I have a customer that does a front and back newsletter in photoshop.
They use 100% black and 100% magenta and save it as a .psd. (They don't have no other layout programs)
How can I put it in an IndesignCS2 or quark document and separate it into 2 colors?
Using CS6 on a MacBookPro Is there a way to find the closest matching Pantone spot colors to the cmyk colors I've created in Illustrator? I know it's easy in Photoshop using the color picker, but there must be a way to do this in Illustrator.
View 4 Replies View RelatedUsing CS2, I've created one of those swooshy Macintosh Panther wallpaper images, with various layers of sweeping lines and tinted gradient arcs.
Now I want to create the image using just tints of pantone 519 but I'm unsure of how to work with pantone colours in photoshop. I've pulled up the solid coated pantone library and located the swatch, but how do I specify various tints of this colour?
I've searched the forum and come across spot channels, and have read the photoshop help entry on this, but still can't understand how to do it. From what I've read, I make a selection, then create a spot channel of the colour and set the solidity to 100%. If I want an 80% tint, I just adjust the solidity to 80%. Is this correct, or is the solidity more like transparency than tint?
In addition, how do I create a gradient between these two colours?
Final question - I have an element I want to import from Illustrator that uses the same spot colour. Do I have to deal with this any differently to the normal copy and paste as a smart object?
Steven
I have a RGB file with two layers; the first containing black lines and the second containing color. I would like to convert this file into a duotone file where each of these layers is one of the two spot colors.
So far I have been able to get it in duotone (by first converting to grey). However, since the black line layer contains different shades of grey pixels as well (from anti-aliasing), it turns these grey tones into the spot color too.
When placing a .psd file with a spot channel into illustrator, and then later copying this and pasting back into Photoshop the color shifts.
Original Photoshop spot color channel (0/100/81/16)
Color after pasting back into Photoshop (13/99/88/4)
We are making renders of packaging, so the designs are from illustrator. We correct this by removing the Photoshop spot channel and recreating this as a CMYK layer, but looking to avoid this step as we do many many renders. Even with assign color profile set to none this happens.
Viewing Photoshop channels you can see a difference in values between the linked image and illustrator flat tint.
Spot colors such as Pantone colors didn't download with Adobe Illustrator. I have them in Photoshop. How do I get them in Illustrator?
View 2 Replies View RelatedI'm still working on changing a document I didn't create. It needs to be CMYK, but I keep getting error messages when I save it that there is a spot color. I saw one spot color in the Swatches (at least I seem to remember that's what the little dot in the corner means) and I double clicked it and changed it to CMYK. And I selected the one item that seems to have that color and I changed it to the CMYK version. But the swatch still has the corner dot and I still get the error message when I save.
View 2 Replies View RelatedI created two PDF's from identical files in Illustrator CS6 using spot colors but the colors came out different when printed although I couldn't find any apparent differences in the settings of the two documents.
I also noticed that when importing an eps file that contains spot colors in Indesign CS6, and export as PDF the colors in the PDF are sensibly different to the eps. It never happened with CS4.
I have a doc that contains alot of logos from auto manufactureres. I am having it printed professionally and when I save the doc as a pdf my summarry has the warning telling me I have spot colors and that it does not match color profile. How can I QUICLY find the spot colors and do I need to trap these colors? Working in printing and proofing workspace.
View 2 Replies View Relatedwhy InDesign treats working with four spot colors differently than working with CMYK? They are just four colors or channels, right? What is the difference between Cyan or PANTONE Reflex Blue?
It is true that 99% of the time CMYK is used. It is also true that you can work in CMYK and tell the printer to put a different ink instead of the a Cyan, Megenta, Yellow or Black ink. The project I work on now involves four Pantone spot colors and a few illustrators how need/want to see what they are doing, so...
InDesign is so slow working with spot colors. It feels slower than Quark Xpress 4.11 on a Mac OS 9 G4 machine.
[-> InDesign CC, MacBook Pro 7i 2011, SSD, 16 G RAM, 1 G GPU]
Whenever I use a spot color with a black hairline outline and export it as an eps, the colors do not register right. If you select an object after importing the eps, the fill is blank, the outline shows up black, but the color is there.
If you import it into x3, it shows up as shades of grey for all of the objects that had outlines. However, I can import the eps file, remove the outlines, export it as eps again and all the pantone spot colors come through just fine. I -CANT- be the only one with this problem. Yes, I have done some research on it, and yes, I have ghostscript installed.
why change colors of view if one turnover of CMYK to spot colors and the composition remains identical?
View 10 Replies View RelatedHow to add spot colors together to get the third color
View 11 Replies View RelatedI'm printing some spot colors on colored paper, and wondering if there is a way in illustrator (CS6) to approximate the ink/paper interactions. Im worried about the ink color (greens) shifting to brown on a yellow/peach paper. I've approximated the paper color in Illustrator, and designated the pantone colors. I tried Multply- and the ink color definitely shifts to what I think it would- but not sure if that is the best way.
View 8 Replies View RelatedI've been told that I need to change my spot colors (illustrator CS6) to Process colors, but for some reason, sometimes this feature won't work and is greyed out.
View 2 Replies View RelatedI work at a printing company. Everything I know about Adobe Illustrator, Photoshop, and InDesign, I learned on the job with no classes or prior knowledge. I handle all the graphics that come through our shop, and every now and then I get artwork that when I try to save it in Illustrator, I get an error message that says Illustrator can only support a maximum of 27 spot colors. I don't even know what that means.
View 2 Replies View RelatedI have a problem with spot colors from X3 to X5. I have defined some spot colors in my X3 to tell my Roland Printer what he has to do. When i open a file, made in X3 using one of these spot colors, with my new X5, the spot color will be replaced with turquoise. I have no problems opening x3 files in x5 when i used a color from the CMYK palette.
Is there a solution to retrieve my spot colors?
I would like to know how to export a 2 color *.cdr creation (logo) as an *.eps such that it has two grey scale layers each representing the two spot colors I chose?
View 9 Replies View RelatedI am trying to create a script that adds custom spot colours to the swatch pallet. I've manage to put together something that works (I've adapted an existing script), but the colours added are not spots, just CMYK colour swatches.Also, I need the script not to error if the swatch already exists.
//Add Custom Swatches
var docRef = app.activeDocument;
function cmykColor(c, m, y, k) {
var newCMYK = new CMYKColor();
newCMYK.cyan = c;
newCMYK.magenta = m;
newCMYK.yellow = y;
newCMYK.black = k;
return newCMYK;
[code]....
I'm a print designer. I have this Action I use to batch Illustrator files convert all spot colors to process. The problem I found recently in some instances where an object is black & white bitmap the Action converts to CMYK and that causes an issue for product representation because it does change drastically. I process a lot this files daily basis. As far as I know I don't think using an Action will prevent this from happening because it does work but I just want to confirm that in this forum. I can Insert a Stop in the Action to see what kind of image has been embeded but that defeat the purpose of running a batch.
here are the stepson the Action:
Unlock all
Select all
Convert to CMYK (Using Edit colrs)
deselect
See attached jpg (before & after)
While creating the company logo and branding in Illustrator, I've taken the CMYK values of our color palette and created custom CMYK spot swatches for each of our brand colors. This was for consistency, because a spot's color numbers do not shift as you move between Adobe apps or from CMYK to RGB docs.
My question is — is it OK to hand off a document that contains these CMYK spots to a printer for 4-color offset or digital printing? Will it mess with the colors or will they simply igore the "spot" status of the color and use the CMYK values behind it?
color value of spot colors cannot be adjusted via javascript?
View 5 Replies View RelatedI've been looking around for a script that will take the used spot colors in a document and place them in a predetermined spot. I've came across several posts about this, such as the COLOR CHIPPER although I think it's focus was on swatches. What is confusing is the part of making New CMYKColor or RGB or if I even need to do that. I've looked at other posts and the Adobe docs, but none seem to work. Adding the text isn't difficult, it's getting these spot colors to reflect what's in the document that is. From what I'm seeing now:
I may have to use some other type of script such as Applescript to get rid of unused swatches first throught the actions panel, but I'm not sure.I could possibly use the getByName method to call out the specific rectangle and the and relative callout with the appropriate color instead of having to position everytime.
I'm having an issue where I can't convert spot colors to CMYK in the swatches panel. Currently to fix I have to copy elements using the spot colors in to a new blank document, then convert them, then paste back into the original document.
Also if I try to delete the spot color, it doesn't fully delete the swatch.
I'm using Illustrator CC 17.0.0
I've attached a video [URL] ......
Surprisingly i can't find any mention of this anywhere on the intertubes - very often I have a placed (photoshop/tiff) graphic with transparent background overlaying (on top of) a spot color area, the spot color prints out completely different from how it should be (and how it is on non-overlapped areas).
I've tried everything i can think of, including making an opacity mask to 'hide' the supposedly transpararent areas of the placed grahic. I know a clipping path might work, but some art is too complex for that.
We have a new Roland printer, an LEJ-640, which prints in CMYK plus white and clear gloss.
In order to print a white bitmap, I must apply a spot color to the bitmap. I used the Bitmap|Mode|Dutone to apply the white spot color and it seems to work correctly--it shows up as a spot color when I use the print dialog to preview separations.
When I use either print to file with the RolandVW print driver or File|Publish to PDF, the spot color on the bitmap is not preserved, Versaworks does not recognize it as a spot color. Color output is set to "Native". However, a vector object on the same page with the same spot color applied is recognized as a spot color.
The pink part in the versaworks screenshot indicates white spot color, as you can see only the vector object is recognized.
I have a palette provided by Roland for their digital printers to match their standard colors. In order for the colors to be recognized and converted by the RIP, they need to be set as spot colors in CorelDraw X5.
It would be nice if I could change the Treat As Process/Spot attribute for multiple colors at once in the palette editor.
I peeked at the CPL file--unfortunately it's not something easy to edit like XML, CSV or the like. Too bad that, too.
With both tools, I can make a few changes and then both will leave a black brush spot. It works, and then it is like the program is too challenged & it just leaves a black spot. Sometimes if I move my mouse to the history panel to back up to get rid of the black spot I get a swipe of the tool all across the image when I'm reaching with the mouse to go back in history.
I'm using PSE 11 and a Macbook Pro.
I have placed a photoshop file in illustrator CS, the file contains a spot channel transparency that I want to print as a pantone plate. When I print separations my spot channel prints as a shade of grey. Several other vector items (generated in illustrator) using the same pantone print as a solid 100% black. I'm worried that my file will print with the transparency part of my pantone as a shade of its self when I send the files to the printer.
View 3 Replies View RelatedI've used Lightroom 3, 4 and now 5 so I know my way around the software pretty well. Never had an issue like this in previous LR versions. Basically, when I Spot Edit a spot (such as a speck of dust that was on the sensor or lens) there is alway s a "ghost" of the speck that remains, no matter what I do. The Opacity is set to 100, yet the tool behaves as if it is set to 90. It happens with Clone and Heal. I have also tried adjusting the Feather setting, to no avail.
View 2 Replies View RelatedI've got LR4 and a bunch of photos with 3 nasty dust marks.Spot Removal does not allow to mark one of these spots (the pointer does not turn into the marking circle).Probably LR cannot see it as needing repair.
View 3 Replies View Related