I am working in LR4 with soft proof. I set up a photo but somehow got "caught" on the screen in the Develop module. My photo is on the screen after working with it, but I cannot budge it and when I go to print it thr Print module is blank and I cannot print the photo. How can I get out of this bind?
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If I adjust hue/saturation to turn off the warning indicators when soft proofing is ON for sRGB, is the result on my calibrated monitor screen the colours that are sent to Blurb via Book module and the colours that will print? I read forums stating disappointing results in Blurb publishing through LR4.
View 6 Replies View RelatedI soft proofed several photos for printing. I came back to print another copy and the virtual copy proofing copy was gone. There used to be 2 side by side. Now to print do I have to readjust?
View 3 Replies View RelatedACR 8.1 allows CC users to soft proof in CMYK and LAB color spaces. LR 5.2 will have ACR 8.2 capabilities, so will we be able to soft proof in these spaces as well?
View 6 Replies View Relateddefinitive function and use of the X/Y split colour numbers in the LR soft proofing histogram?
It's the only function inside of Lightroom that I can't figure out - is it a point sample between original and proof, or an area sample?
And whatever it is, what are you supposed to do with the info; you can't "lock" a sample point a la Photoshop can you.
There must be some prescribed method of usage for the info, otherwise why is it there?
I was wondering if there is a way to do batch processing for soft proofing different pictures similar to the sync functionality? I created a customer user preset however it seems to copy over the existing settings vs updating the +/-'s in the different areas. For example, I have a bunch of photos from different scenarios, events, actions, times, etc..
When I am soft proofing to a custom profile, looks like I just need to apply a few universal tweaks to WB (+100), exposure (+20, maybe +30), contrast (+10), blacks (-10), and clarity (+10, maybe +15) to get the soft proof copy to look like the master copy. Then I can quickly go through the soft proof copies and check.
Also, is there a way of creating a soft proof copy of all the pics in the develop module at once?
I cant check the box for Simulate paper & ink, when soft proofing is on. Im using Lightroom 4.1, with a Windows 7 PC
View 1 Replies View RelatedWhile I can use the "S" key to access softproofing, the checkbox doesn't show on the toolbar and the the option simply doesn't appear in the toolbar pop-up either!
View 2 Replies View RelatedI am running LR4 and CS6 on an HP desktop with 4Gig Ram, Win 7 Home, Profiled Monitor using DataColor.
In CS6, all my loaded ICC printer profiles appear when setting up the soft proofing...
In LR4, most of the profiles do not appear...
The problem is that I print to an Epson 7600 CMYK printer with UltraChrome Ink and mostly on Canvas so I need to proof for that environment.
I am trying to utilize my nearest costco to print some images from lightroom 5. I am getting back dull washed out prints.
Facts:
I shoot in RAW in manual mode
I am using sRGB when I do my post processing
I export to jpg for printing
I used the costco LR5 plugin from Alloyphoto to upload to Costco
I have installed the printer profiles from drycreek for the specific location/printer and have chosen the correct profile as I export
I made sure that I chose to have Costco NOT autocorrect the color
Even when I use LR5's soft proofing, I get the same result on my monitor
I checked the print I got back and it says that they did NOT autocorrect (taken with a grain of salt)
The machine they are using is a Noritsu QSS-A, so I know my profile is correct
I have attached a screen shot of what I am seeing.
Why am I seeing this on my soft proofing as well as my prints?
When soft proofing, I split the image horizontally and then create proof image when asked after making first alteration.However, in both LR4.4 and 5Beta, both the original and virtual (i.e., proofing image) change.
Have l Brightness value of 55 in original. Proofed image is duller. Increase brightness in proof by 10 to match original. (Figures are just for explanation) Now when I compare images again, original image brightness has increased by 10 also. This can be seen, of course, on the Develop panel.
I. Per the instructions of the printer who's printing my work, I've converted my image profiles to Dot Gain 20%. I would like to make sure that what I'm seeing on my screen will a) be a close match to what she (the woman printing the work) will see on her screen; and b) give me a sense of how the printer (Espson Stylist Pro 4800) will interpret and print the work.I should change my Proof Setup to Dot Gain 20%, no?
II. I also need to make a set of jpegs that will be seen on a variety of screens, each of a different make and calibration. These jpegs need to be as convincing a match to the print as possible, with allowances, of course being made for paper, ink, etc. The match has to be close. Is there a standard for softproofing that will allow me to see what's likely to appear on a given screen. A tall order, I know. Wondering if I should just inform the viewers to view the jpegs with their monitors set to a certain color profile--or if I should send them a monitor profile along with the jpegs.
having problems getting consistent archival inkjet prints from the places I have tried. I am now looking at 'soft proofing' which I suspect is not without its pearls. The problems I experienced before where the images were not converted to the correct profile was that sometimes they would print out,
at great cost correctly and sometime they would not, again at great cost. If the image is converted to the correct colour profile, in this case Hahnemule, will the embedded profile that the image will be printed out consistently and 2 different days?
Photoshop CS6 on Mac.
Edit an image file and get it to where I like on the monitor.Duplicate the file and set the new file to the profile for the printer which will be used, by using View > Proof Setup > Custom and setting an imported printer profile for the printing company that I use.
Edit the soft proof file to get it to where it looks good again. Save off the file for the printer and also save the new PSD file.
Close the PSD file.Reopen the new (soft proofed) PSD file.Still looks good, but.... when you check View > Proof Setup it's now generally set to Custom: U.S. Web Coated (SWOP) v2 instead of to the imported printer profile which was set previously. WHY???? Where did the printer profile go? Is it supposed to do this?
If I then reset View > Proof Setup to the correct printer profile, the image goes to crap again.
Just wanted to print a new photo and realized that the colors in print preview do not match the colors in soft proofing. In both cases I selected the same icc profile and rendering method. The print colors matched the colors in print preview. I never had a problem so far. All new prints will be checked with soft proofing and adjusted when necessary. I never paid attention to the color rendition in print preview and all prints perfectly matched the colors from the soft proofing. I was surprised when my print came out of the printer and the colors weren't matching the soft proofing colors, but that of the print preview.
I don't understand why Photoshop renders the colors differently in the first place. See attached screenshot for the difference in the blue/cyan colors. I don't care if the print view colors will match the print, but I do care when soft proofing is not working.
Will Lightroom 5 haveCMYK proofing?
View 2 Replies View Relatedi'm new to all of this and i've got a couple of questions. i'd like to export (from lightroom 3) a file of a little over 100 images for proofing by a client. a) i'd like them watermarked on the website i send them to --how do i do this? and b) how do i remove the watermark on the images that i have that i want to make prints from? i'm terrified of doing something that i can't take back and ruining the photos.
View 5 Replies View RelatedSlideshow with LR4 for raw and JPG files is not sharp enough (seems a bit soft or appears not enough resolution) when comparing to using ViewNX2 for NEF files or using photo explorer of Windows 7 (with plugin) for DNG files. The same result for a small notebook screen or a 42" 1080P display. What is your best way to conduct slideshow of raw files for the right resolution that meeting display size? I have set my standard preview size to 2048pixels and medium quality.
View 5 Replies View RelatedI have been having real problems with Lightroom 3.6 showing RAW files (from Canon 400D) as very soft focus, whereas Zoombrowser and Photoshop Elements show the images as crisp and sharp.
I have wasted hours trying to sharpen images which did not need sharpening as I assumed my photos were bad, but they are not.
This has also been found to be the case on other photos taken in RAW with another Canon 50D. So the fault seems generic.
are the developing capabilities completely equal when it comes to gamut and histogram between ACR and LR5 (5.?) or to get equality do I have to develop in soft proof mode in LR5?
View 4 Replies View RelatedLightroom trial. Soft proof crashes program.
View 2 Replies View RelatedI have soft-proofed image with a profile that a specific printer provided me.
I want to export the image that I soft-proofed to be displaying them as an album in Photoshop.
I didn't find any way to export the soft-proofed files.... Is it something that makes sense ?
I imported over 200 pics into LR 4.1 earlier today. I then noticed that I still had a Beta 4 folder in my directory, so I deleted the folder since I'm using the full and laterst version of the software. When I tried to relaunch LR though I was asked to select a catalog, so I selected a file called "Lightroom 4 Catalog.lrcat." LR opened but the catalog was empty...none of my pictures were there! Fortunately, I hadn't emptied my trash and was able to retrieve the Beta 4 catalog, which is what LR 4 was looking for and, in fact, contains all of my pictures. So, I'm back in business but it seems strange that I'm still using an outdated version. I'd like to use the new catalog but don't want to lose all of my pictures.
View 1 Replies View RelatedFreshly-installed Lightroom 5 stuck in "Preparing new searchable data" for hours.
Sure, I have tens of thousands of pictures, but why it takes so long and shows no progress?
It tried cancelling and starting over with no avail.
I use Lightroom for my RAW files and I used to be able to change the profile in camera calibration.. now it is just stuck on matrix?! What do i do to change this?
View 3 Replies View RelatedI use lightroom to tether but recently I have not been seeing my image in lightroom. It is stuck on "transferring files from camera." However, the folder I have linked to Lightroom has the image. I have updated everything and have disconnected and reconnected every cable and it is still not working. I don't think it is the camera since I am getting the image in the tethering folder. I want to be able to see it in the Develop section of Lightroom so I can make sure I have the shot and edit if necessary.how to get it to transfer again?
View 2 Replies View RelatedI don't want to appear dense but Lightroom 5 appears to be stuck in full screen (Windows 7 64 bit). The FILE, EDIT, ... drop down menus only appear after carefully hovering near the top of the screen and the minimize, full screen, and close buttons never appear. I don't want to close LR to check email, browse, or kill time while it is rendering previews.
View 1 Replies View RelatedLightroom is getting hung up when "Preparing file for editing" while trying to edit in external programs. Lightroom 4 did it when I tried to edit in Silver Efex Pro. Now I have a new computer and Lightroom 5. Lightroom 5 just started doing it when trying to edit in Silver Efex Pro AND Photoshop CS5.
View 5 Replies View RelatedI am looking at an image which has some red areas that are out-of-gamut in the soft proof profile I'm using. It's difficult to preview the areas as red is used to highlight those areas. How can I change the red to be some other color?
View 9 Replies View RelatedThis is something that we’ve seen intermittently on our and others' Macs:
you hover over the pin of an active brush and the overlay appears.you move off the pin, but the overlay stays.when you now continue to brush, the overlay is erased in shrap edged, blocky strokes as if the brush was a square shape with no feathering.
From all I can remember, it seems to be triggered only by larger brush sizes. Toggling the brushes panel or the overlay usually clears it up. It seems to be purely a display glitch not affecting the actual brush.
We’ve seen this happening in LR3, so it’s not new.
When exporting my edited pictures to a folder in m Pictures it goes as a blank soft color but no photo. It looks like a tiny dot and when you open it, it is a soft color..
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