Working on a 28:30 project with 8 hours of footage shot over 13 days. I have seperate bins for each day. Some bins are displaying the clips in reverse order while in thumnail view and I cannot change it to be in sequential order. I've tried sorting it in list view first, but that doesn't work. I have the latest version of Premiere CC.
View 3 Repliesis it possible to show thumbnails of a clip in the timeline like this one?
View 2 Replies View RelatedHow can I view a preview how all the video transition looks between 2 clips in Premiere Pro CS5 before I choose the one I want to use.
I always use Adobe Bridge CS5 when I need to see a fosmag on the effects in After Effects CS5, but can not get it to work and then I can also see the Video Transitions in Adobe Premiere CS5
When I'm working in PS CS and open a folder of pictures it always reverts to List view even though I exited last time in Thumbnail view. How can I set it to open in Thumbnail view by default?
View 2 Replies View RelatedI'm doing subtitles for a documentary, and find myself wanting to change the font style in many clips at times. I know, I could start with a prefect template and copy that one over sequences, but in practice I find that you end up changing your mind mid-way about the specifics.
Coming from FCP, I remember there was a way to do this via an XML readout of the sequence (doing a "find and replace" query). Is there anything similar in PP? Or maybe even easier? An extension?
Anything that let me avoid clicking on hundreds of clips to change the style individually.
I've been working the last 6 months with 4 GH2s and ran into some strange troubles when initially importing them to the timeline. 2 hour shots are divided into 6 or 7 different files, and when brought into PP the first clips audio was assigned to all the other remaining clips. This was pretty strange, but I fixed it by using TSmuxer. It was added time in the workflow/set up, but in the end I could produce;
The latest update of PPCC now combines the entire 2 hours of footage into each of the 7 files being imported. So it is importing 2 hours of footage 7 times for each camera. The conforming is taking forever! For 4 cameras it's conforming 14 hours of footage each, when it should literally be a 7th of that.
It is taking up large amounts of time and disk space.
Is there any way to modify the order of the views that have been placed on the drawing sheet? We have a lot of times where we place an assembly view to drive the title block and then place the child components for detailing. Too many time the assembly view gets forgotten until you are done detailing the other parts, now instead of the assembly name showing on that sheet it is the first part you inserted. I would like to be able to select a view and tell Inventor that I would like this view to be the first view instead so I don't have to copy and past everything from one sheet to another. I used to have some code that looked at that first view but I can't find it anymore.
View 1 Replies View RelatedWhen Googling I found some pages saying that it should be possible to change the order of the layers in Track View with shortcuts, but they don't say how. Can't find anything about this in the customize dialog.
View 1 Replies View RelatedWhen loading the clips into Videostudio from my JVC GZ-HD6AG camcorder I have problems to get them in right order.
I want them in date and time order but it seems as VS insert the clips sorted on file name of the clips?
When loading the clips from the camcorder via USB I get all clips into the computer as separate files with correct time (date, hour,sec). I try to sort the files before inserting them to VS but with no luck when inserting.
I am using "Insert Media File to Timeline/ Insert Video" as well as "Insert Digital Media".
how to get the clips in correct order?
I am using Ulead Video Studio version 11 for a film project. However, I have just finished the trimming and now Ive come to the rearranging of clips which I thought would be the easiest part. With clicking and dragging in the storyboard mode, it seems that I can only move clips from left to right. The exception is the very first clip - that cannot be moved at all. And no matter how many times I try, I cannot move clips from right to left. Crazy.
There are 94 seperate clips in this film and obviously, I don't want to shift every single one of those to the right just to get the correct arrangement of several clips. I've held down the shift key and also the alt key while clicking and dragging but that does nothing. For version 11, is there indeed a way that I can move clips from right to left? What I want to do is dead simple. All of the other NLE programs Ive used allow for hassle free rearrangement of shots, even Windows Movie Maker.
how do I re-order or change the order of images within a file?
View 2 Replies View Related1. When creating a subclip from the source sequence, I then go to edit the name of the new subclip in the Media Library. After doing this, the sequence timeline switches to what looks like a viewer, and won't switch out of that mode until I double-click a sequence in the Media Library. This appears to happen when I create a new folder and drag the subclip into it.
2. Clips in the Medial Library within Folders are in sorted order. Please allow the editor to place clips, folders and sequences in whatever order they want, via drag and drop placement.
3. Shift-/ (play in-out) does not appear to work.
4. Names in the Media Library that are too long only show the end of the name. Standard Mac behavior is to show the beginning, then an ellipsis, and finally the end.
5. When viewing a source "timeline" (which rocks, BTW), please remove the name of the source from the timeline track. It gets in the way of audio waveforms, and in this case, is redundant since there's only the one clip anyway.
I really want to be able to use the new Synchronize feature of PP (Clip > Synchronize), but I tried selecting two video clips (a video clip, and two audio tracks), and right-clicking, but the option to Synchronize is greyed out. If I select certain clips, then it appears, but I don't see what the pattern is. It seemingly picks random clips to not sync.
View 1 Replies View RelatedI've been working on a project that involves 45 separate clips. I have cut the unwanted stuff out of each clip - was a lot easier than I thought - just dragged the start and end point icons. So now I have 45 clips which just need joining together. When I shot all the footage and uploaded it to my computer the file I saved as Clip 1 may not be what I want to start the movie with. How do I go about shuffling the order of the clips and combining them all into one to form my movie - and when I join two clips together does Premiere Pro automatically join the sound.
View 1 Replies View Relatedaudio clips, usually less than 20 seconds, are now being cut off at the last few seconds of the clip. Can't figure out wny it is happening or how to correct it. If I select Edit, Play Original, I can hear the full clip.
View 1 Replies View RelatedI am completing a 52-minute program, with 20 short sequences shot in ProRes 422 (50 Mbps) and saved to MXF OP1a files. The package looks good when output to Blu-Ray, but I will need to output for broadcast, and the broadcaster prefers MXF deliberables. My Question: Is there any significant loss of quality by saving 20 MXF files (with dozens of ProRes clips) to a final MXF container?
View 7 Replies View RelatedIt's listed as a feature numerous times in the forums but I haven't been able to export cut down stock footage as individual clips.
View 3 Replies View RelatedI have multiple sequences that use clips from an interview that show diagonal lines through them in the timeline. Not all files from the interview have these diagonal lines. These problematic clips do not contain audio or video when the playhead is on them. They don't even have a thumbnail pic in the sequence while other shots from the interview do. How I can get these to work in the timeline again?
View 8 Replies View RelatedI'm working on a Premiere Pro CC project with another editor. On his latest version, some of the clips on the timeline have a "+/-" or "+2" or "-2" on them. He's not sure how that happened, and I've not seen it before. What do those mean, and how do I get rid of them? I've tried Googling, but search engines don't respond well to "+/-".
View 1 Replies View Relatedafter razor cutting a clip (and doing other steps after it): is it possible to join the clip again?
Or is it the only way to delete the first or the second clip and strech the other? But this would be a little circuitous.
Add Edit don´t cut all the layers highlighted. When I insert or overwrite a clip into the timeline, the timeline don´t respect the highlighted layers (ex. if layer 1, 2 and 3 were highlighted and the clip were put in layer 1, clips on second and third layer should be deleted between in and out markers, but they aren´t.
The Ctrl+D and Ctrl+Shift+D commands (add transition) doesn´t work like the other versions too (respecting where the cursor is)the buttons to go to the next cut on timeline (in my keyboard, A and S) doesn´t work right too.I would like to know if these are bugs or the new Premiere CC is different from the others before.
I have to make a couple of changes to a piece I edited 2 months ago on Premiere CC. When I open the file premiere lists out several clips that it says are missing. I've hit "locate" but nothing comes up.
View 3 Replies View RelatedI'm working on a doc and need to attach my transcript to the clips. Looks like I need to do it in the Adobe Script format.
Where I can get Adobe Script?
I'm a CC member and it's not in my CC Apps.
I have a synced three camera project that I have almost finished editing. I want to select the last video clip in my sequence and roll it back, while keeping the audio in place. The idea is to fade the picture to black while the synced audio continues as credits roll over black. However, I cannot find a way to select video only on the clips at the beginning and end of the sequence. I can select and separate any video clip in the middle of the sequence, but not the clips at the ends. I must be missing some keystroke. How do I do it?
I am noe to Premiere Pro and am using version CC.
Nothing happens when I try to move the clips to the timeline. Have Windows 8.1. Premiere Pro CC.
View 3 Replies View RelatedI have received a project edited on PPro 7.1.0 with a number of Canon C300 spanned clips. I have PPro 7.2.1. When I relink the clips the spanned clips link incorrectly. In fact all the span clips have incorrect timecode. The original editor on PPro 7.1.0 brought in the span clips as individual clips with sequential timecode. When I import the clips they come in as clips all of the same length but the time code is way off eg a clip that should start at 01:01:31:17 starts at 01:17:18:18. This is really less than satisfactory and the fact that we need to hand this project back and forth is really going to make life very difficult. Adobe and Canon need to sort this span clip thing out.
View 34 Replies View RelatedI am running a PC with Win7 & PPro CS6
I have a bunch of clips that were copied over from iMovie imports (no original files exist anymore)
They are all a special form of .mov
I can play them in VLC Media Player (but not Quicktime, or WMP) so I know that a pc can handle them...
When I import into CS6 I get an errorsaying Codec missing or unavailable...
Whered can I get the proper Codec?
Even though I've made sure that my sequence settings are exactly matching my clip settings (ProRes4444 or 422HQ) I'm getting a yellow bar over my sequence.
I'm working on a 2012 Mac Pro running OS 10.7.5. I downloaded Premiere Pro CC earlier today; I thought I'd play around with it to see how it compares to FCP7. Most of my NLE usage is very simple, just assembling sections of motion graphics and 3D animations rendered out of After Effects in the ProRes 4444 codec.
The "New Sequence from Clip" function isn't behaving as I'd expect. The comparable feature in FCP creates a sequence that matches all aspects of the selected clip (size, framerate, codec, etc.). The Premiere implementation appears to only match the sequence size and framerate to the selected clip.
If I create a new sequence from a ProRes clip, or tell the sequence to match the clip, I'd expect that clip to be sitting in my timeline with no bar of any color. But I get a yellow bar. When I go to Sequence Settings I see that the editing mode is Arri Camera, and the Video Preview is greyed out on an MPEG format. I have to go to Custom and manually select Quicktime, then specifiy the matching ProRes codec. Shouldn't those wrapper and codec settings be matched automatically too when I've specified that function?
That said, if I go in and manually match the codec settings to my clip I still get the yellow bar. If I select another sequence and click back on the new sequence the yellow bar is gone.
I'm assuming that this yellow bar issue is a display error of some sort, because if I export the sequence with "Match Sequence Settings" selected the export happens very quickly as I would expect with a Smart Render-compatible sequence.
I recorded video on a Black Magic Cinema Camera (BMCC), which has legendary video quality but an awful on-camera microphone with tinny recording process, and recorded audio on a Zoom H6 which has great low-noise, more bits and greater sampling rate capability.
In Premiere I made a Sequence containing the video footage, then added the H6 audio and synchronized it by waveform to the BMCC's audio, which I subsequently muted. I call this a Source-Sequence, as it is intended as a virtual source media item, to be cut into one or more Edit-Sequences (my term).
Not "holding my breath" but trying it anyway, in Premiere's Project/Bin pane, I selected that source-sequence then did RightClick > Analyze Content. Teasingly, that option was not greyed-out. However all options in the the resulting popup-dialog were greyed-out.
In this situation, to be useful, the speech analysis would need to be available to Sequences, not just to (Master) Clips. Obviously one could render such a sequence to intermediate but that would waste time and disk space and would essentially freeze the state of the Source (e.g. including any sync issues that might be discovered later, or whole-source color corrections issues etc.). If one subsequently altered that state, a re-render, re-link and re-analysis would be required. If a Souce-Sequence were used instead, and no alteration had been made to the audio (or if user indicated "don't care"), then there would in principle be no need for re-analysis.
Edited raw AVC/HD footage on Premiere Pro, but in preview and also when exported it flickers which it doesn't do on the original clip.
I've made 20 different sequences in this project without realising this issue! And I really want to avoid having to import all the clips again and re-edit.
Working on a 2011 MacBook Pro running cs6
I tried reimporting the video and translating it to another format, I've rendered it fully, and deleted temp files and re-rendered it. I rebuilt the video from scratch in a new sequence created from the clip (all clips were screencaptured using Camstudio so they're the same exact format as each other.
But I still have constant problems with videos not playing properly in preview. The last time I had this problem, they rendered that way too. When I hit the spacebar to view the video, it shows a bit of the video, then rewinds and plays the same section over and over, moving a little further forward each time. Basically "rubberbanding".
It's Premiere Pro CS 5.5.2
Win 7 64
No third party codecs.
I have plenty of hard drive space and 8 gb of ram. I do have browsers open which use a lot of memory, but all the other clips are working so that doesn't seem like it should be an issue.I'm not using any kinds of plugins or third-party things.
Shutting other memory hogging programs and restarting Premiere.Things that seem to hurt: using the time slider to increase or decrease speed of the video.