Photoshop :: Expanded View For Curves In CS6?
Aug 17, 2013can't seem to find the option, drag panel larger instead.
View 1 Repliescan't seem to find the option, drag panel larger instead.
View 1 RepliesIn my copy of Lightroom 5.3, image info tooltips do not show in the grid view expanded cells even though that option is activated in view options. Is this an issue with Lightroom 5.3? (Note: Image info tooltips in grid view compact cells and the filmstrip do display, however.)
View 1 Replies View RelatedI would like to have dimensions on a particular view based on selected lines and curves.
How to get the line and curve's start point and end point for me to use in dimensioning either linear or baseline?
I am preparing a batch of images for test submission, for a stock photo library.Recently a person working for one of the visual effects studios in London happened to tell me that these strict agencies use some set of layers that can separate tonality and color values to check for banding, dirtiness, noise and all those technical flaws that the human eye can't notice on a monitor.He said they perhaps have an action for it so that they can review faster.
He said that it is known as 'Craze Curves' or 'Visibility Curves' technique.He further added that all the studios use it before giving the final files to clients so that there is no issue in printing afterwards.It is sort of a quality control check and has been used by digital and advertising agencies all over the world.
But now his email seems to have changed and I can't get in touch with him to know how to use the technique.
I found that all of the Version Sets in my Catalog of 50,000 photos became expanded when I restored my Catalog onto a new computer (with an empty catalog). Is there a global command in the PSE9 system to collapse all of the Version Sets throughout the Catalog, not just a particular set of selected photos?
View 1 Replies View RelatedWhen I open a file, one or more layer are opened/expanded in the layer tab on the side of the screen. I can close the layer, make modifications, and save; but when I open it up, the layer is always opened.It doesn't happen with every file. But on the files that do have this, it's always like this.
View 38 Replies View RelatedIs it possible to determine which nodes are expanded using the API?
I want to make some changes to the node information in an assembly browser but as there are many hundred parts so I only want to do the operation on the expanded nodes to keep any delay to a minimum.
How do you change from compact mode to expanded mode in Graduated filter tool in Lightroom 4?
View 4 Replies View RelatedWhere would I find some hatches for expanded metal and mesh-types? Everything looks good on paper.... its why we use CAD.
View 9 Replies View RelatedAs my journey through Inventor 2012 continues, I have the task of creating Expanded Metal Mesh.I have the basic sketch of the shape and all is well. My question is how to pattern the sketch of the shape so that I dont have to copy or mirror over 100 of these sketches/outlines to form the pattern? Essentially I want my mesh to fill in a 30' x 30' square.
View 9 Replies View RelatedAfter doing a live trace and expand on an object I now need to separate one object into two. I tried using both the scissors and the knife tool and neither tool work. When I select two anchor points on opposite side of each other to split the object it just adds a line in the middle with the object as a whole still in tact.
View 13 Replies View RelatedAfter saving a CS6 AI document as CS5 version, and open it with CS6 again, effect like dropshadow has been expanded and no more editable.
You know, using Illustrator CS5 save document as CS4 version is just OK.
(PC 32bit CS6)
Is there a Keyboard shortcut that will allow me to collapse any/all expanded section in the Keyword List without having to go to each open branch and closing individualy?
Any resource / list of shortcut specifically for keywording
I have the object manager pane visible at the right of my screen. It shows the layers and status of those layers in my drawing. It has the + icon that allows each layer to be expanded to show every line in that layer. The trouble I am having is that each an every time I do something in the drawing to a line it prompts the Object Manager list to expand to the full list of lines. Clicking the - icon closes this down to just the layer name.
Thing is, how do I stop it expanding the the list to the line level of detail in the first place. I rarely need that level of detail and waste lots of time closing the view down.
From what I understand, vector text does not pixelate when the image is expanded. If this is true, any tutorial on creating text?
View 5 Replies View RelatedI have a simple frame made of a 1/2 rod and have inserted a textured appearance of expanded metal. It is a guard.
I am not sure if the way i inserted the texture is correct, but it currently is scaled down to small. Have to scroll in lots to actually see the expanded metal.
Is there a better way to apply the texture than creating a surface? How can I adjust the scale of the texture?
Maybe applying a texture is not the best way to show that this guard is to have a section of expanded metal that will fit inside the 16x24 in guard? a note is not ideal in the drawing, but I suppose it is better than making an actual model of the expanded metal.
Part is attached below. Inventor 2013 Pro.
So apparently:
Create a path snapped to pixel.
Disable align to pixel on all paths.
Select the entire path and create a new symbol with align to pixel disabled OR (it makes no difference) create a new symbol from a temporary path and then paste in place. Everything looks good. Paths are aligned to pixel.
Exit isolation symbol mode.
Go back into isolation mode.
All your paths are offset by miniscule amounts causing them to bleed into each other. You can't realign your paths with snap to pixel because snap to pixel doesn't work for a set of paths because it snaps to a random path or something.
Or you can enable align to pixel and have the copy paste completely mess up your paths.
Why would you expand paths that are snapped to pixel by a miniscule amount on a paste?
Is this fixed in CS6?
I create all of my lineart for illustrations, in Adobe Illustrator. I use the pen tool in combination with the line width tool to create line weight. Once I have completed all of the line work, I select everything and Expand. This results in not having fills for teh areas of the illustration which need to be colored.
From there, what I do is select everything > livepaint > make. I then fill in each area with a base color, using the live paint bucket tool. Once completed, I again select everything > expand. This leaves me fills that I can select indivually to apply gradients and work with directly.
This process works great until I expand the live paint group. After expanding, there is a very thin white border everywhere that two seperate colors meet. This only happens after expanding, it does not happen when it is still a live paint group. I have tried every option in the expand window, and get the same result.
I have exported the completed work in several formats ( .jpg, eps, .png ) and the lines are still there.
saving back from CC17 to CS6 changes all complicated brushes into expanded objects. Also brushes vanished from brush pallet
View 3 Replies View RelatedEvery Time I select IMPORT on LR5 I have to "browse" and click several of the little triangles and navigate to the folder I want to import from. It seems to me in LR4 whenever I imported the File tree was left the way it was when it was shut down. I am not sure if I am expressing myself like I should it just gets frustrating becuase I am doing a Lot of importing from a Cloud source (dropbox camera uploads folder) and each time I have to browse from C Drive >USERS>USER NAME>DROPBOX>Camera uploads that is like 5 clicks every time I do it which is several times a day latley.
View 2 Replies View RelatedAny quick tips to convert an expanded appearance rounded rectacngle back to a sharp cornered rectangle?
View 6 Replies View RelatedI really enjoy this new draw inside feature in Illustrator. But, I find that it does not always work. It seems to be grayed out sometimes. For example, I have drawn a shape with my Wacom tablet using a blush. I then converted it to a shape instead of keeping it a stroke by expanding it. But it will not allow me to now draw inside of it, even though it is a shape.
View 8 Replies View Relatedhow to use Curves, in CS3.
View 6 Replies View RelatedHow do you get bezier curves in PhotoShop CS6 to act the way they used to in CS5.5? In 5.5 i would be able to move/adjust the path with the direct select tool and the control arms would stay at the angle they were created at. In CS6, depending on where you direct selected the path, would depend on how the path could be/would be adjusted. And the control arms have become more fluid, rather than static. They do not keep the angle they were created.
View 2 Replies View RelatedHow do I get a percentage value in Curves-in CS5 it used to be command-click would make a dot on a point on the curve, to allow for accurate adjustment...
View 8 Replies View RelatedWhen making adjustments in the curves panel the procedure in previous editions was to raise the curve in the upper section to lighten the image and lower it to darken the image. Mine is working just the opposite. When i raise (or lift) the curve the image darkens and when I lower it lightens. The lower half for contrast works the in the same backwarsds way.
View 2 Replies View RelatedWhen using Curves to increase contrast for an image, I see that some people will use the eyedropper to define an anchor point on the Curve to manipulate, and others just seem to drag on a spot on the curve without first using the eyedropper.
1. Is there a reason to not use the eyedropper, and instead just drag a point on the curve?
2. Won't using the eyedropper always be more accurate than just eyeballing a spot on the curve to drag?
I have a question about using toning curves...
In older versions of Photoshop, I was able to use Paul Butzi's beautiful toning curves (which are ACV files) through the Curves menu.
There was a 'Load' button, and if I pressed that, I could browse my curves folder and pick whatever curve I wanted. Is there any way to do that in Photoshop CS5? I can't seem to find a 'Load' button under Curves, and I'm not sure how to use the Custom Curve feature.
I can't seem to load them under Filters, either. How I could load them?
When using Curves, one used to be able to move from one point to the next ("point" is what I use to refer to the points that determine the shape of the curve) by holding the Control key and pressing Tab.
This no longer appears to work with Photoshop CS5. I am wondering how I can move from one point to the next without having to click on the next point. More often than not I end up actually moving the point when trying to click on it.
So, I absolutely love a lot of the changes I've come across so far. I am very happy with the crop tool changes except for one thing. I work on hundreds of B/W headshots at a time where all I do is crop>curves. Up until CS6, when in the crop tool it would still show tone info in the info pallette. Now it shows nothing. This puts a crimp in my workflow because I either have to open the curves dialog or switch to the eyedropper tool to see if I need to apply curves. I have noticed that if I hide the crop area it will revert to showing the info .
Also, with the curves dialog I am going to complain about something that started with CS5. The 'click and drag in image to modify curve' feature is pretty cool but it should respect my option settings. I work with it displaying the amount of pigment but the click and drag feature doesn't respect this setting.
As I said small issues (especially the second one) but it would be nice to get them changed.
I am stumped with this problem and havn't found a thread that seems to give me a points in how to simplify the procedure/problem described. Is there a plug-in ?
I am using PS7.0 and am at the beginner end of the spectrum.
I have TWO pictures and want to duplicate the colour values at certain points in the picture. The manual operation would be to:
1) Open Picture #1, put colour samplers in at the points I want duplicated (max 4) and write down on a piece of paper the RGB values at those points. I make the assumption that the points are all present on the Picture #2 and that the tonal values are all different enough that they fall on different parts of the tonal curve. ....