Just installed x5 and the only thing is abouit outputting spot colors. I check the box to output seperations, uncheck all the colors I don't want to print - but I still get all the colors printed out, including my page color. I have made SURE that I have only checked the steps I want printed and still get all of the colors printed!
View 5 RepliesWe print out spot color seps every day using CorelDraw X4. After we print out the plates, I have to cut down the vellum that we print on so that we do not have a bunch of extra blank vellum on the sheet.
We make use of the info that is printed on the lower left of every page where it states something like the following:
S:DirectoryWhereTheArtworkisLocatedfilename.cdr
Wednesday, December 23, 2011 8:00 AM
Plate: 1 of 3
After I cut down the sheet, I then have to hand write the name of the spot color onto the sheet of vellum in marker.
Is there any way at all, to make it so that CorelDraw would actually add the name of the spot color that is printed on each page to the information that is already being printed to the lower left? Ideally, it could be placed in the same area where it's already printing the plate information on the last line.
Could it read:
Plate: 1 of 3 Color: Pantone 375
I've been using corel draw since version 4, and I love it. Now on x5 I cannot figure this out. I use eps files for printing large format with contour lines for cutting. My setup uses a spot color defined as "CutContour" for cutting. It seems x5 renames these colors or converts them to something else. I opened the same file in 12 and had to Reclick the same color for the cutter to see it and it worked fine. Any setting to change this?
View 2 Replies View RelatedI am trying to set up my CorelDraw x6 workspace so that the default spot color palette is set to Pantone solid coated.
I go to:Tools > Options (or Customization) > Global > Color > set "Default spot color palette" to "PANTONE solid coated"
Unfortunately this seems to be ignored by x6.
Every time i want to change from a CMYK color to Pantone i must do the following:
1) select the objec
t2) double click the color chip adjacent to the Fill icon in the Status Bar
3) which brings up:
4) from here I select the Palettes tab (if it is not already selected)5) then select from the Palette drop down menu:SPOT > PANTONE > PANTONE+ > Solid Coated
This is a very clumsy and inefficient way to work as I must do this EVERY time I want to change from CMYK to Pantone.Is there any way to get x6 to operate correctly or is there something I am missing?
Here at work we have recently upgraded from CorelDRAW 12 to X5. While this has come with plenty of great benefits (able to open newer versions of AI files), it seems some things are still present (stability issues). I actually work on a Mac at home for my freelance stuff so maybe I'm just used to the reliability that comes with a Mac. I enjoy PCs too but with years of experience with both I'd be lying if I said PCs are on par with what Apple brings to the table. Especially when it comes to graphic design work.
So this brings me to the problem of spot color anti-aliasing in the enhanced view of X5. The first two pictures below show how CorelDRAW 12 handled spot colors. These are direct SCREENSHOTS that I cropped in Photoshop, not exports. And I did no extra editing.
There is basically no difference between how the Pantone colors display on screen and how the RGB colors display. Which is great and what you'd expect, right?
However, let us step into X5 for a minute with the exact same colors, using the exact same palette.
Obviously there is a difference here. For some reason X5 has decided to anti-alias the Pantone colors in some weird way so that I get a tiny white outline (no the shapes don't have outlines). And if you look closely at the smaller purple box at the bottom you will see that even when I use the exact same pantone color from the exact same palette but with one color named differently, I get the white outline. The smaller box's color within is named '276 CV' while the outer box's color is named 'PANTONE 276 CV'.
How does simply naming a color effect how it displays on screen? Seems like a bug/glitch to me.
I know what is trying to be done here but why take a step backwards from CorelDRAW 12. I have a hard time using CorelDRAW as it is but as a graphic designer I need to know how something is going to look on screen without this unnecessary anti-aliasing going on.
So my questions are:
1.) Why does this do this in X5 but not 12?
2.) How to maybe turn it off? (I know I can view it in Normal view mode and the colors are fine but then my text is screwed up).
I am using CorelDRAW X6. I am trying to export a graphic that includes several spot colors. The spot colors are from a library that a printer provided me. It is in the same location as my pantone library, and summa spot color library.
When I export as a pdf or eps to send to the printer it converts the spot color to rgb. If I have a pantone color or summa color in the file they stay as a spot but this new spot library does not. If I have these spot colors in a gradient they will stay as spot colors.
When exporting I have the color management checked to use document color settings, output colors as Native, and I have embed the color profile.
Adding the PerfCutContour color swatch in CorelDRAW? Having trouble adding it, I keep getting an error saying that color already exist in the pallet....when it is not in the pallet.
Using VersaWorks and CorelDRAW X5
I have been looking for a command to define a shortcut for the spot color to the selected element. But i could not figure out. How to covert the selected element into spot color here in x6.
View 14 Replies View RelatedWhat the "Bar" in spot color property box means?
View 3 Replies View Relatedi create a spot color (lab color management) when i create the pdf the spot color haven't the name setting in CorelDraw. If i export eps it's works greats! i don't convert spot in cmyk i want spot color in lab! i use onyx production house and it want spot color lab to renoze cutcontour or spot color as white ink.
View 3 Replies View RelatedIs it possible to assign a custom spot color to a shape via VBA? The best I could come up with was something like the following (where "sh" represents a shape):
sh.Outline.Color.FixedAssign cdrCustom, 1, 100
I'm under the impression that cdrCustom is supposed to represent the user's custom spot color palette, but this doesn't seem to work.
Furthermore, I can manually assign a custom spot color to an object and then retrieve the PaletteID and PaletteIndex of that color using VBA. For example:
Debug.Print ActiveSelection.Shapes(1)..Outline.Color.PaletteID
Debug.Print ActiveSelection.Shapes(1)..Outline.Color.PaletteIndex
The PaletteID that returns is 0 (cdrCustom), and the PaletteIndex returned does correspond with its order in my custom spot color palette. In fact, I can also retrieve the Color.Name and it will correctly identify the custom spot color's name.
For the life of me, I just can't seem to assign these colors using VBA. Is it just that the VBA in CorelDRAW 11 is too immature?
why change the CMYK values of a color when converting to spot color in a color chart
xmp C 0 M 90 Y 100 K 0
to C0 M 87 Y 89 K 0
11-0761 R3 C PATTERNS.cdr
These are from the Samples 9 solar flairs and made a few sample options (customizing the tiling and width) from there.
why some of these texture fills disappear when outputting to PDF or even converting to Bitmap?
Some of the lighter, saturated colors in the PANTONE+ swatches library appear to be a different color in the swatch list than they are when applied to a design. see below for screen shots.
i can duplicate this situation on calibrated NEC MultiSync monitors and uncalibrated laptops. We are running on Mac OS X.8x and above.
Designers are complaining about not being able to pick a color from the Swatch Library in AICS6 or AICC. InDesignCC does not seem to have the same issue.
I need to change the default text color to a pantone spot color.
View 5 Replies View RelatedSo Ive learned how to turn a color photo to B&W with spot color ...how to turn a color photo sepia, but also spot color. I have a wedding photos that I think would be a fun shot to play mixing those colors together . I have searched for the info earlier today and wasnt successful .
View 8 Replies View RelatedI am having trouble with a spot color image that I am trying to create in Photoshop and then import into InDesign.
In Photoshop, I've created my spot color channel, selected the Pantone color, pasted a greyscale version of my image into the spot color channel and removed all information from the CMYK channels.
Since my spot color channel is full of various greys, I was expecting to see a full range of TINTS in my image. But for some reason it doesn't look anything like the way I expect it to.
When I choose the same Pantone in InDesign and apply a gradient from 100% to 0% tint, I see a full range of light and dark blues. But in Photoshop everything looks grey-blue.
I thought maybe there was a difference between how the two programs display the color, so I imported the Photoshop file into InDesign anyway. But it still looks grey-blue just like it was in Photoshop.
creating spot color.
I have attached an example. The green part is where gold foil will be attached. The pink and black needs to be put into spot color.
How do you make an entire picture in grayscale but then keep one object in color or one color in color? How did they keep the yellow in this picture in color?
View 4 Replies View Relatedhow to do a 2 color job in photoshop. I need to have grayscale photos and the type needs to be a spot color. I can do this easily in Freehand 10 but havn't a clue how to do it in PS 6.
View 6 Replies View RelatedI am new to the photography and photoshop world and am trying to learn as much as possible. I have always been a fan of spot coloring(the focal point of the photo is in color and the rest is black and white) but have yet to figure out how to accomplish this in photoshop.
View 1 Replies View RelatedI'm not sure what spot color is, I already understand CMYK, and RGB, but I don't undestand Lab color?
View 5 Replies View RelatedMy client gave me her logo in .EPS format, which I opened using Illustrator. The logo color was Pantone 274C. However, while working on the same EPS file in Photoshop, I realised, when I eyedropped the same color, Photoshop tells me its 2756C, and it does look duller in the workspace. I'm working in CMYK for both programs.
What could be the problem. Is there any way to solve this?
So I am having trouble with a spot color image that I am trying to create in Photoshop and then import into InDesign.
In Photoshop, I've created my spot color channel, selected the Pantone color, pasted a greyscale version of my image into the spot color channel and removed all information from the CMYK channels.
Since my spot color channel is full of various greys, I was expecting to see a full range of TINTS in my image. But for some reason it doesn't look anything like the way I expect it to.
When I choose the same Pantone in InDesign and apply a gradient from 100% to 0% tint, I see a full range of light and dark blues. But in Photoshop everything looks grey-blue.
I thought maybe there was a difference between how the two programs display the color, so I imported the Photoshop file into InDesign anyway. But it still looks grey-blue just like it was in Photoshop.
I have a photoshop file of a few photos that is currently grayscale. I need the final output to be two spot colors.1. Spot color black2. PMS 294The PMS 294 will be a solid blue field that everything in the file sits on.1. How do I tell PS to make everything that's black into Spot Black? 2. What is the procedure to making the final output of the EPS DCS2 file?When I output it, and check the file in Illustrator, it still reads as a CMYK + 1 Spot.
View 4 Replies View RelatedI'm trying to make a .tif of an image
I'm running a Mac OSX with Photoshop 7.0 and QuarkXPress 7.2, and so I tried deleting the cyan and yellow channels in photoshop. This forces me to save the Photoshop image as a DCS 2.0, thus incompatible with Quark (has to be in a .tif).
Making a monotone of the image makes the entire image magenta (and duotone isn't much better), but I'm trying to have the film reel tape as magenta and the top part of the tape be black.
The hue/saturation was very easy to make the tape into magenta from red, but printing is another issue.
I created an ad using one PMS color after orginially being told that it was a "Thanksgiving 4 column x 4.5” spot color ad”. I received the following message from the newspaper printer today:
"Please relay to your corporate art department that the newspaper does not print in PMS/Pantone colors, except on a full color page, which requires an additional color charge. For spot color, we print in primary colors such as red or green, or in cyan or magenta alone.
As I understood it, spot color meant pantone, and CMYK was process. Am I wrong here or are the printers using the term "spot color" incorrectly?
How do I create a PDF that only incluse my PMS spot colors and process black?
View 2 Replies View Relatedhow do I import an illustrator file with a spot color into photoshop as a smart object without it being converted to four color
View 1 Replies View RelatedHow to make a Spot Color Channel on Photoshop? I am using this image as an example. The blue color in the background needs to be printed mostly with a spot color that is close to the original painting color (ex: Pantone Blue 072C) . But the CMYK color still should be present in within the blues to resemble the subtle nuances of the brush strokes. I can’t figure it out on my own.
For more samples of painting images, go to
[URL]..........
The reason I am doing this is because the artist’s works were represented on many publications over the years from many different countries. And we found out that CMYK color alone cannot duplicate the blue color very well (I mean the blue only, no problem with other colors). I know, it is hard to believe, but if you see all the publications and compare it to the original art, you would see the huge difference in color saturation and luminosity. That is the reason, I think it is necessary to use a spot blue for an upcoming catalog of the artist.
I have been given a colour background which is mostly blues but its a cymk jpeg image and for print it needs to be converted to a spot colour in photoshop.
I dont really use channels etc and cant find a good tutorial on how to convert it to a spot? Could someone please give me a guide if thats possible?