Photoshop :: Can A P4 Comp Handle Cs3
Sep 17, 2008i have a p4 computer.. can it handle cs3?
View 1 Repliesi have a p4 computer.. can it handle cs3?
View 1 RepliesI've imported the PSD file as a comp, and made changes to the text animation, but this is now a nested comp, and the music is in the main comp. How do I change the timing of the nested comp while still having visibility of the music track?
View 4 Replies View Related I have comp A (imported from PS) that's a rectangle background with text & lines above it - which is inside comp B.
While on B I'm reducing the opacity of A from 100 to 0, normally over 10 frames, and the text and lines' opacity goes down normally... except the rectangle background! It's opacity is staying the same during the first 9 frames and then going from 100 to 0 in the last one.
As an experiment I replaced that PS layer with a solid from AE and it works fine. The whole comp's opacity reduced gradually from 100 to 0 over 10 frames.
What causes some layers to behave as described above?
how designers take their Photoshop comps to a CSS-based layout. With CSS-based layouts, web pages are composed of a combination of foreground (standard) and background (CSS) graphics. I'm curious how designers get those images out of Photoshop and into a web authoring environment (be it Dreamweaver, GoLive or Notepad :-).
1. Do you make a selection, copy, create a new file and use the Save for Web feature?
2. Do you slice up the comp for both foreground and background images and then choose Save for Web?
3. Do you use a combination of 1 and 2?
I'm finding a really strange and inconsistent bug when managing my Layer Comps. I am dependent on Layer Comps, they're behaving inconsistently in CS6.
When manoeuvering between Layer Comps, the updates I'm making to save a Layer Comp and move on to another are SOMETIMES not working. I set a comp, move to another, go BACK to the original one and it's messed up.
Here's what I want to do:
I want to process a series of pics for my photography business and I think I have a way to do a great deal of them with minimum effort. What I want to do is to work on one photo and create a smaller project that I copy and paste my Adjustment layers in. Then, I want an action to go through my queue of pics and copy the layers over, create a blurred layer (for skin touch up) and a sharpened layer. That way, when it's done, all I have to do is open each saved PSD and do touch up as needed.
The problem is that I can't get an action to recognize that I'm dragging a layer over from one comp to another. Is there a way, instead of creating a brand new action for each set of pics, to do what I want to do?
I'm working with a .jpeg-logo that came for a different application.
I opened it in Photoshop 7.0, did a little lightening and cropping, and was going to save it again as it was.
But when trying to save it back I can't seem to be able to do that in the excact same compression format as the original. Whatever way I choose, the box with jpeg-properties pops up. It defaults at quality "5" which gives a marginally smaller filesize but noticeably less visual quality. When putting it at "6" it looks about the same as the original, but not entirely right and at a larger filesize.
Is there no way to just edit it and save it back, without messing with the compression?
i bought photoshop CS6 a few months ago and last month i had to get rid of things so i had my comp automatically delete downloaded files etc. didnt think it would delete paid for apps. anyway, is there a way i can recover it without having to buy it again?
View 1 Replies View RelatedI have a clip on a layer that is 6:20 in length. I want to hold on last frame for the remaining time in comp (10:00). I am fairly new to AE. I am using CS6.
View 2 Replies View RelatedMy AE comp renders as a full-length video of a black screen (with audio, when enabled). Comp plays fine in RAM preview, and I've tried all types of codecs and disabling RAM intensive effects, though I'm working on a quad-core i7 macbook pro with 8 gigs of RAM, so that shouldn't be a problem.
View 10 Replies View RelatedFor a project, I've imported a jpeg file that I made on Photoshop. The colors look perfectly fine on the RAM previews and stuff but after I render it, just that specific jpg image comes washed out. It should be dark grey / almost black but after rendering into .mov that image becomes medium grey. It's noticeably more washed out and lighter. All the other colors in that image are also noticeably lighter as well.
I have set my working space to my monitors color profile and I have proofed the colors after saving on Photoshop.
I have a AE Comp (1280x720 Square Pixels) in a Premiere Pro timeline (HDV 720p, 1280x720) through Dynamic Link. In my timeline everything is fine and the same size. When I render the timeline in PP it stays the same size, everything is a lovely 720. However, when I export it as a H.264 using Media Encoder the AE comp shrinks to what looks to be 480p. The rest of the text and video in the timeline stays 720, but the AE comp shrinks and has a black box letterbox around it.
I was able to export from AMC with a Quicktime preset of 720p 24fps and it did not shrink. Additionally I bypassed AMC and exported directly from PP and the comp did not resize.
PP CC v7.0.0
AE CC v12.2.0.52
AMC CC v7.2.0.43
The current time indicator won't move to end of comp in AE CS6. I setup a new comp at 10 seconds. When I drag the current time indicator OR hit the End key to bring the current time indicator to the end of the comp it stops at a value of 9:23. Is this a bug?
View 3 Replies View RelatedI have 6 layers in a comp, and I'm taking them across, via copy/paste, to another comp. Each second layer is an Alpha channel for the one below it. However when they're pasted into the next comp they ALWAYS are reversed, or randomly resorted, ruining everything about their blends and alpha relationships with one another.
Why does After Effects do this? Is there a way to prevent it from happening?
This doesn't just happen in this instance, I've noticed it nearly always happening when pasting multiple layers.
I have two compositions on a page and I identify them within the AdobeEdge.bootstrapCallback. As soon as the user scrolls to the first animation I want to start it with an external call (compId.play()). If this is the only composition on the page it does work correctly. But as soon as the second one is added to the page it doesn't play at all. If I trigger the first animation via the console (e.g. compId.play(1000)) the animation jumps to the 1000 ms mark but then it stops immediately and doesn't play on.
View 4 Replies View RelatedI'm attempting to create a dynamic link from PR to AE (both CC) by right clicking on the desired clip in my PR sequnce and selecting "Replace with AE Comp". Doing so properly launches AE, asks me to save the AE project, and creates a comp with the correct parameters (duration, frame rate, size, etc) with the desired comp name. The sequence in PR shows the linked comp with the correct comp name. However, in both AE and PR the video clip is simply black. In my understanding of Dynamic Link, the original files (clips) should be sent over to the AE project. In my case, I only see the project with no associated files. Is there a trick (or a known reason) why the files would not be transpored to the AE project?
View 7 Replies View RelatedI am animating comps in After Effects CS6, and I'm quickly moving objects across the screen using positioning keyframes and changing size using scaling keyframes. Most of the time it works great; but sometimes the motion blur effect keeps appearing *after* the object has stopped moving. Not just for a second -- but forever. It appears correct when scrubbing on the timeline, but when I render the final output movie, a non-moving object sometimes has motion blur all over it.
Sometimes I can fix it by un-parenting some layers inside the comp... other times it doesn't fix it. Sometimes I just delete it and start over and it works. Seems more like a bug then something I'm doing wrong.
I also tried on my Mac Pro tower and Macbook Pro laptop in case it was a graphics card issue; it isn't, the exact same problem manifests itself in both areas. I did just discover that turning continuous raster OFF does seem to fix the problem--but then my vector images are blurry when I zoom in... and that again sounds more like a bug, not like an incorrect setting.
I would like to paint on a clip I generated from a still. Now I can´t use the OnionSkins and if I paint my brushstroke ,is on the whole clip not only the first frame.
I´m working with CS6 on a Mac
For editing a jpeg file (e.g., sharpening), first I create a duplicate layer. Now, I have two layers: Layer 1 and Background layers. Editing is done only on the duplicate layer. That's how I am able to keep the original jpeg file. When editing is completed on Layer 1, I got to save the edited image. Before saving it, what should I do with the Background layer? Should I delete it or merge/flatten with Layer 1?
View 8 Replies View Relatedhow would you make a clockwork handle look realistic when photoshoped in on a real person ?
View 9 Replies View Relatedunder the Transform command I use the distort function quite a bit, usually to correct lense distortion. When using the distort function I use the mouse to select a top left or top right corner handle and drag it to a point where I am happy with the result. I want to do the same but instead of using the mouse I want to use the keyboard direction arrows to effect the same change. At present if I select the left top corner handle, and I use the keyboard arrows the whole image moves in that direction. It will not apply the same action as the mouse does. The reason for wanting to use the keyboard is I want more control over the correction. I find using the mouse a bit all over the place in getting the correct point.
View 9 Replies View RelatedI have both Photoshop CS6 and CS5. I need to uninstall CS6 because my computer can't handle the program (CS5 always worked fine). When I go to my control panel it only shows CS6. If I uninstall this version is anything going to happen to CS5 or will it remain as normal?
View 2 Replies View RelatedI can't seem to find a constant way to delete just one of 2 handles from an anchor point. I can drag the handle into the anchor point, but sometimes it still remains, and can be pulled out. Other times, it seems to disappear, as desired.
I would like to convert to one handle only.
Using Photoshop CC 14.1.2 I notice that I no longer see the vector control handle when I close a path. I hope this is a bug, and not an intended UI change. Visualizing the control wing is an important feature for accuracy etc.
While on the subject of lost functionality, in earlier PS versions when a fill layer was created, the alpha mask was active by default. This allowed for immediate alteration of the mask. Now the default is to have the fill active, which makes less sense as the fill is mostly intended to not be edited directly. Sounds like a quible, but in a fast production setting, this adds an unnecessary step, which did not exist in an earlier iteration.
Also, many generations ago, (in a distant century) there was a "turn off path" button -which could be given a keyboard shortcut via actions. Could never understand why this disappeared. Now, turning off a pth requires that the pen tool be selected & hit ESC or to click into a blank area in the path pallette -which may not exist when many paths have been created. I see there is now a keyboard shortcut for this, but it is buried in the key commands list. So much easier to have that little button (and custom key option) Again, is a busy prodcution workflow, this is a speedbump.
I've recently made the switch from CS5.5 extended to CS6 extended and am running into a minor quirk which is disrupting my workflow.
In CS5.5, I was able to create a bezier curve using two anchors with handles, and then adjust the length of the handles of both points simultaneously by dragging the path between the points. This would maintain the position of both anchors and also the angles of both sets of handles. In CS6, if I try to do this, the handles change direction, and if I'm too close to one of the points, doing this actually causes the point to move around.
I have attached two screen captures to visually communicate my issue in case my text description is unclear.Is there any way to return photoshop to the CS5.5 behavior?
how keyword tags are handled. For instance:
1. how do you select keyword tags to NOT look at.
2. why aren't all my photos with keyword tags being imported with those tags, I see the tags when i look in Microsoft explorer and in version 6 but I don't see them in version 11. 3. In version 6 all the keyword tags were on the left, now the people tags are not shown and I have to press "people" at the top of the display in order to see the people related tags, and then for them, it doesn't show the tags tool bar on the right.
I am using Photoshop CS5 and am creating a photo montage poster with about 30 images on it. The photos are not stellar and I need to change levels, exposure, saturation etc to each image. I was creating groups from layers for each image then dropping it onto the montage file, but I see that filters effect every layer below.
I have a gradient layer as my background and I don't want it affected nor do I want every layer below affected. I created smart layers from each image, that works, but it really slows the system down. What is the smartest and most efficient way to handle this?
Can I update Elements 9 to open RAW files from a Nikon D5200, or do I have to buy something?
View 2 Replies View RelatedPhotoshop Elements 10 doesn't seem to handle RAW images downloaded from my Nikon D5200.
View 1 Replies View RelatedI have a lot of RAW+JPG pictures (shot as RAW+JPG or previously converted from RAW to JPG with other programs), when importing them to Lightroom, I can choose to treat them as the same picture or as separate pictures.
At first glance, they should of cause be treated as the same picture (because they are the same picture), and they do indeed appear as "RAW+JPG" in LR, but how do I:
- View the JPG? (not critical, but it would be nice to be able to compare the JPG with the LR results)- Add metadata (tags, title, caption, etc.) to the JPG file and not just the RAW file? (I have enabled "write metadata to file")
If treated as separate pictures, they behave as one would expect, but it is not that convenient to have two of the same pictures side-by-side.
- Can I auto-stack RAWs and JPGs?- Can I write metadata (tags, title, caption, etc.) to the entire stack in one go?
1. I need JPG versions of my pictures for e-mail, web, viewing on my TV etc.
2. I REALLY don't want to be dependent on LR in the future. If I have spend hours and hours fine tuning my pictures, and only have them saved as RAW, I would need LR till the day I die. And it doesn't end there, my kids, my grand kids and so on, would also need LR to view the pictures (at lease in the quality I would like them to be viewed).
I am trying to delete records from a database file by using the erase event of the AutoCad Document Object, that is:
Private Sub AcadDocument_ObjectErased(ByVal ObjectID As Long)
My problem is that my database identifies objects by their handles in the drawing file. How do I convert the ObjectID into the object handle? I tried:
strHandle$ = Hex$(ObjectID)
but it didn't return the handle of the object that was being deleted