I have been trying to create a wet surface look on Tarmac/Asphalt for quite some time. I have been searching the web also on this yielding me with not the right results.
Image below in the lower right corner is what I am after. I shot this while the road surface was slightly wet so It turned out nice. I need to be able to do this in PS given I am not always around water access or controlling the weather before a shoot.
(1)how i can achieve a glossy plastic like surface look like this pic ...
(2) i think i screwed up the text settings too, i now have to have the font size to be like 973.99 inorder to see the text.
How do I achieve the shiny effect of the star like in this BMP image?
(IT IS A BMP - NOT EXE!)
How did the creator of this website get the shiney look to the text in the top banner.
I am clueless with photoshop so youll have to direct me through menu's etc.
After using the red eye removal tool, I sometimes end up with a shiny white glare in the iris of my subjects. Is there a technique for getting rid of "white eye" in one's photos?
View 3 Replies View RelatedHow can I get a bevel to appear as if it was metallic?
Like a smooth and shiny metal surface.
The following is a link to a tutorial creating a diamond effect on a word.
[URl]
At 4:35 into it, the author begins creating the shiny parts of the diamonds by drawing a path, copying it and then rotating the copy ninety degrees.
I'm having trouble just creating that first path the way it's done in the tutorial. First, it says to choose a brush of 17, make sure it's white, then switch to the pen tool and draw a straight white line. However, mine doesn't look like that, how it splays outs. I just get a straight white line. Then, when I try to tranform the copy by rotating it 90 degrees I get an error message saying "Could not rotate because the initial bounding rectangle is empty."
# The exact version of the Adobe Application you are running.
Adobe Photoshop cs3 version 10.0
# Your Operating System details.
Windows XP
# Amount of installed RAM.
2GB Ram
# Amount of free disk space.
~360 GB free
# Make/Model of Video Card.
nVIDia GeForce 7600 GS 256 mb
Hi,
I m working on photoshop using it to create clothing.
Usually i was working with the Dodge and Burn tool 3% after drew with white lighten brush a white effect than i usually start to work it out to create for example shiny? effects on black clothing.
how to do a silver kind of chrome in photoshop and then when it prints out how to make it come out shiny and not a dull gray.
View 6 Replies View RelatedI saw this image. how i could make an effect like this for my own website.
View 2 Replies View Related(Photoshop 6.0)
On the image below, how would I add the GLASSY effect to my own image?
I see this on many logos and cannot figure it out.
I wanted to find some space-related brushes from photoshop
Obviously using a solid color and painting the brushes on a black background isn't going to do very much for me. I'm kinda new to Photoshopping stuff but I was wondering how they got the shiny, mysterious coloring on those brush sets in the sample images, rather than a boring, solid color. What effects on they using?
The image attached has a kind of gloopy effect around the edge of all the text. It's not uniform but is tailored to each curve/angle and it rotates around the edge rather than all pointing in the same direction.
I've tried creating brushes in PS & Illustrator that could follow the curves of the edge but they look neither random or pretty...
I've tried diplacing a halftone line pattern & masking out the bits not needed but it won't curve the same way...
I've tried drawing the paths individually & stroking them with different effects but that just looked plain ugly...
how can i be able to make my photoshop/fireworks graphics look crispier...shiny and sharp...What do actually i lack if i cant achieve crispness in my web graphics?
View 6 Replies View RelatedI have a flattened image of 2 texts and a background.
This picture was made up of a speaker, marathon runners, 2 texts ,a wave, and some sort of overlay. im trying to replicate this image as much as possible so i can animate it in flash mx (speaker bouncing, shine going over text, outlining guys). I think i'm okay with everything but the font.
I think I found the closet font "Neuropolitical" but now i need to know how to apply the blending and lighting effects. The font i have is not rounded in the corners on the letters but i guess this was done by the effects on the text. Code:
what would be the best way to eliminate shiny spots on a face?
View 2 Replies View RelatedCreate (step by step) bulging shiny button like in the right side of image (link below)
[URL].......
These are a pair of video tutorials that I did some time ago. They are intended for beginners but you never know what you might learn. The first tutorial is for how to draw a round button and the second is for how to turn it into a web button. They are related so that is why I posted both of them together here.
View 6 Replies View Relatedi am looking to make some shiny rough text effect as shown in below image how can i make it like this? and also how i can create some glossy and shiny effect as shown in below image?
View 7 Replies View Related1. Rainbow, I need something that makes every thing on one layer rainbow colors.
2. Shiny, I need something that makes every thing on one layer 'shiny' looking.
Below is an image I am trying to create using illustrator cs3, the wires are all a shiny copper gradient. I have tried so many different ways to do the transition from the circle to the straight wire and I cannot find any that really work.
View 25 Replies View RelatedI'm working on a proprietary project that has lettering with a white rectangle overlaid in Screen mode at about 35% to convey the idea of a metal surface to the viewer (similar to how the apps launch buttons in iOS have that glossy sheen). My question to you all is, when I have worked on the design in Illustrator and pulled it into AE the white box in Screen mode is visible and affects the layers below.
Now, I thought there was a way to isolate blending modes to groups or layers, so that anything outside of that group/layer would not be affected. Is this correct? My workaround at the moment is to boole the box so that the screening geometry fits to the lettering, — an arduous process. Attached is an example of the effect I am going for. Ideally I'd like to keep my screening box whole so that I can play with the angle of the faked reflection without having to go through the boole process again.
How to make Shiny gold text. I've tried the hot wax coating 3x color set to light yellow however it looks nothing like gold. Are there settings to hot wax coating or is there another way to make metallic gold or shiny silver.
View 3 Replies View RelatedI'm using Xara Xtreme Pro 5.1.2
I have a portrait photograph that is fine in most respects but there is a shiny patch (light reflection) on the forehead and on the nose.
Is there an effective way to remove or tone down the shine without interfering with the rest of the photograph?
I stumbled upon a website that offers (you pay them to do it) realistic gold and silver graphics.I was wondering how can I make this happen? Do I need to download specific plugins?
Here's the drawing I wanna use to turn gold.
Attached Thumbnails.
I want to know how one can add the shiny 3D effect to text as shown in the image.
I've done this in PS but unable to do in Corel.
I use Corel 12 & X3.
The parts in my assembly all use the same appearance. When I come to to do a render of my model however it is rendering one of these shiny (I think thats what it called).
See attached images
Image1 shows how I want it to look (this is the opposite end of my assembly)
Image2 shows the problem
Image3 shows a different appearance give to the problem part
The problem part is derived from the other end of the assembly (the part show in image1). All the parts at this end of the assembly are created the same way. They all render fine its just this one. I have tried recreating the part but still end up with the same result.
I often have to do storm pond surfaces that (for the purposes of planning) are flat on the bottom. These surfaces are created from a combination of survey data and grading groups and the tin of these surfaces is perfectably acceptable. However, when contours are shown, the flat bottom is shown with contours jig-jagging all over the place.
The attached image shows a comparison of the same pond. The top was created with survey data and grading groups; the bottom was created using contour data only. The generated surface on the top shows the bottom contour going in different directions and has parts where the an expected contour is missing.
How to correct/manipulate the surface to show a proper flat surface?
Has instances where you set your tolerance for the maximum triangle lenth to say 50m to reduce the amount of triangles along the edge that run at long distances. When I do this I end up with multiple surface holes and I'm not sure why as there are points in the area.
I thought well maybe it's because i should've reduced my max triangles first then added breaklines. Would this matter? I also thought I could add a line to the surface to fix the holes vs. deleting surface lines along the entire edge of a surface for many many miles.
I am trying to add points into a surface. I have done this before without any problems, but now I am having issues.
When I ID points which makes up the surface it gives me the correct Z level e.g. 24.5m, however when I hover over the surface it shows me the surface name and a different z level e.g. 0.65m. What is the reason for this difference in z levels? I think this may be causing the issue I am having when I add new points.
I select the surface and use the 'edit surface command' in the ribbon, choosing add point.
When I add a point at the level I require(23.89m), it puts it in a lot higher than the surrounding area, so I tried to put the point in to the lower z levels (0.4m) it puts it in a lot lower!
My goal is coming up with the volume bounded by the design surface and the existing surface. I don't have the design surface modeled yet.
Do i need to create alignment offsets?. Alignment 1 profile view is also attached. Then Alignment2.
What about starting with alignment1 profile view? Since I have created a polyline as the design profile ?
how do I shrink labels? Where is it in the settings ; the Align folder had been check.