AutoDesk Smoke :: Mixdown Of 5.1 Dts Tracks?
Nov 3, 2011how can I mixdown 5.1 dts Audio tracks to stereo in smoke.
View 1 Replieshow can I mixdown 5.1 dts Audio tracks to stereo in smoke.
View 1 RepliesI got that message when I was trying to export a Quicktime movie - although it appears it's going to let me continue to export the Quicktime - I'm hoping it'll have audio when all is said & done. Although I understand the words, I have the following questions:
1. What does it really mean?
2. How will affect me/my life/the Quicktime file I'm exporting?
3. Perhaps most importantly, why is it happening & what can I do to prevent it in the future?
The file I'm trying to export is the same one from the 7-hour Process time thread I posted about on here recently. It's the simplest possible thing:
- 1 Layer of around 15 "reels" spliced together
- 1 (adjustment) Layer of a single color correction gap effect that runs the length of the whole timeline (don't think this has anything to do with the problem at hand)
- 1 audio track w/ 2 mono layers, L&R, of a single AIFF soundtrack file
i have an edit. I got about 5 layers (text , mograph etc). Now if i go to the middle of my edit and i want just to insert a gap at my current position so it will push away any clips at any track to the right side away from my positioner. So i want to make a room to add more clip in the middle of my edit and i want it to ripple all clips in all tracks. I found that i can ripple only in current track.
I will normally select all clips located in the right side of my positioner (all track). then drag them to make a space (gap).
Turned off tracks will NOT be ignored when exporting. This is a trap!
View 1 Replies View RelatedIs there an equivalent command to the FCP alt up/down arrow to move a clip up and down between tracks? I can drag but it doesn't snap to the anything ie where the clip originally was on another track.
View 3 Replies View RelatedI am editing in the timeline in Smoke 2013. I bring in a music track onto track 4. I bring in a interview clip on track 1. Only one or the other will playback and not together at the same time. I also notice on the audio tracks patch area a small square that when you place the cursor over and drag left or right I assume channels are being selected. What is this square box for and how do I get all my audio tracks to playback together?
I am using Panasonic P2 footage at 1920 x 1080. 29.97 NDF. I have brought them in through the media hub and created folders that correspond to each P2 card I stored on my Video Array. I am using a ProAvio Video Box with a RocketRAID 644 controller. What gives? Why am I not able to hear all the audio tracks during playback?
I've got an issue seeing video on video track 1 when I have something on a track above it. I have video on track 1, and above that I have a gap with a text fx placed on it (it's a lower third name key). The track indicator is located on the track with the text fx (see the attached "timeline" shot), yet all I see is that key without seeing the video below it (see attached "canvas") Everything has been rendered, so I don't understand what's wrong. And when I export the timeline, the black remains.
View 6 Replies View RelatedIn tracks editor, if let say i have 5 keyframes then i select 3 of them in the middle , then how to do the X-scale ? Among the available operation, i can't find scaling.
View 5 Replies View RelatedAny way of locking all the audio tracks at once. I am using Smoke 2013 on Mac with Smoke Classic Keys Set up, I can lock all the video tracks at once by shift-clicking on the Lock icon of any video track, the same doesn't seem to apply to audio track...
View 9 Replies View RelatedIn Smoke 2012 attempting to select two audio tracks for merging and/or splitting results in the message "two layers must be fully selected". I have the two layers are selected in the far left-hand-side of the timeline with the selection buttons. The manual is not specific either.
Conversely, selecting a stereo audio track and applying stereo 'stereo split' results in the message "At least one stereo track needs to be selected". Selection was performed, as above, with the far left-hand-side track selection box.
The point is that creating a 'new sequence' results in a single video track. When two mono audio tracks are created to accomodate the audio portion of the clips they have to be converted to stereo.
I'm trying to get my source audio to patch to tracks 3 and 4 in my record timeline. It looks like I should be able to drag on the source clips patch to change it from A1.L and A1.R to A2.L/A2.R.
View 5 Replies View RelatedI know that the AJA Kona 3 card has 2 outputs. Can Smoke send one eye to one channel and the other eye to the other of the Kona 3 card? Dual Stream output is what I am really getting at.
View 4 Replies View RelatedIs there any way that Smoke can see/output sub-blacks and super whites? Can't find any way of seeing them on my scope, Smoke just clamps everything. It won't even see anything below zero in order for me to make a correction on it, everything seems to be clamped on import. I'm using ProRes HQ footage.
View 9 Replies View RelatedWhat is the best plugin to do spline warps in smoke?(need something like the distort in flame) I notice revisionfx don't make a warper for smoke on mac.
View 7 Replies View RelatedI am experimenting with Smoke 2013 pre-trial and I am having issues with importing images and video with alpha channels.
1. If I have a layered Photoshop file or png with an alpha channel (a still frame lower third), I see that I can import it as a multi layered clip, but what is the best way to have it in the sequence to show up properly?
2. If I have a QuickTime in animation format or Pro Res4444 format with an embedded alpha, how can I import that file to show and cut it on a top layer to animate above my video?
Can Smoke support the OFX architecture?
View 1 Replies View RelatedDoes Smoke have selection functionality similar to that of Combustion? As an example, you might want to selectively blur part of an image. In Combustion, you would draw a selection and then apply an operator above the selection to achieve this. I don't see a similar selection tool function in Smoke, but I imagine you could achieve the same effect by duplicating a layer and using a Gmask via the Wipe timeline FX.does Smoke not have a selection tool similar to Combustion?
View 3 Replies View RelatedHow can I make a tire/tyre track running accross my printed page
Do I need to make a brush or?
Whats the dealing with importing TWs to Smoke? I have a show that's 70% keyframed with timewarps and need a way other then baking the effect to bring it into Smoke. It's comming from FCP7 and we have Automatic Duck but neither the XMLs or AAF bring anything other then the first speed of the clip. Any way to retain the keyframes?
View 1 Replies View RelatedIs it possible to run Flame or Smoke over a VPN? I mean, is it possible to get a license over VPN?
Smoke 2013 Ext1
17" Mac Book Pro
OS X 10.8.5
16 GB RAM
I tried Smoke 2013 PR2 on my MacBook Air 11".
It uses all the available RAM that is 4GB.
Same experience with Smoke 2012 on my MacBook pro 13"".
Is that normal?
I have RED footage which I exported as EXR. When I import them back in, they look exactly like the RED footage. But when I import the EXR in Fusion, export it back out, and then import that EXR into Smoke, it looks brighter, although I didn't change anything in Fusion. (when I compare the EXR from Smoke and the EXR from fusion in my finder on my desktop, they look exactly the same). So what is Smoke doing with the "foreign" exr on import?I was also playing with the LUT settings. I get a result which is close, but I need to be exact.
View 6 Replies View RelatedWhere do you set context in batch in the 2013 prerelease?
View 9 Replies View RelatedWhen I export a XML from FCP 7 all of my files come over and link but there is no video with my HDV files (1440 x 1080) all of my other files (Canon FX etc) come over fine.
View 9 Replies View RelatedWhat is the best way to downconvert 5D HD to SD?
I converted the h.264 files to uncompressed 10bit. Bringing in the footage and XML was fine, but as soon as I resize to PAL (the timeline was changed to PAL, as was the output on the AJA) the picture starts anti aliasing in detail areas. I have processed this with every filter in Smoke with no satisfactory result.
I am having issues for a long time regarding importing XML into smoke 2013. Will try and explain you in breif.
First When we try an import XML into smoke it just doesnt do anything, in the message history box it comes up saying FOUND 0 SOURCES.
Nothing gets imported at all. No footage is imported, nothing is shown in timeline as well.
Second For a different project when the XML does get imported, the videos get imported but then again nothing is coming up in the timeline and in the message history box we get the following error.
XML Validation Failed.
Cannot process unliked media.
we have checked all the import options to make this work, including max up level and the rest but nothing is working.
I must have changed a setting because today my interactivity in CFX has taken a hit, specifically when making Axis moves. The move doesnt register until after I have made a change in the Axis field.
I know there is a setting for this but cannot remember. Am not having the same issue grabbing Axis in viewer.
I'm currently trying to conform an XML from FCP 7 into Smoke 2012 (Linux). The issue I have is that the files I want to conform with are MFX, however the files used in the FCP timeline are PRORES, therefore have a '.mov' extension. This means the Smoke is not seeing the MXF files due to the extension & the only way around it I have found, is to edit all of the '.mov' extensions to '.mxf' extensions in the actual XML. This works well, but is a complete nightmare, particularly as I'll have to do this for 13 half hour episodes!!!!
I have tried all the different combinations of Filename, Timecode, Tape, etc, but none work due to other metadata issues from the filming of the footage to it being delivered to our edit suites!!!!
Any way of making the Smoke ignore the file extension?
Can i remove the fx history ? for example i render a cfx clip. then i want to keep the render only and disconnect the relationship with its 'cfx history' . And is there any practical benefit of it ? You maybe will ask me : 'why do you wanna do it?' , my answer is " i don't know man, it just came across my mind .
View 3 Replies View RelatedGetting a depth of field result in Smoke 2012. A tutorial on this would be really beneficial for a new comer like me.
View 9 Replies View RelatedAll of a sudden, I'm unable to scroll through clips with real time feedback. Did I turn on some preference?
Also, I've noticed that when I'm in Action, I don't get realtime feedback going to the broadcast monitor, but rather the image catches up upon pen up. I don't see anything about it in the options in Action or global preferences.