Premiere Pro :: Deactivate Or Change The Import Settings?
Mar 5, 2014
I'm using a Blackmagic Intensity Pro with Premiere Pro. I don't Import anything with it directly, i just use it to preview my timeline on a seperate monitor.
The issue I have is when I try to import a AVI-file to my project.before I had the Intensity Pro, Premiere would input the file as a Microsoft AVI and it worked perfectly. But now the exact same file is imported as a Blackmagic AVI-file. now I am experiencing green bars in my video and the color information is totally screwed up.
So my question is: can I deactivate or change the Import-settings of Premiere, without to remove the Card completely (turn PC off, remove card, turn back on...)?
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Nov 20, 2013
Recently we have discovered a problem (bug?) with the survey database. We usually import our field data from our Trimble controllers into the survey database (SDB) through Trimble Link. We have been very careful to get all the survey database settings right, so that the data comes through correctly and have been successful up until the last few weeks. We find this a good workflow, where we are able to make edits to our field data (change target heights etc) easily in the SDB and comparisons with Trimble Business Center and direct output on-screen in the controller confirm that our data is reliable. We often have both GPS (long Network RTK vectors from the nearest network base station) and total station observations in the same file.
The issue is that, as the fbk file is imported, the survey database settings change to reflect the content of the fbk file. The "Atmospheric conditions" and "Curvature and Refraction" settings, which I have purposely left unticked (the controller applies these corrections), become ticked. This throws out our heights, especially on the long GPS lines.
We do have the option for a workaround, which involves going back into the Edit Survey Database Settings after import and updating the data in the sdb, but this is clumsy.
This seems to be similar to the issue that was discussed here. However, we have only just encountered this issue in the past month or two, which coincides with when we rolled out C3D 2012 Service Pack 4 across the office. We are planning on implementing 2014 soon, so I have tried it out on 2014 as well, with the same result.
Is this something that others are dealing with too? Perhaps there's some sneaky setting somewhere that I haven't found which locks down the SDB settings preventing them from being changed on import? Otherwise, I think this is a bug.
I am also bracing myself for some comments regarding the dangers of using GPS in the SDB!
Civil 3D 2012 SP4
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Sep 10, 2013
Thought the CC had info how to deactivate my PH Shop program, my computer only allows uninstall, change does not work to get it deactivated. Need the license off the Microsoft Windows computer and onto my new MAC.
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May 2, 2012
I’m a long time Photoshop user but recently picked up LR4 to try to fine tune my workflow. I’ve noticed that after importing new files (RAW, I haven’t tried with jpg) into my library as I scroll through them (1-up, not in grid) the preview comes up and then after a second or so the WB changes to a much colder image.
Does LR4 initially preview at specific settings and then change to the individual image settings? Even if so, the final images seem very cool and I feel like I have to up the temp more than I should have to. My previous workflow was to sort in Bridge and then use ACR to import to Photoshop. I feel like I did much less tweaking of my WB this way. I feel like I’m starting from square one with LR4.
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Nov 4, 2012
This issue occured shortly after update to 4.2, but not directly after. I am using windows 8.
The issue that occurs is after importing images they are adjusted automatically to develop module cross process 1. After dealing with this annoyance for a bit of time I realized that I can not even "RESET ALL" the images to delete the adjustment. In delving into other images that have been in my database for quite some time, I have tried to "RESET ALL", which resets images to CROSS PROCESS 1. I have never set import to automatically adjust.
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Feb 6, 2014
Using CS6 Premiere Pro in Windows with the intent of making a DVD of the movie,how do I choose the Preset descriptions in the "New Sequence" screen? I assume I'm going to choose an AVCHD version, but don't have any idea what the differences are.
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Feb 21, 2014
I just finished editing a 67 minute documentary, and I'm preparing to send it to the replication company. The problem I'm running into is that the project looks very clear and clean in premiere pro, however as soon as I export and burn it to a disc via encore, the finished video is noticibly pixelated/grainy, and a lower quality.
The footage was shot in HD. I've tried exporting MPEG-DVD and MPEG so far. The MPEG-DVD setting was worse than MPEG, but that wasn't great.
Is there anything I can try to get this footage to look better? (It's due at the replication company on Tuesday.)
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Jan 6, 2014
i am editing for a film in 2k with priemere pro,which 2k size is correct to use for films, - 2k 16x9 24 (2048x1152) or 2k 2x1 24 (2048x1024),
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Jan 7, 2014
I have a video shot on a webcam on 720 resolution and 15 frames per second. When I import it into premier I can't find a 720 setting at 15 frames.
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Oct 28, 2013
So, my company made the leap to CC last month and we've been enjoying the benefits of frequent support updates and all the new tools, etc.
But now I'm experiencing an error when attempting to sync with CC from Adobe Premiere Pro. Every time I tell Premiere to 'Sync Now', from any machine I get the popup message: "Syncing Settings Failed"
The software notes that the last successful sync was on the day I installed & ran the software for the first time. I'm logged into my Creative Cloud account, and logged into Adobe Premiere Pro ..
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Feb 3, 2014
I have a black magic and have problems setting the sound properly in PR to get the sound out through the black magic. Although settings seem to have been done properly, there is no sound coming out. When I start the setting again, most of the time the settings have automatically changed and are not on the black magic anymore.
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Dec 8, 2013
I've recently come across from FCP to Premiere Pro CS6. I've also acquired a Canon XF100 camera (the output being MXF files) and have been shooting some HD test footage which is 1920x1080. However, the project I will be shooting needs to be exported as a PAL SD .MOV file, as it is to be used for broadcast by a non-HD community station.
I have tried many different sequence and export settings to create the SD .MOV file, but in nearly all of them I keep getting blurring lines across the screen. I am now not sure if I should be shooting in SD or HD... I thought that I could shoot in HD for a better image before rendering out a SD final export.(I used to do this in FCP)
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Jan 5, 2014
i am starting a film project to edit, what is the exact 2k project sequence settings & project settings,like frame rate,2k resolution size,progressive or ?the project pipeline is - premiere to speedgrade to Lab print(Negative or UFO or Qube)
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Mar 31, 2011
When the 'up' arrow appears in a thumbnail and comes up with the message:
The metadata for one or more of these photos has been changed by another application. Should Lightroom import settings from disk or overwrite disk settings with those from the catalog?
What exactly does that mean? This seems to happen every time I export an image to PS (CS5) and return to LR. What exactly has changed? What settings are being imported if I choose 'import settings from disk'.
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Jan 27, 2014
I am working with MTS files (AVCHD, 1920x1080, interlaced, 25 fps) in Premiere CS 6, Windows, and want to render my project with the same properties as h.264.
[URL]
A common misconception is that CUDA/OpenCL processing is only used for rendering for previews. That is not true. CUDA/OpenCL processing can be used for rendering for final output, too.
But where/what are the options/settings to use CUDA not only for preview purposes, but for accelerating the rendering of the final output, too?
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Apr 4, 2014
1) The keyboard shortcuts panel won't open so I can't change them.
2) My settings refuse to upload to CC no matter what I do. I've tried deleting the stored settings from my CC account. I've tried signing out of CC via the help menu in PP and then signing back in again. I've tried clening the media cache. Restarting/rebooting/opening new project etc etc.. all steps suggested in other posts but nopthing seems to work.
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Feb 26, 2014
I am having an issue exporting my sequence which contains final AIFF mix (24 bit 48 kHz) into a 'same-as-source' ProRes 422 file with 24 bit audio. I am specifically trying to export media with 'Match Sequence Settings' checked to create an identical output of what my sequence is. I wind up only creating a PR422 with 16 bit audio rather than 24 bit audio.
My sequence contains ProRes 422 media and 24 bit AIFF final stereo mix (1 audio file) from our Sound department.
My sequence is currently setup as "Custom" at 1920x1080, 23.976 fps, Square Pixels, Progressive, etc. Audio is 48 kHz (I don't see an option for choosing different bit rates in the 'Sequence Settings').
Using 'Match Sequence Settings', my options to alter the audio are "greyed out" and unavailable. I'm not sure why 'Match Sequence Settings' doesn't recognize that I am cutting with 24 bit audio and, instead, only exports 16 bit audio.
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Jan 12, 2014
it is possible to render to mpeg 2 with specific settings for VOD content cable provider in Premiere Pro?
Is there a specific preset for it? Or do you really need an external plugin (like the very expensive QT plugin from PIXELtools?
For a cable provider I need to make SD content.Encoded some MPG 2 TS test files and uploaded them to the test-environment of the Cable provider.
The calbel provider said the files are almost approved, they need a little more tweaking.
But the cable provider only gives me a list of errors in return. Errors they see in in the testing environment before publishing.
1. Rendered MPG's have PCR errors (deviation in clock frequention)
2. to get better quality encoded MPG's, they say to stretch the GOP.
Since I'm not in to GOP's, M frames and I-pictures.They gave me a white paper with the following rules....
1. The first byte of the video elementary stream MUST be the first byte of a sequence_start_code.
2. The video elementary stream MUST contain an integral number of access units.
3. A Sequence Header and a Sequence Extension MUST precede each I-Picture.
4. All B-Pictures in the video bit stream MUST use prediction based on pictures present in the bit stream. Specifically, the first GOP in the video elementary stream MUST NOT begin with a B-Picture predicted from a reference picture that does not exist in the stream. That is, the first GOP MUST be closed.
5. For MPEG2 encoding, the length of each GOP SHOULD be 12 frames.
6. For MPEG2 encoding, the number of consecutive B-Pictures between anchor pictures (I-Picture or P-Picture) MUST be two or less.
how to set the above requested into the Premiere Pro exportsettings from below (my settings, to make an MPG
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Aug 22, 2012
I didn't notice when and why it happened, but now when i draw white line, it appears brown. I didnt change any settings, just did my usual work, when it appears. Other colors are normal. What could it be?
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Jan 6, 2013
When I try to print a photo and use "Change Settings" to change from "plain paper" to glossy photo paper nothing happens.
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Dec 24, 2013
I'm having some problems with drawing paths in Illustrator. Everytime I draw a new path, this new path shows up in the standard settings. The 'brush defenition' turns back to 'basic' and the 'variable width profile' back to 'uniform'. It would save me a lot of time if I could change those standard settings into what I prefer.
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Apr 3, 2014
When I use export media in Pr CS6 and use custom settings (H.264) and click Queue when it arrives in Media Encoder none of the custom settings are there, instead it always defaults to .F4V.
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Mar 3, 2014
I have several Premier cs3 projects using the Matrox system which I want to import into Premier CC. Howeer the CC will not accept the avi files that were used in the cs3 software. Do I need a special codec for matrox avi files? Where can I get that? Adobe obviously has it as I use it in the cs3 version?
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Feb 16, 2014
I want to import footage from a DVD (self burnt). Can I do this directly with Premiere CC or do I need a programm like Handbrake (I'm a Windows user)?
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Feb 6, 2014
Trying to upgrade from CS5 to CS6. Upgraded one NLE and found CS6 will not import DV files that were used with CS5. Can't believe Adobe missed this one! We create many DV files each day that can't be used with CS6. Any sort of conversion would just add another unnecessary step. Do I need to stay with CS5
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Aug 31, 2013
how to import subtitles to PPro. So far, as of writing this post, PPro does not handle subtitle files. Fortunately, I found a quick and dirty workaround to importing all kinds of subtitle formats to PPro as PNG. But firstly, there are 3rd party plug-ins that lets you import srt files into PPro and let's you edit it in PPro.
NB: Subtitles are better as a seperate file. But in case you really need to burn your subs on the video, then follow the steps below.
Steps:
1. If you have a long project and and don't want to use PPro's title module, then you must go and download Subtitle Edit. - it's a great FREE software that has an video monitor and audio waveform where you can scrub to the specific time you want.
2. Once you're done subtitling, go to File > Export > Final Cut XML + PNG (i know it's FCP but it works well with PPro too) You can then set the desired style for your subtitles, font color, size, etc. Once you've exported, it's going to output 2 main files: one, the PNG files and two, the XML file.
3. Import the XML to PPro. It's going to generate a Sequence with the subtitles as PNG in it.
4. Relink the PNGs. For whatever reason, when you import the XML, the PNGs are not linked yet.
5. Place your subtitle sequence on your main timeline. Reposition and reframe as needed.
6. Render. Might take 10% longer than usual.
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Jan 10, 2014
I work on a Windows 7 machine. I have Creative Cloud. I am trying to import an aaf that my editors have sent me. They first sent me an .aaf with "AAF edit protocol" checked and all the media imbedded in the file. It gave me a Generic Error after trying to import.
I had them re-export the .aaf this time with links to the media as instructed on all the info I could find online. On import into Premiere, it begins to import and then just hangs.It just sits there. If I click Cancel or the 'x' in the upper right of the window, then Premiere stops responding and I have to shut it down using Windows Task Manager.
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May 30, 2013
How do I import an MKV file into Premiere Pro CS6?
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Feb 11, 2014
I have been trying to import an .aep file into Premiere Pro CC from After Effects CC. I import the file. The dynamic import window appears. It states connected to file along with the import files ... dialogue box. It stalls there.
I have been working off my network and have all the files collected on my machine.
My workaround to get me to deadline was to render my clips from AE and import them. Importing the .aep would make more sense from efficiency and workflow.
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Aug 31, 2012
When importing STEP data, all the body objects a imported as medium quality. You can set it manually to corase or fine. Is there a way to do this during import? I have hundreds of body objects which need to be in coarse. Is there a way to do it with a script, or is there an import option i have missed?
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Feb 7, 2014
I've just tried to import a bunch if .avi files into Adobe Premiere (OSX) but they all failed due to missing codec. Is there a way around this? I've looked at some other threads but don't understand it all and i'm on a bit of a deadline.
I've currently installing it on my windows box as i know OSX doesn't play nice with avi anyway, is it likely to work?
The avi files have multiple streams -2 camera angles are recorded, when they are loaded both show and play in sync so i'm worrying about converting to another format.
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