Illustrator :: How To Keep All The Paths Shown While Adding New One
Jun 18, 2012
I've a problem while using the pen tool.. when I draw a new path or more when I'm adjusting the angle of the drawn path, all the other paths aren't shown meanwhile. I don't like that because it keeps me from adjusting the lines accurate to each other. How can I keep them shown?
My illustrator has been really wonky lately; Mainly just not keeping lines where I put them. Is there an invisible pixel grid that I accidentally turned on at some point, and now everything is trying to snap to it?
I'm working at very large sizes, and I already tried reinstalling Illustrator. I can't seem to find anything on the Adobe forums, but I'll admit I'm bad at finding info I need online.
I want to join two paths to create a shape that I can fill but at the same time retain one of the original paths (the red one in the image below). I can copy the path I want to retain but surely there is a more elegant solution. See below for for an illustration:
But I have more than one inner path (20 in fact). I made a few, then stepped away, then made the rest. But when I select the clipping path and Make Selection, it only selects the outline and the first 3 inner paths that I made. How do I add the other 17 paths to the clipping path?
I need to create an illustration with only a certain amount of colors. I cleared out everything from my swatches palette and asked it to "add used colors." A color keeps popping up when I do this that I can't find in the actual illustration! But it must be somewhere. Is there a way to search for that color... so I can see where it is? I've tried selecting every piece of artwork, checking it, then locking it... but I'm not finding it.
When I set my ruler to inches, and view the document at 100%, the inches appear much smaller as inches on my screen. I'm assuming this has something to do with resolution of either my Illustrator document, or maybe my computer screen? I would like the inches on the ruler to appear as the actual length of an inch on my screen.
Ex. I drew a box with a white fill and black border.I tried to swap the fill and border and nothing happened.I zoomed out and it showed the change. Basically anytime I do something I have to adjust the zoom to get it to show the edit I wanted.
Then it won't let me close the document or quit the program. Not sure what to do.
I opened a pdf page in Illustrator to extract the image. Missing font dialog box was not shown while opening the pdf page but junk characters (box-like) appeared in the file.
The font used for these characters is Times New roman composite True type. This font could not be replaced with Times new roman true type font. how to avoid the junk characters while opening the pdf page in Illustrator
I created some paths in illustrator, and I want to paste them in photoshop. I tried cut n' paste, but it doesn't work. I tried exporting to PSD, still doesn't work.
I trace a lot of line drawings in my work to add regions of color or to create a layered watercolor effect.
In previous versions on Illustrator (I currently use CS6 but I think CS5 worked the way I liked) I could set the opacity to whatever I wanted and new pencil or pen objects would be trasparent as I drew them. Now my paths are opaque no matter what my setting in the transparency menu and it's impossible to see what I'm tracing.
I used to be very productive drawing blobs of color and overlaying quickly for a nice watercolor effect, but now I have to draw a blob, select it and set it's opacity, then draw my next blob and do the same thing. Very time consuming and not good for quick evaluation of whether or not my image is looking good.
I used Illustrator CS5 to just siply choose a font and wrote the words Media King. Then i saved as AI v8 file so that c4d would take the file. The word do have a rounded square as a BG (background).
When it gets in c4d the rounded circle is there but not the font. Does illutrator give paths to text generated in ai?
For some reason all my paths, including old files have become jagged. New paths are coming up jagged as wells as print out and PDF files. Using CS5.
I am not an expert but have been using AI for years to make patterns with the pen tool. The smaller I make the illustration the worst it gets.It is not the pixel preview, tried that already.
Do I have to save, select etc.... my Photoshop 7 file in a certain format in order to export paths to Illustrator? When I open up the exported file in Illustrator, it's blank.
I was wondering if there was a way to 'unmerge' a group of connected paths. The thing is whenever I click on one of the ovals, it selects a whole group of ovals instead of just the one I selected. The problem is that I drew an oval, copied it multiple times until I made a pile out of it, then copied that pile and made other piles. So whenever I click on one of the ovals, it selects the entire pile. Is there a way I can 'unmerge' or ungroup all the paths so I can select just one of the ovals? I'm not doing this so I can copy them again, I'm trying to delete them individually but I really can't.
I'm trying to join two paths with the pen tool. The shape is a coffe mug, took me half an hour to try to combine paths with the pen tool.
I'm trying to join where the little white gap is. I had the same issue opposite but I managed to draw a little curve in there and join the paths. But I can't seem to do it the other side and I don't understand how it works.
I have selected paths on the artboard and would like to be able to move them into one layer.
As there are a large number is there anyway of moving them to a new layer without selecting them (blue highlighting) and moving them?
They are selected on the artboard so the colour square appears next to them in the layers panel but I can't move them to a new layer without selecting them (even using ctrl or shift is still quite time consuming).
I'm in the process of creating an SVG file. I'll have a large number of paths of which all have a seemingly random ID's assigned to them, for example path4758 (see below). Ideally, I'd love to be able to set my own ID for a path, it would work when I parse my SVG file with a Python script. Is it possible to change the ID that is assigned to a path inside of Illustrator? If so, how would I be able to do so?
I have a .pdf output from a program I use at work. The .pdf can be opened in illustrator (IL) and I have about a bezillion of objects which are mostly all paths (0.5 stroke and no fill of course).
Due to the large number of objects, IL crashes after a while.
Is there a way to transform/join the paths from one row into one object? I tried rasterize, but the problem is that I can't change the color of the according row afterwards - and I need to be able to change the color later.
I am having a file which has lot of texts. Actually the texts are in outline format as fills,strokes,etc. Is it possible to convert them to an editable text using any option.
I am a newbie in illustrator. I want to use pathfinder to unite two paths. One path has the effect of bulge. When I unite these, both of the paths get the effect bulge. Why is this happening and how can i avoid this?
I am working on a world map and I do have a reasonable vector version from the web, but unfortunatly the countryborders maatch not 100%. Is there any way to match all the borders automatically?
So I'm working with type, and I want to place a very thick outline around the type it's self.Creating a thick outline unfortuantely doesn't just work, as it aligns it over the text strokes themselves.
Corel has an option to place the outline behind the object (see below)...but alas, illustrator does not... they have the align outside option (far less effective).I want this style without having to duplicate the text, and placing one with an outline behind it:
So when I convert the text to outlines, and apply the outside aligned stroke I get an overlap from the other charactersis there a way to combine objects that aren't overlapping into a single object, so when I align the outline around the text I don't get the above problem, or is there a way to place an outline behind an object without duplicating the object and adding a thick outline?
In Illustrator CC my merge command doesn't seem to be working correctly. Instead of merging two closed paths into one it seems to be trimming them, or slicing them. I stupidly thought it was an update to the feature and have been trying to get my head around using it but I've just shown my colleagues and they assure me it's not right.
I organize my documents into different layers. The problem that I'm facing is that the paths jump places when I paste. If I want to move a set of paths into another layer, I cut and paste. But the paths either paste in front of the layer it started on, or on a layer other than where I commanded them to be pasted. I'm looking into pasting a set of paths in a layer by my choice, but it keeps on wanting to do its own thing. Also, I do know that layers can be clicked and dragged into different positions on the layers palette, but I have so many. This technique slows me down.
I've used image trace to trace the outline of a street grid and expanded the trace into paths. However, after doing so, I realized I wanted the streets a bit thicker, so I increased the stroke value.
Is there a way to adjust the old paths to match the new outline? I tried saving it as a .jpg and retracing but the quality was subpar. Any way to "redo" the trace in the original file, or somehow tell Illustrator to move the paths to match the increased stroke? I need them to coincide once more with the edges of the streets. URL...
When I open up previous versions of Illustrator files (i.e. CS5), why are all of my paths messed up. Every object is embedded in a Clipping Mask, paths are compounded and in most cases type on a path is expanded into multiple non-editable objects. This causes complete redesign.
Using IL CS6. I have a photo that I did an image trace on. Now I want to make it an illustration. I would like to select multiply paths and apply a color change to all of them at once. I would like to be able to select the paths to change by their current color, and then apply the change all in one shot if possible.