I soft proofed several photos for printing. I came back to print another copy and the virtual copy proofing copy was gone. There used to be 2 side by side. Now to print do I have to readjust?
View 3 RepliesIf I adjust hue/saturation to turn off the warning indicators when soft proofing is ON for sRGB, is the result on my calibrated monitor screen the colours that are sent to Blurb via Book module and the colours that will print? I read forums stating disappointing results in Blurb publishing through LR4.
View 6 Replies View RelatedI am working in LR4 with soft proof. I set up a photo but somehow got "caught" on the screen in the Develop module. My photo is on the screen after working with it, but I cannot budge it and when I go to print it thr Print module is blank and I cannot print the photo. How can I get out of this bind?
View 4 Replies View RelatedACR 8.1 allows CC users to soft proof in CMYK and LAB color spaces. LR 5.2 will have ACR 8.2 capabilities, so will we be able to soft proof in these spaces as well?
View 6 Replies View Relateddefinitive function and use of the X/Y split colour numbers in the LR soft proofing histogram?
It's the only function inside of Lightroom that I can't figure out - is it a point sample between original and proof, or an area sample?
And whatever it is, what are you supposed to do with the info; you can't "lock" a sample point a la Photoshop can you.
There must be some prescribed method of usage for the info, otherwise why is it there?
I was wondering if there is a way to do batch processing for soft proofing different pictures similar to the sync functionality? I created a customer user preset however it seems to copy over the existing settings vs updating the +/-'s in the different areas. For example, I have a bunch of photos from different scenarios, events, actions, times, etc..
When I am soft proofing to a custom profile, looks like I just need to apply a few universal tweaks to WB (+100), exposure (+20, maybe +30), contrast (+10), blacks (-10), and clarity (+10, maybe +15) to get the soft proof copy to look like the master copy. Then I can quickly go through the soft proof copies and check.
Also, is there a way of creating a soft proof copy of all the pics in the develop module at once?
I cant check the box for Simulate paper & ink, when soft proofing is on. Im using Lightroom 4.1, with a Windows 7 PC
View 1 Replies View RelatedWhile I can use the "S" key to access softproofing, the checkbox doesn't show on the toolbar and the the option simply doesn't appear in the toolbar pop-up either!
View 2 Replies View RelatedI am running LR4 and CS6 on an HP desktop with 4Gig Ram, Win 7 Home, Profiled Monitor using DataColor.
In CS6, all my loaded ICC printer profiles appear when setting up the soft proofing...
In LR4, most of the profiles do not appear...
The problem is that I print to an Epson 7600 CMYK printer with UltraChrome Ink and mostly on Canvas so I need to proof for that environment.
I am trying to utilize my nearest costco to print some images from lightroom 5. I am getting back dull washed out prints.
Facts:
I shoot in RAW in manual mode
I am using sRGB when I do my post processing
I export to jpg for printing
I used the costco LR5 plugin from Alloyphoto to upload to Costco
I have installed the printer profiles from drycreek for the specific location/printer and have chosen the correct profile as I export
I made sure that I chose to have Costco NOT autocorrect the color
Even when I use LR5's soft proofing, I get the same result on my monitor
I checked the print I got back and it says that they did NOT autocorrect (taken with a grain of salt)
The machine they are using is a Noritsu QSS-A, so I know my profile is correct
I have attached a screen shot of what I am seeing.
Why am I seeing this on my soft proofing as well as my prints?
When soft proofing, I split the image horizontally and then create proof image when asked after making first alteration.However, in both LR4.4 and 5Beta, both the original and virtual (i.e., proofing image) change.
Have l Brightness value of 55 in original. Proofed image is duller. Increase brightness in proof by 10 to match original. (Figures are just for explanation) Now when I compare images again, original image brightness has increased by 10 also. This can be seen, of course, on the Develop panel.
I. Per the instructions of the printer who's printing my work, I've converted my image profiles to Dot Gain 20%. I would like to make sure that what I'm seeing on my screen will a) be a close match to what she (the woman printing the work) will see on her screen; and b) give me a sense of how the printer (Espson Stylist Pro 4800) will interpret and print the work.I should change my Proof Setup to Dot Gain 20%, no?
II. I also need to make a set of jpegs that will be seen on a variety of screens, each of a different make and calibration. These jpegs need to be as convincing a match to the print as possible, with allowances, of course being made for paper, ink, etc. The match has to be close. Is there a standard for softproofing that will allow me to see what's likely to appear on a given screen. A tall order, I know. Wondering if I should just inform the viewers to view the jpegs with their monitors set to a certain color profile--or if I should send them a monitor profile along with the jpegs.
having problems getting consistent archival inkjet prints from the places I have tried. I am now looking at 'soft proofing' which I suspect is not without its pearls. The problems I experienced before where the images were not converted to the correct profile was that sometimes they would print out,
at great cost correctly and sometime they would not, again at great cost. If the image is converted to the correct colour profile, in this case Hahnemule, will the embedded profile that the image will be printed out consistently and 2 different days?
Photoshop CS6 on Mac.
Edit an image file and get it to where I like on the monitor.Duplicate the file and set the new file to the profile for the printer which will be used, by using View > Proof Setup > Custom and setting an imported printer profile for the printing company that I use.
Edit the soft proof file to get it to where it looks good again. Save off the file for the printer and also save the new PSD file.
Close the PSD file.Reopen the new (soft proofed) PSD file.Still looks good, but.... when you check View > Proof Setup it's now generally set to Custom: U.S. Web Coated (SWOP) v2 instead of to the imported printer profile which was set previously. WHY???? Where did the printer profile go? Is it supposed to do this?
If I then reset View > Proof Setup to the correct printer profile, the image goes to crap again.
Just wanted to print a new photo and realized that the colors in print preview do not match the colors in soft proofing. In both cases I selected the same icc profile and rendering method. The print colors matched the colors in print preview. I never had a problem so far. All new prints will be checked with soft proofing and adjusted when necessary. I never paid attention to the color rendition in print preview and all prints perfectly matched the colors from the soft proofing. I was surprised when my print came out of the printer and the colors weren't matching the soft proofing colors, but that of the print preview.
I don't understand why Photoshop renders the colors differently in the first place. See attached screenshot for the difference in the blue/cyan colors. I don't care if the print view colors will match the print, but I do care when soft proofing is not working.
I am having an issue that cropped up as of late - I try to create a virtual copy of a photo, but instead of the normal page-turn icon in the bottom left and it auto-expanding to show the copies, it just creates a stack, and says "2" or "1 of 2" and the double line bars on both sides of the preview in Grid Mode. Is there a setting that I changed that caused that?
View 7 Replies View RelatedWill Lightroom 5 haveCMYK proofing?
View 2 Replies View Relatedi'm new to all of this and i've got a couple of questions. i'd like to export (from lightroom 3) a file of a little over 100 images for proofing by a client. a) i'd like them watermarked on the website i send them to --how do i do this? and b) how do i remove the watermark on the images that i have that i want to make prints from? i'm terrified of doing something that i can't take back and ruining the photos.
View 5 Replies View RelatedOn the v.c.'s I've already made (in Develope) I get no "Delete Virtual Copy" option, only get "Create Virtual Copy" with a right click or "Delete Photos" (which then deletes all copies and the original!).
View 1 Replies View RelatedI am using Lightroom 3 on a Mac OS. I wanted to download "Focus Magic", but apparently that is an impossibility. I installed it on my PC, on which also have LR3, made the adjustments I wanted in "focus Magic", then copied them to a disc. When I go to copy them into LR on my Mac, it won't allow it, as the photos "already exist" on the system. I have also tried this on different occasions for different reasons with the same result.
View 7 Replies View RelatedI installed LR4.4 and now it won't create virtual copies. It says it did but none show up. The show badges is still checked in view options.
View 2 Replies View RelatedWhen I create virtual copies, the total number of instances of the image goes up but I don't see any of the virtual images. I unstack and it shows they're unstacked and "1 of 2" but I still can't see the other. I've turned off all filters and still nothing.It was happening in 4.3rc and is still happening in 4.3. It is only present in certain catalogs.
View 6 Replies View Related1. Made virtual copies, count goes up, can't see them in grid in library, develop, or in loupe. Thought they were stacked, but when I went to Photo>stacking> the rest is all grayed out...can't do anything. "set as master copy" also grayed out,. Read somewhere "preferences for lightroom might be corrupt"???? I tried to do the thing in the library to correct the preferences,:(on moubntain lion 10.8.3), but in the user file there is no library...so I then looked up how to find the hidden library, but I can't find the stuff to do THAT!!! And, there IS a library on my hard drive, but when I open THAT up, there isn't anything about preferences.
I JUST bought this 2 mos ago--how can it have corrupt preferences when I only just started using it???--used it once, then discovered diddn't have right processor in old computer...bought a new computer...took several weeks to get (bought increased ram)...now I am just using for first time today. Started importing, but they are all coming up missing photoi (when I had lightroomn installed on old computer, I deleted uit and pics), then reinstalled and it was migrated over to this new computer. I looked up how to massive transfer missing photos and there is NO folder with a question mark, so I have to do hundreds and hundreds manually--can I tell you I am really hating LR4.4?
When I created a virtual copy of an image in LR3, and then I renamed the images, the virtual copies would have the new name with a hyphen.i.e if there were two virtual copies associate with the file, the renamed sequence would be as follows jcp0001, jcp0001-1(vc), jcp0001-2(vc), jcp0004
This had the advantage of keeping my file numbers in sync when I uploaded them to my online lab (Pictage) and the client gave me a file name. In LR4 renaming sequencing doesn't take into account the virtual copies in terms of the chronological # and compensating for the vcs. So the same sequence would be jcp0001, jcp0001-copy(vc), jcp0001-copy2(vc), jcp0002..This has the affect of misalignment my files with those of the online host.
Slideshow with LR4 for raw and JPG files is not sharp enough (seems a bit soft or appears not enough resolution) when comparing to using ViewNX2 for NEF files or using photo explorer of Windows 7 (with plugin) for DNG files. The same result for a small notebook screen or a 42" 1080P display. What is your best way to conduct slideshow of raw files for the right resolution that meeting display size? I have set my standard preview size to 2048pixels and medium quality.
View 5 Replies View RelatedSetup: Lightroom 4.4 on OSX (Snow Leopard), 24" iMac.
Situation: Imported a large number of RAW files from camera (Canon 5D Mk III) into LR4. Several of the photos are a series of HDR shots that I want to MOVE to their own subfolder. Create the subfolder (HDR) under the date-labelled folder that the files were originally imported into. Select all files in the HDR series, and from the filmstrip, center the mouse pointer over one of the thumbnail images, and then CLICK and DRAG the files over the HDR subfolder.
Well, this where the process fails.while hovering the files over the subfolder, I get the classic "COPY" plus sign, and no key or sequence of keys will change if from COPY to MOVE. If I drop the files as is, they copy over into the subfolder. Ok, this wouldn't be such a bad thing; I can do like any other copy operation, and go back to the original folder and delete the files, right?! WRONG!!! Evidently the copied files are aliased to their originals, and if I delete from either location, they ALL go away. I had this exact problem two years ago with LR3, and had found a solution to it that fixed things so a move was an actual move. Unfortunately whatever I did to fix it went bye-bye with the upgrade to LR4, and yes, I've searched and googled myself silly trying to find the answer again, to no avail.
I want to have multiple copies of the same catalog 3 different drives
i have 3 drives , I want to have the same catalog on all 3 drives along with the photos.
1 drive would be my main catalog
2 drive would be back up with all the photos
3 drive is my traveling presentation drive with all the photos
I did a filter/sort across 100's of folders then exported the results to a separate folder. I later noticed way too many duplicates in the new folder. Does Lightroom have a feature to automatically remove or eliminate duplicates when doing such a process?
View 12 Replies View Relatedif there is a SIMPLE way to make a copy or duplicate of a photo in LR4. In otherwords, you have a photo image in one folder and you want to make a copy and move it to another folder or subfolder and that copy is identical in EVERY aspect to the original photo and can be edited, manipulated, etc. without affecting the original. I can find nothing on this subject - all I keep getting is this VIRTUAL COPY which is NOT like the original and cannot be moved without the original (Master) going along with it. What's the problem? Every image program I know of can do this. BTW this in on a Mac Lion (10.8.4).
View 4 Replies View RelatedI am currently making virtual copies of all my photographs converting them to black & white I am then choosing which one to keep. If I keep the original no problem, I can remove the virtual copy however if I choose the virtual copy I have to keep the original copy or export the virtual one. Is there a way I can make the original the virtual copy and the virtual the original. As things stand I have loads of photos showing in lightroom that I do not want.
View 3 Replies View RelatedI can't determine if I've encountered a bug or operator oversight. From within LR 5.2 I opened an adjusted [NEF] file in PSCC (not as a smart object) and added adjustment layers, etc. With file still open in PS, I returned to LR, made a virtual copy, changed LR adjustments, and attempted to "Edit in..." I simply get referred back to the existing canvas. I'd like to work with both, side by side, and save when I'm ready.
LR 5.2
PSCC
OS 10.8.5