Although rendering seems to work when I try to import media with cache media selected and link to source media unselected the jobs queue just shows the status 'waiting' on the imported clips.
View 9 RepliesI've been running the trial for a week with no problems importing and caching media in ProRes 422. Today when I booted up smoke I attempted a similar practice run with importing some random clips and playing around again and noticed that nothing was getting cached. When I clicked import it said it could not connect to backburner on port 0.
There appear to be a couple of threads regarding this issue where people lose the ability to cache media or export using backburner. I followed a thread posted here: [URL] ....
I tried restarting backburner, restarting the mac, reinstalling smoke and attempted the "clean install" script that is listed in the article above. After I performed the terminal commands and reinstalled Smoke, it connects to backburner but now in the jobs tab/backburner manager says it is waiting (occasionally switches to "busy" for a second or two).
Here's the error I get in backburner manager:
Matthews-MacBook-Pro.local 1946321280 swBIOSubJobServer.C:385 02/13/13:16:23:24.347
1946321280 swBIOAdapter.C:454 02/13/13:16:23:25.403 Cannot process tasks 0... in /var/tmp/WireJob/SubJob0
Unimplemented feature while reading source frames
I'm running Smoke on an internal SSD and my framestore is also on an internal HDD, but I can't imagine that's an issue since I had already successfully imported media before.
I also attempted to export a sequence of soft imported footage (also failed). The error is below:
Matthews-MacBook-Pro.local 2893642280 transcoderMediaProvider.C:312 02/13/13:16:56:30.268 Cannot get type of clip IFFFS-16:/stonefs7/Stinkzone/workspace/Media Library/_Export_130213_165628_1/H_16777343_S_1360792589_U_170633/hires: Project Stinkzone not found
Trying to conform Canon C300 MXF media from 3 different drives. My source footage is spread across 3 TB of portable drives, so I'm trying to conform each drive's footage, cache the media, then move on to the next drive.
This mostly worked, but there's about a half dozen clips that refuse to cache for some reason. Everything looks fine when the drive is plugged in - then I consolidate handles, then go to the sequence and choose CACHE MEDIA - Backburner kicks in and says 100% complete.
But then I have to quit Smoke to eject the drives and connect a different one, and when I start Smoke again, MOST of the clips are there, but some of the clips are not. They do not say Unlinked or checkboards - but they are just black. (One time it showed RED frames - WTF??). If I reconnect the HD, the clips show up, so it's obviously still reading it from the portable drive.
Is there an option to force cache individual clips?.
I tried unlinking/relinking thos problem clips, and even Hard Committing the GAP layer above - and those few clips still do not cache - even the hard commit goes black when the drive is disconnected. How is that even possible? Do I need to add an Axis Effect to force a render, then commit those frames?
why the BB would say 100% complete, but not all clips are truly cached?
SmokeUser since 2012
MacPro w/ K3
32 GB RAM
CalDigit HdPro2 RAID
when caching .png sequences it happens a lot that some portions of the clip are not being cached. Or at least some frames are still pointing to the original .png's so that playback stutters.
This happens both in a normal HD project, but a lot on a current UltraHD 60p project on the proxy-generation (set to 50%). A workaround is adding an effect, render it and commit the clip. But this is not suitable on the big 60p project.
Observing the percentage counter in the lower left corner gives me the strange suspicion that it is happening to those portions of the clip which are being cached during the autosave process. There are a lot of them. Converting is not an option. Mac and storage are fast enough.
When using the Modular Keyer, either in a CFX or in Action, I have yet to be able to figure out a way to see the CFX result anywhere. I can only see the front/mattes/output of the MK. Needless to say, this makes roto-ing fairly cumbersome with downstream effects.
Also: Is there a way on the 2013 Mac version to 'cache' a node like there is with the orange dot in the Linux version? Render times are already pretty rough and I am hoping there is a way to optimize them.
I can not seem to export my timeline. The job goes to the queue, but the status just says waiting. There is a timestamp in the started column, but nothing is happening. I have deleted, re-exported, suspended, restarted, tried different export settings... I tried rendering to both an attached firewire drive and the desktop of my macbookpro. There is no file in either location.
I opened the service monitor and there is a green status light for all components.
I can't export to Quicktime - job permanently stuck waiting, tried the backburner rest suggestions but still no luck.
Frequent crashes as well as features not working - at PR4 I would have thought things would be better than this.
Backburner doesn't seem to work properly for me in the release version. I cannot export file sequences as backburner sticks on waiting. I can however export Quicktimes fine.
View 1 Replies View RelatedHere's the text:
1. Should Media Cache Files and Media Cache Database be in separate folders? Does it matter?
2. Can I open an "in progress' project from P Pro CS4 with CC P Pro and continue editing?
I get this prompt while copying sequences between projects with gateway-linked footage, and I'm not sure what it means.
---------------------------------------------------------------------
CLIP MGT: Unmanaged media contained in selection. Store media on Wire?
---------------------------------------------------------------------
Is it asking me if I want to store a local copy or stonifize the media?
I have a 45min show with hundreds of edits in it. A mix of ProRez LT, Intra P2 (brought in ProRez proxy) and H264 5D footage. My intention was to relink all my Intra footage with the RAW and simply import the rest for online but have run into several issues. I'll make a different post outlining my steps and questions on how I've gotten here but my emidiate issue is after consolidating and cacheing all sources material of my master sequesnce, I have pending renders, how to get rid of. Also, all my source material in the sequesnce appears to be still be pointing to the original location and not the cached media.
Smoke on Mac 2013 EXT 1
While I'm waiting on a BackBurner cache...
After doing these caches, my system goes into a weird cycle where the mouse pointer goes invisible for 2-3 seconds, about every 15 seconds or so. Both within Smoke, and even in the Mac OS - the only thing that fixes it is a system reboot. Big PITA when cache-ing from lots of different sources drives, so lots of cache-batches.
How to be able to EJECT a drive from Smoke without quitting the app, and even then, I still have to FORCE EJECT more often than not. I've quit and restarted this project dozens of times to change out source media USB3 drives. Wasn't so bad when you could daisy chain FW drives, but I can only connect one USB3 drive at a time on my 2011 MacPro.
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SmokeUser since 2012
MacPro w/ K3
32 GB RAM
CalDigit HdPro2 RAID
Is it possible to use a Sequence as a Source? I like to use stringouts of source clips while editing as well as sections of existing Sequences as source material for new Sequences.
View 2 Replies View RelatedTrying to launch Smoke 2013 OSX Ext 1 but the app just stops and hangs at "Analyzing Frames 100%". I've tried rebooting, restarting all services, creating a new user, creating a new project, trying old projects, etc.
View 7 Replies View RelatedThere was a time, probably 2012 SP1, when smoke startup would take max. 30seconds.Now with 2012 SP2 after selecting a project smoke just hangs at the "Initializing shades" phase for almost 1min. making startups a major 2min.
View 9 Replies View RelatedI'm using Pre Release 5 for editorial as opposed to conform and I've moved some of my source material to a different drive than I was using when I started the project.
Normally in FCP or Avid, I would just re-link to the footage and that would be that. I know this could be done with footage in the timeline, but what about plain old source footage? I can't seem to find the re-link tool.
In 2012 it was very easy to select a gap segment and click color source in the soft effects. In 2013 it appears to be much more difficult, you need to create it in a folder then edit it into a sequence. Am I missing something? I wish there was a color source option in the effects ribbon.
View 2 Replies View RelatedWhere colour source on the timeline is. I am always droping black or coloured frames into the timeline either as a background for some softFX text or even as a fill for the softFX text so I can then track that text to the background.
View 9 Replies View RelatedI can't render anything and I know this has been addressed before, but I still don't see a solution, I have no Available Local Services under my Preferences/Backburner. We wan't to purchase smoke but can't trust that it will work on our system.
View 2 Replies View RelatedIs there a way to save a CFX set up with its media (in my case, still images) as a preset to be used in other projects?
View 9 Replies View RelatedI am exporting a 2 hr movie as Apple Pro Res (LT). Last week this happened within 5 hrs but today the export is very slow. It renders about 20 frames and then stops, 20 more frames and then stop. This is very strange.
Smoke 2013 Ext1
17" Mac Book Pro
OS X 10.8.5
16 GB RAM
I might be being really thick but my old method of managing clips and handles in a master was to perhaps conform from rushes with 75fr handles, save that conform but then in my wip master I would consolidate all sees down to 10fr. This way if I was sharing shots around the facility you could match a shot out (using the old match to segment preference rather than match to source) and it would respect the handles you had set in your master.
I can't seem to replicate that old behavior in 2013 smoke. It will either match to source or to just the segment without handles. How can I get it to match out with the handles I have consolidated?
I opened 33 sources as "open as Sequence" behind each other and after doing that double clicking on the source or any source isn't loading it into the source viewer. There is no icon next to the source indicating that it isn't a source. After the fourth selection was open as Sequence. the one that was opened as the first is recycled and the Sequence Icon disappears from in-front of it. So there is only four icons at any given time in the list.
View 5 Replies View RelatedI've been called upon to use Smoke as an intermediate between offline and color session elsewhere. I need to export a DPX sequence for the colorist to work from. Can I easily do this in Smoke? Just conform the offline and export DPX sequence? Also, can I put in handles and include original source timecode?
View 4 Replies View RelatedI have recently upgraded to Smoke 2012 sp2 and have a small issue regarding the reordering of my clips in the source area.
On 2011 when you placed clips in the source area in a specific order and saved it to the library and when you recalled it from the library it would put the clips back in exactly the same place you left them. Now in 2012 when you do that it re-orders them in some sort of chronological order.
Is there a setting that I'm not aware of that will stop doing that as I place them in a specific structure which makes sense to me and is easy to find and understand on large builds, now I'm having to sift through the clips and waste time finding what I did last and checking through versions to find the latest one.
When matching a source clip from the new sequence area it appears that you now have to have the widget on the clip you wish to match rather than just select the clip. Is this a change in the way 'match' works or is it a bug?
It was always nice to just tap the clip and press match rather than now having to scrub your widget to the right layer and clip before pressing match.
Often when I go back to previously saved source areas from previous projects (like I just saved yesterday) my source clip icons are squished forcing me to re adjusts.
Smoke 2013 Ext1
I have just tried plugging a Samsung SSD capable of 400+MB/s into a thunderbolt caddy. In action and on the desktop it behaves as normal. But in the player it plays at about 100fps. how to get it to play at speed.
The project config is HD 25 psf free. Smoke SAP2 SP2ssd_storageplaybackspeedissue.mov
[URL]
Working in Smoke 2013 pre-trial v3, and I've been wondering why every clip I import has the resize filter? Every video and graphic in the XML has a resize filter even though they are they same aspect ratio as the sequence. I've tried this with a NTSC and 1080i sequence and they've both had the same issues. I even imported a clip through the media hub and I had the same result. When I look at the clip in Final Cut, it is the same setting as the sequence so I don't have to render. In Smoke, I enter the resize editor and I don't see any resizing.
View 6 Replies View RelatedI've been trying to import a XML from FCP (xml version 2), bun everytime I only get a timeline with unlinked media...
I placed the XML one directory above my media. But when I drag the XML into my library (having Store Local Copy turned on), I only get the "empty" timeline...
When I try to relink my media from the gateway, it's not relinking anything (it says, no video and audio found). Is there no way to import an XML without having to import the original media into my library? Also, no matter what kind of clip I'm importing, it always soft imports my clips, although store local copy is turned on...
Attached is a picture with the settings for my xml import (and on top the unlinked xml, which says SOFT, although, as you can see on the bottom of the screen store local copy is enabled).
Smoke 2012 SAP2 SP4
and
Smoke 2013 SP2 (Smoke Classic Keyboard Shortcuts)
Mac Pro 4,1
OS X 10.6.7
12 GB RAM
NVIDIA Quadro 4000
14 TB RAID (Areca)
PR5. Up until this release, I haven't had a problem exporting quicktime movies. I have a 2:30 long video that I'm trying to export with no success, at best I'll get 30 seconds of my project. I'm not as familiar with Smoke setups and preferences
View 9 Replies View Related