I've dealt with this issue forever and I still don't know WHY it happens. The problem is that when you create two images of different formats (jpg, gif, png) in photoshop with the same color and then put them next to each other in a browser, the colors no longer match.
View 5 RepliesI recently installed CS5 on my laptop after first removing it from my previous machine.All licences were validated so no problems there.Now when using paint bucket in Photoshop, the colors that I select in the color picker are not the colors that result when I use the paint bucket.
If I create a new black canvas then the colors selected in color picker work with paint bucket.But if I attempt to recolor the background in an existing image that I import into Photoshop, I get the mismatch with colors when I use paint bucket. My method for selecting colors is the same in each case, I select 'set foreground color' and set the color using html values entry at the bottom of the panel.
The colors of pictures is much darker when working in photoshop than when I open it normally. And vice versa, I work on images inside photoshop, and I get the colors I want, but once I save it to bmp or jpg or anything else, all the colors are much lighter.
i'm using photoshop 7.
I scanned a document to use its background and border. On the screen it looks perfect but the colors are totally different when I go to print. I am using a new Mac Book Pro, CS5, and printing on an HP color laser CP1525. Also its printing with a gloss and I want it flat how can I do this??
View 4 Replies View RelatedIm recreating a fancy letter I saw with Photoshop 7. Everything seems pretty easy except some of the paragraphs are in baby blue. When I try to recreate this color in Photoshop using the PS7 color palate, on screen it seems baby blue, but when I print it(Epson C62)the end product looks light greenish. I scanned it & printed it, and the color didnt match the original copy. I tried RGB & CMYK & Im having a hard time trying to match to the original. How do people match colors?
View 3 Replies View RelatedAnything edited in photoshop appears different when viewed in another application. For example, I edit a photo in CS3, and then view it in Firefox - it is muted, the colors are drab examples of the bright hues displayed in Photoshop. If I bring anything done in photoshop into The Gimp, Polyview, or anything else I can think of, they all look identical in those other apps, they only appear different when compared against what an image looks like in Photoshop. I first noticed when uploading an image to Flickr, it looked great in Photoshop, and dramatically drab when uploaded. I then started doing some investigative work and discovered the system wide behavior. I'm a little stumped. Similarly, anything created in Gimp brought into CS3 looks different, it appears darker in CS3.
View 2 Replies View RelatedI have been printing with an epson [artisan 50] for a long time, always great colors on my pc.
just switched to a mac and latest version of ps cs6 and my prints are not color correct [very muted colors on the print] It is definitely not the printer [prints perfect from otherc applications]
I have tried many of the settings / color management options, but none seem to do the job. Right now I have it set on 'photoshop manages color' and then for printer profile my printer type with correct paper.
I don't know what to do- share their knowledge on color management/printing
Have been working with Epson tech support to get colors to match the CS5 colors to no avail. Have claibrated my monitor usingHuey calibration unit and no matter what I try cannot get the correct colors.
View 7 Replies View RelatedI want to adjust the colors in this image so that "Red" is red, "Blue" is blue, etc:
(I have a larger version of the image that I am using,)
I'm having a huge problem with colors in color managed web browsers such as Safari. I'm pretty sure unchecking Convert to sRGB would cure the problem but it's permanently enabled.
For insance with "Color Settings" set to Monitor color with RGB set to Off. And I follow these steps.
-Create a new document with a small size and profile set to "Web"
-Fill the art area with a rectangle with hash color of say #3693C6 and no stroke
-Ensure Assign profile is set to Don't color manage...
-Go to save to web set to PNG-24 (and try and fail to uncheck Convert to sRGB)
-Add the png as an img element to a barebones html file with background-color: #3693C6 as the body's style
-View in Safari and the img will be rendered many shades off the background color.
I know the theory is the web is sRGB and so so should the PNG but I don't want the colors shifted at all, when doing web elements I don't care that th
What is the settings for the best color management in corel! I had to reinstall and now the colors don't match the monitor
View 7 Replies View RelatedI made myself a Grey/Color card, having it developped at the local photo store. I know it's not the best solution, but I couldn't get my hand on ColorChecker.
Here is the default file I used for my photos:
And once I take my picture (Ok, this one is from my laptop screen, but it's only for example purpose) it loks like this
Is there an easy / quick way to have the color match? Is it possible to make an easy color profile, since the colors are pure (W,18% Gray,Bk,C,M,Y) in my default picture? Even if I try to have the white balance on, or try to modify the hue and saturation, the results in the CMY aren't matching. Since we have a color we know the value
how to use the match color tool to automatically convert one grayscale image into multiple output images based on a collection of color swatches? Or a better process to achieve this automated?
I have all the swatches in psd files in one directory. I can do them one-by-one but I was wondering if there was a way to automate this process and have it spit out and save the different images automatically based on the saved swatch colors.
Mac Pro; Mac OS 10.7.3; 16GB ram; ATI Radeon HD 5770 1024 MB..Just installed CS6 Extended a couple of days ago, after deinstalling the beta and verifying permissions.
I seem to be crashing a lot - I'd say half a dozen times over the past day or so. I make a path (e.g. a simple rectangle), 3D layer from that path, then start to work with extrusion and revolving the extrusion. All of a sudden, the object will disappear from view, though its representation still appears on the layer thumbnail. I'll click different layers, trying to get the object back, then the program crashes. I've sent all the reports to Adobe.
The beta rarely crashed on me at all; but this release seems very unstable. I'm not able to get anything done in the 3D module without eventually crashing per the above.
I've noticed recently that when I use the EXPORT command to create a JPEG, the resulting image colors of the EXPORTed JPEG are deeper (certainly more saturated) and the contrast over the entire image is much higher. The image looks nothing like what it looks like in GIMP prior to export.
I've tried EXPORTing to TIFF and I get the same results (JPEG looks exactly like the TIFF, just a different file size). Is it a possible ICC Profile mismatch (i.g. not having one set specifically inside GIMP)?
I've been working with LR for a while now and using 3.6
I'm shotting RAW+Jpeg and when importing i use jpeg and raw as separate files.
Now i understand that colors are very different, but,
I'm trying to match the CR2 from my Canon 5D Mark 2 to the jpeg with no luck!
I have tried using the "profile" menu in the "camera calibration section but again no luck.
I have also tried manipulating every single slider combination (allmost) and again, no good result.
is there a good fast and useful way of achieving a match between the raw and the jpeg?!
I'm trying to color match two shots and I'd like to be able to view them side by side while I adjust the colors in one of the shots. It seems like a good way to do this would be to view two program monitors side by side - but is that possible? I can't see that option anywhere.
Using the source monitor for comparison doesn't make sense to me as I've already color corrected the reference shot and the source monitor shows the original footage (ie. the wrong colors). I could of course try to match the shots based on the source footage of the reference shot and then apply a second color correction but that seems a bit unnecessary to me.
Or - I remember that in FCP7 there is an option to use split screen while color correcting two view two shots simulatenously side by side in the same screen/monitor. Is there anything like that hidden in PPro?
I've been looking for commant that will allow me to copy a selection of entities to another layer for details. I'll need to be able to select several objets all at once and have each of them maintain the correct colors, linetypes, lineweights. Most everything is set as bylayer but that makes everything change once the objects are moved to a new layer.
How can I keep the everything looking like it never changed except for the fact that it will be moved to a new layer - layer 0 in this situation?
When I select the Document Library option when making a color image trace, the colors shift in the image but do not match the selected color group. I've tried multiple color groups, and the colors always change, but never match the selected swatches.
View 1 Replies View RelatedI made a menu card cover using lens effect...but converting this design to CMYK/ RGB Bitmap show varied color?
View 1 Replies View RelatedSo I am working on this document and it has silver background. I go to print preview (Photoshop cs3 and cs4 on Vista) and I get color looking more like bronze looking but when I do print, it comes out just like it should (in working mode which is Monitor RGB with Proof colors checked).
This setting is the only one I've used to make sure image/psd looks exactly like what it should when printing. I tried the default Working CMYK with and without Proof colors but it's still showing me the bronze look instead of silver. I've looked on the net and no exact easy fix for this was found. I really really appreciate any help.
Another simple question is regarding size. I'm working on a document size of 17.5 x 8.7 inches and the actual Banners will be printed at size 175 x 87 inches (5 banners each at 35inch wide but combined into a big one). So essentially, I'm working at 10% the size of what the final print will be and my file size is 760mgs. You can only imagine how big the file would be if I work on the actual size.
When I use the Send to Mudbox, it outputs via the FBX into Mudbox and when I raise the subdivision level, my polys go crazy. The model in Max is an Editable Mesh that has been xFormed. Earlier in my process, I output as an obj and that was fine. I sculpted for a while in Mudbox (up to subD level 4), and when I wanted to adjust some geometry in Max, I output a subDivisional lvl 1 model. Cut in some new edges and used the Update scene file in the Send to Max tol, resulting in the attached picture. I could export it as an obj, but I would lose the sculpting I've already done.
View 2 Replies View Relatedit included some bad language, but that can be censored. It's nice to know Adobe only cares about their image rather than solving their users' issues with the software that they bought. No wonder people are switching sides to Avid or Apple. But that's hardly suprising in this marketing world.
Ok so basically I've been working on a project similar to all the other projects in the last months. Nothing fancy: a simple green screen keying, some added titles and a bit of Colour Correcting and audio EQ.
Everything looks fine in the project: both reference and monitor ouputs looks pefectly fine. Until the actual render is reviewed and then the **** hits the fan! I've added screenshots below. Using latest version of Premiere on OSX, only using native plugins and exporting as H.264 MP4 optimised for Vimeo streaming.
MA.JPG
why i can't not match properties (MP) multileader texts, as you can see on the pic, i want the Mleader text on the right to be the same size as on the left, they are in the same layer, same mleader style but when click MP to match with the one on the left, nothing happen?
I currently use Mep 2012 although my question I believe is general in nature. As a sheet metal contractor I do drawings that have many different entities at various elevations. Many times I use change propeties to match the propeties of on entity like a linetype to change another. What I really need to do is have the ability to use a similiar button and match or change the "Z" elevation of a specific entity just like I do for linetype, color etc.
View 2 Replies View RelatedJust wanted to print a new photo and realized that the colors in print preview do not match the colors in soft proofing. In both cases I selected the same icc profile and rendering method. The print colors matched the colors in print preview. I never had a problem so far. All new prints will be checked with soft proofing and adjusted when necessary. I never paid attention to the color rendition in print preview and all prints perfectly matched the colors from the soft proofing. I was surprised when my print came out of the printer and the colors weren't matching the soft proofing colors, but that of the print preview.
I don't understand why Photoshop renders the colors differently in the first place. See attached screenshot for the difference in the blue/cyan colors. I don't care if the print view colors will match the print, but I do care when soft proofing is not working.
CDX5: Whatever color I select for fill or outline is now set as the default color for fills and outlines without expressly setting it as such. Until now when I left or right click a color with nothing selected it allowed me to set it as a default fill or outline color for graphics, artistic text, or paragraph text. It does not do that now.
Is this a "feature" that's been added that I somehow enabled? In any event, how do I turn it off?
We are working with a company that will be sending us DWG files. They do not use the same layer colors as us and I am trying to find a lisp that would allow me to set up a table with the layer names and the color I want them to be so that I can quickly change all the layers to our companys color standards.
Example:
Layer 1 = Color 1
Layer 2 = Color 15
Layer 3 = Color 10
Etc.
I don't know a lot about lisp but I figure if I could find a lisp that did this I could plug in my layer/color assignments and it would work.
Using CS6 on a MacBookPro Is there a way to find the closest matching Pantone spot colors to the cmyk colors I've created in Illustrator? I know it's easy in Photoshop using the color picker, but there must be a way to do this in Illustrator.
View 4 Replies View RelatedYou can see in the attached screen cap that colors 1-9 appear as white on my screen and that colors 10-22 are not correct either. This is only occuring in one specific drawing. Is there a preference that I switched somewhere that would make this happen? I have double checked that everything is ByLayer or ByColor that I can think of. If I insert this color chart into other drawings it looks fine. using C3D 2012.
I would just restart my drawing, however it is the new company template file that I have invested many hours into and would really like to be able to keep working with it and not start over. Or is there a good way to import and overwrite all the Prospector settings into a blank drawing?
You can see in the attached screen cap that colors 1-9 appear as white on my screen and that colors 10-22 are not correct either. This is only occuring in one specific drawing. Is there a preference that I switched somewhere that would make this happen? I have double checked that everything is ByLayer or ByColor that I can think of. If I insert this color chart into other drawings it looks fine. using C3D 2012.
I would just restart my drawing, however it is the new company template file that I have invested many hours into and would really like to be able to keep working with it and not start over. Or is there a good way to import and overwrite all the Prospector settings into a blank drawing?