Illustrator :: Why Won't AI Allow To Drag Selection Icon Into Live Paint Group
Jan 23, 2013
I routinely add paths to existing Live Paint Groups, by dragging a path that is outside the group, into the LP group. But AI won't let me drag the "selection icon" from a nested layer, into an existing LP Group. Why?
It seems I'm requesting the same action, but AI won't allow the icon to be dragged into the group. I have to either open the layer and drag the objects directly, or drag the objects into the main layer, then into the Live Paint Group. I think this is an interface flaw.
FYI… I realize I could jump into the Live Paint Group using Isolation mode, but that takes extra steps and makes the template less useful.
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Oct 4, 2012
i'm making a map showing arid areas, dry areas, plain, mountains. i'm using the live paint bucket function with great difficulty. i'm using this for first tim, i have almost zero experience in illustrator . i'm stuck now. the greean area on the left can't be isolated out, or lets say cut paste as a new individual shape. I'm using illustrator cs5
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Dec 6, 2013
Illustrator CC keeps crashing whenever I try to move a path or an object in a live paint group. I've tried it on other computers, but they seem to work fine. It seemed to only affect my laptop, so I'm not sure what happened. Restarting and updating it doesn't seem to solve the problem.
Here are the technical specifications for my Macbook Pro:
Mid-2009 Macbook Pro 15"
2.8 GHz model w/ SD card slot
Intel Core 2 Duo
Has Mavericks
4 GB of RAM
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Jun 5, 2009
I've noticed that the Gradient Tool won't show up when inside a Live Paint group, which makes it difficult to edit gradients. Is it supposed to be like this?
It is still possible to edit the gradient using the Gradient Panel, but I prefer to use the Gradient Tool instead because of it's direct approach.
Also, when selecting multiple areas within a Live Paint group to fill with a gradient, I don't seem to be able to Alt+Drag with the Gradient Tool in order to fill each selection with it's own gradient. It always ends up with one gradient being applied across all of the selections.
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Aug 28, 2013
How do I fill a face in a Live Paint Group with a pattern on a colored background?
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Jul 28, 2012
I have determine that my AutoCad 2009 will allow me to drag/drop layers to an existing Group Layer Filter, but it will not allow me to right click on the Group Filter>Select Layers>Add. Once I go to the model space an select layers then "enter" no layers are added to the Filter Group and it gives me an error message that says "unable to modify layers while another command is active".
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Oct 16, 2012
I'm intermediate (at best) with Illustrator. I'm using CS6 on a 2009 iMac. How to make Illustrator ignore stroke weight/cap/join settings when I'm applying a live rotate/multiple copy effect on a group of paths? Currently, Illustrator sets the rotation point to the outermost part of my stroke (figuring in the strokes atrributes), but I only want it to calculate the from the path's structure: the coordinates of my designated anchor point.
Here's the top/right group of paths with a rotate/ 3 copies effect of 90 degrees. Looks problem-free at this view.
Here's that top/right group of paths with the addition of a reflect/ 1 copy effect of X-axis. Still no apparent problems.
But here's a close up of the misalignment of corner points. As shown, the Transform effect is based off the strokes attributes (the tip of its corner), not the actual location of the corner point.
It does not apply different cap/corner styles or stroke alignments; that only slightly nudges the pivot point to the center.
Plus, this one point stroke is somewhat arbitrary. I only set it so in order to see my dynamic effects.
Tweaking the vertical/horizontal moves effects of the rotated/copied elements won't support because this art will later undergo lots of alteration, mostly changes in stroke weight (maybe even variable stroke width).
I need the skeleton of my structure to snap together precisely.
Any solution, no matter how roundabout, would save this project!
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Oct 20, 2012
Selecting or filling a region of non-uniform color is a common need. Adjusting tolerance is one approach, but I find that it is often problematic. Sometimes you have to play with the tolerance to get the right value. (New paint bucket features described for 4.0 should work with this.) Other times there is no single tolerance value that will give the desired results.
I wish that the paint bucket would simply behave like a real paint bucket in the sense that I could drag it through adjacent regions to fill them all with the same color value. This would give the same result as clicking in each of these regions in turn, but it would be faster and easier, especially in cases involving small or narrow bands of color that are difficult to distinguish visually. I come across such situations frequently. The same thinking would apply to the magic wand.
I imagine accomplishing this by perhaps holding down Ctrl or some other modifier key as I do my dragging. This would not interfere with expected behavior by people who have trouble clicking without moving the mouse.
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Aug 22, 2012
This morning, my Selection Tool (the filled-in arrow) is acting like a Direct Selection Tool (the hollow arrow), but only when I click and drag on a group. It ends up select the anchors within the group rather than the whole group itself.
I've checked my preferences, quit and relaunched Illustrator a few times, and nothing seems to fix it. The problem briefly went away a few minutes ago, but came back when I quit and relaunched for good measure.
It's happening in Illustrator CS 5.1. I have CS6, and that version works fine, but I'm waiting on some plugins to be updated for it, so I'd like to use CS 5.1. I'm also running the latest Suitcase Fusion 4.
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Sep 9, 2013
Im fairly new with illustrator, when i try and use live paint by selecting the brush strokes then going object > live paint > make, it makes my strokes really thin and it is really annoying
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Oct 7, 2013
I'm working on I've drawn a dragon using the pen tool. Now I want to use the live paint tool, however, after I select my dragon it won't let me "make" the live paint. I also can't expand, not sure if that's related.
I tested another simple drawing and was able to both expand and use live paint, so it must be something weird that I've done to my dragon.
I have a trial version of CS6. Also attaching a screen cap.
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Jul 8, 2013
In Illustrator CC every time I click Merge Paint I need to go back to Live Paint > Gap Options > and reset Gap Detections to "Paint stop at Small Gaps". Despite I set "Paint stop at Small Gaps" as my default many times now, it seems that Illustrator CC does reset it automatically to "Custom Gaps" and therefore Merge Paint doesn't work correctly. A nightmare, I am forced to use Illustrator CS6!
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Oct 20, 2012
Thought I'd force myself to use CS6 on a new project. I want to select multiple objects using "Option-drag", in the Layer Panel, but it doesn't work as it does in CS5.
Is there a different shortcut for selecting multiple contiguous objects using the Layer Panel, in CS6? Of course, I mean "Select" not "highlight".
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Sep 22, 2012
In CS5 there was an option to use the Live Paint Bucket on a newly traced image and there were also gap options to close gaps when doing this. I do not see these options in CS6. Where are they?
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Jun 15, 2013
I am having some issues trying to live paint whilst in the pattern area of CS6. I have created a pattern which I would now like to colour. I am able to colour some areas like the spots on the plants head, but no ther gaps inbetween. Normally when not in the pattern area I can merge live paint and work with all the spaces but I cant do this for some reason. I need to work with the pattern whislt in this mode to ensure that the design is correct.
"The selection contains objects that cannot be converted. Live Paint groups can only contain paths and compound paths. Clipping paths are not allowed."
Whilst I ma here I am also having a bit of trouble with the oattern swatch. The pattern has been designed for a printed interior wallpaper. In the below image the blue box (follow the green arrow) is the full pattern repeat set at a 1/4 drop. I need that full square rather than a swtach. So effectively I need a 'Tile' that I can then ready for print. The reason for this is that it will be printed on wallpaper (52cm x 10m) and each roll needs to match up either side (with a 1/4 drop)
is it possible to 'grab' the pattern in the blue square?
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Oct 23, 2012
I have the following image above where I'm trying to add color to different aspects of the drawing. For instance, I'd like to be able to add color to the hair (ie the eyebrows and hair on top of his head) and I'm using live paint to do this. The problem is, some of the live paint areas spill into each other, ie the hair spills into the outline of the head, etc. So I'm wondering, what is the best way to go about dividing these areas so live paint recognizes them as two different entities? What I've been doing currently is drawing a line segment, and then using divide below, however this gives me unpredictable results sometimes and I have a hunch there is a better way.
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Sep 9, 2012
I've built two different colored strokes around some text (inner layer is green, outer layer is red). When I convert this to the Live Paint Mode by clicking the letters with my Live Paint bucket, a warning comes up telling me certain things might be lost. I press okay, and the red outer layer of the text dissapears. I want that layer to stay though! I've attached pictures of this process.
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Jun 5, 2012
how do I copy and paste a portion of a Live Paint object and have the pasted object remain a Live Paint object? I can select portions of LP object and paste as regular objects, but I want them to remain live paint.
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Nov 8, 2013
I think this is a live paint issue, but I'm not totally sure... I create an image and filled it in using live paint. It looks just fine when I view it in Illustrator and fine again when I save it as a jpg or gif or png. But once I save as a pdf, I get these tiny white lines where the edges of some of the artwork are.
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Oct 13, 2012
My illustrator CS6 selection tool (black mouse icon) is broken. it wont let me move some thing or tranform/scale it any more. Normally i see 4 stroke squares to resize my square but now there are filled square and i cant to nothing.
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May 21, 2013
I'm trying to use adobe illustrator to color the background of a photograph green while keeping the person in the picture the same color.
I used live trace to get a vector image and then attemped to use live pain to finish the job, but I end up with thousands of blue lines and gaps that are too small to color in. Is there anyway i can reduce the number of gaps so that i can actually paint the background?
I've already tried the gap options and adjusting the settings to small medium or large did nothing.If this isn't possible, is there any other feature in adobe illustrator that would allow me to achieve my goal?
I have a photograph with a person in the middle; i want the person to remain the same and the background to be changed to green.
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Mar 19, 2013
One of my designers running 2012 AutoCAD and 2012 CADWorx, can no longer select individual parts of a GROUP by shift selecting the unwanted elements.
I have tried to modify..
Pickadd
Group
PickStyle
PickAuto
PickDrag
but to no success.
Also fiddled with her Options file, still nothing+
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Mar 19, 2013
I am using Adobe Illustrator CS6. The first image above is the result of drawing paths then expanding appearance and then live paint->make and filling shape with live paint bucket fill. The second image is the exact same artwork after selecting the object and clicking live paint->expand. I did this because I want to then group my expanded live paint object to be able to select the fill I just created.
This artwork is meant for screen render only in a flash game I am making, I don't want to print it. The first image above is the desirable look that I am going for. I have figured out that I can expand my live paint object (and it looks bad like the second image) and then alter the fills the way I want and select everything again and go live paint->make and then the black strokes look great again. My question is, is this normal? Do I always have to make an object live paint once I am ready to export my image to png format?
By the way, replicate what I have done by following my instructions, although the artifacts around the black strokes can only really be seen when your fill color is pretty dark (like my dark green fill). With lighter colors you probably wouldn't even notice the artifacts around the black strokes. The set-up for my document is: Color Mode: RGB PPI: 72 for screen rendering. I have initializing turned on (which I want and need).
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Apr 14, 2013
So I've been messing with Live paint, and I've noticed that where paths overlap or abut, or even if a path was expanded to a fill, a transparent line is there. They are not always noticeable in Illustrator, but when I bring the documents into Photoshop, they're blatantly obvious!
This is a section of my linework before making a Live Paint:
Now this is what comes up when I make the live paint:
When I bring it into PS, it becomes a lot more obvious:
Is there anything that I can do about this? After more than an hour of chatting with a Tech support person, we determined that turning off anti-aliasing when I open the docuement in PS will fix this, but then all the lines are jagged, so that's not a viable fix. I know I can fill these gaps in in Photoshop, but I don't think that I should have to do that, and also, with complex artwork, this isn't exactly a viable option... Am I working too small?
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Aug 9, 2013
I need to apply a single gradient acros a number of live paint objects but am finding it annoyingly hard to find a way. I know that normally, to apply a gradient across multiple objects, you would need to make them all into one compound path but does this apply to live paint groups in any way?? Can what i need to achieve actually be done?
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Nov 20, 2013
I have never really figured out how to properly build an illustrator file in a way that it will fill properly so my only other option (that I know of) is to use Live Paint. Unfortinately Live paint also wrecks all my line weights. It also makes the object noneditable later down the road. I found this out the hard way for a logo project at college and spent over 30 hours on it just trying to fiddle with the illustrator program, looking up tutorials that never seemed to work for me and nonstop frustration.
This time Live paint doesn't work at all. (I'm trying to paint in a more complicated object than a simple logo). First off my object has gaps in it, and even when I click "Gap options" it doesn't appear to do anything and there are still gaps. So I try to fill them in myself but this wrecks my line weights. And finally Live paint appears to work but only on certain objects such as the eyes, the nose, annd the ears, yet it refuses to fill in the entire body of the animal I'm trying to colour in. I drew this animal in illustrator with the pen tool and applied line weights with the line weight tool. Yes there are numerous gaps in the image.
This is what it looks like as of now:
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Only imagine it not in a pdf but an illustrator file because yes I have the original and yes it's vector.
Also I use Adobe illustrator CS6
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Jan 20, 2014
If I copy paste something I loose the live paint area.I´m using the adobe illustrator CC. With CS5 I didn't have this problem.
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Jan 26, 2014
I made a drawing of a stone floor excavation and I used 'draw inside' to delimit the excavation borders as below:
and this is what it looks like with edit contents selected:
I also wanted to carry on drawing in 'Live paint' mode to 'colour in' sections (the above is just a small section of a much larger drawing), but because 'draw inside' creates a clipping mask, this object is now incompatible with the 'Live paint' paradigm! So I thought I would 'expand appearance' to continue and this is what I get:
My question is, is there a way for me to successfully translate a 'draw inside' object to a 'Live paint group'? The above objects are just simple shapes with a single fill & stroke.
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Aug 24, 2012
I'd like to scale, rotate, and/or reposition a pattern-filled Live Paint cell, without cuting the cell from the Live Paint object. Can I do that? I routinely do this in normal objects, using the "~" key trick, but this only seems to work globally, on a Live Paint object (scales all pattern fills, not just one cell).
I'm still using CS5, but am interested to know if it can be done in CS6 as well.
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Mar 4, 2014
For some reason, it's stuck on 1 inch, and won't change.
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Oct 3, 2012
I create all of my lineart for illustrations, in Adobe Illustrator. I use the pen tool in combination with the line width tool to create line weight. Once I have completed all of the line work, I select everything and Expand. This results in not having fills for teh areas of the illustration which need to be colored.
From there, what I do is select everything > livepaint > make. I then fill in each area with a base color, using the live paint bucket tool. Once completed, I again select everything > expand. This leaves me fills that I can select indivually to apply gradients and work with directly.
This process works great until I expand the live paint group. After expanding, there is a very thin white border everywhere that two seperate colors meet. This only happens after expanding, it does not happen when it is still a live paint group. I have tried every option in the expand window, and get the same result.
I have exported the completed work in several formats ( .jpg, eps, .png ) and the lines are still there.
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