We are importing 30-40 sequential clips and wondering is there a way to select all 40 and drag them into the timeline and have a default setting that would put a .5 sec or 1 sec time gap between each clip? That is what we want but to do that for 40 clips one by one is too time consuming...
View 1 RepliesI'm using Premiere Pro CC (up to date) and I don't see a star shaped iris transition.The only shapes I have to select from are: Box, Cross, Diamond, and Round.
I know that is pretty cheesy but it works for a specific promo that I have to update weekly.It seems like such a basic shape to not have in the stock Iris transitions.
When exporting a sequence from Premiere Pro CC, you are able to toggle between 4 drop down options within Adobe Media Encoder on what Source Range you'd like to export (Work Area, Sequence In/Out, Entire Sequence, Custom) as seen here:
Is there a way to set the default Source Range to something besides Sequence In/Out?
My reason for asking is that sometimes I export multiple sequences at once using AME's Queue. I add my custom presets to each Sequence and hit export, but SOMETIMES I may have accidentally marked an in point on my timeline and by default it's set to export only that In-to-Out part of the sequence.
I know what you may be thinking...well, just don't add any In/Out points to your sequence on the timeline or clear them first. The trouble is that I often don't see them or catch them when working quickly. In Premiere Pro CC, I use the "Lighter Brightness" Appearance setting because it's easier on my eyes after editing 10 hours a day, 6 days a week. Sure, darker looks cooler, but it kills my eyes for some reason. Anyway, PPro CC has a troublesome appearance issue in CC where it's not "optimized" for editing when you change it to a lighter appearance like it was in CS6. I've already contacted Adobe about this and another appearance issue (involving highlighted clips when in Lighter Appearance setting) and they are "actively working on fixing this appearance issue asap".
For reference, here's Premiere Pro CC in/out points in default dark appearance (notice the slightly lighter grey area):
Now here's that same in/out in "Lighter Appearance":
Not exactly optimized. Can hardly see it. This affects in/out points in the Source Window as well. Really hard to see.
Conversly, CS6 looked the best (the blue REALLY stands out making things easy to see):
is there a way to set the default "Source Range" to something else besides Sequence In/Out so that I don't end up doing what I just did and leaving for several hours while batch exporting only to come back and find that I exported only a "portion" of one of my big sequences?
Can I use "edit in" in Lightroom to move video clips to premier or premier elements to edit them?
View 17 Replies View RelatedHow can I view a preview how all the video transition looks between 2 clips in Premiere Pro CS5 before I choose the one I want to use.
I always use Adobe Bridge CS5 when I need to see a fosmag on the effects in After Effects CS5, but can not get it to work and then I can also see the Video Transitions in Adobe Premiere CS5
Syncing in plural eyes is good with our pro res files, but when I try and sync with some mp3 files from a zoom h1 recorder it goes black at the bottom of the timeline and responds really buggy.
View 1 Replies View RelatedI have a situation where the default behavior of my rectangle tool (or any of the other shape tools) is now different. I'm on Mac OS X 10.6.5 running Illustrator CS5. It acts as though the option-shift keys are pressed, so whenever I draw an object, it draws from the center point and the dimensions are constrained, so i can only draw a square or circle, not a rectangle or ellipse. Additionally, whenever I use the selection tool, it clones the object I drag, and also constrains the positioning, so i can only drag in a 0, 45 or 90 degree angle (or multiples thereof). It's as if my option-shift keys are permanently pressed (if I actually press option-shift, the behavior persists). I tried using a different (brand new) keyboard, tried throwing away preferences, and the problem remains. I also tried booting up Illustrator CS4, and the weird problem showed up there! This behavior just started happening spontaneously. I couldn't think of anything weird that happened (a crash, a new plug-in, etc.). I can't find a preference that sets this behavior either.
View 6 Replies View RelatedI am creating my second video with adobe Premiere. However, I am running into a problem.
For some reason the lower half of the video has this greenish/yellowish color to it. Is there anyway I can remove it?
Here are a couple of photos from the video:
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Just added an mp4 and can't add a keyframe to either audi0 or visual.
When I try, I get the red line (render ) and when I click add key frame again the line turns to yellow.
This is from get-go as this is the first edit that I want to make - a fade in.
Just upgraded to CS6 form CS5 and the Jog Wheel is gone a tool I use all the time and moving the line head by was far too imprecise to mark clips. How can you move slowly through a clip?
View 11 Replies View RelatedI am having a problem with Premiere Pro CS6. It opens and imports files. The audio mixer shows the audio but there is no sound coming through.
View 1 Replies View RelatedSo I am in premiere cs6 on a mac 10.6.8, and when I go into preferences-Audio hardware and I try to change the input to the built-in-input, a white box comes up and it never goes away. It says application not responding so i=I have to force quit.
View 2 Replies View RelatedWe have some FLV files we're looking to edit at work, and then export as MOV for upload to YouTube. I'm currently receiving signifcant quality loss in this process. I've tried a variety of work flows and export/compression settings, and can't match the original quality of the FLV file I'm currently receiving for editing.
How to reduce/remove the quality loss I am currently receiving?
I added one caption manually and set the timing. I can see it in my video but I can't see any other caption that I try to add. New captions will show up in the captions panel but not on the actual film.
View 17 Replies View RelatedIt's been months since I've been able to edit because Premiere CS6 won't load any footage. It hangs up for hours simply trying to open project folders to import footage. I've been using Premiere for more than eight years, and I've never had it behave this way...everything was perfectly fine under CS5.5; but, once I upgraded to CS6, the program became useless.
I've uninstalled and reinstalled the Master Collection suite and Premiere Pro individually more than once and nothing works. Short of taking the software and external hard drive home, I have no other Macs with which to edit.
iMac 12.2
OS X Mavericks
Core i7 3.4GHz
32GB RAM
I found that render effects will utilize GPU and fans are working. Normally a few minutes will complete the work.
However, when I render in and out, it takes one to two hours and fans don't work as fast as when render effects, which means that render in and out is not using GPU I suppose.
I am trying to import footage shot on a Sony PMW-200 camera into PP 7. I was wondering what files need to be imported into PP 7, i.e. the .mxf files. the .xml files, etc. I am getting footage into the project, but it is not playing in the source window, and I also don't have any audio.
View 6 Replies View RelatedCapturing: DV-PAL Widescreen 48kHz from Sony J-30 Beta compact player.This device is equipped with Firewire port.Could not get 16:9 format of captured or preview material.
View 4 Replies View RelatedI have several Premier cs3 projects using the Matrox system which I want to import into Premier CC. Howeer the CC will not accept the avi files that were used in the cs3 software. Do I need a special codec for matrox avi files? Where can I get that? Adobe obviously has it as I use it in the cs3 version?
View 3 Replies View RelatedMy mute goes on at 1Hour& 3min into my project in audio 2 timeline. Premire pro 5 .
View 3 Replies View RelatedWe are using original size photos (3080x2380). Then make a sequence based on that size. During the Export to Mpeg2 for Blu-ray the photos end up with black lines on the sides of the photos on the TV. I've changed the export setting from "match Source Attributes" "HD1080i 29.97 (1.33par)" and "HD1080i" How do I get a correct preview in Premiere to reflect an actual HD TV output?
View 3 Replies View RelatedI recently lost 11 days on a documentary project due to Premiere's crashes, instability and refusing to launch (including almost 6 hours of Adobe tech support in India remote controlling my iMac, trying in vain to fix the issues).
I decided to give Premiere another try today, thinking Premiere's problems might have been related to the Canon XF300 used on the documentary project. Would I have better luck with different media?
I planned a very simple project: different camera (8 clips shot on Panasonic GH3, in the 72 Mbit All-I MOV mode), different media (2 AIFF audio files).
I made a fresh project, and imported the GH3 clips from the media browser. When I tried to import the 2 AIFF files, Premiere crashed.
Now I can’t even get Premiere to launch, despite rebooting and trashing every cache and Adobe preference I can find (user application support, user preferences, and ~/documents/Adobe). This happens with or without plugins in the Mediacore folder (I use all of Red Giant's plugins and quite a few of FXFactory's).
Are there any other secrets to get Premiere to launch? Now that I am locked into the CC subscription, I would like to at least have a program that can launch.
I hate to be negative, but my experience with Premiere has been absolutely horrible (and costly). And every other Mac-based editor I know who has tried Premiere CC is reporting the same instability. Especially for us television editors, stability is FAR more important than new features.
quad iMac 3.4 GHz, AMD Radeon HD 6970M 2GB, 20GB RAM, MacOS 10.9.2 Mavericks, Premiere 7.2.2
I was just making a short, 1:12-long video encoded as H.264 in an MP4 wrapper. I had edited the video in Premiere Pro CC, and was exporting through Adobe Media Encoder at a framerate of 29.97 FPS and a resolution of 1920x1080. I wanted to do a test to see how much GPU acceleration benefits me. So, I ran two different tests, one with and one without. The one with GPU acceleration finished in 2:09. The one without it took 2:40, definately enough to justify using GPU acceleration (my GPU is an NVidia GTX 660 Ti which I have overclocked). I am sure my benefits would be even greater in most videos I make, since this one had relatively few effects. However, I checked the file sizes out of curiosity, and found that the one made with GPU acceleration was 175 MB in size, and the other was 176 MB. While the difference is pretty small, I am wondering why it exists at all. I checked the bitrates, and the one made with GPU acceleration is 19,824 KB/s, whereas the other is 19,966 KB/s. I used the exact same presets for both. I even re-encoded the videos again just to test it and verify the results, and the second test confirms what the first showed. So, what I am wondering is: What is it that made this possible, and could this be used to my advantage in future productions?
In case it is in any way relevant, these are my computer's specifications:
-Hardware-
Case- MSI Interceptor Series Barricade
Mainboard- MSI Z77A-G45
Power Supply Unit- Corsair HX-750
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When rendering footage in the latest version of premier pro on MAC OS X 10.9.2 no matter what sequence or timeline I am in, premier keeps crashing every time I try and do anything. I have plenty of memory on a brand new MAC computer but it continues to just crash.
View 4 Replies View RelatedI am running Premiere Pro CC on a Mac running Mavericks. When I try to open a previous version project in CC that has avi or .dv files, I get the following error:
"The preset used by one or more sequences in this project requires third party components that could not be located. These sequences will be modified to use a custom sequence setting instead. To continue editing using original preset, quit the aplicationwithout saving the project, re-install and third party components that are required and re-open the project."
Once the project opens, the avi and .dv files are listed as 'offline'.Am I missing codecs or is this related to something else? I have a few projects with avi files so would be great to find out what's going on!
I want to import footage from a DVD (self burnt). Can I do this directly with Premiere CC or do I need a programm like Handbrake (I'm a Windows user)?
View 16 Replies View RelatedI understand the difference betweeen lift and extract, but cannot figure out how to make an in to out cut and leave no gap.If I lift from in to out, there is a gap created from my in to out, which is what I would expect.
If I extract from in to out, there is still a gap, but about half the size of lifting.How to I extract and leave no gap???
I recently had to upgrade from cs5 to cs5.5 and now all my old dv captures that were saved as mpeg from priemere cs5 wont load and says "file import failure' This happens with anything that I saved through cs5 as an mpeg such as all my finished and exported video files.
View 7 Replies View RelatedIs it possible to edit .TS files with Premiere?
View 1 Replies View RelatedThere don't seem to be any title templates in my new Premier Pro CC.
I have also installed CS6 PP as I want the Encore program - the templates are loaded in that version.
i have connected cineform on premiere pro cs5 and it was working.
now i have installed the new adobe cc premiere cs6 and i have tryed to reconnect cineform following the guide without results.