I have a Nikon D7000. Most of the pictures I make are RAWs (NEF). I work often with my own camera-profiles (landscape, vivid, portrait, etc.). One of these profiles is black & white with a touch of sepia. Now, when I open it with PS, the picture is coloured, not B/W. And I can´t find a way how to convert it exactly to the same JPG or TIF like the RAW picture. In the PS-RAW-menue there are only the standard profiles, not mine. Is there a possibility to load my profiles?
When I use Lightroom 3.6 with pictures from Nikon D800, the lens profile for the Mikro Nikor 60 mm lens is not in the list of coice. However, when the picture is from a Nikon D5000, the same lens appears in the list. So, a lens profile exists, but is not open for pictures from the D800. The same is true for the 18-200 mm lens, which however is not suited for the D800 due to heavy vignetting at wide angle, and with the 70-300 mm, which gives good results.
I've spent hours trying to figure this out, but to no avail. I'm running LR 4.3. I have a Nikon D600 but am not able to see any profiles for it at the following path: C:ProgramDataAdobeCameraRawCameraProfiles. It is my understanding that the D600 is now fully supported, yet I don't have the profiles for it in the Profiles folder (or anywhere else for that matter). What am I missing? Where are the D600 profiles?
I have a jpg(not from camera) grey scale/8bits I save it out as a Photoshop RAW. I leave the raw options set at Header=0 and file type PRAW and file creater 8BIM.I think everything is ok. I then open a seperate converter program called Contenta RAW Converter. I get error "could not load raw image.Now the question is. Is my photoshop RAW file valid? Do I have to enter in a header number or something for my RAW image to be valid?Since my image is not from a digital camera it doest have a header so I am wondering if I have to add one in order for my RAW image to be valid to be opened in another program?I want to use this other converter to change my raw into a bitmap.I dont want to use photoshop as my converter program but thats another story.
I'd like to combine two different RAW exposure settings into a single JPEG. I've done this in the past by importing two RAW files at different exposure values, then selecting from one photo, feathering, and copy/paste into the other photo. This proved to be very time consuming and no where near perfect.
I thought Photoshop CS2's "Merge to HDR" function would be ideal for automating this process, but it won't take the two different RAW imports as input because it knows they're from the same photo.
RAW and open edit all my RAW files in Bridge 4.0.5.11 (CS5). All goes well here until I send the images over to PS5, where upon opening there, they all seem to have a much warmer, yellowish cast.Have I possibly gotten something set wrong in Photoshop that causes this wierd off-color cast?
it took some effort, and i dont remember all of what i did, but i finally got bridge to stop making auto adjustments on my raw images--though it still does if i zoom in when im full screened.
regardless, when i open a raw image in photoshop, it makes auto adjustments (and they are always hooorriblee).
-all the boxes under default settings are unchecked - i select 'as shot' for white balance,
and so on; but without fail, every time it makes these ugly over saturated over contrasty or otherwise hideous versions of my images.
im not buying the whole 'digital negative' deal. i can see a full view images of my nondestroyed raw image, and seriously there needs to be a point to all the work i do on set to to get the right light and colors, and so on... im about to reinstall photoshop.
if i dedicate a lot of time, effort, and frustration, i can get them close to what they were, but its so impractical and frustrated to input this additional time for work.
Perhaps a bug? raw files from sony rx100 all come in cropped in LR 4.2 beta . When I select all and batch "uncrop" them, I get an " internal error " I use 5 mb raws.
Trying to find ICC Profiles. I am a college student going for my BS in Photography. Our assignment is to take photo paper from three different manufactures and download the ICC Profiles for each of our papers chosen. Let me tell you this is not as easy as it seems! Where I can find the profiles for Adobe PS for different types of photo paper. Each manufacture only gives the ICC profile for their products. No scanned profiles are available.
how to change the default settings in Camera Calibration (ALT changes the Reset to Set Default) and from what I can find, any newly imported RAWs will have these defaults applied. how do I apply these defaults to images already imported?
Also, what I specifically want to change is the Profile: Adobe Standard to Profile:Camera Landscape (for example) and apply that to all the images I already have shot with this specific camera body. So, two questions: Does setting the defaults include the Profile or is it only the "Shadows, Primary Red, Green, Blue" that gets saved as a new default and can these changes only be applied to newly imported RAWs?
I'm running OSX 10.8.4 with LR5.0 and CamRAW 8.1 installed. My LR Catalog is on local Disk but the corresponding images are on a mounted NAS filer. I need to import (copy) a large amount of RAWs, but LR hangs unperiodically durring import. While trying to kill LR (or reboot) my iMac freezes such, that I need to power off!
I am having some issues with surface profiles on a dreffed alignment no updating dynamically.
Currently it requires me to set them to static, then back to dynamic and they update.
I am well aware of the issue of dreffed surface profiles staying static. I am using the work around of dreffing in the surface and sampling in the drawing using the dreffed alignment.
I'm running on LR 5.3, but this problem persisted in LR 5.2. Working in PS CS6 and Camera Raw 8.3. RAWs are NEFs from a Nikon D600.
I can't figure out what happened but suddenly I am not getting prompts when moving from LR to PS to "Edit Original" or "Edit a Copy".
I reset all dialog warnings and nothing. The prompt will appear for TIFFs but not for NEFs.
It's kind of pointless to not be able to choose to edit an original or copy with LR adjustments for a RAW when they are the file types that retain my RAW editing information.
Plus, when I do click on a NEF and choose to edit in PS without the prompt (it will appear with lightroom adjustments, not as original), it will open a second icon for photoshop on my dock, and prompt me to continue trial? I have a version of PS installed with the serial plugged in, and in LR "edit in PS" for a TIFF will open this primary version.
I am running PS 6 for win64. Today I suddenly starting getting an error message saying that my ICC profiles are invalid. When I try to write a raw file to .tif after it has been converted to black/white, I get a corrupted .tif file.
So I have been trying to reinstall these profile files using the ones for PS4 as provided on your web site. But they won't install properly, and the problem persists.
I have just installed CS6 standard. I would like to put my colour profiles in Photoshop CS6 under Mountain Lion from CS5. Those files are most used for printing from a wide inkjet printer. Where do I put the colour profiles? I am not sure if the colour profiles need updated or not.
I'm having some trouble with colour profiles in OSX. Basically i use a Mac laptop and Apple display. When i work in photoshop, and then save an image for web use, the colour profile difference means that the saved image looks quite a lot different to the photoshop version (this happens on both the laptop screen, and external display.
All i want is the colours in photoshop to display how they would look in my browser. So if i set a page background on a webpage to be #c5c1ba and then open up photoshop and start colouring with #c5c1ba, they look the same shade.
I have recently started using a printer profile (Epson photo 1270). My query is this. I take a picture with my camera (Canon 10D), which when viewed on my monitor in ACDsee looks about right, colors ok, just needs a few touches here and there maybe. I then open it in Photoshop using the printer profile and the pictures looks very different. Now I realise what is happening but I am having great trouble adjusting the picture back to how it looked originally(which I was fairly happy with). I also know that if I can adjust the picture to how it looked it will print out almost identical to how it looks on the screen, so that is ok. It just takes a lot of time to do this using the Photoshop tools, and it is so hit and miss to try and put it right and get back to the original colors etc. Is there a shortcut that can be used, using the color values from the original view before it was opened in Photoshop or something like that? It just seems a lot of work for every individual photograph I may want to print out. I can compare the two views of the same photograph by having Photoshop and ACDsee open together.
I'm trying to get my magazine ad to match the original as close as possible. The first ad I placed came back muddy and dark. So I had the magazine contact the printer they use to get an ICC profile for me that I could load as the working color space in photoshop to prepare my file. Im I doing the right thing here? Is my solution loading the same working color space as the printer and then prepare my file to get a more accurate print?
Assuming that this was my fix I installed the ICC profile they sent me and when I went to "Load" that profile from the "Color Settings" dialog window and surfed to the folder I saved the profile in it doesn't show up. At the bottom of the "Load" dialog window there is a "Files of Type" drop down arrow and the only two file types listed are .CSF and .PSP. No .ICC file type there.
I have been charged with taking over a newsletter for our other shop. They print this on a web press. The lady there has told me that the pictures need to compensate for a 30% dot gain. Can I just apply the Dot Gain 30% profile in Photoshop and that takes care of it?
When I do this it darkens the picture on my screen considerably, is that just showing you what it will look like when printed?They also want the pics @ 85lpi and 300dpi, does this sound correct?This is my first foray into the web design world and the newsletter has looked pretty bad in the past and I think this may have something to do with it.
I'm having a very strange issue with colour management in Photoshop CS2 currently.
Photoshop seems to be calibrating all documents in a strange way on only *one* monitor. If I drag the file across to the other monitor the colour is completely different.
Of course it sounds like my monitors being off, however when dragging the file across monitors Photoshop slowly updates the colours for the next monitor. You can see it display the wrong colour at first, then correct it (hopefully that makes sense).
I'm currently working quite a lot with IPTC information from different images that are then uploaded to a web site and parsed with Perl's Image::IPTCInfo module. However, I've stumbled across some images that can't read by this module but the IPTC does show up in Photoshop.
Therefore, I went ahead and examined a "good" image file with the "identify" tool provided by ImageMagick and the following is a sample output (for the IPTC profile). I divide it into two sections for explanatory purposes. Section 1:
Im running PS CS on a PC and printing (mainly photographic images) with an Epson 1290 using a continuous ink system with Ilford paper. I have calibrated my monitor using a Spyder and have had the printer/paper/ink combination profiled. Despite all of that I am still having problems getting the printed image to match the screen. Quite often there appears to be an enhanced saturated red tint over the image. On some of the B&W images I have also been getting a red/magenta cast in my white highlights!.
I have downloaded new print drivers, I have also had my profile regenerated 3 times all with no effect. I have also just connected my printer to another computer and printed the same images from Elements employing the profile for the printer/paper/ink combo. One image came out more like it should with a reduced red cast but some of the others now appeared fine of both systems after printing them one after the other, i.e. my main system is now looking OK.
I am running under XP SP3 with Photoshop CS3 version 10.0.1 with an Epson R2400. All of the profiles are present in windows/system32/spool/drivers/color, but are not listed in Photoshop's printer profile list. Everything was working fine as recently as 3-4 weeks ago, and everything is still working fine in CS2 which is also installed on this machine (3.7gig processor with 1gig ram) and several large hard drives).
I noticed the problem after installing SP3 today, but the problem remained after I restored a Ghost image created just prior to the SP3 update. Thus, it seems not to be caused by SP3. I have reinstalled SP3 based on that conclusion.
The only items on the printer profile list look like things that ship with Photoshop such as Apple RGB.
I can never find those lists of lens profiles to pick from, even when I go Filter>lens corrections. I remember doing this before but cant get in anywhere. When i try to go directly with lens profile downloader, this is all i get from a newly downloaded app.
I recently reprofiled everything. I know that the monitor profile is selected in Displays, and I am satisfied that it is being used correctly. I see the printer profile in (HD)/Library/ColorSync/Profiles, and I see the scanner profile in Users/usr/ColorSync/Profiles.
I am only certain that VueScan itself will use these. When I use the Safari File>Print dialog windows, I don't see any indication that it knows about the printer icc in the Color Matching window. Same with the Preview File> Print dialog Color Matching windows. The generated monitor profile is in there for some strange reason, though.
In Photoshop CS5 Print , the PS Manages Colors window does not show the new profile.In Epson Scan/ColorSync there is no new scanner profile identified by its actual name.I haven't looked in Elements 10, why bother?I have the VueScan Bible by Steinhoff, which provides a completely uninformative guide to profiling. The website shown in his book jacket is in German with no English version, and I don't see any link for questions anyway.Hamrick gets irritable when you ask him anything that questions his software. He never answered the last time.
I am going to presume that only VueScan will call the generated profiles. You set the paths in VueScan, so I suppose that means that only VueScan will see them. I guess this means that you have to buy one of the profiling apps to make system wide profiles.
How do I use downloaded ICC paper profiles in CS5 when printing? I have downloaded some ICC profiles for Inkpress papers. They are in my download folder, but when I open CS5 I can't use the Inkpress profiles.
