I need to apply a single gradient acros a number of live paint objects but am finding it annoyingly hard to find a way. I know that normally, to apply a gradient across multiple objects, you would need to make them all into one compound path but does this apply to live paint groups in any way?? Can what i need to achieve actually be done?
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I want to create an illustration with black outlines. Within these outlines I want to have some spots without outlines that stay clean within the lines. I have tried 3 options so far and have found a solution but it's far from ideal.
1. Create clipping masks for each element that has a spot on it and assign a stroke to the clipping path again after. However by creating the clipping path, the path styles dissapear. In this case I want to keep the pointed ends to the open path outlines (see top image).
2. Draw in the lines where the spots are and create a live paint object of the entire illustration. Then paint in the spots and other areas. However when I create this live paint object the lines again lose their applied styles and even 'end' at each intersection, creating nasty edges where the lines should go 'underneath' smoothly (see bottom image).
3. The option Im using now. Duplicate the path outlines and create clipping masks for the spots without strokes. Then put the stroked outline with the desired styles on top. The problem with this is that I have almost twice as much elements in my illustration now than I actually 'need'. And the styled outlines are not connected with the color underneath, so its very easy to accidentally move something around...
Any easier way to create this effect without all the hassle?
I can only use the gradient tool in one instance. After that, the first instance is removed and replaced with the new instance. How can I apply multiple instances of the gradient tool on the same image?
View 1 Replies View RelatedI'm working on a logo and I need to merge three objects into one and then apply a gradient. I have a circle, a ring around it and a line that connects the circle and the ring. How do I merge these three objects? I've been looking around the intenet but not found out how to do it..
View 4 Replies View RelatedI've noticed that the Gradient Tool won't show up when inside a Live Paint group, which makes it difficult to edit gradients. Is it supposed to be like this?
It is still possible to edit the gradient using the Gradient Panel, but I prefer to use the Gradient Tool instead because of it's direct approach.
Also, when selecting multiple areas within a Live Paint group to fill with a gradient, I don't seem to be able to Alt+Drag with the Gradient Tool in order to fill each selection with it's own gradient. It always ends up with one gradient being applied across all of the selections.
So I've been messing with Live paint, and I've noticed that where paths overlap or abut, or even if a path was expanded to a fill, a transparent line is there. They are not always noticeable in Illustrator, but when I bring the documents into Photoshop, they're blatantly obvious!
This is a section of my linework before making a Live Paint:
Now this is what comes up when I make the live paint:
When I bring it into PS, it becomes a lot more obvious:
Is there anything that I can do about this? After more than an hour of chatting with a Tech support person, we determined that turning off anti-aliasing when I open the docuement in PS will fix this, but then all the lines are jagged, so that's not a viable fix. I know I can fill these gaps in in Photoshop, but I don't think that I should have to do that, and also, with complex artwork, this isn't exactly a viable option... Am I working too small?
I have never really figured out how to properly build an illustrator file in a way that it will fill properly so my only other option (that I know of) is to use Live Paint. Unfortinately Live paint also wrecks all my line weights. It also makes the object noneditable later down the road. I found this out the hard way for a logo project at college and spent over 30 hours on it just trying to fiddle with the illustrator program, looking up tutorials that never seemed to work for me and nonstop frustration.
This time Live paint doesn't work at all. (I'm trying to paint in a more complicated object than a simple logo). First off my object has gaps in it, and even when I click "Gap options" it doesn't appear to do anything and there are still gaps. So I try to fill them in myself but this wrecks my line weights. And finally Live paint appears to work but only on certain objects such as the eyes, the nose, annd the ears, yet it refuses to fill in the entire body of the animal I'm trying to colour in. I drew this animal in illustrator with the pen tool and applied line weights with the line weight tool. Yes there are numerous gaps in the image.
This is what it looks like as of now:
[URL]
Only imagine it not in a pdf but an illustrator file because yes I have the original and yes it's vector.
Also I use Adobe illustrator CS6
Illustrator CC keeps crashing whenever I try to move a path or an object in a live paint group. I've tried it on other computers, but they seem to work fine. It seemed to only affect my laptop, so I'm not sure what happened. Restarting and updating it doesn't seem to solve the problem.
Here are the technical specifications for my Macbook Pro:
Mid-2009 Macbook Pro 15"
2.8 GHz model w/ SD card slot
Intel Core 2 Duo
Has Mavericks
4 GB of RAM
I recently created an illustration where I need muliple colors on 1 document. I did a command + a to select all, then I went to object->live paint->make. After I added my colors I tried to change the opacity on a few of them, but the opacity for the entire document changes. Is there a way to get around this.....or do it right?
View 1 Replies View RelatedI was reading a tutorial on Photoshop about using a gradient map on a brush (the case in point was of drawing fire, with four colours, black, red yallow and white, making up the gradient map) such that you'd paint just once to get all four colours from each brush stroke. Here is an example. I was wondering how to do that in PSP X3 Ultimate. I am not new to PSP but I never used the more complicated brush features. Scripting doesn't scare me too much, if it comes to that, but I'd prefer a manual approach.
View 2 Replies View RelatedIs there any way to apply brightening along a gradient? Like to compensate for lighting that comes onto a surface from one side, in order to make the surface look more uniformly lit?
View 1 Replies View RelatedIs there an easier way to apply a gradient to text instead of one letter at a time?
View 1 Replies View RelatedNot able to apply gradient along or across stroke of an outline of a shape or a line drawn with the pen tool using Illustrator CC.
View 3 Replies View RelatedIt seems that all these gradients-in-stroke options are only available for strokes that are aligned to the center of the path. I have tried to set inside and outside strokes, but i cannot for the life of me activate the right two options (even though they look like i can click on them).
Gradient-in-stroke options:
Updated Illustrator to CC and now my apply gradient to stroke is acting funny (also does it with apply along stroke). First i can't get it to show up unless I find a number it likes (start out with 1 pt, don't see a stoke so increase size 1 pt at a time up to 11 to see it) now the corners have gotten strange, They seem to be missing small patches. You can see in the image I am not doing anything fancy, it's type and then just to make sure it wasn't a font problem I tried just a rectangle. It seems to be worst with corner set to round joint.
View 16 Replies View RelatedI selected the line and wanted to apply gradient across the stroke, but why it is greyed out?
View 2 Replies View RelatedIm fairly new with illustrator, when i try and use live paint by selecting the brush strokes then going object > live paint > make, it makes my strokes really thin and it is really annoying
View 1 Replies View RelatedIt seems that gradient stroke only works as 'within stroke' for calligraphic brushes... and it's frustrating. I'm using CS6.
View 1 Replies View RelatedHow do I apply an eye dropped color directly to a Gradient Shape? Why can't I just do it like I would when applying a flat color with the Eye Dropper?
View 13 Replies View RelatedI'm working on I've drawn a dragon using the pen tool. Now I want to use the live paint tool, however, after I select my dragon it won't let me "make" the live paint. I also can't expand, not sure if that's related.
I tested another simple drawing and was able to both expand and use live paint, so it must be something weird that I've done to my dragon.
I have a trial version of CS6. Also attaching a screen cap.
I have created a piece of artwork in illustrator which is to be printed 4x3m for a wall mural. Therefore the file I am working with must either be a vecor or a large enough raster to be printed at such as size. I have set it up at 1 to 10 so its currently A3ish size. Each component of the collage is a separate ai file and contains many points as they are all live traces. It was no problem linking in all these initially but I now need to embed them so as I can give the printers a complete file. I have succeeded embedding every image apart from one last complex one which is crashing the whole thing. Are there any settings I may be able to change to reduce the file size or simplify the graphic (whilst remaining vectors.) Below is the file with the linked images and also the outline of the embedded version so far. The problem I am having is basically because of the final output size required.
The only thing I can think of doing is opening each separate component and saving as a raster then relinking these - but will this be even more problematic for illustrator that thousands of vector points? I can do it in photoshop if needs be but as the final image is to be printed 4x3m will this be too large to handle? The ai file with all images linked was 25MB but now 500MB with the sky still to embed.
I have a folder full of icons (.png) that I have created for an application at work but they now need greyed out versions for use as disabled buttons. There are 71 icons and it will be time consuming to do it manually so I wanted to see if there was a way to turn all images to a grey state in one go?
View 1 Replies View RelatedIn Illustrator CC every time I click Merge Paint I need to go back to Live Paint > Gap Options > and reset Gap Detections to "Paint stop at Small Gaps". Despite I set "Paint stop at Small Gaps" as my default many times now, it seems that Illustrator CC does reset it automatically to "Custom Gaps" and therefore Merge Paint doesn't work correctly. A nightmare, I am forced to use Illustrator CS6!
View 18 Replies View RelatedI successfully finished my first gradient mesh… Now, I tried to create another gradient mesh… As a sublayer under a parent layer called left eye… The left pupil was a sublayer also…
Illustrator through a fit when I try to do this… It went ahead and let me create the sublayer and gradient mesh, but… It wouldn't let me color the second sublayer/gradient mesh…
The newly created sublayer/gradient mesh had the same color as the first sublayer (the same color being the small horizontal tower that colors your different layers).
Maybe I'm just missing a step somewhere, to be able to have multiple sublayer with multiple gradient meshes?
I'm fairly new to illustrator and graphic designer, but… I'm starting to pick up on the features pretty quickly.
I'm intermediate (at best) with Illustrator. I'm using CS6 on a 2009 iMac. How to make Illustrator ignore stroke weight/cap/join settings when I'm applying a live rotate/multiple copy effect on a group of paths? Currently, Illustrator sets the rotation point to the outermost part of my stroke (figuring in the strokes atrributes), but I only want it to calculate the from the path's structure: the coordinates of my designated anchor point.
Here's the top/right group of paths with a rotate/ 3 copies effect of 90 degrees. Looks problem-free at this view.
Here's that top/right group of paths with the addition of a reflect/ 1 copy effect of X-axis. Still no apparent problems.
But here's a close up of the misalignment of corner points. As shown, the Transform effect is based off the strokes attributes (the tip of its corner), not the actual location of the corner point.
It does not apply different cap/corner styles or stroke alignments; that only slightly nudges the pivot point to the center.
Plus, this one point stroke is somewhat arbitrary. I only set it so in order to see my dynamic effects.
Tweaking the vertical/horizontal moves effects of the rotated/copied elements won't support because this art will later undergo lots of alteration, mostly changes in stroke weight (maybe even variable stroke width).
I need the skeleton of my structure to snap together precisely.
Any solution, no matter how roundabout, would save this project!
Is there an easy way to apply multiple effects on a set of images or individual images, similiar to something like a preset in LightRoom.
For example, if I run the following effects I have to apply it to each image one effect at a time and repeat for each image that I want the exact same effects applied but would prefer to do it all in one go
Blur/(GPU) Gaussian Blur
Noise/Reduce Noise
Photo/Sharpen+
I use these to clean up the moire from scans and reduce dust/dirt then apply a mild sharpen effect to bring back the now softenend image back up slightly. Being able to have presets would be a real bonus for quick clean ups, of digital camera images or camera phone images
I found it by spending a bit more time looking through the menus, under the Effect menu and the Advanced tab and creating a custom effects script ......
But now would like to see if I can have a list of presets instead of having to load them through the script engine one at a time, maybe an option under the 'Effects/Presets' menu option listing all the scripts that are currently saved.
In CS5 there was an option to use the Live Paint Bucket on a newly traced image and there were also gap options to close gaps when doing this. I do not see these options in CS6. Where are they?
View 1 Replies View RelatedI am having some issues trying to live paint whilst in the pattern area of CS6. I have created a pattern which I would now like to colour. I am able to colour some areas like the spots on the plants head, but no ther gaps inbetween. Normally when not in the pattern area I can merge live paint and work with all the spaces but I cant do this for some reason. I need to work with the pattern whislt in this mode to ensure that the design is correct.
"The selection contains objects that cannot be converted. Live Paint groups can only contain paths and compound paths. Clipping paths are not allowed."
Whilst I ma here I am also having a bit of trouble with the oattern swatch. The pattern has been designed for a printed interior wallpaper. In the below image the blue box (follow the green arrow) is the full pattern repeat set at a 1/4 drop. I need that full square rather than a swtach. So effectively I need a 'Tile' that I can then ready for print. The reason for this is that it will be printed on wallpaper (52cm x 10m) and each roll needs to match up either side (with a 1/4 drop)
is it possible to 'grab' the pattern in the blue square?
I have the following image above where I'm trying to add color to different aspects of the drawing. For instance, I'd like to be able to add color to the hair (ie the eyebrows and hair on top of his head) and I'm using live paint to do this. The problem is, some of the live paint areas spill into each other, ie the hair spills into the outline of the head, etc. So I'm wondering, what is the best way to go about dividing these areas so live paint recognizes them as two different entities? What I've been doing currently is drawing a line segment, and then using divide below, however this gives me unpredictable results sometimes and I have a hunch there is a better way.
View 13 Replies View RelatedI've built two different colored strokes around some text (inner layer is green, outer layer is red). When I convert this to the Live Paint Mode by clicking the letters with my Live Paint bucket, a warning comes up telling me certain things might be lost. I press okay, and the red outer layer of the text dissapears. I want that layer to stay though! I've attached pictures of this process.
View 2 Replies View Relatedhow do I copy and paste a portion of a Live Paint object and have the pasted object remain a Live Paint object? I can select portions of LP object and paste as regular objects, but I want them to remain live paint.
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