I try to cast shadow from a photoshop file and dont see anything, im not talking about simple shadow. Ill put a light and then shadow cast. I dont know if this is only a 3D geometry feature.
View 1 RepliesAny tips on making the shadow cast work? I have a background piped into action and some 3d text with a light. I add the shadow cast to the light and there's no shadow. Will the shadow cast on a backgorund or does a shadow need other media (not a background) to cast on?
View 8 Replies View Relatedi just have moved one picture on top of another, and i need it to show itself casting the pictures shadow,
View 2 Replies View RelatedIn PS CC, is it possible to render a 3D shadow + reflection, but have the object that is casting it invisible? So the end result is a shadow/reflection on it's own separate layer?
View 4 Replies View RelatedI'd really like to create an animated shadow cast down on the ocean floor by the waves above. That nice ripply effect where the light peaks through the waves onto the sand below. I need it to animate too, I think that will be very hard.
I can't post links at the moment but a simple Google image search of "stingray ocean floor" should yield some nice examples. I can't actually find any tutorials similar enough to adapt for this purpose. (I'd like to have the light ripples as the transparent part, and the shadows varying shade of grey to black)
I am using mental ray. I created a standard primitive plane and added a material to it. I created a daylight system. The plane, however, is not casting a shadow. What do I need to do to make it cast a shadow?
View 9 Replies View RelatedLR4.2 gives some ugly magenta color cast on deep shadows especially at high iso pictures. Nikon Capture NX2 gives them too, but not so heavy. If I push the shadows at iso 1600, they are all magenta. Is it related to the beta state of the D600 support? My D700 is at iso 3200 in deep shadows completely black (only luminance noise), even pushed. Is there a possibility to correct that issue with LR (high iso blackpoint correction)? The shadow color tint correction from the calibration option is not really a solution, because it does not only correct the deep shadows, so the other shadows get a green tint.
View 15 Replies View RelatedI added an Axis FX to the clip on the timeline and entered the Editor. Everything looks fine. I see the clip loaded above the control parameters. The "Layer" button is turned on. Stabilizer/Track is set to Track. When i click on the Stabilizer button to enter the tracking editor, I see the tracking box on a black screen, the clip is not visible anymore.
View 2 Replies View RelatedI have a project where I have a high res of an astronaut on the moon.
The elements are:
Foreground: Mid shot of Astronaut
Mid: Moon (as in the ground he is standing on behind him)
Background: Space
I've managed to separate out the elements, position them in actions' 3d space and even add a nice little lens flair in the reflection of his helmet as the camera slowly tracks from left to right. The effect (well we've all seen it before) is that it adds 3d depth via parallax scrolling to the photo.
What I can't achieve is a realistic reflection of the moon surface (i.e. the ground in front of him) reflecting in his helmets mirror-like visor.
In order to fake the reflection I essentially want the motion in the reflection of the moons surface to be opposite to that of the mid ground behind him.
My plan was to re-use the mid ground moon surface flipped horizontally and view it through a matte/alpha describing the visors shape and then animate it moving in the opposite direction with a couple of simple keyframes.
How I tried to achieve this was:
Prepare the layered file in photoshop including helmet visors alpha layer (a simple coloured layer with a hole in it)
Bring into action and separate out all the layers in 3d ensuring the helmet matte remains in the same position as the astronaut layer
Animate camera tracking
Come out in to connect fx
Dupe the action node twice and rename the new ones 'helmet alpha' and 'moon reflection'
Go into 'helmet alpha' and delete everything except the camera and the helmet alpha
Go into the 'moon reflection' and delete all except the camera and the moon surface
Go back into cfx and use some compositing node to flip the moon surface (and plug the moon surface action node into that..?)
Then create a new node which allows me to plug the helmet alpha into the alpha channel and the moon surface into the fill channel
Create another new node which allows me to combine the result of this previous node with the original node and layer it on top.
In previous versions, when we’ve want to import a psd file, we could choose from several options (all/layer/flat). Particular, we could select the layer of the psd you want imported.
In the 2013, we can’t do this. Is it possible to have these opportunities again?
If I switch from Frame Rendering to Layer Rendering I dont see any difference. Does it has advantages in certain situations to use either one?
Smoke 2013 Ext1
17" Mac Book Pro
OS X 10.8.5
16 GB RAM
Adding a cut on a layer causes all dissolves on that layer to disappear?? Why would this happen? Looks like a bug.
View 2 Replies View RelatedI'm doing a simple 3D text move in Action and I want to layer it on top of my timeline. After rendering the layers in the timeline, it seems that my matte is messed-up (see attached).
View 2 Replies View RelatedI need an easy way to fix a high contrast image such as an interior home shot where the windows are blown out and you can't see outside detail,but the interior is either correctly exposed or is underexposed. Basically what i need to do is combine the correctly exposed interior with the correctly exposed windows, showing correct exposure for both interior and exterior detail. To get the correct exposure i have been taking a shot in which i meter the windows, and without moving the camera, take another shot in which i meter the interior.
Here is where i get stuck. the way i've been doing it, which takes way too much time for my purposes, is to either use the magnetic lasso tool or the polygonal lasso tool to select the area of the properly exposed windows, and then cut and paste the selections to the other layer. The problem with this is,
it takes quite a while and i usually have to go back and do some cloning around the edges to fill in the spots that got missed, which takes alot of time as well, because it usually takes me several tries to get it right. Is there an easier way?
I know that the AJA Kona 3 card has 2 outputs. Can Smoke send one eye to one channel and the other eye to the other of the Kona 3 card? Dual Stream output is what I am really getting at.
View 4 Replies View RelatedIs there any way that Smoke can see/output sub-blacks and super whites? Can't find any way of seeing them on my scope, Smoke just clamps everything. It won't even see anything below zero in order for me to make a correction on it, everything seems to be clamped on import. I'm using ProRes HQ footage.
View 9 Replies View RelatedWhat is the best plugin to do spline warps in smoke?(need something like the distort in flame) I notice revisionfx don't make a warper for smoke on mac.
View 7 Replies View RelatedI am experimenting with Smoke 2013 pre-trial and I am having issues with importing images and video with alpha channels.
1. If I have a layered Photoshop file or png with an alpha channel (a still frame lower third), I see that I can import it as a multi layered clip, but what is the best way to have it in the sequence to show up properly?
2. If I have a QuickTime in animation format or Pro Res4444 format with an embedded alpha, how can I import that file to show and cut it on a top layer to animate above my video?
Can Smoke support the OFX architecture?
View 1 Replies View RelatedDoes Smoke have selection functionality similar to that of Combustion? As an example, you might want to selectively blur part of an image. In Combustion, you would draw a selection and then apply an operator above the selection to achieve this. I don't see a similar selection tool function in Smoke, but I imagine you could achieve the same effect by duplicating a layer and using a Gmask via the Wipe timeline FX.does Smoke not have a selection tool similar to Combustion?
View 3 Replies View RelatedWhats the dealing with importing TWs to Smoke? I have a show that's 70% keyframed with timewarps and need a way other then baking the effect to bring it into Smoke. It's comming from FCP7 and we have Automatic Duck but neither the XMLs or AAF bring anything other then the first speed of the clip. Any way to retain the keyframes?
View 1 Replies View RelatedCan somebody tell me the method of separating a shadow from a layer where you added that shadow ?
I haven't use this technique in years, but wanted to try this, and now cannot seem to do it. I remember way back, there was a simple command to accomplish this, and it seems to no longer exist.
I'm having trouble grasping this "Layer Knocks Out Drop Shadow" via LayerStyles>DropShadow.
It's defined as: Controls the drop shadow's visibility in a semitransparent layer.
I don't understand. If the layer is semitransparent, and "Layer Knocks Out Drop Shadow" is unchecked, I see no difference in the shadow..
I am trying to add a drop shadow to a vector layer and it is not working and was wondering if there is a way to add that and other effects.
I first created my box using the rectangle tool and filled it in with a solid color. With the layer active, I selected the "add a layer style" button to bring up my options. I then checked the "Drop Shadow" box and procedded to use the tools in the drop shadow box, with the preview boxed checked, as I made my selections, nothing was hapening to my solid color box where It was supossed to go.
I have done this before but not today! The preview button is checked but I can't see any drop shadow appear. I have duplicated the background and extended the canvas 110% as in the past.
View 1 Replies View RelatedIn PS5 is it possible to modify a drop shadow layer style changing it's color and opacity without changing the entire layer?
View 10 Replies View RelatedI have an image silohetted on a transparent background. In order to put a drop shadow on it that only affects the bottom half of the image, I duplicated the layer, added a drop shadow layer style and a layer mask>reveal to fade the effect of the drop shadow. This worked but the layer masked added black or darker coloring to the over all image - then I reduced the fill on that particular layer to 0% and still got the discoloration. Why is the overall image getting darker with the addition of the lay mask on the layer style?
View 9 Replies View RelatedI have a transparent canvas and would like to put a "square" on it. I'd like the content inside the square to be transparent as well, but I'd like to apply the "Drop Shadow" and "Outer Glow" style to the box, while keeping the inside of it transparent.
When I try to do this, nothing occurs because the "square" is empty. The only way I can get the shadow to occur is if I fill in the box with a color, such as white, first. However, then the center isn't transparent how I'd like it to be.
I'm using elements 11. I'm trying to separate shadow into a new layer to work it. When I copy and past layer style into new layer, FX icon appears next to new layer, but no shadow. My settings are visable. I can see the shadow in the original image, just can't separate it into new layer. It seems like I'm missing something simple. Is this possible in Elements 11?
View 8 Replies View RelatedIn Elements 10, what causes a shadow to be left behind on a new mask layer of areas I have painted out?
View 3 Replies View RelatedI am trying to turn an icon into a transparent icon. The icon has a shadow layer in gray scale.
I can set the shadow layer to multiply and put a colored layer under it and have the shadow appear properly, but when I try to put it over a transparent background, Photoshop turns the white pixels in the shadow visible. How can I get it to treat the layer as a black layer with different degrees of transparency?