i'm making a map showing arid areas, dry areas, plain, mountains. i'm using the live paint bucket function with great difficulty. i'm using this for first tim, i have almost zero experience in illustrator . i'm stuck now. the greean area on the left can't be isolated out, or lets say cut paste as a new individual shape. I'm using illustrator cs5
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I routinely add paths to existing Live Paint Groups, by dragging a path that is outside the group, into the LP group. But AI won't let me drag the "selection icon" from a nested layer, into an existing LP Group. Why?
It seems I'm requesting the same action, but AI won't allow the icon to be dragged into the group. I have to either open the layer and drag the objects directly, or drag the objects into the main layer, then into the Live Paint Group. I think this is an interface flaw.
FYI… I realize I could jump into the Live Paint Group using Isolation mode, but that takes extra steps and makes the template less useful.
Illustrator CC keeps crashing whenever I try to move a path or an object in a live paint group. I've tried it on other computers, but they seem to work fine. It seemed to only affect my laptop, so I'm not sure what happened. Restarting and updating it doesn't seem to solve the problem.
Here are the technical specifications for my Macbook Pro:
Mid-2009 Macbook Pro 15"
2.8 GHz model w/ SD card slot
Intel Core 2 Duo
Has Mavericks
4 GB of RAM
I've noticed that the Gradient Tool won't show up when inside a Live Paint group, which makes it difficult to edit gradients. Is it supposed to be like this?
It is still possible to edit the gradient using the Gradient Panel, but I prefer to use the Gradient Tool instead because of it's direct approach.
Also, when selecting multiple areas within a Live Paint group to fill with a gradient, I don't seem to be able to Alt+Drag with the Gradient Tool in order to fill each selection with it's own gradient. It always ends up with one gradient being applied across all of the selections.
How do I fill a face in a Live Paint Group with a pattern on a colored background?
View 17 Replies View RelatedI have the following image above where I'm trying to add color to different aspects of the drawing. For instance, I'd like to be able to add color to the hair (ie the eyebrows and hair on top of his head) and I'm using live paint to do this. The problem is, some of the live paint areas spill into each other, ie the hair spills into the outline of the head, etc. So I'm wondering, what is the best way to go about dividing these areas so live paint recognizes them as two different entities? What I've been doing currently is drawing a line segment, and then using divide below, however this gives me unpredictable results sometimes and I have a hunch there is a better way.
View 13 Replies View RelatedI'm intermediate (at best) with Illustrator. I'm using CS6 on a 2009 iMac. How to make Illustrator ignore stroke weight/cap/join settings when I'm applying a live rotate/multiple copy effect on a group of paths? Currently, Illustrator sets the rotation point to the outermost part of my stroke (figuring in the strokes atrributes), but I only want it to calculate the from the path's structure: the coordinates of my designated anchor point.
Here's the top/right group of paths with a rotate/ 3 copies effect of 90 degrees. Looks problem-free at this view.
Here's that top/right group of paths with the addition of a reflect/ 1 copy effect of X-axis. Still no apparent problems.
But here's a close up of the misalignment of corner points. As shown, the Transform effect is based off the strokes attributes (the tip of its corner), not the actual location of the corner point.
It does not apply different cap/corner styles or stroke alignments; that only slightly nudges the pivot point to the center.
Plus, this one point stroke is somewhat arbitrary. I only set it so in order to see my dynamic effects.
Tweaking the vertical/horizontal moves effects of the rotated/copied elements won't support because this art will later undergo lots of alteration, mostly changes in stroke weight (maybe even variable stroke width).
I need the skeleton of my structure to snap together precisely.
Any solution, no matter how roundabout, would save this project!
I have created a pie chart and ungrouped the slices.When I use the white arrow to select the slices, two of the shapes are missing a live corner widget in one corner.So, when I move the corners, some of the corners remain unchanged.Also, the large blue shape on the right will not change at all.
View 3 Replies View Relatedi want to take live pictures with photoshop. i want to be able to capture pictures when my camera is conected to the computer . i already tried it with my webcam but the image qulity was terrible . how can i take live qulity pictures using a digital camera / video camera , is there a speciel camera or plug i can use ?
View 2 Replies View RelatedThe Live Corners feature is welcome in Illustrator 17.1, but I find that it works inconsistently. One issue that I've isolated is that scaling a path makes the live corners disappear.
To reproduce:
Create a rounded rectangle
Select the path
Click the direct selection tool to verify that Live Corners are present
Click the selection tool
Scale the rounded rectangle (say drag up from the scale point in the middle of the bottom side)
Click the direct selection tool - where are the live corners?
Is that a bug? Is that a design choice?
i am not able to find the Live Shape Layer Properties illustrator cc
View 1 Replies View RelatedI want to separate this shield shape equal horizontally and have one half white, and the other half red. Here is the shape.
How could I go about doing this?
Attached Thumbnails
Im fairly new with illustrator, when i try and use live paint by selecting the brush strokes then going object > live paint > make, it makes my strokes really thin and it is really annoying
View 1 Replies View RelatedI'm working on I've drawn a dragon using the pen tool. Now I want to use the live paint tool, however, after I select my dragon it won't let me "make" the live paint. I also can't expand, not sure if that's related.
I tested another simple drawing and was able to both expand and use live paint, so it must be something weird that I've done to my dragon.
I have a trial version of CS6. Also attaching a screen cap.
Since the release of Photoshop CC the "Live Shape Properties" has basically chosen when it does and does not want to show up.... sometimes I even create a new shape to replace the old one and it STILL does not show the live shape properties... how hard is it to make sure the options are available at all times? I opt for a discount since this is a half working application and the features you highlighted barely function...
View 1 Replies View RelatedIn Illustrator CC every time I click Merge Paint I need to go back to Live Paint > Gap Options > and reset Gap Detections to "Paint stop at Small Gaps". Despite I set "Paint stop at Small Gaps" as my default many times now, it seems that Illustrator CC does reset it automatically to "Custom Gaps" and therefore Merge Paint doesn't work correctly. A nightmare, I am forced to use Illustrator CS6!
View 18 Replies View RelatedI want to make the A shape as if it was composed from the grouped hexagons from B. the hexagons from B are grouped and the shape from A was made from two elipses and function Minus Front prom pathfinder.
I've tried all the functions from pathfinder in all ways but some don't give a result(I don't need explanation for this) and some do not work as I wish.
In CS5 there was an option to use the Live Paint Bucket on a newly traced image and there were also gap options to close gaps when doing this. I do not see these options in CS6. Where are they?
View 1 Replies View RelatedI am having some issues trying to live paint whilst in the pattern area of CS6. I have created a pattern which I would now like to colour. I am able to colour some areas like the spots on the plants head, but no ther gaps inbetween. Normally when not in the pattern area I can merge live paint and work with all the spaces but I cant do this for some reason. I need to work with the pattern whislt in this mode to ensure that the design is correct.
"The selection contains objects that cannot be converted. Live Paint groups can only contain paths and compound paths. Clipping paths are not allowed."
Whilst I ma here I am also having a bit of trouble with the oattern swatch. The pattern has been designed for a printed interior wallpaper. In the below image the blue box (follow the green arrow) is the full pattern repeat set at a 1/4 drop. I need that full square rather than a swtach. So effectively I need a 'Tile' that I can then ready for print. The reason for this is that it will be printed on wallpaper (52cm x 10m) and each roll needs to match up either side (with a 1/4 drop)
is it possible to 'grab' the pattern in the blue square?
I've built two different colored strokes around some text (inner layer is green, outer layer is red). When I convert this to the Live Paint Mode by clicking the letters with my Live Paint bucket, a warning comes up telling me certain things might be lost. I press okay, and the red outer layer of the text dissapears. I want that layer to stay though! I've attached pictures of this process.
View 2 Replies View Relatedhow do I copy and paste a portion of a Live Paint object and have the pasted object remain a Live Paint object? I can select portions of LP object and paste as regular objects, but I want them to remain live paint.
View 2 Replies View RelatedI think this is a live paint issue, but I'm not totally sure... I create an image and filled it in using live paint. It looks just fine when I view it in Illustrator and fine again when I save it as a jpg or gif or png. But once I save as a pdf, I get these tiny white lines where the edges of some of the artwork are.
View 9 Replies View RelatedHow can i outline a visual shape made of a group of elements (vector shapes) without outlining the individual elements or merging them togather. I would normally go by merging them togather but client requested they be unmerged.
View 4 Replies View RelatedI'm trying to use adobe illustrator to color the background of a photograph green while keeping the person in the picture the same color.
I used live trace to get a vector image and then attemped to use live pain to finish the job, but I end up with thousands of blue lines and gaps that are too small to color in. Is there anyway i can reduce the number of gaps so that i can actually paint the background?
I've already tried the gap options and adjusting the settings to small medium or large did nothing.If this isn't possible, is there any other feature in adobe illustrator that would allow me to achieve my goal?
I have a photograph with a person in the middle; i want the person to remain the same and the background to be changed to green.
I am using Adobe Illustrator CS6. The first image above is the result of drawing paths then expanding appearance and then live paint->make and filling shape with live paint bucket fill. The second image is the exact same artwork after selecting the object and clicking live paint->expand. I did this because I want to then group my expanded live paint object to be able to select the fill I just created.
This artwork is meant for screen render only in a flash game I am making, I don't want to print it. The first image above is the desirable look that I am going for. I have figured out that I can expand my live paint object (and it looks bad like the second image) and then alter the fills the way I want and select everything again and go live paint->make and then the black strokes look great again. My question is, is this normal? Do I always have to make an object live paint once I am ready to export my image to png format?
By the way, replicate what I have done by following my instructions, although the artifacts around the black strokes can only really be seen when your fill color is pretty dark (like my dark green fill). With lighter colors you probably wouldn't even notice the artifacts around the black strokes. The set-up for my document is: Color Mode: RGB PPI: 72 for screen rendering. I have initializing turned on (which I want and need).
So I've been messing with Live paint, and I've noticed that where paths overlap or abut, or even if a path was expanded to a fill, a transparent line is there. They are not always noticeable in Illustrator, but when I bring the documents into Photoshop, they're blatantly obvious!
This is a section of my linework before making a Live Paint:
Now this is what comes up when I make the live paint:
When I bring it into PS, it becomes a lot more obvious:
Is there anything that I can do about this? After more than an hour of chatting with a Tech support person, we determined that turning off anti-aliasing when I open the docuement in PS will fix this, but then all the lines are jagged, so that's not a viable fix. I know I can fill these gaps in in Photoshop, but I don't think that I should have to do that, and also, with complex artwork, this isn't exactly a viable option... Am I working too small?
I need to apply a single gradient acros a number of live paint objects but am finding it annoyingly hard to find a way. I know that normally, to apply a gradient across multiple objects, you would need to make them all into one compound path but does this apply to live paint groups in any way?? Can what i need to achieve actually be done?
View 3 Replies View RelatedI have never really figured out how to properly build an illustrator file in a way that it will fill properly so my only other option (that I know of) is to use Live Paint. Unfortinately Live paint also wrecks all my line weights. It also makes the object noneditable later down the road. I found this out the hard way for a logo project at college and spent over 30 hours on it just trying to fiddle with the illustrator program, looking up tutorials that never seemed to work for me and nonstop frustration.
This time Live paint doesn't work at all. (I'm trying to paint in a more complicated object than a simple logo). First off my object has gaps in it, and even when I click "Gap options" it doesn't appear to do anything and there are still gaps. So I try to fill them in myself but this wrecks my line weights. And finally Live paint appears to work but only on certain objects such as the eyes, the nose, annd the ears, yet it refuses to fill in the entire body of the animal I'm trying to colour in. I drew this animal in illustrator with the pen tool and applied line weights with the line weight tool. Yes there are numerous gaps in the image.
This is what it looks like as of now:
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Only imagine it not in a pdf but an illustrator file because yes I have the original and yes it's vector.
Also I use Adobe illustrator CS6
If I copy paste something I loose the live paint area.I´m using the adobe illustrator CC. With CS5 I didn't have this problem.
View 4 Replies View RelatedI made a drawing of a stone floor excavation and I used 'draw inside' to delimit the excavation borders as below:
and this is what it looks like with edit contents selected:
I also wanted to carry on drawing in 'Live paint' mode to 'colour in' sections (the above is just a small section of a much larger drawing), but because 'draw inside' creates a clipping mask, this object is now incompatible with the 'Live paint' paradigm! So I thought I would 'expand appearance' to continue and this is what I get:
My question is, is there a way for me to successfully translate a 'draw inside' object to a 'Live paint group'? The above objects are just simple shapes with a single fill & stroke.
I'd like to scale, rotate, and/or reposition a pattern-filled Live Paint cell, without cuting the cell from the Live Paint object. Can I do that? I routinely do this in normal objects, using the "~" key trick, but this only seems to work globally, on a Live Paint object (scales all pattern fills, not just one cell).
I'm still using CS5, but am interested to know if it can be done in CS6 as well.