so i hav one person with pale skin and one person tan skin..soo i want to put the head of the pale one on the tan one. The problem is that the skin colors are too different. Is there a way to change the tan skin to pale?
View 2 RepliesI have a series of colored rectangles I'd like to blend into a single rectangle with a smooth blend of the colors, like a rainbow or spectrum.
View 1 Replies View RelatedI am trying to blend two different art brushes with different colors using the blend tool. I'm trying to use two fixed-size line segments of the same length and then applying the two different brushes to those segments ( each art brush is a different color). Then I want to blend them the regular way so their colors transition. However, when I do this, the first shape is a different color, but all subsequent blend steps are the color of the second blended shape. Why is this? It doesn't blend the colors for some reason.
View 4 Replies View RelatedI've cropped a face onto another body fine,problem the skin tones are very different. There must be a way of blending them.
View 3 Replies View Relatedhow to get a nose to blend into the facial skin. I've searched on the web with no luck.  I've used the mesh fill and vector objects with transparencies, but I can't get it to look right..Â
View 4 Replies View RelatedLike in title, when I apply blendshapes to mesh with skincluster, I cannot paint weights anymore. It sais:
"maya expected a skin cluster deformer or a deformed shape. Found *.*blends instead".
I tried both, applying skin cluster first and blends first. I know for input graph (there are no issue).
There was no such problem with Maya 2011. I use Setup machine for the rig.
Color print from 1972 with badly faded faces, fuzzy facial features, too. Would like the skin tones to look healthy, tried the wrming filter and got jaundice! I am a beginner with PS, need step by step instructions. You forum angels are the best!
View 10 Replies View RelatedI am retouching scanned images. Here is an enlarged portion of one of the images, to show the type of retouching that I need to do. The green dots are part of the image, and the white background is the color of the paper:
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In this case, I want to completely remove the brown spot, and I have selected it with the Patch tool. I want to replace the selected area with the edge of one of the other green dots, and the white background.
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Photoshop has the tendency to blend in the unwanted color (brown, in this case) into the replacement pixels. How do I avoid that from happening?
Shapes and text are anti-aliased visibly better with the blending settings in the Advanced Controls section of the Color Settings set as follows: Just as an example, consider the appearance of the edges of this text and circular shape layer in an sRGB document with those settings set vs. cleared:
The difference is subtle, but significant in my opinion, marking the difference between okay quality and good quality. You can see the difference in the partial pixel shading at the curved edges in this enlargement of a portion of the above:
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 Is there any reason I wouldn't want to just set the above values and use them all the time? I fully understand the concepts of gamma and pixel blending (and I think it's great that Photoshop has this feature), but I ask this question here because there may be subtleties of how Photoshop uses these settings I'm not aware of, and notably they are NOT set this way by default with Photoshop CS6.
how to blend colors in Adobe Photoshop CS2
View 1 Replies View RelatedHi i have an image and i would like to copy all its colors and skin texture from here onto another different body!
View 1 Replies View Relatedi have an image and i would like to copy all its colors and skin texture from here onto another different body!
View 4 Replies View RelatedI want to create an image like this:
[URL].............
I created text, 2 characters on first line, and then 3 characters on second line. I changed the vertical spacing, so that the characters are overlapping a little. But when I change the blending options for the layer style, I can't get it to look like the link above. I don't want to seperate each character into its own layer.
I've just used the align layers feature to stitch together 4 pics into a panorama view. It looks great except the sky is different shades of blue for each of the stiched elements.
Is there an easy way of somehow merging the different blues so you end up with a consistent blue across the panoramic view?
I am trying to blend certain portions of an image where I have done some cut and paste work. I have tried many effects and plugins, but have yet to find a fairly seamless solution (yes I have tried Seamless Texture maker).
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I have attached a part of the pic where you can see my copy and paste issues. A
What does the magic wand tool do on PAINT.NET. I need to know What it is for b4 I can follow the instructions referring to me doing something I have no clue about, since I can not be doing it, as I do not know what the function of this tool is. 6 words (or 10) or less?
Or what has happened to the once great function on Adobe software called smudge? Unless I was dreaming, this was a simple function that would allow one to rub two different colored or shaded areas together, to blend them subtly into one color. This allowed one to blend a color or fix a big flaw, with out days of screwing around fixing 1000s of pixels one by one. I am trying to take the shadow out of the background in a picture, I just need to blend the two colors of white together to get rid of the shadow.
Also, why is crop command gone on my paint.net? It will not work. It is there, but it is lite (gone) and will not work.
I have "group1" and inside that group, only one layer: "layer1". The blending mode for "group1" is vivid light and for "layer1" it's "normal".
Now, if I change "group1" to "pass through" and "layer1" to "vivid light" ... the result is completely different, while it should be the same, shouldn't it?
I occasionally use GIMP to burn-down parts of portraits that compete with the face. For example, bare shoulder, midriff over-light, hands over-lit.
The skin ends up looking greyish, not like less-lit skin. It works not too badly visually, as the emphasis is on the face, but fails on inspection.
I have tried the burn tool and just plain old Brightness, both on a selected area.
im having trouble getting the fillet edge command to work. Ive never had a problem with it before but now i get <Modeling Operation Error:
geometry or topology at end of blend too complex Failed to perform blend.Failure while filleting.>
why its not working.
When using the blend tool to blend colour between two objects is there a way to see the anchor points so I know where to click the blend tool.  I realise the cursor changes when over one but its seems very cumbersome to have to move it around until it changes rather than click directly on one which I could do if I could see it.
View 2 Replies View RelatedI'm using Illustrator CC (on a Win7 Pro machine) at a beginner level, probably halfway to intermediate. I'm trying to learn how to blend colors together for highlights of various types (skin tones, clothing, light on objects, etc.) so that when I'm making a graphic for a project I'll have a decent idea of which tool/technique is best for the specific effect I need.
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I'm trying to use the Smooth Color option in the blend tool. Late yesterday afternoon I recall creating two ellipses (one of which was a solid fill and one of which was a gradient going from black to transparent) and getting a smooth color transition between the two. It was a much harsher effect than I was looking for so I didn't keep it. This morning, while trying to replicate the same thing, I seem to be unable to use smooth color between two objects if one or more of them has a gradient applied. I only get what you see below, which is a step between the two objects.
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I've done searches and found multiple references to blending gradients in this way and have followed those instructions (create the shapes, fill with the gradients, then either click on the Blend tool and click on the center of each shape, or click on Object -> Blend -> Make) but I can't seem to get a Smooth Color blend if either object has a gradient applied. Am I missing an important step somewhere? I'm 95% sure I accomplished it yesterday and nothing has been changed since then.
David Boxing_WIP.png (202.28K)
Number of downloads: 19
Could I have a description of how to match the skin color of the head to the boxer's skin color?
I recently installed CS5 on my laptop after first removing it from my previous machine.All licences were validated so no problems there.Now when using paint bucket in Photoshop, the colors that I select in the color picker are not the colors that result when I use the paint bucket.
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If I create a new black canvas then the colors selected in color picker work with paint bucket.But if I attempt to recolor the background in an existing image that I import into Photoshop, I get the mismatch with colors when I use paint bucket. My method for selecting colors is the same in each case, I select 'set foreground color' and set the color using html values entry at the bottom of the panel.
Just wanted to print a new photo and realized that the colors in print preview do not match the colors in soft proofing. In both cases I selected the same icc profile and rendering method. The print colors matched the colors in print preview. I never had a problem so far. All new prints will be checked with soft proofing and adjusted when necessary. I never paid attention to the color rendition in print preview and all prints perfectly matched the colors from the soft proofing. I was surprised when my print came out of the printer and the colors weren't matching the soft proofing colors, but that of the print preview.
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I don't understand why Photoshop renders the colors differently in the first place. See attached screenshot for the difference in the blue/cyan colors. I don't care if the print view colors will match the print, but I do care when soft proofing is not working.
The colors of pictures is much darker when working in photoshop than when I open it normally. And vice versa, I work on images inside photoshop, and I get the colors I want, but once I save it to bmp or jpg or anything else, all the colors are much lighter.
i'm using photoshop 7.
CDX5: Whatever color I select for fill or outline is now set as the default color for fills and outlines without expressly setting it as such. Until now when I left or right click a color with nothing selected it allowed me to set it as a default fill or outline color for graphics, artistic text, or paragraph text. It does not do that now.
Is this a "feature" that's been added that I somehow enabled? In any event, how do I turn it off?
We are working with a company that will be sending us DWG files. They do not use the same layer colors as us and I am trying to find a lisp that would allow me to set up a table with the layer names and the color I want them to be so that I can quickly change all the layers to our companys color standards.
Example:
Layer 1 = Color 1
Layer 2 = Color 15
Layer 3 = Color 10
Etc.
I don't know a lot about lisp but I figure if I could find a lisp that did this I could plug in my layer/color assignments and it would work.Â
Using CS6 on a MacBookPro Is there a way to find the closest matching Pantone spot colors to the cmyk colors I've created in Illustrator? I know it's easy in Photoshop using the color picker, but there must be a way to do this in Illustrator.
View 4 Replies View RelatedThe new CS4 skin behaves very badly for me: it doesn't refresh properly, under a variety of circumstances. Sometimes the titlebar shows the GDI skin, but the Adobe skin is the active one (so min/max/close buttons are functionally in a different location than they are visually). Today, when I go into Fullscreen with Menus mode, the menu and option bar simply grey out. Everything displays correctly in windowed mode, but not my favored mode. I try with CS4 maximized, windowed, OGL acceleration on and off. I am coming to really hate the fagility of the new skin of PS.
View 13 Replies View RelatedYou can see in the attached screen cap that colors 1-9 appear as white on my screen and that colors 10-22 are not correct either. This is only occuring in one specific drawing. Is there a preference that I switched somewhere that would make this happen? I have double checked that everything is ByLayer or ByColor that I can think of. If I insert this color chart into other drawings it looks fine. using C3D 2012.Â
I would just restart my drawing, however it is the new company template file that I have invested many hours into and would really like to be able to keep working with it and not start over. Or is there a good way to import and overwrite all the Prospector settings into a blank drawing?
You can see in the attached screen cap that colors 1-9 appear as white on my screen and that colors 10-22 are not correct either. This is only occuring in one specific drawing. Is there a preference that I switched somewhere that would make this happen? I have double checked that everything is ByLayer or ByColor that I can think of. If I insert this color chart into other drawings it looks fine. using C3D 2012.
I would just restart my drawing, however it is the new company template file that I have invested many hours into and would really like to be able to keep working with it and not start over. Or is there a good way to import and overwrite all the Prospector settings into a blank drawing?