Photoshop :: Does Shortening The Depth Of Field Increase Or Reduce The Visual Impact Of A Rendering
Oct 27, 2012
Photoshop's 3D rendering offers us the ability to create imagery that's virtually perfect. It even allows us to specify the depth of field, from infinite, to reasonably short.
My question to you is this: Does shortening the depth of field increase or reduce the visual impact of a rendering? I offer these examples for you to judge:
I can't quite decide which I like better. The one that's sharp edge-to-edge seems a bit more like eye candy, but the one with the short DOF seems maybe more realistic. On the other hand, blurring things always feels a bit like hiding imperfection, when in this case it's hiding perfection.
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Jan 5, 2005
I understand that there is a method to increase Depth of Field for a static subject at reasonable magnification, (say a dragonfly at X1), by taking a number of pictures, each focussed at different points along the length of the image, and then combining in photoshop and possibly (?) blending.
Or would it be better to place them in layers and progressively erase the out of focus areas.
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Aug 22, 2012
Photoshop CS6
My workboard is off the screen and I can not grab the lower right "handle" to resize the worksurface. How can I reduce the depth of the work-board?
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Jun 16, 2013
I took that picture earlier today. the problem is that the background looks to fake. like there no depth of field between the people and the background. i have attached another picture showing that there depth of field between the person face and the bricked background.
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Jul 27, 2011
how to create "Depth of field" in photographs but the effect is not really what I want.In all of the tutorials they create two layer and blur one of them, then apply a mask and gradient it to create the effect of dof. This is not what I wan't because it does't make the scene gradually more blurry, it only creates an extremely blurry layer and applies it gradually.
So what I'm looking for is a filter or plugin that gradually increases the strength of a blur using a mask.
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Feb 22, 2009
I just contacted Photomatix concerning this issue. They have developed the HDR plugin, which takes a series of bracketed exposures and picks the best portions of each to produce a composite of the best exposures for each area of the scene.
Now I want to find an equivalent program which accepts a sequence of images taken at varying hyperfocal distances in order to produce an image with a larger than expected depth of focus. The alternative would be simply to select the best, in-focus portions of each exposure and combine them for the desired result.
Photomatix thought that Photoshop CS4 has a capability in this regard.
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Aug 27, 2012
Is there a depth of field tool in Elements 7.0 like there is in the newer elements 10?
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Aug 29, 2012
Have you ever wanted to make a photo seem to have shorter depth of field? Prior to Photoshop CS6 this was no small feat to achieve digitally and end up with a pleasing and visually believable result.
Photographers know that setting the aperture wide can change the mood of a shot completely. Sometimes getting the DOF just right can make the difference between an "also ran snapshot" and an award winning photograph.
With today's smaller digital sensors - and even with big sensors if too small an aperture is available - sometimes we get an image that's exposed right, that's composed well, that's caught the moment. More of it is sharp than we'd like, and the background or foreground is simply distracting.
Enter the new Photoshop CS6 blur filters.With the Tilt-Shift variant, one can progressively blur pixels based on a definable gradient/mask, so that we get that familiar progressive front-to-back blur change.
Armed with this powerful new capability, and with the subject masking/separation facilities we've had for a couple of versions now, this becomes possible:
1. Separate subject from surroundings with a good mask - e.g., quick select, refine edge, make a new layer with just the parts you want to remain sharp showing on it. A good mask isn't difficult to make any more! Hide this layer when done.
2. Remove the subject, at least around the edges, from the background layer underneath, e.g., by selecting using the above mask, expanding the selection, and doing Content Aware Fill and/or Cloning. This is important because in the subsequent blur operation we don't want parts of the sharp subject blurring into the background. That just looks weird.
3. Use Photoshop CS6's Tilt-Shift Blur to visually shorten the DOF in the background layer, with the center point and unblurred region set to coincide with the position of the subject in the shot. Adjust the settings to taste, which isn't as much of a crap shoot any more since the blurs actually update in real time on screen.
4. Make the layer above visible, maybe do some things with the lighting (which is fairly easy, now that subject is separated from the background), and voila, a whole new feel to the photo.
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Dec 30, 2012
I get black blobs whenever I drag my cursor to mark the area specified to be in focus. Am I missing a setting to make that blackened area invisible? When I click "done" the part of the photograph to be in focus is still covered with black.
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Dec 1, 2013
The depth of field tool is not working in my copy of Elements 12. Trying to use "Simple" mode after having sucess using this on a friends computor. I can add blur but the gradient tool has no effect??
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Jul 14, 2013
I have 60-something 24 bit PNG images that I've edited in Gimp, many of them include transparency. I want to batch convert them to 256 colors while keeping the transparency. Can this be done? I did try it in another editor and any attempt to keep the alpha channel transparency resulted in totally washed out colors and transparency where none should exist. Conversely, if I skipped the transparency the color depth reduction went well.
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Mar 29, 2012
what's the difference between depth-of-field, Gaussian blur and Orton Effect. Never having seen Orton wedding pics, I'm not sure.
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Apr 27, 2011
Getting a depth of field result in Smoke 2012. A tutorial on this would be really beneficial for a new comer like me.
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Jan 10, 2013
I'm looking at how depth of field works in Smoke Advanced 2012. Specifically, all in Smoke, ie generating a 3D caption and creating DoF in one BFX.
So this is the workflow I'm thinking...
I've made 3 captions in an Action node
I've created a Z-depth output
While looking at this I'm tweaking the camera clipping to get varying shades of grey.
1) In snapshot 6 I'm looking at standard output but the 'Far' caption is getting clipped even though it's inside the clipping range.
2)In Snapshot 8 you can see the connections in BFX, but there are severe artifacts on the defocus.
I couldn't find one of Grant's excellent blogs on this, only on scenes sourced from another system. Is there one?
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May 6, 2013
I'm still learning after effects and having fun with it. I'm just curious about something. Is there a way to eliminate the depth of field with particles? Example: When I zoom out with the camera in CC particle world, the particle (energy wave I create) goes blurry. Is the depth of field a default option? Cause when I create a camera the depth of field is off.
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Dec 5, 2012
For whatever reason(s), after applying the 'Depth of Field' effect, the cloning tool no longer works properly. If I open another image, the tool works just fine but if I return to the image where the 'Depth of Field' was applied, the 'clone' no longer stays after the mouse button is released. That is, the effect seems to be temporarily applied under the brush and immediately disappears when the brush is moved or the mouse button is released?
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Jan 17, 2013
When I use the gradient tool in simple depth field in photoshop element 10 my whole image unblurs even when I chose a smal area to focus. It used to work well before but for one reason or another, it stopped. I uninstalled my program and that didn't fix the problem.
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Oct 26, 2011
I found a video tutorial on how to make a depth of field effect from a photo. However, the video quality was so bad I couldn't even see what they were doing and clicking on.
Any process or where I can look for step by step instructions to achieve this effect?
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Nov 3, 2011
I am associating fields to polylines to get area square footage. I know there is a better way using AEC objects, but that includes a massive redraw that isn't feasible at this time.
I have included a short animation showing what the current process is. Without redrawing using AEC objects, is there a way to cut down on the amount of clicking to pull of this task?
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Aug 14, 2012
I'm working with 1080i50 footage. Interlaced, upper field (F1). When I apply an Axis effect to a clip in the timeline an render that, the result is wrong.
I'm not sure what exactly it is. Either the fields are inverted or somehow 'melted' into one frame. In the Axis editor the Interlaced/Progressive switch is set to Interlaced. If I set it to Progressive the rendered result is ok.
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Dec 6, 2012
How to visually represent depth in an elevation?
The only answer I've found is to use linework, but that can't be the way to go in a program such as revit. That's the whole point of it, right? To not have to sit and do things manually and then have to change the lines every time something in the building changes. I know that Archicad can show line thickness depending on distance from elevation line. And god do i dislike Archicad, but that's exactly what I'm looking for.
Another answer I've found is to use shadows, but then you get the problem of only being able to print as raster = no sharp lines.
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Dec 3, 2012
I have several polylines in block format. I need to shorten the entire block: 40' to 20'. I'm guessing I go into block editor?
AutoCAD 2010
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May 24, 2007
Impact URW D Bold font? (.TTF for windows)
find any difference with Windows Impact font, that is come with windows, except character spacing.
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Mar 4, 2013
Any LISP routine or another trick to increase an attribute alphabetically?
I have a block whose tag is defaulted to "A". Typically, I will copy this block however many times I need it in a drawing (could be 20 or so). I would like to increase the letter by one, either when I copy it or afterwards when they are all placed.
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Apr 10, 2013
I'm new here so not entirely sure of any posting "protocols", but I've been using the RayFire demo using the Voronoi fragmentation blah blah blah all standard.
How do I set it up so if the object is falling it smashs on impact with a ground plane? If I set it to dynamic in MassFx or just from RayFire it explodes or if it doesnt, it starts to fall apart as it falls through the atmosphere?
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Feb 13, 2013
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There used to be an old R14 LISP known as ADDTXT that I used that worked great for this.
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Oct 28, 2011
I need to increase the size of a fixed dialog box so I do not have to use the horizontal and vertical scroll bars to see the contents, I have included a picture.
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Jun 19, 2012
I have a simple hexagon block with one attribute, i need to be able to copy it and as i do it increases the number by one.
the Block name is note1-2006 the attribute name is NOTENUM. I have tried using some other Lisps but i cant ge them to work. Sometimes i have to put 40 of these on a sketch i hate copying and changing the attribute by one everytime. so it would be nice to copy and as i pick mutliple spots it increase number. Dont know if there is a way to ask user to keep same number or increase. This would save me so much time.
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Apr 11, 2012
I am currently using a field for my elevation tags. The field reads the y-value of a line and displays the results as the elevation. Our local jurisdiction requires that we list elevations from above grade (A.G.L.) as well as from bottom of base plate. The difference is usually 6"-12".
I was wondering if I could create another field that would read the same y-value of a line, but then subtract a predetermined value (6") and display the results.
Currently we have to do the math ourselves and this leaves room for errors and is often very tedious.
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Dec 15, 2011
(cdr (assoc 1 (entget (entnext (car (entsel))))) ...
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Aug 19, 2013
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Is there any way I could introduce a conditional statement saying: if Y>0 then add "+" in front?
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