Does setting the profiles under colour settings alter end image when printed on a printing press or is it just how the colours are viewed on screen?
If I change a profile that is embedded to the one I want will it make any difference to the way the colours print (from the way it printed with the previous profile)?
Custom profiles created for printing to the Epson 3800's ABW (Advanced B&W) mode do not appear in the print dialog target dropdown. I'm forced to print out of PS 12 to use this feature.
If I select "Black" instead of ABW in the print driver dialog, I get my selection of ABW profiles in the dropdown, but I need this to work with the ABW setting.
This is a question regarding Elelments 11 and embedding ICC profiles. I have succesfully set up a colour balanced system for printing on my own premises. At the time of printing I select the relevant ICC profile for the printer/ink combo I am using. However I need to send files way for larger sizes and want to ensure colour correct prints that match as closely as possible the prints I produce in my own studio.
How do I embed the third parties provided ICC profile in the file before sending to them?
When I start up PSE11 and go to print I set up the paper size then select a Printer Profile. When print the image it is a mess and seem to be black and white it is as if I printed on the wrong side of the paper.
I then go and try to print it again. Now it all works as it should beutiful colours and spot on. all other print following this works.
Then I shut down PSE11. Start it up again. Guess what first print is a mess again. all others after are fine.
I uninstalled PSE11, deleted prefs. and reinstalled PSE11. Same thing.. first print a mess all others ok.
how a raw file looks in LR straight out of the camera using the Adobe Standard profile.
and this is how it looks with the profile set to Camera Standard. It seems as though the Adobe Standard profile is clipping the green channel in the magenta shades for some reason.
Clearly switching to another profile will solve it but my presets often set the profile so it's a bit of a nightmare.
I've been using Adobe Photoshop CS5 for the last two years and I've started getting a strange banding effect on my prints. Photoshop seems to be the only application that is effected. I print on a large format printer, my drivers are up to date, if I print a smaller size and fit to page (test print) the print is ok. When I print to full size I start having the problem.
I am working on a company logo that the owner wants to have a glowing yellow ring on a white background. I have a psd file that someone else created that looks great in color, but when you print it out in black and white, the yellow ring and glow disappear. I have been trying to tell the owner that you can not have bright yellow ring on white and have it come out well when printed in black and white, but he won't let it go.
My question. Can it be done? Is there a way to have some other effect, or gray scale in the background so when printed in black and white it shows well, but when in color it is hidden?
I don't know what version it was created in, but I have the whole CS4 extended creative suite at my disposal.
Trying to find ICC Profiles. I am a college student going for my BS in Photography. Our assignment is to take photo paper from three different manufactures and download the ICC Profiles for each of our papers chosen. Let me tell you this is not as easy as it seems! Where I can find the profiles for Adobe PS for different types of photo paper. Each manufacture only gives the ICC profile for their products. No scanned profiles are available.
I am having some issues with surface profiles on a dreffed alignment no updating dynamically.
Currently it requires me to set them to static, then back to dynamic and they update.
I am well aware of the issue of dreffed surface profiles staying static. I am using the work around of dreffing in the surface and sampling in the drawing using the dreffed alignment.
i have an image that is 28' wide by 60' high. i have to tile print it, but i have to print it out on film (see thru acetate). it has to be able to print at 1400 dpi. i know how to print at 1400 dpi on adobe photoshop, but i dont know how to tile print on that program. i have the image now in illusrtator, because it lets me tile, but i cant get it to print out for film (1400 dpi). im using a epson 1280 printer.
i really need to be able to tile print this in high resolution on film. anyone know what i can do??
I have attached an image of a butterfly with a broken effect on its wings. You can see the effect inside the marching ants. How do i get this kind of effect?
How do I convert the colour profile of a Lightroom custom printing package from Adobe Prophoto to sRGB before printing? For that matter, how do I save the thing? I have no interest in saving the template, or the collection separately, since neither has any use without the other. And without saving them as one finished item, I have no way to convert the colour profile of that item. I can see clearly from the appearance of the print preview that the above mentioned colour profile conversion is required.
I'm making some graphics to be printed on a car. I have some lines with outer glow on them, but Illustrator won't render these unless I use 72DPI in raster effects reslution. I would like to go higher, but it won't give me anything. Guessing it's to heavy for Illustrator maybe? Is there anything I can do about this? I'm making my graphics in 1:1 scale, but I do it in a lower scale since it's just vector art anyway, however how would that effect my glow? Since it's a raster effect.
how do l get the chrome effect on my solid model also the effect of metal's. I've been using AutoCad Colour Index - True colour and Book Colour, but it just doesn't look right.
This happens in all versions I have been able to check in - CS5.5, CS6 & CC.
Repro: Import any footage to a new project - any resolution or frame rate. Create new composition from clip. Type in "Crop" in effects search Double click to load it. Result is an effect called "Wigglerama" & "transform" gets loaded instead of the required "Crop" effect
See attached image below - cannot believe I never saw this before
I am running PS 6 for win64. Today I suddenly starting getting an error message saying that my ICC profiles are invalid. When I try to write a raw file to .tif after it has been converted to black/white, I get a corrupted .tif file.
So I have been trying to reinstall these profile files using the ones for PS4 as provided on your web site. But they won't install properly, and the problem persists.
I have just installed CS6 standard. I would like to put my colour profiles in Photoshop CS6 under Mountain Lion from CS5. Those files are most used for printing from a wide inkjet printer. Where do I put the colour profiles? I am not sure if the colour profiles need updated or not.
I'm having some trouble with colour profiles in OSX. Basically i use a Mac laptop and Apple display. When i work in photoshop, and then save an image for web use, the colour profile difference means that the saved image looks quite a lot different to the photoshop version (this happens on both the laptop screen, and external display.
All i want is the colours in photoshop to display how they would look in my browser. So if i set a page background on a webpage to be #c5c1ba and then open up photoshop and start colouring with #c5c1ba, they look the same shade.
I have recently started using a printer profile (Epson photo 1270). My query is this. I take a picture with my camera (Canon 10D), which when viewed on my monitor in ACDsee looks about right, colors ok, just needs a few touches here and there maybe. I then open it in Photoshop using the printer profile and the pictures looks very different. Now I realise what is happening but I am having great trouble adjusting the picture back to how it looked originally(which I was fairly happy with). I also know that if I can adjust the picture to how it looked it will print out almost identical to how it looks on the screen, so that is ok. It just takes a lot of time to do this using the Photoshop tools, and it is so hit and miss to try and put it right and get back to the original colors etc. Is there a shortcut that can be used, using the color values from the original view before it was opened in Photoshop or something like that? It just seems a lot of work for every individual photograph I may want to print out. I can compare the two views of the same photograph by having Photoshop and ACDsee open together.
I'm trying to get my magazine ad to match the original as close as possible. The first ad I placed came back muddy and dark. So I had the magazine contact the printer they use to get an ICC profile for me that I could load as the working color space in photoshop to prepare my file. Im I doing the right thing here? Is my solution loading the same working color space as the printer and then prepare my file to get a more accurate print?
Assuming that this was my fix I installed the ICC profile they sent me and when I went to "Load" that profile from the "Color Settings" dialog window and surfed to the folder I saved the profile in it doesn't show up. At the bottom of the "Load" dialog window there is a "Files of Type" drop down arrow and the only two file types listed are .CSF and .PSP. No .ICC file type there.
I have been charged with taking over a newsletter for our other shop. They print this on a web press. The lady there has told me that the pictures need to compensate for a 30% dot gain. Can I just apply the Dot Gain 30% profile in Photoshop and that takes care of it?
When I do this it darkens the picture on my screen considerably, is that just showing you what it will look like when printed?They also want the pics @ 85lpi and 300dpi, does this sound correct?This is my first foray into the web design world and the newsletter has looked pretty bad in the past and I think this may have something to do with it.
I'm having a very strange issue with colour management in Photoshop CS2 currently.
Photoshop seems to be calibrating all documents in a strange way on only *one* monitor. If I drag the file across to the other monitor the colour is completely different.
Of course it sounds like my monitors being off, however when dragging the file across monitors Photoshop slowly updates the colours for the next monitor. You can see it display the wrong colour at first, then correct it (hopefully that makes sense).
I'm currently working quite a lot with IPTC information from different images that are then uploaded to a web site and parsed with Perl's Image::IPTCInfo module. However, I've stumbled across some images that can't read by this module but the IPTC does show up in Photoshop.
Therefore, I went ahead and examined a "good" image file with the "identify" tool provided by ImageMagick and the following is a sample output (for the IPTC profile). I divide it into two sections for explanatory purposes. Section 1:
Im running PS CS on a PC and printing (mainly photographic images) with an Epson 1290 using a continuous ink system with Ilford paper. I have calibrated my monitor using a Spyder and have had the printer/paper/ink combination profiled. Despite all of that I am still having problems getting the printed image to match the screen. Quite often there appears to be an enhanced saturated red tint over the image. On some of the B&W images I have also been getting a red/magenta cast in my white highlights!.
I have downloaded new print drivers, I have also had my profile regenerated 3 times all with no effect. I have also just connected my printer to another computer and printed the same images from Elements employing the profile for the printer/paper/ink combo. One image came out more like it should with a reduced red cast but some of the others now appeared fine of both systems after printing them one after the other, i.e. my main system is now looking OK.