Photoshop :: Levels Preview On Channel Is Different To Result?
Mar 22, 2013
In CS3 I use a Dust & Scratches filter on a layer in a high resolution (3200+ppi) 16bpc image, then traditionally change the layer blend mode to Difference, make a duplicate of a channel which has the clearest information of where the filtered changes were made, and use levels to increase the contrast on a copy of that channel. Occasionally I get this result though - the Levels adjustment preview shows spots clearly, but clicking OK results in something very different from the preview. This only seems to happen occasionally.and result looks like this:
As the purpose of the channel is to make a mask, the result isn't as good as I'd like. I assumed that the problem might have been the grey starting colour of the channel, so I pushed the 0 up to 9 in an attempt to get a uniform K value of 100% on the darkest areas, and then ran a second Levels adjustment to make the white spots brighter. The second levels adjustment resulted in pretty much the same result as above, again, not what was shown in the preview. I also assumed that it may be down to numbers and that levels is occasionally too limited to deal with all the shades of grey on a 16 bit channel. Probably wrongly as this normally works exactly as required.
This only happens occasionally, and isn't that big a deal - I can quite happily go and use a Curve instead. I'm just wondering why the preview in the adjustment window is different from the actual result. The fact that it only happens on some of my images is what concerns me - purging all beforehand does not make any difference.how to get accurate results in the preview? Is the preview using a different method to show the results? Unfortunately I won't have a copy of CS6 to try this on until a couple of weeks from now, so not sure the best way for someone to try and replicate it on newer versions.
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Aug 6, 2012
How do you create a perfect alpha from this image, channels don't work, selections don't work either very well. I haven't done something like this for a while, so maybe it's a brain fart, who knows
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Oct 14, 2012
I'm using CS5 and beginning to use HDR. When I merge to HDR pro and make adjustments to images the preview window is extremely different from the final image. I'm merging original camera raw images from a Nikon D200. Workflow in ACR is set to 16bit. Output from HDR pro is also 16bit. I adjust using the preview window, but after final processing the resulting image is grossly different, much more saturated and more vibrant among other differences.
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Dec 12, 2012
I've recently tried using the Photoshop HDR feature. I have selected three different exposures in Lightroom and chose to merge them as an HDR image. All went well until the preview. I've found some settings that work really well. I've decided to go for the 16-bit path, not using Lightroom's 32-bit image capability, and let Photoshop do the tone mapping for now.
Here's what my preview image and the entire tool window looks like: [URL]
And this is the result one step later. It's totally over-saturated and has other merge errors. It basically doesn't even look similar to the preview. What's the preview good for if it doesn't show what I'll get? How should I decide what setting works good if I can't see it? [URL]
This is Photoshop CS6 x64 on Windows 7 SP1. The source images are 16-bit TIFFs as they were exported by Lightroom.
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Mar 10, 2012
I have an image I want to edit. It is a png tileset for a game, with opaque icons with semi-transparent background (yep the result in game is just as annoying as it sounds).
I'm not satisfied with background and want to make it more transparent (or maybe completely transparent). How do I do that?
There are adjustment tools in PDN that can modify separate channels; AFAIK alpha is technically identical to color channels but these tools only let me edit RGB.
how to specify a layer as alpha mask either.
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Oct 25, 2013
I have created an alignment and long section and over layed my assembly to produce the corridor through my alignment. However it is standard practice in the UK to show the channel levels on a long section.
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Jul 26, 2013
I am a screen printer and I print my separations from Photoshop. I routinely work with multi channel files or RGB files with additional spot color channels. I have created actions to place my registration marks, re-size images, etc to get ready to print but I manually have to create the text labels for each screen if they are missing from the original artwork.
The files I work with have channels named as "Base White, Red, Green, 284 Blue" etc indicating the ink color. What i would like to be able to do is click an action that would copy the text from the channel name and insert it into a separate or each/all channels near the top of the file so that when I print each positive it has a corresponding label for ink color.
I am not sure if this is even possible, and I am limited on my knowledge when it comes to actions and have pretty much got lucky in the past getting them to do what I want without unnecessary steps.
On my registration target action it creates a new channel with each individual reg mark then combines them into one separate channel in which I just copy the contents and select all the ink channels and fill with black to make them appear, i'm happy with the steps it takes as it isn't too much trouble and if this could do the same with labels I would be happy with that.
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Jan 2, 2014
Just made sure updates for the video card and all the hardware were current and still getting this problem where when I go to adjust a channel of video a random frame from the below channel will insert itself into the clip that I just moved as if it was married into the source footage.
Adobe Premiere Pro
Running an nVidia 660 with 331 drivers installed
Win7 64 bit ultimate
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Sep 26, 2012
How can I get the channel subassembly to attach to the assembly insertion point at the channel flowline marker? I need the flowline to follow my profile elevations.
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Aug 9, 2007
I really like how this picture came out and I was wondering how I could get a similar aspect?
I know you can play with curves, levels, and saturation but I'm sure its more then that ..
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Sep 3, 2012
A feature notably absent from the Oil Paint filter is any way to temporarily disable the effect (e.g., not preview it).I happen to like using Oil Paint to make refllections in the surface of water smoother and more "liquid" (which involves turning off the "Shine"), and it would really be nice if I could easily gauge the amount of the effect easily by blinking back and forth between original and processed image with a quick "disable preview" functionality.
With most standard filters, one can either uncheck a [ ] Preview box, and/or click the mouse button down on the image to temporarily show what the image is like without the effect.Yes, I know I can turn the Stylization down to 0.1 and see how a very minimal amount of the effect can be applied. And I can look at the original image in Photoshop proper, but of course that can't be zoomed while the Oil Paint filter is active.
Also, the zooming / panning seems kind of stiffly implemented.In summary, the more or less standard and expected filter features I'd like to see added to this (new class of) GPU-accelerated filters are:Preview/No Preview capability. It doesn't have to update Photoshop, just the preview display in the filter itself. I suggest a [ ] Preview checkbox and/or an on-mouse-click temporary effect disable.
Modal click and drag Zooming vs. Panning - i.e., based on a Zoom or Pan function selected (e.g., via an icon along the left) vs. having to hold modifier keys down. I personally would want it set to Zoom by default, not Pan. Since the filter has scroll bars (a Good Thing), I would have thought Zoom would have been a better default as it is. I have implemented these things in my own GPU-accelerated plug-ins, so I know that all the infrastructure Adobe needs to support them is already in there. These changes are controls only and should be trivial to implement.
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Jun 12, 2012
I have 4 panels up on the screen and I want to end up with a jpg that has all four panels. How do I do that?
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Mar 1, 2013
Is there a way to see the end result of a pattern as you are creating it?
That is a way so you can see the pattern tiled all over the document. So say you are working on a 100x100 area to be the pattern in layer 1, but you want to see this replicated over an entire document. Maybe you have an overall image/document that is 800x600 say, and you work on the 100x100 area in a layer. Anyway some way of doing is so that when you make a small change in the 100x100 area of the layer you're using for the patter creation, you immdiately see the replicated result of the 800x600 area.
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Apr 25, 2013
Scaling on a pattern layer sucks. When you scale a layer up or down (anything other than 100%), the end result is blurry and ugly. Here's an example: URL....
I would love to be able to choose the scaling algorithm used. In this case, the raster layer was scaled down with a bicubic algorithm, which worked fine for it.
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Mar 28, 2012
I was scanning some old family photos and came across one that isn't an original photo but looks like it was printed on one of those little remembrance cards that are passed out at funerals and it is made up of little dots. The scanned image ends up with a kind of plaid pattern on it because of the dots:
I took a picture with my cell phone and it looks better.I have never tackled anything like this before and was wondering if there is a standard way of improving this kind of picture to look more like a photo.
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Jun 13, 2006
I cut with the pen tool. The path was not complicated and had many straight edges to follow, so I didn't have to click many points. After I completed and closed the path, I sel the icon, load path as selection and then the path became this bizarre zig zag, almost electric marching ants effect. Then I deselected and there were like hundreds of anchor points at every centimeter or so. The edges of the selected area however were normal and smooth.
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Jan 16, 2013
trying to move a picture and I get "could not complete the Move command because the result would be too big". It is the only layer.
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Jul 31, 2012
Ps CS6
OS X 10.6.8
Save For Web offers 5 resampling algorithms (the same 5 as in Image Size, ignoring "Bicubic Automatic", of course) for when the output is being resized.
All choices except "Nearest Neighbor" output an identical image (which is different to all results of Image Size). Although the "Bilinear" output contains the same pixels as the output of the 3 bicubics, its file size is slightly different than their shared file size.
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Aug 11, 2012
I have a big problem in my adobe software (Photoshop and Fireworks by-example). When, for example, I backup my project psd, short layers that I did well at the opening of what I save almost all my layers are disorders .
They are displaced, stuff like that .
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Jun 2, 2013
I recently bought a Nikon D7100. I took some test shots and imported the images to Lightroom 4.4, then generated 1:1 previews for all the images.
Previews zoomed to 1:1 in Library Mode are noticeably soft. The image below is a screen shot of the Library preview:
Moving to Develop View produces a higher-resolution 1:1 preview. The image below is a screen shot of the Develop preview:
Look at the bricks and window screens to see the difference.
This difference occurs immediately after import (with a User Preset applied during import). Once any Develop work is done, the Library preview updates and displays at full resolution.
This problem makes doing initial editing/selection of images time consuming, because I can't determine the sharpness/quality of imported images until I've done some kind of Develop adjustment on each image.
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Jan 2, 2014
I'm trying to edit a set of titles made in Premiere in After Effects, and after I import the file (as a Premiere file) then load the sequence into the timeline; the preview is just a black screen throughout the entire preview. The titles never show up.
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Sep 28, 2012
One thing I don't like when you do a search and some results are included in stacks of version sets, it that you are shown the best matches with the non matches indicated by a special icon. Then you can't have the option to 'select only best matches'.
An example : Suppose you usually shoot raw and keep only the best edited jpeg in a version set together with the original raw. You want to delete the original raws when there is an edited jpeg in the version set. You can perfectly use the search by details for files in a version set and filename with the raw suffix.
How can you select only the 'best matches' in the result of the search ? Unless there is a way to do that easily, I would like to introduce a feature request to add 'show only best matches in stacks/version sets' in the option menu of the result of the search.
You could :
- select all the results and expand all stacks and version sets
- assign a temporary keyword like 'IsInVersionSet' to all
- do a new search by detail for 'IsInVersionSet' and filename ends with raw suffix
- Select all and delete
- remove the temporary keyword.
That would work for version sets with only one original and one edited jpeg, not for multiple files in a stack or version sets, the info about stacks or sets would be lost.The only method I have found to do the selection and deletion with keeping stacks and version sets is:
- create a catalog copy (copy of the whole catalog folder)
- in the new catalog, use the above procedure to delete the raws
- in the old catalog, find missing files and delete them from catalog.
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Mar 29, 2014
I am using MacBook (late 2008) OS X 10.9.2 and recently upgraded to Lightroom 5.3 from Lightroom 4. After a while, some photo started to show exclamation mark at the right hand corner of the photo (*.CR2 raw files in NAS) in grid view. When I click on the exclamation mark, it shows a dialog with following message; "Lightroom has encountered problems reading this photo". So, I moved previews.lrdata, which is about 9GB, to the trash and restarted the Lightroom 5, expecting Lightroom 5 to create a new previews.lrdata. However, it won't create any preview at all.
exclamation mark at the top right hand corner of the photos in grid view.
size of Previews.lrdata file stops at 152KB.
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May 22, 2011
Just loaded my high decimated zbrush model into 3dsmax 2012 for baking. 4,538056 polys in one go from GoZ.
17 x 2048 tex tiff maps applied and still running. The realistic mode is on and nitrous is running. I cant believe the quality I am seeing in the viewport. Phew, incredible.
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May 20, 2013
After working on a complex, multi-layer image, if I save the result as PSD and not as XCF, will I lose anything when I return to the file later?
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Sep 27, 2012
New to Lightroom.
I have imported my existing folder structure to catalog.
My current folder names contain when, where, what & who information. I created a couple of smart collections, but all I get are images. How do I get a result set of folders? Easy example is 'wedding'. I need a list of WEDDING EVENTS, not 20,000+ wedding images that have no meaning when shown together. I assume this must be easy, but have already spent way too long trying to figure out how!
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Nov 2, 2013
How to save an Illustrator document as pdf and preserve good quality of its objects. Let's say I create a rectangle, save the document as pdf, see result - the rectangle is blurry.
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Apr 11, 2008
I can no longer adjust levels. I go to Layer / New Adjustment Layer / Levels and get the box that says "New Layers" and asks "Name" (Levels 1) "Color" (None) and "Mode" (Normal). No changes here.
I click "Ok" and instead of giving me the box with the histogram, it adds a layer to the Layers Control box and gives me an eyedropper with instructions "Click image to choose a new color" If I click on the image, it changes the foreground/background colors but nothing in the image. I can't get out of this dialogue without closing the application using the Windows Task Manager.
Is this a bug? A setting? - I've changed nothing on my computer...
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Jun 20, 2008
With a photograph, is it best to clip the histogram or not?
In auto levels it does clip.
Or isit better to alt click whilst adjusting black and white points? Then back off just before clipping?
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Jul 1, 2012
I'm having a bit of a problem with audio crackle. With one music track playing on the background, and an audio file set to play simultaneously, results with a crackling audio file. As far as I can say, the music file on the background plays OK regardless if the voice track crackles. The individual clips play OK, so this isn't because of the source audio. The project is a trailer, with the narrative voice consisting of audio files on the voice track and music playing on the background. It doesn't matter whether the narrative audio is set on the voice track or an additional music track, same problem every time.
The funny thing is that this only occurs when I'm using the timeline view or creating a video / an audio file from the project - in the 'sound mixer'- mode everything sounds and looks perfect. When I select the sound mixer and then click 'share' -> create video / audio file, the program apparently switches to the timeline view and the crackle transfers to the end result as well.
I've tried this on XP and Win 7, with no difference whatsoever. Updated Direct X, installed RealPlayer, Media Player and a whole bunch of codecs, but to no avail. Tried .ogg, .mp3 and .wav as audio formats. This is actually what I find really weird - an uncompressed .wav is the last file type you'd expect to have problems with.
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Jun 14, 2012
I am making a Blurb photo book in CDx4. Everything goes very well. But then I try to publish the result to pdf/x3, as requested by Blurb. The colors of the bitmaps are wrong, dull. I try to publish to acrobat 4. Everything is all right. Other pdf formats seem to do very good as well.
I think it has something to do with rgb and cmyk, but whatever I try to change, it does not work. I converted the bitmaps to cmyk, I changed things in the color management (had things with that in the past -> color management off seems the best), nothing works.
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