I have PS, AI and ID. Any good place that i can get generating a vector based half tone generator from an image. the idea is that i will mill this out of solid material. ideally i would like to control the size, type (circles, ellipses, squares or whatever) and arrangement of the results.
someone gave me a download of software called "dxf halftone21" but i am not getting this to work.
i really like the effect of half tone dots but i dont know how to acheive it.
the effect im going for is in this pic.
i assume it a series of filters
How does this site make the half-tone like patterns at the top and bottom?
I can't figure out how to do this with Photoshop CS2.
I am making an image to be screen printed. In the background theres a moon in a very dark sky. The moon is going to be white, with a greenish gradient glow (circle shaped) around it, fading into darkness in the rest of the sky. I have the gradient ready but I can't figure out what to do about making it a half tone so I can screen print it.
I suppose the specifics of my image aren't crucial. What I need to know is how to make a coloured half tone where it's essentially two colours on two separate layers that blend into each other. Should it be two half tone layers? Or is it better to have ONE of the two colours a half tone, while the other sits below and together they create the illusion of blending?
how to print a color seperation with half tone using photoshop cs6 or cloud suite with a canon mp970 printer with no postcript function
View 1 Replies View RelatedAs you can see by the screenshots, this logo is vector and shows up perfectly in PHotoshop. (it was created in Photoshop and is a layered Vector PDF). I bring it into AI, though and the top portion of the talking heads disappear. Though their shape oultines remain. A grey box shows up when I click a lot. I am really a photoshop gal, so all this Illustrator stuff is foreign to me. I'm thinking the grey box is containing my art and only showing what falls within it? How to expand it or remove it so that all my logo will show up in AI?
View 8 Replies View RelatedI am trying to edit a JPEG. It is one layer. My mode is Normal with 100% opacity, 100% fill. The layer is not locked.
I can use several tools including move, magic wand, paint bucket, crop. However, I cannot use the eraser, paintbrush, healing tool, clone stamp (which is the one I desperately need to use) or many others.
Untitled-1 copy.jpg
When the modify dimensions box is open, the 'roundoff' menu gives me 1/16", 1/8" etc, even when DECIMAL is selected as the unit format.
This wasn't happening earlier, not sure what's going on. [in fact in a solved problem from earlier, a colleague found a drawing that had units set to millimeters, had its insertion scale set to inches! Different computer, so not related].
I am making myself a logo in photoshop. I have made all the letters that will be used, but they are all seperate entities as most of you who have used vectors know. I would like to interconnect the letters, as well as an angel I have made to go above the letters. My question is, how can I join two seperate vector images into one vector image. For example, joining a letter E with a letter D. I wonder if theres a way to do this without having to delete part of each image and then re-draw, which is a pain. Sorry if this isn't really clear, but its hard to explain.
View 4 Replies View RelatedIs this possible? I'm in Windows, Photoshop 7.0. I also have a pretty early version of Illustrator, not sure which one.
View 3 Replies View RelatedWhen I save my photoshop file as an .eps, I can have all the text from the Photoshop file remain vector, but a Vector Smart Object does not remain vector. Is there a way to have it remain vector?
View 15 Replies View RelatedI am having trouble doing this in my current software, Serif Drawplus, PSE, Photoplus, (I have Gimp but haven't used it ever yet). And I am considering buying X6 for use in other projects. So, can x6 do this in either Photo Paint with a bitmap, or in X6 with a group of Vectors?
I want to wrap a bottle with a logo. The mesh warps aren't working for me in the above applications, and envelope warping will not work either. Transform-Warp is not present in PSE. I mention that because I see a tutorial for PS using that. How would Corel X6 Suite do this? I am considering buying the software once some questions I have about it are cleared up. I wish Corel would make the manual and tutorial videos public. I'd rather download the trial for actually using it rather than trying to see if some feature is present, or a workaround for a feature a competitor has.
I am also hoping to make in this project, some 10-20 different bottles with the logo on, of different sized bottles and different rotations of the bottles. Plan D is acquainting myself with Blender, but lets hope I don't have to go that far!
I am "vector tracing" a logo in PSP, and exporting it to Motionstudio 3D for an explosion effect. I am currently able to do this with no issue, but the explosion effect (specifically the size and shape of the particles) is based on connecting the nodes in a vector object. For example, if I have a capital L made up of 10 nodes, the subsequent explosion effect with separate the L into particles based on the 10 nodes. What I want to do is have the various nodes that comprise the traced letter connect with constituent nodes in the center/surface-area of the letter to form a "grid" (in PSP) so that the subsequent explosion (after export to Motionstudio) is comprised of more/smaller particles. Is there a way of not only having a vector object with "fill", but also having that "fill" made up of other vector data?
View 5 Replies View RelatedI have pasted a vector graphic from AI CS3 to PSP CS3 as SmartObject. Is it possible to use this vector graphic (without rasterizing) as the vector layer mask? If so, how to do this?
View 2 Replies View RelatedI've been using Illustrator since the late 80's but this request just now came up for the first time, twice in one day: the clients each want me to send them layered files (OK-no problem) wherein all the layers, even the raster layers, register as vector layers. Or at least all the layers, regardless of file-type (vector or raster) are contained within an unflattened Illustrator file. One of the clients specifically asked that the Type layer (No problem-all the type is on one layer) be "vector mapped", whatever that means, while all the other layers can be Photoshop layers, if necessary. So how do I hand them an open, unflattened Illustrator file containing both vector art and raster art? Can it be done in Acrobat, as a PDF? I'm working in AI and PS CS5, but I can and will upgrade if I have to.
View 4 Replies View RelatedHow to even out the skin color, I have a picture of a model, unfortunately due to light and make up and her skin color the color of her face and her hands and body don't match, I think I saw a video on youtube where the skin color was evened out throughout the picture from raw I think this was done on bridge but I am not sure. How to even out the skin color either on PS or bridge?
I currently have CS5 on a win 7 pc.
if there was a way to create a brush that half was the foreground color and half was the background color...
for example, I have a mountian brush. and the shadow of the mountian is black, as is the outline, but alot on the inside is white. Since its white, when i use the brush, if they overlap, you can see through the mountian... not exactly what i was going for. So, any way to use 2 colors? or make the brush sold without making it all back? I tried a shade of grey, but that just creates an lighter opacity of the forground color, and the FG/BG jitter just chages the color of what was originally black.
How do I create that two-tone effect (on the people)?
View 7 Replies View Relatedi've been trying to immitate this effect eversince i learned Photoshop but i can't seem to get it right do you guys know how?
View 3 Replies View RelatedHow I can remove orange tone of a photo taken by night? A random example from google images:
View 1 Replies View Relatedi have an image half the image is much brighter than the other half, i do not mean the sun is shining in one half anf the other is in shade, the image has a fault, a third of it is a diagonal strip like brushing the dodge tool over part of an image, i would like the image to be the same shade an colour and brightness, or near as i can, i have tried using the mask tool and dodge tool but it is quite messy,
View 1 Replies View RelatedI'll omit the long background --- suffice it to say I did this once and need to do it again, but can't recall the toolchain / workflow I used.
I _think_ it was Macromedia FreeHand 8, and that I used a plug-in w/in that program, but I can't recall. Any way other than rendering the drawing as a half-toned bitmap and then tracing it? Or re-drawing the image on top of such a bitmap?
I was asked to take the group photo, cut out the black girl, and insert the young man. See all images below and my results. the only thing I'm not happy with is the young man was better lit than the group one. I was playing around with the controls of the young man to bring his tone more in line with the group (hue; saturation; color levels; etc.) and I just could not figure it out.
what I can do to get the young man to match up tone wise with the group? Or vice versa, even?
For quite a while I have been using the Photoshop HDR for initial processing of my HDR shots. My workflow is to "open in HDR Pro in Photoshop" from Lightroom. With LR 3.x and CS5 there was no problem - make the initial tonemapping settings in CS5, hit "OK", and save the resultant TIF back to lightroom for further processing.
With LR 4.1 I do the same thing, the files import into CS6 and the tonemapping window comes up, but after I hit OK in the tonemapping window, the resultant tonemapped TIF file is oversaturated(This still in CS6). It needs about 30 points of saturation reduction in LR to get it back to what it showed in the tonemapping window.
I have colour gamut set for Pro Photo RGB in both LR and PS. I can show some screen captures later.
While editing two very similar photos and using the CS6 auto-tone command, one of the photos photoshop was able to truly fix up while the other barely changed. Here is the example:
Photo A was very blue and dark; the auto-tone command magically fixed it up to have nice color variation in the rock and made it brighter. Here is the before/after:
On the other hand, photo B didn't work out the same way; the auto-tone command barely did anything, even though I thought both photos looked to have very similar problems (blue, dark, etc).Here are the links to the full original photo A and photo B in case they are useful...
how can I achieve on photo B the same effect that auto-tone did for photo A! Is there any way to find out what adjustments auto-tone made?
As a preliminary to a digital painting I need to identify the overall mid tone (tonal value, not hue) of a color photograph and then reproduce that mid tone in the CS4 Color Picker (or somewhere) so that there is a choice of color tints that can be given to that particular (overall mid) tone. It will then be used to simulate an imprimatura transparent wash treatment over a white canvas (layer).
It should be easy I'm sure but I haven't been able to find a way to do it. I had hoped that Levels might be used to identify the mid tone, and then give it an identifier (?like an RGB number)which could be used in the Color Picker to choose a color with the mid tone value.
In the histogram palette menu there are red, green and blue histograms to give the saturation of those colors, and a luminosity histogram to give the overall ( greyscale) brightness. There is also an RGB option, presumably to give a composite version of the red, green and blue saturation. In Levels, however we have the same thing, except there is no luminosity option, only RGB. But RGB in this case cannot be a composite of the three color channels, as we use it to adjust brightness and contrast; in other words it is presumably the same as Luminosity in the histogram palette. Despite this, when I do adjustments to an image the RGB histogram in Levels looks identical to the RGB histogram in the histogram palette. I'm using PS 3 Extended.
View 5 Replies View RelatedI'm doing this for a project, and I need to make those stitches look realistic. I've tryed changing the hue/saturation, exposure, levels, curves, etc. But i can't get the skin tone of the stitches to match the skin tone of the picture.
i want the skin tone behind the stitched to match the skin tone of the face, however i want it to look realistic.
While retouching a 'under-exposed' photo, sometimes I can't decide which degree(?) is the relevant skin tone. Though after finishing a work, tones and overall contrast seems to be changed whenever I look at it. Maybe because of various web-site BG, my physical condition, lighting...etc.
I want to know which one do you prefer just based on skin tone and contrast.
I'm trying to color a photo, but I'm getting "so-so" results. The colors (especially the skin tone) look fake.
I've been painting over the picture with the brush tool and then I set the blending mode to "color". Below you will find the original b/w photo and what I have so far.
Does anyone have any suggestions on how I can achieve a believable color?
how can I make a half circle with a word??
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