Photoshop :: What Tool / Method To Reclaim The Darkened Subject
Feb 21, 2013
What tool what method can I use to reclaim this darkened subject? I attempted to use the lasso tool to snag the subject then used the 'shadow/highlight' tool to adjust. Though the details are intact within the subject the results were less than acceptable.
There doesn't appear to be a sampling method for the colour replacement tool in Elements 10, whilst there is one in Elements 11 & previous versions. Can I get a plugin/download to give me the option in Elements 10?
The print preview in Photoshop CC and CS6 is seriously flawed, though that may not be apparent if you are working in sRGB at 6500K and a 2.2 gamma, which most people use by default. In my case, using "old school" print settings (Adobe RGB at 5000K and a 1.8 gamma), print preview is now considerably darkened and blue shifted.
Fortunately, files print correctly despite the flawed preview, which is what you would expect if the display profile is being ignored. A recent attempt by Adobe to fix the bug in Acrobat Pro was only partially successful for users of the most current version. The problem is still being investigated, according to the Adobe staff participating in the Acrobat forum.
I don't print much anymore--relying instead on soft proofing--and rarely from Photoshop, so I just discovered the print preview problem now in Photoshop CC. Of note is that the last time I printed from Photoshop CS6, which was at least several months ago, the preview was fine. But CS6 now exhibits the same problem. All of this suggests to me the possibility of a more fundamental color display error than just a Photoshop or Acrobat bug. (I wonder if it might even lead to Apple.)
My setup: MacPro running OS X 10.8.4, NEC SpectraView PA271W (includes calibrator), North American Prepress 2 workflow (synced across CC and CS6). In print settings, Photoshop is set to manage color using Canon MX870 profile for GL2 (glossy) paper. Of note is that in any combination of color management and print settings, the print preview is darkened and color shifted (in slightly different ways per whatever settings are in effect). I have not tried recalibrating the display for 6500K and 2.2 gamma, (more accurately, not reveal it), but that would undermine the print workflow.
I am trying to recreate the text of this logo: [URL], specifically the "Arkham City" text. As you can see, there are several darker and several lighter pixels inside the text, forming a great looking texture that isn't a single color. My question is, how can I recreate this texture, having some darker and some lighter pixels?
Also, what would be the best way to recreate the wind effect? I tried using wind, but that winds out the entire text rather than just the bottom of each letter.
I just upgraded by CS to 5.5 here in the last couple of weeks (I had purchased it prior to 6 being launched). Any way, I've noticed on some ads I create, when I save as an EPS and then go to "flatten transparency" that sometimes it is taking elements and darkening the photo/graphic underneath. For example, I have an ad that has three starbursts with drop shadows overlaying some photos. When I select the "flatten transparency" function, it is darkening a portion of the photo underneath.
I trying to add subject from different pictures into one picture (as shown in the picture attached). the problem that I have is: when I drag one subject to another picture, the subject come bigger than the subject in the new picture.
How can I resize the subject picture so it would have the same height as the other subject (as shown in the picture attached).
I want to give the person in my photo a nice little tan, i added a new layer and filled it with a nice brown, that gave her the tan i was looking for but it also made everything else tan.
Way back I did this but now cannot duplicate it. I'm using PS 5.0. I changed a photo to B&W and then I think I used the eraser to change my granddaughter back to the 'colored' version. It's like what is done in a TV commercial.
I have about 100 images similar to the example below where the background is a neutral grey, darker at the edges then becoming lighter as it reaches the image subject. I'm looking for a way to lighten the grey background without have to mask the item in the center.
I am by no means very professiant in photoshop, but do know a thing or two. I took several pictures of my daughter (who wears glasses) and there is a black spot over one eye. I am assuming that it has something to do with glare from the flash on the glasses. I have photoshop elements 7.
I have a number of pictures where background is dull or boring while subjects in foreground are lively. So I want to switch the background with lets say a plane color with some gradient to give it a studio appearence.
The first problem I have is to select the foreground subject sharply, much difficut because of hairline etc. So how can I select my subject in the most easy way so that outlines are sharp & none of the details are missing.
I am involved in a major project where i need to imprint the subject's name on the photo. They will be posted on the city web site and on poster collage. Is this something I can do in Elements 9? There will be aaproximately 2000 photos.
I have a picture of a baseball player with grandstands and spectators in the background. To focus attention on the subject, I want to blur and slightly darken everything but the player (subject).
So I duplicated the background layer and created a mask over the player. Then I selected the background layer, added lens blur, and darkened it.
The problem is that this step blurs the image of the subject in the background, causing it to extend out beyond the masked image of the subject on the foreground layer, creating a ghostly "halo" effect.
I've tried creating an inverted mask on the background layer, but that doesn't work.
I want to edit a photo of a car so that the car remains in colour and the background changes to black and white (or should I say mono?). I have seen this several times and wanted to have a go myself. I understand that it can be done in Elements using layers?
When extracting a subject from one image to another using the Quick Selection Tool and Refine Edge:
1. When is it better to make a selection of the background, make a layer mask of it, invert it, load the mask and use Refine Edge VS. just making a selection of the subject and using Refine Edge?
I am a brand new user of Paint.Net.......Using Windows Vista home edition.
Here is my thing. I have 2 jpg images. The first image is of a badger walking in some grass, the second image is of the front of my friend's house. What I want to do is "cut out" the badger from the first image, then "superimpose" this on the second image so it looks like the badger is walking past my friend's house. By cut out the badger I mean I just want the badger in the final image, not with all the grass around him that's in the original image.
I would like to add an effect to just a person in front of a green screen. I've created an adjustment layer that produces the effect and placed it above the footage layer. How can I have the effect just apply to the actor and not carry over and fill the rest of the screen?
i have a shot in an office where i have a subject walking in front of some really bright windows. i added an adjustment layer and made 6 mask squares over the windows and brought down the brightness a bit. of course when the subject walks in front of those windows you can see the shaded mask on him.
im not sure what you call it but what do i do to him to keep the mask from showing on him?
not sure if i should make another thread but ill ask this as well in here...in the same shot because of the bright windows originally the rest of the scene inside the office is dark. how do i brighten the rest of the scene without affecting the windows? i tried duplicating the adjustment layer with the 6 masks and inverting them so i can brighten everything but windows but no matter what i did i couldnt get it to work.
Since installing Maverick I have encountered a problem with Illustrator CS6. Any file new or existing is subject to freezing. It usually occurs when I try to drag an object from one place to another within the file while working on a project. It can happen at anytime and I'm unable to save the work. I have to Force quit Illustrator and in most cases restart the computer ( 12 month imac).
I have been using GIMp to do some basic things but have recent got a but stuck on how to best replicate part of a subject/object in an image. for example
I have an image of a corner of a building with the wall on the left and right, and sky at the top of the image. I would like to extend one of the walls out to extend the width of the image and also replicate the sky.
The walls are on a slight angle so I can not simply do a retangle block and copy/paste, also when I do this on the sky, the gradients of the paste dont match up nicely.
If I have a red flower on a multi-coloured background, and I want to make the background black. I select the flower using the magic scissors (tried selecting by colour but nothing happened), invert, then whichever method I follow to achieve the black background, it's always the flower that changes colour, not the background. I've tried not inverting it, it gives the same result. I can only change the colour of the selected subject, not the background. I have followed all the steps in different tutorials, always with the same result. GIMP 2.8.4.
How to use existing PainNet program or plugin features to solve the following problem? Sometimes in publishing of medical research, we need to show the changes in a patient's appearance over time. Inevitably, the two photos will be in different lighting. For example, the current photo may be in the flourescent light of a hospital while the older photo may be in the incandescent light of a patient's home.
I have tried a method to identify the darkest pixel in a feature common to both pictures (for example, eyebrows) with the following results:
New photo: R:48 G:34 B:30
Old photo: R:45 G:43 B:40
So, how should I adjust the old photo? Simply add either the relative or absolute difference between the channels above to the entire photo? Is there a plugin that supports this? I looked at ColorMatch and ScriptLab, but did not see a solution.
Ive been looking through various tutorials on how to create a mask that leaves the detail of the hair of the subject in
It seems all the tutorials I have looked at choose a subject with jet black hair, invert it, and hey presto, job done
Unfortunately, all my kids have got fair hair, and no matter what I try, find it almost indistinguishable from the background
How to do this, cos im losing my mind trying to paint strands of hair in and having the result look like Ive cut the image out of a magazine with a pair of left handed scissors (im right handed!)