Premiere Pro :: Stitching Multiple Videos Together
Apr 14, 2014I have 6 separately saved video projects which I've now been asked to stitch together into one video.
View 4 RepliesI have 6 separately saved video projects which I've now been asked to stitch together into one video.
View 4 RepliesRe: Adobe Master Suite CS6 and specifically PPro CS6. I am trying to find any information on using my chapter or encore markers in a sequence to create multiple videos using the markers and doing this in Media Encoder. It is a music video I want to split into 22 separate videos based on the start point for each song. It is such a natural thing to want to do this that I would at least have expected to see a comment to the contrary if it is not capable of being done in the manner I am suggesting. I would expect to be able to do a dynamic link to the sequence and be able to split the file in a fashion similar to Encore which imports the sequence as a series of chapter points I then use to create my DVD.
View 2 Replies View RelatedJust dipping my toe into Premier Pro, I have to stitch together 1000 pictures from a time lapse photo shoot. I can import and change the time for a batch of frames, but it leaves gaps between each frame. Is there a simple way to make all frame snap together?
View 5 Replies View RelatedI have 2 videos that were shot using a tripod. Only a very small section of the videos are different and I want to add a crossfade only to that section, I want the rest to flow seemlessly.
For example, if you look at this picture -URL....
The black part is exactly the same on both videos (and when I add the clips together it plays seemlessly), the green square however changes to show an alteration to the product. How can I add a cross fade effect to only this section
i exported my video according to the tutorial here : URL....but now I dont know how to share the video, specifically email it.
View 1 Replies View RelatedIt used to be that when rendering a timeline, there would be no lag between rendering the first and second videos. Now, between each video there is about a 30 second transition before the next video begins rendering. Anything that would have caused this, or is there anyway to prevent it? If I am rendering a timeline with 60 clips that need rendering, this can add a significant amount of time.
View 1 Replies View RelatedI tried reimporting the video and translating it to another format, I've rendered it fully, and deleted temp files and re-rendered it. I rebuilt the video from scratch in a new sequence created from the clip (all clips were screencaptured using Camstudio so they're the same exact format as each other.
But I still have constant problems with videos not playing properly in preview. The last time I had this problem, they rendered that way too. When I hit the spacebar to view the video, it shows a bit of the video, then rewinds and plays the same section over and over, moving a little further forward each time. Basically "rubberbanding".
It's Premiere Pro CS 5.5.2
Win 7 64
No third party codecs.
I have plenty of hard drive space and 8 gb of ram. I do have browsers open which use a lot of memory, but all the other clips are working so that doesn't seem like it should be an issue.I'm not using any kinds of plugins or third-party things.
Shutting other memory hogging programs and restarting Premiere.Things that seem to hurt: using the time slider to increase or decrease speed of the video.
I opened up a new project to edit and imported my raw video. When I dropped a clip onto the timeline and played it, it played as if I put in it fast forward (which I did not). This happened with all of my video clips and I even imported a video clip I recently edited, that did not do that when I originally edited it, but it also plays in fast forward.
View 3 Replies View RelatedI make *.MTS videos in the format of 1280x720. When I output the video (PR Pro CS6) using Encore CS6 to produce a DVD it outputs in the format 720x576. Is there a way I could maintain the 1280x720 format?
View 3 Replies View RelatedWhen I export a video, I export to DVD, BLURAY, MP4 for Vimeo, and 2 Master Archives at ProRes 422 and AVC-I 100 all at one time. So like 4 or 5 versions of the same video. Been doing this for years with no issues really. Most of the time the exports all appear to be fine. Now all of a sudden every once in a while one or two of the exports will have one or two transitions missing. Bizaar. And disturbing because some of the videos are over an hour and I can't afford to watch all of the various copies to see if some are missing transitions and some are not. The timeline has no issues. There are lots of cross dissolves and the exported videos look great. But a few times lately one or two of the videos will just be missing one of the cross dissolves right in the middle of the video. It'll cut to black and then fade up the 2nd clip instead of blending the two. The other 2 or 3 videos will look fine and have no issues.
Running 2011 iMac 3.4GHz i7 with 16GB RAM, 120GB SSD (OS and Program), Scratch files on a 256GB Samsung 840 Pro SSD, and exports going to an OWC External RAID0 HDD connected via Thunderbolt adapter. Footage is AVCHD 720p60 edited natively on a 24p timeline.
Doesn't happen everytime, but seems to be happening more often.
I can't find the location of the videos I export/render on my computer. How to change the location of where to save them. I used premiere elements before I used premiere pro. The interface changed on pro and I'm falling way behind on projects.
View 14 Replies View RelatedProblem zoom, when visionage and exporting my videos, they are zoomed while I put the original video settings. However when I put break in the previsualisage video, it returns to its normal size. How do I get it retains its original size and delete this zoom effect ?
View 8 Replies View RelatedI using the Trial version of VisualStudio X5. I am wondering if there's a "best" way of synchronizing two different videos of the same event. Example: Say I have one camera that is of someone shooting a rifle. The other camera is of the target impact. Now say I want the video to show this person shooting the rifle, with the target impact shown in a smaller window superimposed on the main video. What is the best way to make sure the two videos are in sync with each other?
View 4 Replies View RelatedThe last version of VS I've used was V10. Just installed X5. I'm making a disk that has 2 videos in it. I want 2 menu options, one for each video file. The way I used to do it was to create 2 projects. In each project I'd edit the video as I need. I'd then create a 3rd project and add both projects with the edited videos in them.
Is this still the way to create a disk with multiple videos in it or is there a better way? If I do it this way will I get any audio sync problems? Had that with older versions.
Also, can I edit 2 videos in the same project without having them both in the same timeline?
I've placed 4 video files in the Timeline in the Edit mode. I have not merged them, they remain separate. But when I go to "Share" & create DVD, the Title menu always shows the whole project as one Title. I would like each video to show as a separate Title, which I can subsequently subdivide into chapters.
Also, the "Cut" icon is greyed-out in the Title Menu interface, so I cannot cut the project into separate titles here either.
I thought I would just check with the experts before I go down a road that may be a dead end.
What I am trying to do can best be described if you happen to have watched some of the Harry Potter movies, where they walk down a staircase that has all the historical paintings on the wall. Unlike standard paintings, these ones take on a life of their own and have movement inside the frame.
I would love to do something similar, albeit in a simpler fashion, by having a large static image on the main track, containing several picture frames, and then pan and zoom around this static image looking at all the moving images (videos) in the picture frames.
One thought I had was to create a very large images (4000 X 3000) containing all the picture frames. Then, in the overlay tracks I would place all the videos that would represent the moving paintings. The videos would be lined up with the picture frames using the picture-in-picture effect, and then I would pan-and-zoom around the static image viewing all the videos as they played simultaneously in the overlay tracks.
I fear there are several problems with this strategy, the central issue being that when I pan-and-zoom the main track, the overlay tracks wont pan-and-zoom with it.... Perhaps I could move the videos around the screen in sync with the pan-and-zoom, but that seems pretty difficult.
Is what I am trying to do even practical in VS Pro X4?
When I import a short AVCHD or MPG (~ 1 min., 100 mb) into Premiere Pro CS6 or After Effects CS6, it plays great. When I import the same file into Photoshop CS6 on the same computer, it's jerky, even with sound off, frame skipping enabled, cached, and no other applications running.
System is a Core i7 with 8 gb RAM, 1.5 gb nVidia GeForce, Win 7 x64 and DirectX 11. All drivers ruthlessly updated.
I'm trying to edit multiple camera videos on main and overlay tracks switching between them. I cannot seem to be able to leave a gap on the main video track at all whether ripple is on or off. What do I do to leave a gap in the main video track (with the video at that point in the overlay)?
Also I noticed the Track Manager has a greyed drop down to add video tracks. Is there a higher priced version to have more video tracks as opposed to overlay tracks?
I make TV features, using multiple P2 cards. I use a Panasonic card reader to use my footage on Adobe Prem Pro.
How do I use footage from the three cards, and export it as a MP4, if two of the three cards I need to use aren't in the card reader? I've done things all off one card and it works ok. When I take a card out to use another one, it will tell me the footage is offline, right?
I have a project which requires a lot of different edits from the same clip.
Is there any way to do this without having to duplicate the same clip each time and then making my new edit?
For instance -
Clip 1 is 20 minutes long.
My first edit is from 1:10 to 1:35.
I then duplicate Clip 1 and make another edit from 2:40 to 3:55. I'm using Premier CS5.
It's listed as a feature numerous times in the forums but I haven't been able to export cut down stock footage as individual clips.
View 3 Replies View Relatedis it possible to move multiple scene markers at once ? Shift selecting and moving doesn't work.
View 3 Replies View RelatedI am working on a feature length film which has 48 sequences with subclips and rough cuts created in Prelude. Now I want to start bringing this footage into Premiere for editing, but I am wondering is there benefits or drawbacks to creating a Premiere project for each sequence then merging them all together in one master project file after finished working on each sequence?
I'm trying to determine which way would be the easiest to keep things organized and not so overwhelming.
I'm having trouble figuring out how to edit multiple audio tracks. I put the clip on the timeline and I can hear both tracks but there is only one audio track showing. How do I seperate the tracks?
One track is from a rhodes external mic with phantom power using XLR. The other is from a powered lavalier mic attached by XLR. Is there something I have to do in project set up?
Why can't I just highlight multiple objects and move or resize them together? This wasn't a problem in previous versions, but now when I select more than one clip (or grouped objects), the effect controls go away. I have a lower third (the title and 2 different cropped color mattes) that I want to be able to move and resize while maintaining their relationship, and I can't figure it out. I've been using Premiere for a long time, and this is a huge inconvenience. I also cannot highlight multiple clips, and adjust their length together. Sometimes it will work (rarely), but most of the time it will only adjust one at a time. It's a real nuissance when you have upwards of ten layers you need to adjust together.
View 5 Replies View RelatedI'm doing subtitles for a documentary, and find myself wanting to change the font style in many clips at times. I know, I could start with a prefect template and copy that one over sequences, but in practice I find that you end up changing your mind mid-way about the specifics.
Coming from FCP, I remember there was a way to do this via an XML readout of the sequence (doing a "find and replace" query). Is there anything similar in PP? Or maybe even easier? An extension?
Anything that let me avoid clicking on hundreds of clips to change the style individually.
I love CC's multicam feature, but keep having this problem:
In Pluraleyes, I would lay all my Cam 1 material on video track 1 (multiple clips), then Cam 2 on video track 2 (multiple clips), add my audio, and create a multicam track that kept all Cam 1 clips on track 1 and all Cam 2 clips on track 2.
in Premiere Pro CC, multicam creation can only be exectued via the browser, not the timeline. So Premiere syncs everything up and throws each clip onto the next video track up, leaving you with a mountain of timeline media that reads out tiny and jumps all over the place when viewed in the multicam monitor (see picture).
What I'm after:
- the ability to create multicam sequences based on the timeline (lay out all clips from each cam on whichever video track I want, select all, then choose "create multicam sequence") so that the end result isn't 20 video tracks I have to manually collapse into 2 (time waster).
If I create a new title template and apply it 30 times inside a project and the client comes back and says they want a different font and color, is it possible to edit the title styles globally yet have the text content remain unchanged?
View 3 Replies View RelatedI am new to working with bigger projects in Premiere, I moved from FCP last year. I am currently editing a show which is based of Line recorded cameras.
I have 6 Tracks of video, plus mulitple audio tracks and 2 hrs long
My problem. Having made and lifted my selects in the timeline I now am finding the timeline to be very unresponsive to the point of pinwheeling even just to open the sequence. I can't zoom, move or edit anything in this timeline without a pinwheel and a 30 second delay. None of my other sequences are having this issue. All are the same codec.
Is there a way to set up larger sequences so that this does not happen? I find premiere 7.1 is fine until I build bigger sequences/projects. My inital thought was drive speed, however the issues only arose when I had lifted all the selects.
Could it be that I have too many tracks of video for premiere to handle? I have no problem playing the timeline (although it will initally pinwheel) its mainly navigation/clip selction along the timeline which causes an issue
I tried multicam also but that had too many issues
I work on a 2012 Mac Pro 2.4 Ghz 12-cores with 12 GB ram 9 of which is allocated to premiere. I also have my working caches on a dedicated single 3.5" 7200 rpm drive 1gb graphics card.
I'm making skins for Vst software synthesizers & FX and use Photoshop CS2 (and partly 3ds Max 7) for my projects.
The main tricky things I face problem with are VU meters, faders and mainly knobs. In general all I have to do is make 128 (or less) differrent frames of the moving knob and then stitch them perfectly one above the other vertically and then export the final image (the mondage) as tga file 32 bit uncompressed with Alpha channel for the transparency. They must be perfectly stitched (not even a pixel wrong) or else the knob or fader will wobble as you move it.
I manage fine with square VUs & faders where no transparency is present (I have also recorded an action for this) but can't find a way to deal with frames which have transparent background such as knobs or circular VUs (or even square faders which have a transparent space around them).
The procedure I follow is:
-Open frame1 file (which also has Layer Fx as shadows, bevel etc)
-Ctrl+click on the knob layer icon to select it.
-Select inverse
-Layer Mask-Hide Selection (from the Layer menu)
-Canvas size: same width, double hight added down
-From the Channels tab I make visible the mask I created earlier
-On the image: Magic Wand (not anti-aliased checked, tolerance=32) on the unmasked square underneth my mask to select it
-Delete the mask channel.
-Open frame 2 document
-Select all & Copy Merged
-On frame 1 document: paste into.
-.....I continue in the same way for all the frames till done.
2 problems:
1) Sometimes the frames are not perfectly alligned to each other causing wobbles while used as knobs or VUs.
2) If what I design is not dead centered (sometimes I want it to be this way),
then when I Paste Into, Photoshop automatically alligns it to the selection borders (the center of the square selection) even though I have deselected Snap from the View menu. (..don't forget we are talking for transparent background)
I'm having trouble stitching photos together in CS4.I am stitching together photos from microscopic flourescence images. I am trying to get a single image of the entire specimen but every time I try photomerge it leaves one of the images in the corner. It does a great job of adding all of the other images together but every time it refuses to add the last image (it could be the first, the point is that it is an image on one of the ends).
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