Photoshop :: Where Is Panorama Mode In Adaptive Wide Angle Filter
Jul 25, 2012
I'm trying to use the adaptive wide angle filter on a panoramic image, and I don't seem to have a 'panorama' option from the correction pull-down menu. The tutorials I've found online all seem to have it, but mine only has fisheye, perspective, auto, and full spherical (see screengrab).
I am working on a panorama in PS CS6. I have merged all the images and am trying to correct the perspective using the adaptive wide angle filter. But when I open the filter and set correction mode to perspective - all I see is a background transparency. If I try to use one of the other modes the full image isn't visible, just seeming randomly cropped. I am using a macbook Pro running Lion 10.7.5.
Also, the lens information IS embedded in the image and is visible when I open the filter.
Is there a way to make Adaptive wide angle filter NOT applying default correction? I cannot seem to use the filter because upon loading it always "correct" my photo in a way that I don't want to no matter whant option I choose.
As you can see, the auto correct image is softer and not as pleasant. I just want to be able to adjust it to the way I want. It is even worst with Panorama.
I open an iPhone pano image. go to filter–>adaptive wide angle filter and in the lower left corner I find – as indicated as being requested to function properly the tut – the name of the camera, the lens and the f-stop with wich the image was taken. The filter does still not draw the automatic line on the corved part of the building I try to improve. Going to correction –> automatic in the upper right corner I get an error message that no matching profile for the iPhone's camera's lens could be found.
Why that when it is clerly indicated as being 4.28 mm etc already? The iPhone 4S has been here for quite a while and is widely used, so why the error?
When I try to use "Auto" correction in the new Adaptive Wide Angle filter, it pops up with "No matching lens profile found". I searched for information and was directed to go to the Lens Correction filter. I pressed the "Search Online" button. The first time it comes back with "Connection timeout", but the second time it says "No online profiles found". Come on, really?!
ACR has my lens profile (Canon 24-105 f/4 IS), why can't PS CS6 find it? Is there a workaround? I'd really like to use the Adaptive Wide Angle filter.
I have the beta installed but I also installed the trial of CS6 on another computer.. Both do the exact same thing with the Adaptive Wide Angle filters. I set a line as straight, mark as vertical (2 lines really) and then process. The lines that are vertical come out wavy... best way to describe it..
I add the 2 control lines to the very outside most windows where the windows meet the brick... This is a closeup of the output... I don't know when straight lines became waveforms.. but they do with this filter!
I'm in need of a photoshop plugin that corrects barrel distortion caused from a wide angle lense. The photographic subject is achitecture. I've been told that a plugin exists however I have not found it.
I have got a logo that is 451 x197. It has a resolution of 72 px. I am trying to increase the resolution so that I can use the image for business cards and letterhead.
I need for the image to have a width of about 2500 pixels. If I scale the image to 2500 pixels the edges look pixelized or blurry.
My question is: Is there a way that I can make the 471 px logo stretch to 2500 px and still have sharp edges?
I scanned an image using Image Capture which turned it into a tiff. I opened the tiff in Photoshop and discovered that Filter Gallery was grayed out.
I opened an older Photoshop tiff and looked for differences. The older one, wherein filter gallery was available, was an eight bits per channel document. The new one is 16 bits per channel. When I changed the new one to eight bits per channel, Filter Gallery became available.
If my (extremely limited) understanding of the technology is correct, there is more information in 16 bits per channel and hence presumably a richer quality image. On general principle of course I'd prefer not to lose any richness. Is there some way I can get Photoshop to give me access to the filter gallery in a 16 bits per channel mode?
As a new user I really prefer the single window mode but have a real problem in that every time I open a filter the window/box that open opens up underneath the single window and I cant see it without minimising the main gimp window. I've played with the preferences windows management options and seem to have all the file options curves etc on top now (these were opening under the single window at one point) but nothing I do seems to want to make the filter boxes open where I can see them - It's making GIMP quite unpleasant to use.
Is there a quick way to rotate an object to match an angle without knowing what the angle is? I am using AutoCAD 2011 now. I was using 2007 and I had an add on command the would rotate an object using a base point and picking the two lines that make up the angle, and it would match the angle you wanted. I can not get that command to load in 2011.
I have a property line that is N 36d19'52" E but needs to be N 12d52'18" E. The obvious and calculated rotation angle would be 23d27'34" but when I rotate the line by the calculated angle it doesn't rotate to the right angle. It's off by 0d11'10"!? When I draw a line by bearing at N12d52'18" E and inquiry the angle between the property line and the drawn line the angle difference is in fact 23d27'34".
Let's say I am inserting a square block into a dwg and want to get it parallel to an existing angled line. Do I have to read the angle of the line and insert the block to that angle or is there a quicker way?
how to convert "real world" angles of elliptical arcs into those shown in a dxf file?
Say that I have drawn an elliptical arc with its start angle on 210 degrees and an end angle of 324 degrees. The values in a DXF file, for an elliptical arc, have something to do with the contant "PI" (3.14159). I know that a full circle is 2*Pi but how to do this with elliptical arcs!!
A very similar problem as discussed, but not solved before:[URL]...Planar 26-inch Wide gamut LCD, Eye One Display 2 and latest Lightroom. Just upgraded to Win7 64bit and kaboom. After hardware calibration and profiling all colors in Windows looks great but pictures from my camera (GF2) look dull in LR and don't match what I see when save for Web and look through the web.
Same images opened on calibrated XP machine looks fine, all colors are as expected. If I don't use hardware calibration on Win7 machine and just tweak the sliders in control panel->color management the colors look somewhat off but not dull and consistent and behave as I expect and used to. I've tried both ColorEyes DisplayPro and i1 Match programs in simple and advance modes with the similar (bad) results.
Though not really a PS question, this is the community that is likely to understand my concern. I'm investigating getting a wide gamut monitor( prob Eizo or NEC), but other forums say that there are issues. Some of you are probably using wide gamut monitors, so I thought I'd see what you think.
The concerns seem to be when using the monitor for non-imaging applications, since not all other applications are color managed. "They" say that sRGB JPG's look especially bad on the webb. I would think color managed stuff should be OK. What do you guys think? Worth it or not?
The Photoshop CS4 layers palette is too wide and distorts the layout of the default color swatches palette when docked on the same column. And I don't want to have to put the color swatches palette anywhere else but the same column. Can the layers palette be fixed so that it can be as narrow as the other palettes, so it won't cause a conflict with the swatches layout?
In the Printer Settings drop down menu both Color Mode and Print Mode are grayed-out. This just happened I cannot think of anything I've done differently.
I'm using OS 10.6.8 and the latest Epson drivers for the 3880. I have re-installed both PS and the Epson drivers. If I print from Acrobat Reader everything seems to work fine, this only is happening in Photoshop CS5.
in CS4 the best that I can get it to do is create a panorama that covers more than the required area and to then do as best I can to crop the result so that the beginning and end match. Is there some automated feature that I am missing that does this?
I have a problem in Photoshop CS5 (Windows version v12.1 x64).
My screen resolution is 1680x1080, but almost all "extra" screen space is eaten up by some very wide panels. I can't adjust the width, it's locked to this extra wide look (see picture below). For example, my actions panel is two columns wide. It would give me lot's of extra screen space if I could have only one column.
P.S. I understand some panels are wider by default and therefore affects other panels if they are grouped together, but they can't be resized even when ungrouped.
I've just installed a new Dell 2408WFP wide gamut monitor and will be using it with PS photo editing. I plan to purchase an Xrite i1Display2 for calibrating this monitor. I'm a bit confused by some postings in other forums about whether a WG monitor can be properly calibrated by this (and similar) colorimeters.
I tried to use the lens flare filter in Photoshop CS6.While the lighting effect is interesting, it introduces ugly artifacts like blue or orange blobs (which are supposed to be the reflection of the diaphragm, but do not look anywhere close to that, but instead are just cheesy looking blobs of color).
In the "movie prime" setting blue lines are added which have nothing to do with lens flar.On top of it, the preview is about the size of a stamp. Any way to use the filter without getting these artifacts, or is it - what I assume - just a useless toy filter, that has probably been dragged on for years and years because it's always been there? What do you use to create a lens flare effect? Are you just building it from scratch with brush work?