Is there any way to match close colors? I have two images, and I want to match the color of those through Adjustments i.e. Saturation, Brightness, etc. Attached is a same portion for both of the photos.
View 3 RepliesI have a solid green rectangle.
I would like to create several similar green rectangles at various levels of transparency that will perfectly match the color of the solid green rectangle. Is there an easy way to do this?
I have tried matching it by eye, and can get very close:
the original solid green rectangle is R:135 G: 174 B: 155
after making a copy of the solid green rectangle, say, 90% transparent, I can play with Hue/Saturation to get around R:136 G:175 B: 154, according to the eyedropper. But I don't see any way of fine tuning the RGB/HSB/etc. absolute values in the transparent version.
I often do website images for developers. The problem i am having is matching the web color from a color pick in ps. I have used a method where s i take a screen shot on my MAC and then pull that into PS cs5 (I have cs6 also) and pick. Then i export for web (png or jpeg).
This method gets me inconsistent results.
Let's say I have two pictures. The first one is a RAW file and the second is the same file, but a flat PSD with some color and contrast moves done to it.
What I want to do is to (of course start with processing the RAW file so I have a PSD/tiff) and then I would like to match the colors to 100%.
Usually I would do this by eye, but I would like to find out if there's any quicker way to do it? I started to look in to the color sampler tool to get the different values.
Preferably I would also like to have all these color and contrast moves in layers if possible. So that I can adjust them if I want.
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The second question is basically the same but this time the reference photo is a different picture.
I have been working on a gag project that involves placing different co-worker heads on different bodies. However, I have been having some difficulty matching the skin tones. I thought it would simply be a matter of using the eye-dropper tool, getting some average values on the face and body, then using an adjustment layer grouped to the face layer to adjust the color.
However, my results are often not even close. Is there a particular way I'm supposed to be adjusting the color?
I travel around the country and use Photoshop for various projects. I then SAVE AS a TIFF file to my flash drive and take the flash drive to an office superstore (OfficeMax, Staples, Kinkos,etc.) to print on their color printers. I run into a variety of printers, but mostly Xerox DocuColor 250's or Docucolor 12's.
How can I set my Photoshop so that the colors that print on these Docucolor printers are closer to what I see on my screen? I'm already creating the documents in 300DPI, CYMK-8 mode to be as close to the printer as possible.
could anyone tell me how to match the skin color of somthing with mine like pulling somthing off somone else like a tatoo or a scar and making it look like its ment to be there like the same skin color?
View 1 Replies View RelatedWhen doing a skin for a forum, I didn't use the web colors palette, and after I had sliced the whole thing up and went to export to web as a JPEG, it looked like that... horrifying, ugh. Thing is, when I do a Save As and save as a JPEG, it retains the original colors.
Is this just something I can't change in PS/ImageReady, or can I somehow change the save for web color space it uses? I'd really like to use the original colors, steel just doesn't fly with aqua.
Is there an easy way of setting matching Color Profiles on a Mac ?, To simply ... Loading an Image into default Mac App "Preview", shows different to the Image when loaded into Photoshop. Is there a simple way of making the Color Profile the same ?
However there might be a slight problem, the Thumb preview (in App Preview) shows different to the Image showing. This changes differing on the dependance of Photoshop's Embedded Color Profile.
I'm working with 2 pictures of people. My goal is to replace the face-parts (lips, eyes etc.) with each other.
So person 1 will get the mouth of person 2, and backwards. pretty simple, as all I have to do is match the skin color, and from now - piece of cake. (I actually said piece of cake :P )
So, what I normally use are only 2 tools: Hue/Saturation, and Color Balance.
Problem is - it's still pretty difficult to get perfect results. and beyond that, sometimes I just can't manage to get to even a normal solution. so it's very frustrating.
My question is: What are all the tools that are used to match colors?
(Until now, what I basically did is: take the slider, move left - check if better. if not: move right - check if better, if not: return to center. like this with each slider of the 2 tools I mentioned above. doesn't sound very professional, huh?)
P.S. A reference to even a bunch of tutorials and guides about coloring, would mean THE WORLD to me, as around 60% of my Photoshop are coloring and stuff like that.
I have a solid color rectangle on a layer.
I would like to create several similar rectangles on different layers with different opacity levels (i.e. 90%/75%/50% etc), that will match the solid color rectangle exactly, when they are against a white background.
I used Hue/Saturation on the transparent rectangles to approximate the solid color, but the eyedropper shows that I am a of couple values off. Is there a way to accurately match these colors exactly?
I used the FAQ section but nothing seemed to come up.
Basically I have 3 digital photos that are part of a panorama. After I load them into PS, there is a slight color imbalance between each of them, eg the sky in one is a bit more yellow looking than one of the others. So the question is, is there an easy way to select a photo and "color balance" it to match another, similar, image?
I'm using PS v7. I've heard that CS has Image-Adjustments-Match Color.
So I am measuring the 'red' 'green' and 'blue' values of a picture after I adjust the white balance with a grey card.. I notice that if I measure the colors from 'selected layer' they are different then if I select 'entire image' those are both different if i do not do any white balance adjustment..
Which is the correct measurement that I should record? I want the the white balance adjustment included.
Bridge is making gamma adjustments on my thumbnails!
I want to make the color adjustments,
I want only for the RAW files to load.
How do I PERMANENTLY DISABLE THIS FUNCTION?
If I place a point on an image and then make 10 adjustments is there a way to view how the color sample will change with each adjustment?
Right now I have to go back to the individual 'bg' layer I will call it to view the new color info after the adjustments have been made. I would like to see how the color info is changing for the layer the adjustment is being made to WHILE making the adjustments.
Is the vibrance slider in ACR and Lightroom doing essentially the same thing as manually shifting the tops and bottoms of the A and B curves in LAB color?It seems similar, but is the math actually the same?
View 1 Replies View RelatedI have two images, taken in the same location. Because of slight changes to camera position or other things, they're not the same. The color and brightness are slightly off.
How can I match them? I'm especially concerned about the color.
Anyways, a client has requested a logo in a PMS color. I know where the color swatch libraries are, but there is no library named PMS, there are tons of Pantone ones for coated, uncoated, ect.
Is there a search function to the pantone colors? They specified "PMS 192 Red". Says nothing of coated or whatever I just want to know how on earth do I find that actual color?
Working in BRidge and Photoshop CS6:I have 160 color adjusted hi-res CR2 RAW files from my photographer, thought I was getting tifs. I need tifs for my INdesign file. I tried using the photoshop image proecessor through brige by selecting all my images and then saving as TIFFs but I am losing all my color correcting? Is there a way to save these out as tiffs as a group and not one at a time? I also might have lost my color correcting when I copies them all to one folder as well...not sure what is happening except now my great product shots look like crap.
View 8 Replies View RelatedI've been trying to work on my color matching skills (which are poor). The long term goal is to be able to match a sample texture's color with other texture samples that have been de-saturated then re-colored to match the original so that they can blend in and out of each other easily.
I'm using the attached image as a sample, then de-saturating it and trying to get the same color in the de-saturated image. I've tried using different mix modes, different base colors, playing with levels, colorize, and other plug ins - but I can never get quite the same color across the image. Its either too brown, too red, too yellow, etc. I was wondering what methods would be used to get a close to exact result - and for that matter, if it is even possible to color match only using 1 base color as a overlay (or other mix type)?
I have a set of photos, taken a while back. They're closeups of the stages of a craft process, and not easily reshootable.
I was with the craft, I didn't notice that the day was passing, and that the light I was shooting with was varying, and I didn't do a manual white balance for each shot.
Each photo on its own looks "OK", but when I tried a montage, the white balance differences between the shots was UGLY.
So - I don't need accurately calibrated shots, but I'd like the colorspace of all the photos to be as similar as possible, so that identical physical objects have the same in-image colors.
There are several areas in the photos that are of the same (physical) item that could be used to drive a calibration/matching process, but they're not white/gray/black.
So - how do I match up the colors? I've tried to botch at it by hand editing curves but it was tedious and error prone.
I've been trying to work on my color matching skills (which are poor). The long term goal is to be able to match a sample texture's color with other texture samples that have been de-saturated then re-colored to match the original so that they can blend in and out of each other easily.
I'm using the attached image as a sample, then de-saturating it and trying to get the same color in the de-saturated image. I've tried using different mix modes, different base colors, playing with levels, colorize, and other plug ins - but I can never get quite the same color across the image. Its either too brown, too red, too yellow, etc. I was wondering what methods would be used to get a close to exact result - and for that matter, if it is even possible to color match only using 1 base color as a overlay (or other mix type)?
I am trying to adjust the color levels between two photos such that a certain object in both photos has the same color in both images. I'll try and explain more with an example...
I've got two images taken under similar lighting conditions with the same camera and settings that came out with slightly different colors. There is a reference object in each photo that should match (in this case, a grey square of a paint sample). I'd like to adjust the color of the square in photo 2 so that it matches the square in photo 1, with the adjustments applied to the entirety of photo 2.
Context - I am brand new to the graphic design business and working with a friend to create a logo for their new business. The logo will be used for web and print purposes.
I am having an issue where the colors used while in the CorelDraw application are not matching the exported files or what comes off the printer. Printer - HP officejet 6500 - using this for a checkpoint only, will not use for actual printing
I created the logo using CMYK color palette and used the default settings in Corel as far as color management goes...It is U.S. Web Coated (SWOP) v2. The application is still in an "out of the box" state as I am too new to know how to change anything.
So, that said...the image looks great in the application. I exported several proof files for my friend, but see now that I used RGB for the export. He loves the design and I am ready to deliver his files. Those RGB files "look" fine when opened as jpeg or png, but when printed they are completely different.
I've read that it is important to deliver CMYK files as well as RGB files. So, I attempted to export with that color style thinking it might fix that problem, since I created the image using that palette. When I try to export using CMYK though, the color goes absolutely whacko. Viewing on the computer, the muted green (20.0.60.20) turns into a neon green...and it prints that way as well.
I know computer monitors have variations, but if I see it in the application one way, viewing the exported file on the same computer monitor shouldn't pose an issue.
I cut out the sky in the top layer of the timeline and the sky still beneath it is showing through. I need to color match the two shots. How can I see both shots in the CC effect so I can match the two?
View 5 Replies View RelatedWe have a bunch of shots taken using natural light - the shots all have completely different exposure and white balance adjustments.
Now that the shots feel like they've been shot at the same time of day (and on the same day) we'd like to start adjusting the white balance accross multiple shots - but use the current white balance/exposure from each individual shot as the starting point - not reset the adjustments.
Kind of like baking the current settings or making adjustments on top of current adjustments - or make new adjustments relative to the current adjustments.
Effects->Adjust->Brightness/Contrast/Intensity
Effects->Adjust->Color Balance
Effects->Adjust->Gamma
Effects->Adjust->Hue/Saturation/Lightness
None of the above work [as expected] any more. I think this happened after the 6.3 Update.To replicate the problem:
1. Fire up CorelDRAW
2. Draw a closed shape and fill it with a color of your choice.
3. Open any of the above effects mentioned in the first post.
4. Try moving any of the sliders and see what happens. (Try with both the preview button locked and unlocked.)
I am sure you will notice what I mean. Surprisingly, they all work as usual, once you convert the vector object to a bitmap!
I understand the benefit of shooting camera raw and I like the adjustments you can make without effecting the photo itself. The one thing I can't get used to is the limiting workflow in raw that allows you to undo only one change. Being a long time user of Photoshop I'm spoiled by all the image changes I'm allowed to make in combination with one another and the ability to back out of all or some of them.
I'm I missing something in the raw workflow? I wasn't sure if this should be posted in the Photoshop, Bridge or Raw forum. If any of you know of a forum that discuss's this sort of stuff,
I just downloaded CC and was able to implement my workspace from CS6 and load presets. But color settings and other preferences along with screen colors etc are not how I want them. Any way to match everything with my CS6?
View 1 Replies View RelatedI`ve found a background color for my web page and I like to get the same color in Photoshop to use it like background for my grafics.Hom can I get the exactly same colors when on my page it`s in HEX triplet numbers and in photoshop it`s in RGB & CMYK?
View 3 Replies View Relatedhow would you recommend I go about matching the bumper with everything else?
View 1 Replies View Related