I would like to create a wavy line (the zigzag feature is not exactly what I need here) to outline a shape and then fill it with a solid color.
This is approx what I want; however the undulation needs to be more round and less peaked.
The above image shows my problem. All have the same zig zag effect setting, but due to inconsistent anchor point spacing there is inconsistent waviness. Is there a way to make a wavy line that is not a distortion based on anchor point distances? I'd like all my wavy lines to look nice and consistent like this:
The only reason they're so consistent is the absolute setting has been used but these lines are all straight and have only 2 anchor points, start and finish, hence the wave is consistent. It's harder when the lines are curvy and have a different number and spacing of anchor points.
I traced an image earlier, expanded it then wanted to change the line colour. For some reason I couldn't get this to work even though I've done it in the past. So, I used the magic wand to select the line then dragged it into my new document and changed the line colour.
Now, I want to change the fill on certain sections, however when I change the stroke it changes the colour of the line and when I change the fill it changes the color of the line.
I have a vector map of the United States that I am currently trying to shade in for the election. I would like to achieve an effect similar to that shown here with the lines going through the red and blue states - [URL] How would I go about doing that? I'm a novice at Illustrator and only know the basics of filling with solid colors. I have CS6 if that makes a difference.
View 2 Replies View Relatedhow do i easily render a fillable shape with one 'zig-zag' edge and the rest smooth?
View 6 Replies View RelatedI'm using CS4 on a mac.
Here's what I want: a filled rectangle in which the top and bottom line segments are straight, and the two side line segments are zigzag. I can't seem to find a good way to do that.
First thing I tried: Make a rectangle, then Effect > Distort & Transform > Zig Zag. That turns all segments of the rectangle zig zag, and I want the top and bottom to be straight.
Next: Draw four separate lines and join them to make a shape that I can fill. I can do that, right? Anyway, the problem: I draw a zigzag line, and a straight line and right angles. I select the endpoints with the pen tool (right?) to join them. When they join, either they both become straight or they both become zigzag. Which is not what I want either. Here's a picture of what I'm trying to do.
The other thing I noticed is that the Zig Zag effect doesn't give me additional anchor points (at least from what I can see), and doesn't give me anchor points where I want them. See in the above picture, where I have the left-hand line segment selected, the path is still straight so the anchor points don't line up with the zigzag line that is visible to me. Which means when I try to join the segments, they make funny shapes at the corner. Which is also annoying. This thread seemed to indicate that Zig Zag should give me additional anchor points at each corner: [URL]. Why don't I get that? Is it a CS4/CS5 issue?
When I create a shape with a Pantone Color and then decrease the opacity in the color swatch palette, then go to my swatches palette and select "Select All Unused Colors" it highlights the pantone color being used in the file. In previous version, it never did this. This is for CS6. Any know fix for this?
View 2 Replies View RelatedI still use Corel Draw 12 and my question is is there an easy or automatic way to make the outline color of an object the same color as the fill color? I do it the hard way of trial and error until I get the right outline color from the color dock/pallette.
View 10 Replies View RelatedSet the Trace Bitmap so that the outline color defaults to the same as the fill color on the resulting curves? Currently, resulting curves have to be edited one color at a time to give them hairline outlines with the same color as the fill. It's mighty tedious for complex vector art.
View 9 Replies View RelatedI create gradients all the time and i'm wondering if there's a quick way to create a gradient based on the current selected object's fill color. For example: I have selected a box with a fill color of BLUE. I go to the gradient panel and see that what the gradient will be if I click on it (that is usally based on a default gradient WHITE to BLACK, or it comes from the most recent gradiented object I touched). So I click on it and the gradient is activated with the stops being not BLUE. What i want is... if i select a box with a BLUE fill and click on gradient - it will create a gradient with both stops being the same BLUE as the fill color. This would be very convenient because instead of clicking on each stop, shift-eyedropping the the blue color from a duplicated box, it would instantly start with the blue-blue gradient for me to tweak (in the case below for a button i would make the higher stop lighter and lower stop darker).
It's somewhat useful to select an object with a gradient to "copy" that gradient, select a new object, click on the gradient panel and have this new object take on that exact gradient. But most of the time i'm not copying gradients but i'm creating new ones, and it makes more sense for me to create a gradient derived from the fill color.
I have the outline of a shape as a dashed line. Is it possible to connect the dashes to create a solid outline?
View 1 Replies View Relatedhow to draw and big fat line - about 24 pt - with rounded ends, then give that line an outline of its own so I can change the 'fill ' - the original line colour - and get an outlined line?
And just for fun, I want the 'fill' to be semi-transparent!
I've been using Xara Photo and Graphic designer for about a week now to design some characters for a game I'm working on and in general find it great to use as a freehand authoring tool.
In order to develop a cartoon style, I'm building my characters out of free hand coloured objects with black outlines with cel shading made from partial masked clones of the objects. This works a treat until I come to put two of the objects together and want to erase part of the outline on the topmost object where it meets the underlying one.
I thought I'd found a solution with a tip on the Xara site (at the top of the page here) where you draw the outline portion you want and combine with a second object then break the objects again. This pretty much achieves what I want, I get a filled object with the outline broken where I originally left it, however, things start to go wrong when you attempt to mask clone a part of the object you've created (for example, to produce a shaded portion of the underlying object) as it's still a line and not a shape, so the mask clone gets confused and doesn't cut out the intended area.
This must be a pretty regular requirement, particularly for people creating flash animations, so I'm sure I must be missing something or going about the construction of the image in the wrong way.
Basically I have a picture of my hall and I want to change the colour of the blue part to different colours to see what paint would look good.
All I can see is to make rectangles and then a thick brush to recolour each one with the mouse which takes ages.
can I not create a shape to outline the entire blue area and just click on different colour palettes to see how they look?
I would like to draw a Zig Zag Line, but I want that the line start in point "A" and finish in point "B".
The image below is similar to how I want the line, but I would like to have that "wavy" style. I use Illustrator CS6.
I'm trying to do some pixel art, and whenever I use a tool that isn't just the pencil tool, it makes its own weird shading along my selection. Like, if I make a diagonal line with black, fills in random gray above and below the line between the two points I click. Or if I make a non filled circle, it fills in shading around the edges. All this is with one pixel thickness How do I just make it the color I've picked from the color picker without any extra color interpolations along the way?
View 2 Replies View RelatedNormally I'd place the PDF into Illustrator and use 'Flatten Transparency' with the 'Convert Fonts To Outlines' option to create vectors for the missing fonts. However this particular PDF file seems to have been saved with the 'Preserve Illustrator Editing' setting, so when I place it into Illustrator the illustrator data is read and I get live artwork - with the fonts replaced - instead of something I can work with, meaning that I can't replicate the type I need.
I've tried importing the PDF into inDesign and resaving as a new PDF - but Illustrator is not fooled by this clumsy and desparate ruse, and again treats the file as editable artwork with the missing fonts replaced.
How can I force Illustrator to ignore the editable capabilities of the file and just convert the fonts to outlines?
“Associative body copy API Sample” 2013 API help.
The above code in the API help shows how to do an associative or a non-associative copy in an assembly of one part into another part. ..BUT the non-associative copy does not always work correctly....
I have been testing this sample code and notice the following limitations with the lower part entitled “Create a non-associative solid base feature in the second part”...
The code uses the proxy body for the source object but it does not use the proxybody for the target object and therefore the relative positioning is wrong for the nonparametricbasefeature when it is created in the target object if the real target body is in a different place than the targetbodyproxy (e.g. it has been rotated/moved in assembly space).
I notice that if you perform this manually using the “copy object” button the relative positioning is maintained correctly even if both target and source objects have been rotated/moved in the assembly...
i have pictures of several shirt fabrics which i need to crop. this is easy. however, i need to add an effect that will make the edges appear to be a zigzag shape. see link below. look at the edges of the picture (including the shadow). this is the type of image effect i'm looking for. URL....
View 9 Replies View RelatedI have a guitar pick jpeg that is a black pen line filled with white I am using for a design. I placed the pick image into Ai and now can't figure out how to change it. I just want to select the image, and transform it into just an outline of the pick, all transparent everywhere except the outline shape of the pick. Almost the same as if I had drawn the pick with the pen tool, but I don't want to have to draw it.
View 11 Replies View RelatedI made a path and filled it with black. When I zoom in to make anchor adjustments, the fill and the path outline are offset making it very difficult to adjust and align filled paths. This happens all the time.
View 6 Replies View RelatedI dont get it, why are my prushset colors converted to grayscale when i use "Fill leyer solid color" on my selection. For example, i'll click on yellow, and it will just give me a different shade of the grey. i can only use grayscale colors in my new "selection filled leyer", how do i anable the colors again?
View 2 Replies View RelatedIs there a capability in 'Illustrator CS6' to use solid lines for the grid, instead of dots, while working in the outline view/mode?
View 4 Replies View RelatedI'm creating a bin model. I've hollowed it out, the thickness of the bin tapers from top to bottom. I have selected the edges at the bottom of the bin and just want to connect these to form a solid shape which can be the base of the bin. At the moment it's hollow all the way through.
When I select these edges, then select 'border' and 'cap', nothing happens. How do I make this selection into a simple circular base?
I have a mesh box here, and I need this mesh box had shape like the form I drew with polylines. there is a picture of it. I tryed mesh modeling,but no luck, because I need exactly the shape (of mesh box), that is drawn with polyline
View 1 Replies View Relatedi can find no way of doing this short of taking the pen tool and connecting all the points to get an overall shape.this gets even harder because a lot of the desks have round parts on their outline.
View 10 Replies View RelatedWhich tool would be used to draw a small pyramid and fill with a solid color?
How could I rotate this pyramid 45 degrees?
I have been playing around a bit - and think the answer lives somewhere in compound paths, but can't quite get it right.
In the example below, I essentially want the anter to cut out it's outline shape into the axe. Same with the shield over everything.
This is essentially so I can place the logo over all sorts of backgrounds, without having to have a white outline on it.
The oject below has an unwanted small yellow shape on its edge.
Not sure why it is there as an identicle object within the same project doesn't have it!
How can I connect them again so they are one?
Whilst I am doing this is it also possible to connect the other yellow areas in this image so I can recolor them all together whilst testing colors?
I tried using the: Shift+Select all object>Ctrl Click>Group (& tried "Join" also) but doesnt seem to connect them!
I'm new to illustrator and I'm trying to achieve something I hoped would be quite simple. I want to take a bitmap, live trace it, then create an outline of 2px wide only around the outside limits of the shape. I want to then get rid of all of the live trace vectors and be left with my very simple outline of the original image. Eg.
I've tried image expand, I've tried outline, but nothing seems to work as I need it to.
i created three circles which overlap at certain points, and each of the spaces is filled in with a different color. i need to hide the thin, black outline of the circles. i have made sure that there is no stroke, but it's still there.
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