I have some type converted to outlines, and it is in front/on top of a places raster pattern. when I select the type shapes and pattern and make a clipping mask, the pattern disappears and the letter shapes are filled with nothing!
Matters not whether the letter shapes are grouped or not...is there a way to have all of the letter shapes act as clipping mask together?
Trying to mask type with a vector pattern (place a vector pattern in a type clipping path), but nothing seems to be working. Never had issue before. Tried path in front, pattern in front, converting type path to compound path, converting vector to compound path. A couple of times it looked like it worked, but the pattern was invisible within the path. Illustrator CS6, on a Mac.
View 2 Replies View RelatedI'd like to be able to make Clipping Paths out of (unexpanded) Compound Shapes. We can't do that already.I'd also like the Expand button to work like it did in CS4 again.
View 9 Replies View RelatedI am new to Illustrator and am currently attempting to learn it. I am creating a logo that has text and has a shape that goes through the text to make the text appear as if it has claw marks in it.
I have two layers. The layer with the shape "claw" marks, and a layer with the text. The shape layer is currently above and the text layer is currently below. If I select both layers and click on Make Clipping Mask it has the text displayed within the little claw marks, how do I reverse that? Because when I try to change the order of the layers it doesn't clip anything?
Im making a logo for a client and am having a nightmare of a time trying to properly use the clipping masks in illustrator CS5. I copied and pasted the logo I made behind itself with a different color just for a drop shadow-like effect. And now I'm trying to apply this diagonal line pattern I created over top the "shadow" I made to give it some texture.
Here's an example of what I'm going for, only imagine the line pattern on the text instead of banner.
I created a pattern in illustrator, and then I created an object, and I wanted to fill half of the object with the pattern, so I used a clipping mask to do this.. however, now when i try to group everything together, the clipping mask in released and the pattern spills all over the artbaord... when i try to copy and paste into a new document, everything is pasted as white instead. When i try to merge the layers, the clipping mask is released...
How to keep the clipping mask from releasing.. Also, I tried rasterizing but that doesn't work either and it makes my shapes all rough and choppy!
We struggle a bit creating a seamless repeating pattern that includes embedded images with clipping masks applied.Our pattern is a 550x550mm black square with various embedded inserted on top. All of these images have Clipping Masks applied to hide unwanted areas.These images are placed so they create a seamless repeating pattern and this includes areas that overlap the square.Once we create a swatch from this pattern the repeatable area becomes too big as it includes the unwanted areas hidden by the clipping masks.Because the repeatable area is now too big it's actually not repeatable.
Pathfinder/crop to delete the unwanted areas in the images etc.We though of just live tracing the images, but due to the complexity this is not an option.Do we really have to do our "cutting" in Photoshop .
Win7 64bit Ai: Cs6
[URL]
down under step #4 it says to Copy (& Paste) the circle that's inside a Clipping Mask and to the drag it out of the mask in order to duplicate it twice.
I've pulled it out of the mask or even, actually, how to go about pulling it out of the mask
thus far I've Copied and Pasted in In Front ... does copying and pasting it in front bring it outta the mask?
do i need to create a new layer after I've Copied it and then Paste it on the new layer?
I'm trying to create a clipping mask of a photograph using several separate shapes and then separate the final masked image/shapes.
I've made the shapes a compound path, and then applied a clipping mask (so far so good).
Now that I have my masked photo/shapes I want to separate the shapes so I can edit them individually and independent of one another.
(using Illustrator CS4)
I'm creating a logo that employs a stippled texture (a half-tone) in various sections of objects comprising the logo. I've placed the stipple where I want it, created a clipping path to capture the area. Now I have all these other points that I don't need that I want to delete.
Is there anyway short of releasing the clipping path, manually delete unwanted sections of the stipple and then re-apply the clipping path again? It would be like 'Applying Mask' in photoshop.
I'm working with another artists's file, and I can't seem to release the clipping mask he created. When I try, I get an error message that says, "Can't ungroup the objects." I've tried releasing Compound Paths, but I get the same message.
View 4 Replies View RelatedAny way to do this using strokes, but everything I've tried so far has been unsuccessful. I'm starting to realize that this may actually be impossible, but maybe there's a trick I'm unaware of. Pic should explain what I'm trying to do.
View 3 Replies View RelatedI've devised this script that "kind of" works.This script takes your selection, copies appearance attributes, and pastes them to the top object after clipping.It's currently limited in a few ways:
• It does not accept compound paths as clipping object (and I don't know how to test for it, nor how to iterate down said compound clipping object to set each path object to clipping separately)
• It only works with a single stroke or fill
• It does not understand "no fill" it will fill your object with white instead *FIXED*
• I'm hoping to use the "graphicStyle" property to copy the appearance, since that sounds way cleaner. But I don't understand how to.
Even with these limitations, I bound this to CMD+7 using fastscripts - I'm *already* used to it working this way!
#target Illustrator
// script.name = Clip Retaining Color.jsx;
// script.required = at least two paths selected, top most path is the clipping mask;
// script.parent = Herman van Boeijen, www.nimbling.com // 30/11/13;
// *** LIMITED TO A SINGLE STROKE AND/OR FILL OF THE CLIPPING OBJECT***
// Here's hoping to use the "graphicStyles" property to copy over the appearance.
[code]....
I want to create an illustration with black outlines. Within these outlines I want to have some spots without outlines that stay clean within the lines. I have tried 3 options so far and have found a solution but it's far from ideal.
1. Create clipping masks for each element that has a spot on it and assign a stroke to the clipping path again after. However by creating the clipping path, the path styles dissapear. In this case I want to keep the pointed ends to the open path outlines (see top image).
2. Draw in the lines where the spots are and create a live paint object of the entire illustration. Then paint in the spots and other areas. However when I create this live paint object the lines again lose their applied styles and even 'end' at each intersection, creating nasty edges where the lines should go 'underneath' smoothly (see bottom image).
3. The option Im using now. Duplicate the path outlines and create clipping masks for the spots without strokes. Then put the stroked outline with the desired styles on top. The problem with this is that I have almost twice as much elements in my illustration now than I actually 'need'. And the styled outlines are not connected with the color underneath, so its very easy to accidentally move something around...
Any easier way to create this effect without all the hassle?
I would like to make some shapes follow a path orientation. I think it will be easy to understand my issue with an image:
View 4 Replies View RelatedI'm having problems creating pattern swatches in cs6, because I can't seem to solve the problem of the background overlapping and hiding foreground shapes. I can make patterns without a background and I think I've worked out how to prevent the problem with a simple grid, but when I make a brick tile pattern, whichever overlap options I choose, at least one of the foreground shapes gets partly obscured by the overlapping background. I'm used to making seamless patterns in previous versions of Illustrator, by using guides and grids, then defining the pattern using a background rectangle but this option doesn't seem to be available in CS6, so if I can't solve the problem, it's back to CS5.
View 4 Replies View RelatedI want to make the A shape as if it was composed from the grouped hexagons from B. the hexagons from B are grouped and the shape from A was made from two elipses and function Minus Front prom pathfinder.
I've tried all the functions from pathfinder in all ways but some don't give a result(I don't need explanation for this) and some do not work as I wish.
I have two shapes placed next to each other but the top section displays is a faint line to the left. How do I use the Path Eraser Tool to delete/remove that piece? Or is there a better way to remove?
Note:
Top image displays without path displayed...
Bottom section displays with path displayed...
I'm trying to blend 2 complex shapes together to give a 3D appearance but I keep having issues with the edges that choose to blend together. The image below shows what I want it to look like (small square on the left, smooth color blend) and what the shape looks like (shape on the right). The paths have the same number of anchor points and the white shape on top is an expanded offset version of the green shape on the bottom. The purple lines show what anchor points should be blending together.
For some reason it is blending to a location somewhere in the middle of the path and not to the corners. I have gone over the two paths and made sure that there are no points that shouldn't be there, as i know that can cause issues with blending.
1.) The type "Mariners" sloping downward in an arc. I was able to get the Seattle part using type on a path on a circle and typing on top. Question is, can I also type Mariners on the bottom of that path? I recall that not being the case. Am I supposed to draw another circle over the one that Seattle is typed on and then on that one type on the bottom?
2.) For the stitching, am I supposed to create one stitch and then create a brush, draw a curve and then apply the brush to that curve?
I have had this problem since I started using patterns. Basically when I put a pattern on a path I want to then move it along that path so it starts where I want it to start, not neccessarily on the path's starting point.
There is an image of how it looks like
I created a simple pattern to show my issue. For example I want to move this pattern along this circle so it looks like this (triangle points up)
As you can see I rotated the whole circle to get the right outcome I need, but if it was just a regular path I would not be able to fix it this way.
Is there a way to do that? Something like moving text along a path.
I am using Illustrator CC.
I'm wasting time having to place my image in Illustrator then manually line up the clipping path. You used to be able to save a file with a clipping path as an EPS in photoshop, select "retain vector data", place in illustrator and hit cmd Y to see the clipping path. I need the image and the clipping path in Illustrator and the image is too complex to create a mask in Illustrator. I tried to save it as an EPS but "retain vector data" is grayed out.
View 2 Replies View RelatedI've made a pattern brush that I'm using to simulate a woods line for a boardgame map:
Shown above is the unstroked bounding box as well. To use this brush, I draw an outline of a woods mass with the pencil tool, then apply the brush and Expand Appearance. At that point I'm hoping the brush sections will join into one closed path so that I can fill it with a woodsy green, but instead the fill gets applied to each section of brush independently:
The join points seem fine - it's not like the two ends of the brush don't line up at all: EDIT - Actually, that's not just one point in the middle there - that's the ends of both paths lying almost on top of each other. It's possible to separate the two and then ctrl-J join them. Problem is, I want that single path automatically.
So how to get Illustrator to treat the resulting path as one closed path instead of a compound path?
How do I take like SHARKS text and place it inside the shape of a shark outline so the text takes the shape of the shark shape then I remove the outline shape and the letters stay the shape of the shark outline.
View 1 Replies View Relatedand what are the advantages of using them?
View 9 Replies View Relatedwhen I'm drawing clipping paths around an object that has spaces within the image (i.e. space between someone's arm and body, or the space(s) within an object such as a coffee cup handle) does it not clip out the paths inside the outermost path? Do the inside paths need to be drawn first? I'm scratching my head here - it seems to be a CS4 thing, as other versions of PS have not seemed to do this...
View 2 Replies View RelatedI want to make a clipping path around a person who has hair blowing in the wind. How can I make a good clipping and get close enough without losing the effect?
View 4 Replies View RelatedI'm using Tiger and Photoshop CS2.
We are having a problem with one of our clipping paths. Once we convert the image into a compression image for use, the image does not appear at all. No path, no image no nothing. Any idea why this happened? I know that the designer who worked on the original file used the incorrect "path area" selection (at the top) but changed that.
I created a clipping path on a photo, clipping out a person's head so that I can have the person's head show up over the masthead on a cover.
But when I save the photo in Photoshop and then import it into Quark, the option where it says I can change the clipping options in Quark is greyed out.
This is what it says to possibly fix it on the Quark help page:
"You may want to choose "None" from the Clipping path pop-up menu when you save the image from Adobe Photoshop, so you can specify which path to use as the clipping path when you import the image into QuarkXPress. Or, you may want to choose a path from the Clipping path pop-up menu, so you can be sure only that path will be used to clip the image."
I don't understand what that refers to....I can't find anything like that in the Photoshop options.
My goal is to have the person's head over the text, with the rest of the photo still retained in the background. As it is now, I just get an import of the clipping path alone, with Quark substituting the background part of the photo with a white box.
In PS cs6 i cant find how to create clipping path for layer group (apply to folder from some shape layer with alt + drag&drop) created with pen, rectangle etc tools. Here is how it should look in cs6 but i don't know how to do that ?
View 5 Replies View RelatedLet me first say that I love using clipping path jpegs made in Photoshop. They can be used in InDesign of course, batched and converted to other formats which need transparency, and so on... The one irritating part is that there's no easy way to distort or scale the clipping path and image together after the file has been created, or at least not that I'm aware of.
For example, I'm working on a piece of furniture which already contains a clipping path, but the client wants the image straightened (or, the perspective from the camera removed, which I don't like actually). So, is there an easier/faster way to do this instead of having to first distort the image, then manually try to line up the clipping path, or worse, remake the clipping path?