot in modding the games Oblivion and Skyrim, and whenever someone else releases a mod that I like, I usually change it to my preferences (solely for personal use, of course). This occasionally means editing their textures, but some people have a way of making the texture "invisible" (as in totally transparent), yet still readable by the game as well as some plugins like Emboss. This makes it impossible for me to do anything with the file, and as a result some become completely unusable. what this "invisibility" is caused by, and a way to reverse it?
View 4 Replies View RelatedI try to set up a plane as a background. In order to do that, I have tried to create a plane, use material editor to add a bitmap to a slot and drag it to the plane. However, each time I do that, 3DS Max doesn't let me drop it in the plane. (A prohibition sign appears beneath the cursor).
I'm running
Windows 7 Ultimate 64-Bit
3DS Max Design 2013 64-Bit.
I am new to the Appearance palette
See screen shot attached. (the text "Helvetica")
I have created some live text (ie: it remains editable)
I have given it a fill of black and a heavy (7pt) stroke of blue.
I cannot appear to rearrange the stroke so that it falls beneath the fill
I assumed it would simply be question of dragging it below, as one would with the Layers
However, when I converted the text to outlines (in this case the text "UNIVERS") it works.
And also why are the eyes in the first coloumn grayed out when the text is live. But not so when text is outlined?
This house was going to have woven shingle corners. Of course Revit can't really do that. It appears that materials are prety much like wall paper so they look pertty fake up close. NIce for sketchy stuff and "common" presentations. 3dsMax can punch up that wall paper but still in a close rendering or animation it's going to look pretty cheezy. After exhausting all searches for a very real looking siding material or texture. I came up with the clever idea of using a reveal to "press" a siding pattern into my outer finish layer. (This would save me the laborious task of modeling the siding and remodeling it every time I need to move something.)
It started to work and I got excited, I exlaimed, "good job autodesk! I can finally at long last, put 3 dimensional siding on a project!" Then things got weird. For some reason when it's applied to SOME walls it won't join with the adjacent wall, AND it unjoins my walls in plan.
If I paste an image which is larger than the canvas size, a part of the pasted image will be outside the canvas. How can I resize the canvas so it will reveal only the image outside the canvas but no extra white space is shown.
By using the built in "Resize canvas" function, there is a lot of trial and error involved.
Today's challenge was to create an artificial reflection beneath an irregularly shaped object.
In the past I've been asked to add reflections where the reflection is simply a plane that cuts horizontally across the entire object (example 1), and where the object to be reflected is skewed (example 2) - both operations are pretty straight forward...
Example 3 is the object (a duvet) to which I had to add a floor reflection. I did come up with a solution, which I am reasonably happy with, but would love to see what methods other people use! I guess my attempt is OK because the texture and shape of the duvet is fairly forgiving!
Do you have a better method for these irregular floor reflections?
Example 4 is perhaps the trickiest I can imagine as the entire object is curved and the texture uniform so a bodge job will be very obvious!
Perhaps this can't easily be done in Xara - I imagine it could be painted in a bitmap package or rendered with a 3d package... or photographed with a reflection in the first place!
Xara file here -> IrregularReflecions.xar
I'm simply creating a word on an artboard "Item #1" at 90pt bold and centered to the artboard. I now want to copy it a couple of times on the same artboard by holding down alt + shift and dragging beneath it to create new copies of the word with the goal of printing this artboard and using a paper cutter to make evenly cut labels.
1. How do I create a consistent amount of space between each label when I drag each copy down?
2. If I already have the labels on an artboard, how can I space them out so that there is an even amount of space between them?
How do I return the color gradient or gray scale to beneath the sliders. They are all just currently gray. The whole process just slows me down not seeing the resepctive colors or greys beneath the sliders.
View 6 Replies View Relatedperhaps I'm using the wrong keywords.
I need to create a hidden image/message that is only visible when you view the image through a red filter.
From DWG files exported off Vectorworks, in Model Space my lines are interrupted with blank area which are non removable, unpickable. If I move my drawings in MS theses black areas stay in place, the problem is: I can drag my drawing away from them but without seeing them, where they are. In Paper Space, these invisible hatch turned into grey area in random location and as grey background behind Elevation Benchmark (circle+text), room text, floor section.
How to reveal and delete these ghost Hatchs?
I'm trying to reveal text using Gmask and Blur. When I apply the effects I get a dark edge around the text. I've tried the different key operators in the blur node but that's not working.
How can I adjust this?
Is there a way to tell whether a DNG is the result of converting a cr2/nef vs. jpeg or tiff? I seem to remember an "original file" field in the metadata in the past.
View 3 Replies View RelatedI have a GIF image that I need to add something to, but I don't want to add it to every single individual layer. Is there a way to add it over or behind the entire GIF so that it remains static while the GIF's frames cycle - like a watermark or something?
Or if not, is there maybe a script-fu that copies and merges a selected layer over every other individual layer automatically, without messing them up?
I know I'll probably have to just end up manually adding it to each layer, (so many layers...).
How do I make the edges of the top layer blend in with the bottom layer so you cannot tell that there is a line??? I want to make it look like a heart but I don't know how to smoothen the edges to make it look like it is part of the bottom layer so when I merge the layers there is no goofy lines looking like someone cropped another fire picture out...
fire3.xcf (Size: 489.68 KB / Downloads: 38)
I have two similar images where the subject has moved between the images. I have them in the same file as two separate layers and am using the subtract layer mode to identify where they differ, (roughly!).
I want to be able to use the subtract layer as a completely new layer so that I can make edits to it. The only way I have found to do this at the moment is to 'copy visible', but this still brings other elements that I don't want from where the layers overlap.
For the projects I'm working on, I use the same template beneath the different layer groups of each different project. When I move a "color" layer into the group, however, it doesn't show up like it's supposed to. It behaves as if the 'color' layer is a blank layer, and has no effect. Is there any way to get this to work or?...
ALSO: I can't open images by URL.
Why can't I align a single layer that is inside a layer group? The align tool would always select the top most layer group as the 'boundary' for alignment, thus automatically selecting the whole layers inside of it and align them as a group.
Is this a bug or just GIMP's weakness? It definitely reduces the layer group's usefulness.
Long time gimp user, but for basic tasks only. Now I would like to get my hands dirty a little more. I'm trying to setup a workflow that involves CAD, Inkscape and GIMP. Basically I did some architectural drawing in CAD, used Inkscape to clean up and convert DXG into SVG, so that I can use paths into GIMP. I did a script that for every path creates a new transparent layer with a layer mask using the path, so I can add fills and textures quickly. Now to the problem: say I want to add a texture from another image, i paste the image into the appropriate layer, then I want to transform the texture a bit (scale, rotate and perspective). the result is that the layer mask is transformed, too. I tried to disable the mask during transform, but didn't work.
Is there a way to workaround this? maybe some layer mode instead of layer mask?
I just downloaded GIMP 2.8 (on Windows 7) and was using the layer groups to organize a project I'm doing. I noticed that whenever I put the layers into the layer group, nothing I do to them actually affects the image (for example if I change the opacity of the layer, it doesn't actually change). If I drag them out of the layer group they function perfectly; sometimes if I edit them and then drag them into the group they also work fine.
As I was writing this post I tested dragging a layer set to "dodge" into the group and it didn't work. It kept the dodge setting, but it looked as if it was on normal; however, I drug another layer set on dodge into the group and it worked fine.
Is this feature just broken on Windows, or does it not work like I thought (where you can drag them in and edit them individually, or edit them all by editing the layer group itself)?
