Anyways, a client has requested a logo in a PMS color. I know where the color swatch libraries are, but there is no library named PMS, there are tons of Pantone ones for coated, uncoated, ect.
Is there a search function to the pantone colors? They specified "PMS 192 Red". Says nothing of coated or whatever I just want to know how on earth do I find that actual color?
I am trying to fill a client graphics circle with colour . i'm just using the sample included in the API Samples.
' Create a transient circle objectDim oCircle As Inventor.CircleSet oCircle = oTransGeom.CreateCircle(oCenter, oNormal, 1)Create a circle graphics object within the node.Dim oCircleGraphics As CurveGraphicsSet oCircleGraphics = oCurvesNode.AddCurveGraphics(oCircle)Call oCircleGraphics. Color.SetColor(255,35,35) '
This line doesn't work
I have a solid green rectangle.
I would like to create several similar green rectangles at various levels of transparency that will perfectly match the color of the solid green rectangle. Is there an easy way to do this?
I have tried matching it by eye, and can get very close:
the original solid green rectangle is R:135 G: 174 B: 155
after making a copy of the solid green rectangle, say, 90% transparent, I can play with Hue/Saturation to get around R:136 G:175 B: 154, according to the eyedropper. But I don't see any way of fine tuning the RGB/HSB/etc. absolute values in the transparent version.
I often do website images for developers. The problem i am having is matching the web color from a color pick in ps. I have used a method where s i take a screen shot on my MAC and then pull that into PS cs5 (I have cs6 also) and pick. Then i export for web (png or jpeg).
This method gets me inconsistent results.
Is there such a thing as to build a template in Illustrator so that the client can change the text on it? Kind of like a Content Management System on a Website?
If so, what would the client be able to use to edit in? Of course, the client would like little to no expense.
How do I package a finished project to a client. She insisted on having three name logotypes with different effects and three monogram logotypes with different effects. The finished name logotypes are on one artboard/file, and the finished monogram logotypes are on another artboard/file.
View 5 Replies View RelatedHow do I send a large Illustrator CS3 file to a client that needs it for printing?
View 8 Replies View RelatedInstalled all recent updates . . Files from cloud version from client . . .
Opened in CS6 with the Error Message "The file "------" was generated by a newer version of Ilustrator. Would you like to import this file? Some data loss may occur"
SOME DATA LOSS DID OCCUR!
Rebuilt all pertinent files connected to the program, cleaned out Mac running OS X 10.7.5
Baselined everything . . . still file opens with data missing (colored box defining white type in two areas on product)
AI newbie here. How do you send the client a vector logo? When I save my logo as EPS, it is still in a thousand pieces. Is it possible to "Flatten" logo like in Photoshop before sending as vector?
My logo has some transparency which I'd like to keep.
How do you send a scalable vector logo that has transparency in a way that a client can easily open and view the file?
Let's say I have two pictures. The first one is a RAW file and the second is the same file, but a flat PSD with some color and contrast moves done to it.
What I want to do is to (of course start with processing the RAW file so I have a PSD/tiff) and then I would like to match the colors to 100%.
Usually I would do this by eye, but I would like to find out if there's any quicker way to do it? I started to look in to the color sampler tool to get the different values.
Preferably I would also like to have all these color and contrast moves in layers if possible. So that I can adjust them if I want.
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The second question is basically the same but this time the reference photo is a different picture.
I have been working on a gag project that involves placing different co-worker heads on different bodies. However, I have been having some difficulty matching the skin tones. I thought it would simply be a matter of using the eye-dropper tool, getting some average values on the face and body, then using an adjustment layer grouped to the face layer to adjust the color.
However, my results are often not even close. Is there a particular way I'm supposed to be adjusting the color?
I travel around the country and use Photoshop for various projects. I then SAVE AS a TIFF file to my flash drive and take the flash drive to an office superstore (OfficeMax, Staples, Kinkos,etc.) to print on their color printers. I run into a variety of printers, but mostly Xerox DocuColor 250's or Docucolor 12's.
How can I set my Photoshop so that the colors that print on these Docucolor printers are closer to what I see on my screen? I'm already creating the documents in 300DPI, CYMK-8 mode to be as close to the printer as possible.
I am using Extendscript to do some of the crtitical functionalities for Adobe premiere pro. Programme is working fine when i run it from Flash builder 4.6, i get all the expected result in premiere pro cs6. This is the methode i am using to invoke functions in .jsx files
[ Embed (source= "filename.jsx" , mimeType= "application/octet-stream" )]
private static var myScriptClass:Class;
public function test():void{var jsxInterface:flash.external.HostObject
[Code]....
Is there any way to match close colors? I have two images, and I want to match the color of those through Adjustments i.e. Saturation, Brightness, etc. Attached is a same portion for both of the photos.
View 3 Replies View Relatedcould anyone tell me how to match the skin color of somthing with mine like pulling somthing off somone else like a tatoo or a scar and making it look like its ment to be there like the same skin color?
View 1 Replies View RelatedWhen doing a skin for a forum, I didn't use the web colors palette, and after I had sliced the whole thing up and went to export to web as a JPEG, it looked like that... horrifying, ugh. Thing is, when I do a Save As and save as a JPEG, it retains the original colors.
Is this just something I can't change in PS/ImageReady, or can I somehow change the save for web color space it uses? I'd really like to use the original colors, steel just doesn't fly with aqua.
I have two images, taken in the same location. Because of slight changes to camera position or other things, they're not the same. The color and brightness are slightly off.
How can I match them? I'm especially concerned about the color.
Is there an easy way of setting matching Color Profiles on a Mac ?, To simply ... Loading an Image into default Mac App "Preview", shows different to the Image when loaded into Photoshop. Is there a simple way of making the Color Profile the same ?
However there might be a slight problem, the Thumb preview (in App Preview) shows different to the Image showing. This changes differing on the dependance of Photoshop's Embedded Color Profile.
I'm working with 2 pictures of people. My goal is to replace the face-parts (lips, eyes etc.) with each other.
So person 1 will get the mouth of person 2, and backwards. pretty simple, as all I have to do is match the skin color, and from now - piece of cake. (I actually said piece of cake :P )
So, what I normally use are only 2 tools: Hue/Saturation, and Color Balance.
Problem is - it's still pretty difficult to get perfect results. and beyond that, sometimes I just can't manage to get to even a normal solution. so it's very frustrating.
My question is: What are all the tools that are used to match colors?
(Until now, what I basically did is: take the slider, move left - check if better. if not: move right - check if better, if not: return to center. like this with each slider of the 2 tools I mentioned above. doesn't sound very professional, huh?)
P.S. A reference to even a bunch of tutorials and guides about coloring, would mean THE WORLD to me, as around 60% of my Photoshop are coloring and stuff like that.
I have a solid color rectangle on a layer.
I would like to create several similar rectangles on different layers with different opacity levels (i.e. 90%/75%/50% etc), that will match the solid color rectangle exactly, when they are against a white background.
I used Hue/Saturation on the transparent rectangles to approximate the solid color, but the eyedropper shows that I am a of couple values off. Is there a way to accurately match these colors exactly?
I used the FAQ section but nothing seemed to come up.
Basically I have 3 digital photos that are part of a panorama. After I load them into PS, there is a slight color imbalance between each of them, eg the sky in one is a bit more yellow looking than one of the others. So the question is, is there an easy way to select a photo and "color balance" it to match another, similar, image?
I'm using PS v7. I've heard that CS has Image-Adjustments-Match Color.
I've been trying to work on my color matching skills (which are poor). The long term goal is to be able to match a sample texture's color with other texture samples that have been de-saturated then re-colored to match the original so that they can blend in and out of each other easily.
I'm using the attached image as a sample, then de-saturating it and trying to get the same color in the de-saturated image. I've tried using different mix modes, different base colors, playing with levels, colorize, and other plug ins - but I can never get quite the same color across the image. Its either too brown, too red, too yellow, etc. I was wondering what methods would be used to get a close to exact result - and for that matter, if it is even possible to color match only using 1 base color as a overlay (or other mix type)?
I have a set of photos, taken a while back. They're closeups of the stages of a craft process, and not easily reshootable.
I was with the craft, I didn't notice that the day was passing, and that the light I was shooting with was varying, and I didn't do a manual white balance for each shot.
Each photo on its own looks "OK", but when I tried a montage, the white balance differences between the shots was UGLY.
So - I don't need accurately calibrated shots, but I'd like the colorspace of all the photos to be as similar as possible, so that identical physical objects have the same in-image colors.
There are several areas in the photos that are of the same (physical) item that could be used to drive a calibration/matching process, but they're not white/gray/black.
So - how do I match up the colors? I've tried to botch at it by hand editing curves but it was tedious and error prone.
I've been trying to work on my color matching skills (which are poor). The long term goal is to be able to match a sample texture's color with other texture samples that have been de-saturated then re-colored to match the original so that they can blend in and out of each other easily.
I'm using the attached image as a sample, then de-saturating it and trying to get the same color in the de-saturated image. I've tried using different mix modes, different base colors, playing with levels, colorize, and other plug ins - but I can never get quite the same color across the image. Its either too brown, too red, too yellow, etc. I was wondering what methods would be used to get a close to exact result - and for that matter, if it is even possible to color match only using 1 base color as a overlay (or other mix type)?
I am trying to adjust the color levels between two photos such that a certain object in both photos has the same color in both images. I'll try and explain more with an example...
I've got two images taken under similar lighting conditions with the same camera and settings that came out with slightly different colors. There is a reference object in each photo that should match (in this case, a grey square of a paint sample). I'd like to adjust the color of the square in photo 2 so that it matches the square in photo 1, with the adjustments applied to the entirety of photo 2.
Context - I am brand new to the graphic design business and working with a friend to create a logo for their new business. The logo will be used for web and print purposes.
I am having an issue where the colors used while in the CorelDraw application are not matching the exported files or what comes off the printer. Printer - HP officejet 6500 - using this for a checkpoint only, will not use for actual printing
I created the logo using CMYK color palette and used the default settings in Corel as far as color management goes...It is U.S. Web Coated (SWOP) v2. The application is still in an "out of the box" state as I am too new to know how to change anything.
So, that said...the image looks great in the application. I exported several proof files for my friend, but see now that I used RGB for the export. He loves the design and I am ready to deliver his files. Those RGB files "look" fine when opened as jpeg or png, but when printed they are completely different.
I've read that it is important to deliver CMYK files as well as RGB files. So, I attempted to export with that color style thinking it might fix that problem, since I created the image using that palette. When I try to export using CMYK though, the color goes absolutely whacko. Viewing on the computer, the muted green (20.0.60.20) turns into a neon green...and it prints that way as well.
I know computer monitors have variations, but if I see it in the application one way, viewing the exported file on the same computer monitor shouldn't pose an issue.
I cut out the sky in the top layer of the timeline and the sky still beneath it is showing through. I need to color match the two shots. How can I see both shots in the CC effect so I can match the two?
View 5 Replies View RelatedI'd like each side of the perspective grid to match the two different angles that are the sides of this building. I'm trying to get something done using it and have never used it before.
View 5 Replies View RelatedWith the Rectangle Tool's cursor is clicked in the document. The Rectangle Panel appears. A height dimension is entered. With the pointer, the Width field is clicked. Usually, the Height Value gets automatically entered in the Width field. In this case it does not.
This same behavior is occuring in the Ellipse Tool.
iMac 3.4Ghz 32 GB
OSX 10.8.2
Illustrator CS6
Im struggling with the correct use of symbol / symbol items in applescript. I can successfully list the symbols used on the page, but I cannot select them. How I can select all the items on the page that are Symbol Items of symbols named "Apples" but not oranges? After that I hope to replace the instances matching the height or width of the items whichever is greater with a 3rd item name. Javascript is always an option as well but I had the same difficulty.
View 14 Replies View RelatedIs this possible, create a .Net 3.5 Dll(A.dll), reference to Oracle 11g 32 bit client Oracle.DataAccess.dll. this dll will be used in another dll(B.dll), which load in AutoCAD 64 bit application. 32 bit version of AutoCAD is not allowed to install on Windows 7 64 bit. Right now I set my B.dll as 'Any CPU', and A.dll as 'Any CPU' as well. Do I have to use 64 bit oracle client in my A.dll?
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