Photoshop :: Swapping Colours?
Jun 27, 2007how do i give a command to photoshop to make everything that is black become grey like the one in the image?
how can i make the background transparent so this logo will look good on my flyers?
how do i give a command to photoshop to make everything that is black become grey like the one in the image?
how can i make the background transparent so this logo will look good on my flyers?
I have an logo that has a brown background and a white foreground. How do I swap around the colours so that the background becomes white and the foreground becomes brown? Also is it possible to replace one colour with another colour. I am currently using Photoshop 6.
View 1 Replies View Related In my Autodesk Inventor 2012 product design suit there is nothing displayed when I Press
Tools menu
Appliction Options
Colours Tab
I use gimp to make layered stencils for spray painting...I reduce it to a couple of colours, seperate the colours into different layers and then cut them out...
When I do im left with a ghost type image where the original layer was..
example: [URL]...
Is there any way of avoiding this?
I have two different pictures opened up on my Photoshop and would like to copy one face on the other pictures face...The pictures are slightly different in size.....and copy and paste do not work,
View 5 Replies View Relatedhow to do face swapping,i want to print instructions,so i can go step by step to change certain faces in my photo projects.
View 4 Replies View RelatedBecause of the lighting, the small craters in the wall are filled with shadow. I want to get rid of these shadows and highlight them instead (I want them to be brighter than the rest of the wall).
Every time I try to select the shadows and replace them with light the edges are to hard and the color difference is too big with the rest of the wall. Also I think my selections aren't precise enough.
i'm trying to do is too replace the American flag with the other flag. From the images below you can see that I wasn't really succesfull when I did it. It just isn't natural.
View 1 Replies View RelatedOk so I have a family photo. Able to now move the heads around by creating separate layers for each. Just trying to figure out to do with the "white" areas that are left behind due to the varying sizes of the heads. So when I switch the head I have all this extra white space left behind from the prior head. What tool is best to cover up the white area with say the background behind the head ? Clone stamp doesn't seem to work inside the white area.
View 2 Replies View RelatedTo take a persons face from one picture and overlay it on another persons head.
View 4 Replies View Relatedi'm working on a job with 2 colours. I already did this using CMYK and setting 2 of them to 100% and the other 2 at 0%. But people who press these posters say me that they always have to convert the CMYK file to a 2 colours file. Is there a way to set my colours to 2 colours instead of 4?
View 2 Replies View RelatedI have been having some issues within the unwrap editor and do not seem to find a similar question here. Basically we are creating models of tractors so the left and right sides of certain parts are just a mirror of each other. Regardless of which piece I'm applying the modifier on, when I save the UVW and apply it to the complementary/opposite piece on the other side the unwrap looks perfect, however the textures look stretched/warped. The only way to correct this is to reset the unwrap and re-flatten and redo the whole piece (unwrap) again. Basically not saving any time by "loading" the previous unwrap that I had just saved. Since the unwrap itself looks like the saved one BUT I was wondering if somehow the vertices are being swapped like X is now Y, Z is now X, etc. The viewports show the XYZ orientation still correct but the UNWRAP seems to be different.
View 5 Replies View RelatedI have an image, and there's a part of it that's red that I want to turn into a different shade of red (or a different color altogether)--but I want the rest of the image to remain unchanged.
How do I do that? (This is seriously the first time I've ever used a graphic art computer program of any sort, so I am a complete square-one newb.)
It seems like such an insanely simple thing to do, yet I've searched and searched the internet, and it seems like all the tutorials I've found don't work or leave out some sort of important step that I don't get, and I just can't get it right. The best I've done so far is to convert *most* of the red stuff to a different color, all except the outer edges, making it look pixelated and gross.
I have a Macpro with 4 internal hard drives. I keep photos on one of the drives and videos on two of the other drives and swap out these drives with other drives that have videos on them. I also use external drives that have videos on them. I want to import videos from all of the different drives that I swap back and forth.
1. What will happen if I tag videos on the internal drives and then swap them out with other drives? Will it just show a broken link to the video until I put it back in?
I am having problem with swapping Sources in History in the record timeline. In the History view I can double click on the processes in the tree, i.e. Action or refrain but if I double click the source to swap it out nothing happens. Nothing at all.
what could be causing this, really very annoying when I want to replace the current footage with a new render from 3d.
I need to swap my level 1 and level 2 of my building's floorplans. What is the most efficient way to take the walls etc. from level two and place them on level 1, and take whats on level 1 and place them on level 2? I am swapping the floorplans.
View 2 Replies View Relatedwhat the technique is called when you swap the values of two of the colors within a selection?
For example, let's say that we have a nice pinkish color for something... but you don't want pinkish. This would keep things looking relatively nice, simply by swapping all the red values with the blue values, giving you nice lavender-ish color instead. Or perhaps swapping blue with green values, giving you a more orange-y color.
I have a gradient mesh and I used a single pantone color to shade it, ie. with different tints of the one colour.
I want to see what it looks like in a different pantone color and wondered if there was a way to swap out the original color for a new one and keep the different percentages at the same time.
I'm having a bit of a frustrating issue with flipped faces. Basically I have an object that i am trying to mirror over as an instance. Just like dozens of other object within the same scene, MAX decides to flip the faces on the mirrored object. Simple fix would be to highlight the affected object and flip the faces back. This only causes the "unique" object to flip backwards instead. So, because the objects are instanced, the objects are essentially "swapping" flipped face orientation between the two always leaving one of them with flipped faces. Iv'e tried adding a normal modifier to one, but still resulting in the same issue. I have also tried messing around with resetting x form.
View 4 Replies View RelatedI have a completed drawing that needs to be with a different title block and maybe page size. Is there a way to swap this out without having to recreate the drawing on the desired format?
View 2 Replies View RelatedHovering over a row of thumbnails, I swap the full size photo following this code :
var photo = new Image();
photo.src = 'images/'+fileName; // parameter of the function
console.log(fileName+' L= '+photo.width+' H= '+photo.height);
sym.$('toile').attr({
width: photo.width,
height: photo.height,
src: photo.src
});
The full size photo swaps, but retaining the dimensions of the first one (initially on the Edge stage).
Even more puzzling, as you can see in the following screen capture, sometimes I can get the correct photo.width and photo.height (even if it isn't correctly assigned to the 'toile' element), and sometimes those values are zero ! And I feel so lost that this seems random.
May be it has to do with loading delay, asking the width and height information before it is available ? Should I necessarily preload the images ?
we are using a Dell T5500, WIN7, 64bit with 24 GB main memory. Corel X5 seems to use only a small part of it, although we have large files and jobs (e.g. to export to Adobe Illustrator). This takes a long time (> 10 min), where sometimes Corel even writes nothing to the AI file.
CPU usage is medium, memory usually around 2GB, but not larger.
How can we bring Corel to use more memory to be faster and/or in order to avoid swapping else writing nothing into Adobe Illustrator?
I'm trying to swap one type of inlet for another. I can swap the type-13 to a type-R but when I try to swap it for a double type-13 it reverts to the single type-13. This is happening with a 7' manhole as well. I can swap a 6' for a 4' or an 8' but it will not swap to a 7', it reverts to a 6'. Is there something in the catalog for this that preventing the swap?
View 5 Replies View RelatedI want to have a mouseover and -out effect on my navigation bar and on the event click it should stay in the mouseover status. So far the mouseout and the click event affect each other on a wrong way. The example I attached here is done with plain rectangles, but later they will be images.
MyStatusQuo: [URL]
I read Robert Bell's document “Migrating from MNU to the CUI” (Autodesk University 2007) with interest. I have been using 2005 up until now and I am finally forcing myself to get to grips with 2010.
I managed to get it to work after much trial and error through the CUI transfer interface.My customizing makes use of a lot of swapping pull-down menus, which swap in and out based on current later setting.A typical command would be:
(MENUCMD "P15=RCASPOPS.mfireeqp") where RCASPOPS is my swapping menu loaded at POP15.
Then I would use (MENUCMD "P15=*") to force the “mfireeqp” area of the pull-down menu to display.Trouble is, when I CUIload RCASPOPS, it does not seem to recognize the various areas of the menu.Here is a part of that subsection of RCASPOPS:
***MFIREEQP
[FireProtEquipLayers]
[--]
[0]0;
[defpoints]defpoints;
[X-Refs]x----ref;
[code]...
Typically the whole of RCASPOPS is loaded but when I try to force it to display, the whole of it pops on the screen (well, the top of the file does anyway) and not just the subsection I want.
Is this a syntax issue with the newer AutoCad?Also notice that I use the -> and <- for fly-out sections of the menu - is there a syntax issue with this? I notice that the future support of drop down swapping menus is not guaranteed. What is the alternative?
I've tried looking this up but just get the mixer brush on every hit or. What I want to do is to take two colours, use the colour picker and mix the two colours to make a third.
I know I can arbitrarily change the opacity or by steps with the number keys but I don't to do it this way. I don't want to use a blur too or a filter. This is mixing colours basics. The mixer brush looks like it mimcs painting in one respect but its also creating muddy values.
In preparing some files for print I noticed that a .pdf generated bij PS5 has different colours than a .tiff.
Both files have been saved without colour profiles.
sort of like CS6, the dark menu has grown on me :P plus i thought it would match nicely with my dark firefox theme and dark GNOME interface AND my favour for dark BG designs.
I know i can change the background of the workspace, i've canged that to blue but my concern is more for the main GUI.
When I print from Photoshop, I am getting this message before the printing commences:
"Some PostScript specific settings (emmulsion, Interpolation, Calibration, Encoding) will be ignored since you are printing to a non-PostScript printer"
Then when I print, the colours are all different than what is on the screen. I have not had this problem previously and everything I have printed looks great. This has only begun recently and I am not sure what has happened to make it like that. My printer is a hp deskjet 930C.
I have difficulty with is matching colours (in this case where two different colour skies join).
Is there a way to average them out so that they blend together better ?
I have a number of gradients that are currently blue and I would like to convert them to a green but keeping the same levels. Is there a way I can apply a filter of some sort to them?