Lightroom :: How To Do Softproof Prior To Printing
Aug 26, 2012How can I softproof prior to printing?
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Sep 5, 2013When I soft proof an image in Lightroom (5) and in Photoshop (CS6) on my external display there is a noticeable difference between the two proofs.
This is the case both with "simulate paper & ink" on and off (with matching settings in both applications) and with a variety of different profiles being used. On my laptop screen the proofs always match (between Photoshop and Lightroom).
On the external display with soft proofing off there is an exact match between images in LR and PS. With soft proofing on saturated areas of images (particularly reds, greens and yellows) become noticeably less saturated and blocked up in LR as compared to PS. Subdued colours appear to match. It's almost like they are both using the same profile but Lightroom is squashing it into a smaller gamut. I'm fairly sure PS is correct and LR is the one with something going wrong.
I'd like to sort it as I'd prefer to soft proof in Lightroom as that's where I print from. I've read up a lot on colour management and can't find a solution.
(I'm on a Macbook pro running 10.8.4 and the external display is an NEC Spectraview 271 (euro version of PA271W), the display is calibrated and profiled with Spectraview 5, with an i1 Display Pro. Working space in PS is Prophoto RGB and it's set to preserve embedded profiles. I've checked with various test images but mostly been using Bill Atkinon's printer test image. I set up the image in LR and PS to match on screen position and with the same colour (white) background, I can then flick back and forth and there should be no change but there is and it's very obvious.)
Lightroom :: Softproof To ARGB Or SRGB - Resulting Proof Crushes Dark Tones Into Solid Black
Apr 2, 2014When I am going through RAW files from my Canon cameras (1Ds MkIII and 6D) I edit them in the develop module and then convert to aRGB or sRGB depending on the output media. They look good in aRGB and sRGB too when I take into account the limitations of sRGB.
---> However, if I try the softproof to aRGB or sRGB the resulting proof crushes dark tones into solid black. Why is this when the actual conversions are way better? The actual conversions look good in both LR and PS CS5.
I have also noticed that when I upload images to my online galleries and view them with Firefox (latest version and color management enabled for all rendered graphics) they appear darker in the darkest tones than what they appear in LR. What gives?
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Further info:
I am using LR 5.3, no updates suggested by the softwareWindows 8.1 clean installThe computer is a new one, fast processor, 32 gigs ram etc.Eizo CX270 hardware calibrated (16-bit internal LUT) with the Spyder 4 in ColorNavigator 6 software.The issue has always been like this
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