I'm doing a simple 3D text move in Action and I want to layer it on top of my timeline. After rendering the layers in the timeline, it seems that my matte is messed-up (see attached).
View 2 RepliesIs it possible to move keyframes in the timelime or do I have to go into the animation curves menu to do it?
View 2 Replies View Relatedi have a clip in layer 1 and i want to move it to layer 2 , i don't want accidentally move in horizontal direction (change edit point), i want to move straight vertically. Using FCP hotkey, i can activate snap (shift key) to constraint it to a cut, but that only works if i got another clip, if there's no other clip , i can't do constraint since there's no reference. In FCP i can still doing it because it can use the current clip's previous position as reference edit. But in Smoke , i can't do that. I think there should be a feature added for this process. The workaround is : do not move the clip but using duplicate, then delete the original one... but seems too complex for that little tiny task.
View 5 Replies View RelatedIs there a way without grouping nodes to move several at the same time in action?
Having to group nodes just to rearrange the layout is too slow.
I go to grab an axis and move it, and the cursor is offset. See the movie.cursor_offset.mov
View 1 Replies View RelatedI have a project where I have a high res of an astronaut on the moon.
The elements are:
Foreground: Mid shot of Astronaut
Mid: Moon (as in the ground he is standing on behind him)
Background: Space
I've managed to separate out the elements, position them in actions' 3d space and even add a nice little lens flair in the reflection of his helmet as the camera slowly tracks from left to right. The effect (well we've all seen it before) is that it adds 3d depth via parallax scrolling to the photo.
What I can't achieve is a realistic reflection of the moon surface (i.e. the ground in front of him) reflecting in his helmets mirror-like visor.
In order to fake the reflection I essentially want the motion in the reflection of the moons surface to be opposite to that of the mid ground behind him.
My plan was to re-use the mid ground moon surface flipped horizontally and view it through a matte/alpha describing the visors shape and then animate it moving in the opposite direction with a couple of simple keyframes.
How I tried to achieve this was:
Prepare the layered file in photoshop including helmet visors alpha layer (a simple coloured layer with a hole in it)
Bring into action and separate out all the layers in 3d ensuring the helmet matte remains in the same position as the astronaut layer
Animate camera tracking
Come out in to connect fx
Dupe the action node twice and rename the new ones 'helmet alpha' and 'moon reflection'
Go into 'helmet alpha' and delete everything except the camera and the helmet alpha
Go into the 'moon reflection' and delete all except the camera and the moon surface
Go back into cfx and use some compositing node to flip the moon surface (and plug the moon surface action node into that..?)
Then create a new node which allows me to plug the helmet alpha into the alpha channel and the moon surface into the fill channel
Create another new node which allows me to combine the result of this previous node with the original node and layer it on top.
When I add a text fx to a gap effect in the timeline. During typing I can see the axis. but after typing I cannon drag it on screen. I have to enter the editor to move it around. Am I missing something?
It isn't done until it is finished.
Is it possible to edit text in directly in the timeline, without going to EDITOR?
View 9 Replies View RelatedI'm working on a german keyboard.
Smoke 2012 SAP2 SP4
and
Smoke 2013 SP2 (Smoke Classic Keyboard Shortcuts)
Mac Pro 4,1
OS X 10.6.7
12 GB RAM
NVIDIA Quadro 4000
14 TB RAID (Areca)
Why is there a difference between the text from the soft fx and the text in action? If you look at the attached picture, the 3 lines look slightly different although they shouldn't. The first line was written inside the soft fx.
The second line, with an ugly outline, is the 3D text, and although it's the same font, it looks thinner here.
And the third line, which I think looks a little too soft, is with AA turned on in action.
So why can't I achieve the same look in action, as in the text soft fx?
Smoke 2012 SAP2 SP4
and
Smoke 2013 SP2 (Smoke Classic Keyboard Shortcuts)
Mac Pro 4,1
OS X 10.6.7
12 GB RAM
NVIDIA Quadro 4000
14 TB RAID (Areca)
Is it possible to do a break in the 3D text module from action? Or do I have to create 2 3D text, if I want to have text in different lines?
Smoke 2012 SAP2 SP4
and
Smoke 2013 SP2 (Smoke Classic Keyboard Shortcuts)
Mac Pro 4,1
OS X 10.6.7
12 GB RAM
NVIDIA Quadro 4000
14 TB RAID (Areca)
a look at 3d text integration techniques inside of action [URL]....
View 2 Replies View RelatedIs there a way to access the timeline within CFX ( much like in Flame ) ? I see the timing button but this doesn't seem to have the same control as a timeline for a specific clip.
Also, is there a way other then "explode one" or "explode all" to go within a CFX within a CFX ( pre comp ) ? i.e. a setup that is then put within the BG of action.
Is there a way to get rid of the play tab on the timeline?
View 1 Replies View RelatedIs there a way to export the in & out from the Timeline?
It isn't done until it is finished.
Is it possible to grab the head or tail of the video segment and have the timeline stay stationay and you drag the edge to the timeline position?
View 6 Replies View RelatedWhile in CFX, Action, Text edit, Axis etc, is there a way to see the output of the timeline? I know while in CFX you can set the CFX output as a context but what if I have multiple CFX composites stacked up and I want to see the final output of the timeline while editing or modifying something inside a CFX or Action node?
View 9 Replies View RelatedNew to Smoke (DS 14 years, FCP 4 years) and hoping to learn it so I can purchase when 2013 is released. Is there a way to zoom the timeline while playing? I searched around but I can't seem to find if it can be done or if I just don't know how.
View 9 Replies View RelatedI have an edit and now I want to export as DPX sequence. A couple of questions:
First, is there an easy way to take a single edit and export it with handles? I realize that I can make a subclip but is there an easier/better way to do this?
I can't find an automated way to set handles on export. I have about 175 shots that I need to export .
It is possible to duplicate/copy a clip/gap effect on the timeline? Or do you *have to* drag/copy it to a Source Area first? In this particular case, I've got 3 gap effects that I'm essentially using as adjustment layers...for some reason I thought I could hold down F & drag them somewhere else in the timeline which would create a duplicate and drag them to wherever I dropped them. But maybe not...? In the meantime, I just copied them to a Source Area, and then dropped them back on the timeline where I needed them, which worked just fine.
View 9 Replies View RelatedWe are working on a 4K HD timeline using Proxies at 1920x1080. Can we export an HD Prores using all the Proxy renders? Everything I do from export, Hard commit, burn letterbox all wants to start rendering the full res footage. Is there a workaround a trick to bake out a proxy res version?
View 2 Replies View RelatedHow do you extract a section of a timeline but keep sync further down the timeline?
I wanted to take a section out near the start, it just had V and A1, A2. There was A3-6 further down the timeline but they hadn't started yet.
For some reason I can't get Smoke to cut a track that hasn't got any media before that point. So, at the section I needed to remove I couldn't place a cut and so when I removed a section A3-6 stayed where they were.
I also tried marking in to out and extract but again it left the other audio tracks.
Such a simple thing, but I can't work out how to do it
There is a shortcut key that I have been using in FCP for years. That is to select the edge of a clip and hit "E" and the clip will extend to where ever the timeline is.
Is there a function like this in smoke 2013?
Graphics import into the library with a default length of 1 frame. Is there a way to lengthen that so I don't have to zoom way in to grab the edge of the clip?
View 1 Replies View RelatedWith PR4 the right click contextual menu for the timeline seems to have been re-arranged to accomodate new features.
As a result, when you right-click a timeline element to remove all effects you have to move your pointer up through a list of about 15 items to reach the "Remove Effect" command.
There also appears not to be an assignable keyboard shortcut to remove all effects from a selected timeline element. (apart from Option+Clicking on the effect in the effect bar which just removes a single item).
Would it not make sense to have this remove effect command at the bottom so that it appears right near your pointer when you activate the menu?A keyboard shortcut binding would be ideal as I realise the contextual menus are probably in a state of constant change at the moment.
In 2012 it was very easy to select a gap segment and click color source in the soft effects. In 2013 it appears to be much more difficult, you need to create it in a folder then edit it into a sequence. Am I missing something? I wish there was a color source option in the effects ribbon.
View 2 Replies View RelatedI have got some questions:
1. How can I select many clips on the timeline? (I work with a Wacom tablet.) When I press the pen onto the tablet and move it, I can only pull the gap. In connect fx it works, when I hold cmd.
2. If I set markers in the timeline, is there a way to also see them in connect fx?
3.There is a function in Final Cut: When I I select a clip from the timeline and press "f" , I can go on working on its source clip in the viewer. Is there something similar in smoke? I cannot find the name for this function, so I cannot search for it in the keyboard shortcuts.
4. If I render something, is there a way that Smoke automatically copies the file (without copying the effects)? The reason for that question is: I applied timewarp to a clip, then I wanted to go on working on the clip in connect fx, but the length of the clip changed - it was shorter. When I went on working in action and put some lense flares and rendered it, everything was bended and looked weird. It looked great but I did not intend to do something like this.
The next questions are no real questions but rather problems.
5. When I work with audio (audio clip locked), I cannot really cut on the music, because 5a. sometimes the amplitudes do not match the music. An example: There is no amplitude, but the music goes on for 2 seconds. 5b. And when it is correct and I cut on the beat and render it, it is not sync anymore some moments later or when I restart smoke. (It only displaces 1 or 2 seconds from the sync.)
6. Since I have updated from pre-release 4 to pre-release 5, I cannot export anymore. I have read a lot on blogs, but I could not really find my problem. I cannot even press the export button.
I'm looking for the workflow for Red Footage.
In our facility, we are shooting 4k HD format. Then we can finish our final project as HD.
I installed Red Rocket and the Red Footage as Half premium debayer (1920x1080) playback in realtime at preview window of the "Media" tab.
However, I insert the same clip on the timeline (1920x1080, same as Half premium debayer), smoke automatically puts resizing effect. When I open the effect, I notice this effect doesn't do anything.
Is it possible to delete a keyframe from the Sequence timeline using a hotkey, similar to ALT-[ in the editor?
View 1 Replies View RelatedHow do you ripple all the layers of a timeline? I can't find hide nor hair of it in the manual.
View 1 Replies View Relatedwhat does exactly mean the red line under a clip in the timeline ?
I noticed the clip with red timeline has red effect, but it doesn't seems to mean i have to render them.