AutoCAD Inventor :: How To Match Color Print Quality With In-canvas Lighting Settings
Nov 13, 2012
Is there a way to control color print quality that matches the in-canvas look of a part or assembly.
As a quick example, I have a Kelly Green wire visible within an assembly. When I print the assembly within a .idw drawing file, the Kelly Green turns very dark.
Is it possible to specify a particular lighting setting to be used when printing? I'm expecting to see color print output that matches closely to what I see when viewing either a model or an assembly.
I'm using Inventor 2013.
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Feb 9, 2013
I had to make a flyer for an event i'm organizing. Found a low quality picture online which i used as background, asked the photographer if i could use this picture, and asked for that picture in high res. I received the high res picture after the deadline for the flyer, so i was forced to make a temporary flyer from the low quality picture. I made some changes to the brightness/contrast of the picture, and might have changed other color setting or used effects, but i can't remember which settings i changed nor the values i changed it to. Is there a way to retrieve this information from the picture/gimp so the colors for both images are exactly the same?
Flyer & original picture attached as example.
Attached File(s) AeroBcupfinalsmall.jpg (80.06K)
Number of downloads: 9 AeroBEsmall.jpg (250.22K)
Number of downloads: 10
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Feb 23, 2012
Photoshop CS5 v12.1.
Mac OS 10.6.
I'm printing to an Epson R1800 printer.
Print. Choose Color Management. Choose Document. Choose "Photoshop manages color". Choose the correct printer profile that matches the paper I'm using. Choose Relative Colorimetric.
THEN, I click Print Settings...under the 4th drop downu I choose "Print setting..." again. Under "Basic" "color" and "Color settings" are grayed out as are some of the "Media Type" options.
Is this normal? The problem is my black and white prints are printing really badly. They have color tones. I've cleaned the nozzles on my Epson printer, done everything the print utility suggests. All the test prints look fine.
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Sep 28, 2013
I have CS6, Epson 3880 printer. Both monitor and printer have been calibrated. When viewing a pic that I wish to print, I go to view, proof setup and chose printer and paper, preserved RGB box is check. This gives me a proof, which is very accurate to what is actually printed. Here's my problem: There is a color change when viewing the pic in proof print mode, which is what in fact, gets printed. Most of the color change involves alteration in red. A red bowl is changed to a brownish read bowl for example. I have been unsuccessful in trying to match the proof to the original color scheme. I've played with hue, color mixing, all to no avail. Is there an easy way to match colors original pic and proof/print?
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Jul 29, 2003
I'm making an ad with alot of bright colors. It's gonna be printed to a glossy photo paper for distribution, but I'm having a hard time getting the monitor colors to match the printout colors.
I started as RGB workspace, then once finished I converted to CMYK, but the colors drastically get dull.
I know that it is normal for colors to change during RGB to CMYK transition, but is there any way I can preserve those bright colors?.. (it's mostly bright orange and green.)
Workspace specs :
RGB : ADOBE RGB 1998
CMYK : SWOP V2 20%
Conversion : ACE
Intent : Relative colormetric.
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Jun 12, 2012
I'm trying to recreate a bunch of IV-Studio settings to match a bunch of renders made by previous staff that did not leave behind the assembly files they used to make them in the first place.
I've ran into a problem with some parts displaying incorrectly. (they display incorrectly in the render/in the studio environment/ in the assembly/ and when in the part file) I've played with material and appearance styles but they have no effect, I've also tried quality/performance/compatibility hardware modes.
We have 5 or 6 parts that share the ridge pattern that is causing problems and they are affected in the same way.I'm running XP(32), IV2012-sp2, fx1800 with 6.14.0012.6570 drivers.
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Jun 17, 2012
I am superimposing a person into a picture of a group of people.
I need to match their lighting with that of the other characters, as if they were stood in the same room when the photo was taken.
What's the most effective way of doing this? (I'm using CS4)
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Aug 14, 2012
The soft-proof of an image in CS6 gives a very good rendering based on a given paper profile for my printer. However subsequently, with proper settings in the Print Settings dialogue box, the image represented often has colors that are far from the earlier soft-proof rendering and are thoroughly inaccurate.
The image prints correctly, having no resemblance to the image appearing in the dialogue box, but coming quite close to the soft-proof simulation. Is something amiss? On a system running Mac OS 10.8.
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May 29, 2013
Color Management while Printing has been one of the challenging areas which has been discussed a lot over user forums and has been a painful area in terms of clear understanding while taking print outputs.Here is an easy-to-understand KB (Knowledge Base) article ‘Color management settings for the best print output’ to get the best from your printers using PSE and bridge that knowledge gap.
This article explains color management in Photoshop Elements, how to get better prints, and addresses some of the following issues like horizontal / vertical streaks in print output, too dark or too light print output, ICC profile problems and Color differences between prints from PSE and other applications.
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Mar 12, 2012
What color settings, profiles and configurations are suitable for print publications in Europe?How do I set my Photoshop CS5 (Windows) to print quality?
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May 11, 2013
Can't print the illustration. The Color Management settings are inconsistent.
I keep getting this message everytime I try to use any of the print script examples in the adobe javascript reference guide. I also tried the script from this thread: [URL] .... and got the same error. I'm using a windows 8 machine but got the error on vista as well.
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Sep 12, 2012
We do research on the effect of fish food on the color change of the fish's skin. Therefore we observe the fish over multiple weeks and take their picture in our studio environment once a week. In order to track the color change of the fish, all other conditions (lighting, distance etc.) should be exactly the same so that we can compare the average color of the fish over multiple weeks.
The problem is as follows. We have created an studio environment with a light tent and three flashes and fixed them to keep the shooting conditions the same every time. However as you can see in the three images below which are shots of the same fish in three different weeks, the lighting is not the same. We think that since we do shoot 30 fish in each batch, the flash did not produce the same performance for every shot and we got different lighting in each shot.
How can we match the lighting of these shots so that we can compare the color of the fish? We already tried the color match tool however it is no use in this case. Since we want to keep the fish as it is and only adjust the slight lighting difference.
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Jan 16, 2009
So I am working on this document and it has silver background. I go to print preview (Photoshop cs3 and cs4 on Vista) and I get color looking more like bronze looking but when I do print, it comes out just like it should (in working mode which is Monitor RGB with Proof colors checked).
This setting is the only one I've used to make sure image/psd looks exactly like what it should when printing. I tried the default Working CMYK with and without Proof colors but it's still showing me the bronze look instead of silver. I've looked on the net and no exact easy fix for this was found. I really really appreciate any help.
Another simple question is regarding size. I'm working on a document size of 17.5 x 8.7 inches and the actual Banners will be printed at size 175 x 87 inches (5 banners each at 35inch wide but combined into a big one). So essentially, I'm working at 10% the size of what the final print will be and my file size is 760mgs. You can only imagine how big the file would be if I work on the actual size.
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Apr 3, 2013
I'm searching a perfect source that can work for a scaling System which is best and recommended to match canvas size.
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Mar 7, 2013
I'm trying to scale a pattern to fit the entire canvas without tiling it over the whole layer. To try to do this, I made a rectangular selection box, then dragged and dropped a pattern into the box. This created a new layer called "clipboard". I right clicked the clipboard layer, then left clicked "Scale Layer". Then I entered a width and height in pixels that matched the size of the canvas. The selection does expand, but it doesn't fill the entire canvas.
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Aug 12, 2009
When i select the history brush, i keep getting this message.
'Could not use the art history brush because the current canvas size does not match that of the history state'
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Jan 16, 2013
I built a new computer, Windows 8, 64 bit.
Installed Acad LT 2011 64 bit.
Did an export of custom settings from a Windows 7 64 bit LT 2011 installation, imported those to the new Windows 8 LT 2011 installation. This was done using the Start>Programs menu. (I ditched the "Metro" stuff.)
The setup looks mostly the same, but when I go to use it, the icons don't match the commands. I have toolbars down the left and right sides with many icons. The icon for Hatch runs the Polygon command. The Move icon runs the Offset command. Lots of them are screwed up.
The ribbon commands along the top seem to be OK.
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Sep 24, 2012
In the Printer Settings drop down menu both Color Mode and Print Mode are grayed-out. This just happened I cannot think of anything I've done differently.
I'm using OS 10.6.8 and the latest Epson drivers for the 3880. I have re-installed both PS and the Epson drivers. If I print from Acrobat Reader everything seems to work fine, this only is happening in Photoshop CS5.
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May 28, 2012
I have created a shape, converted the layer to a 'smart object', and rendered 'lighting effects' to it. When I do that, PS creates a 'Lighting Effects' layer but the settings don't appear and how to access them. I am using CS6.
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Aug 11, 2013
I am a casual Photoshop user and a friend uses my computer to print photos. I want to set a new preset so that things like paper profile, size, orientation and transparency are set. What I am not sure about is the colour profile that is used in the advanced settings. Is this the printer/paper or monitor? I use a Spyder 4 Express to calibrate my monitor.
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Feb 26, 2014
I am having an issue exporting my sequence which contains final AIFF mix (24 bit 48 kHz) into a 'same-as-source' ProRes 422 file with 24 bit audio. I am specifically trying to export media with 'Match Sequence Settings' checked to create an identical output of what my sequence is. I wind up only creating a PR422 with 16 bit audio rather than 24 bit audio.
My sequence contains ProRes 422 media and 24 bit AIFF final stereo mix (1 audio file) from our Sound department.
My sequence is currently setup as "Custom" at 1920x1080, 23.976 fps, Square Pixels, Progressive, etc. Audio is 48 kHz (I don't see an option for choosing different bit rates in the 'Sequence Settings').
Using 'Match Sequence Settings', my options to alter the audio are "greyed out" and unavailable. I'm not sure why 'Match Sequence Settings' doesn't recognize that I am cutting with 24 bit audio and, instead, only exports 16 bit audio.
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Sep 26, 2011
I have made several renders in the Scanline renderer, I've tried to capture as much detail as I can squeak out of it, setting it to the Catmull-Rom filter, Light Tracer, Max Star 2.5, and the like. It creates nice renders for game assets. However, if I switch it to Mental Ray, it seems that a lot of the details get washed out. Are there any 'base setting' to capture every nook and cranny better?
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Oct 10, 2013
When I convert a DWG file into a PDF file I end up losing image quality on the PDF. The PDF file produced is not of the same quality that is on screen of the AutoCAD.
The difference is also very noticeable when printing the two files. On a hardcopy of both files, the printed PDF file is of noticeably lesser quality than the printed DWG file.
Lines become jagged and there are subtle breaks in the PDF compared to the DWG.
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Jul 12, 2013
I have a sheet that has several alignments data referenced and labels applied. Recently some of the alignments changed (slightly extended), I checked the sheet and all of the labels have auto updated. Everything looks good. A Print Preview looks good.
When create the print (to pdf), the alignments that changed and all the labels do not show up. Nothing changed with layers, styles, etc. I tried Synchronize and Refresh from Prospector. I can create another Data Ref but don't want to go thru all the labeling again.
Preview and pdf attached.
C3D 2012
C3D 2012 sp1
W7Pro 64bit
HP Z400 Workstation
16 GB RAM
Intel Xeon CPU W3565@3.20GHz
NVIDIA Quadro 4000
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Oct 20, 2012
I transferred some VHS tapes to DVD in VS 10+. They looked very good on my older 26" TV. We recently purchased a 42" flat screen HD and a Bluray DVD player that up converts DVD to near HD. When I played my DVDs that I converted from VHS the video quality is decreased. I burned the VHS tapes to DVD format, 29.97 rate, 7000 bitrate constant 720x480. What is the better format to transfer VHS to DVD?
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Feb 24, 2014
Some of the lighter, saturated colors in the PANTONE+ swatches library appear to be a different color in the swatch list than they are when applied to a design. see below for screen shots.
i can duplicate this situation on calibrated NEC MultiSync monitors and uncalibrated laptops. We are running on Mac OS X.8x and above.
Designers are complaining about not being able to pick a color from the Swatch Library in AICS6 or AICC. InDesignCC does not seem to have the same issue.
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Apr 6, 2012
I'm new to Paint.NET and i just made a picture and adjusted the canvas size. I want to know how to restore default canvas size settings.
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Nov 21, 2011
I'm exporting Tiff Prophoto files from Lightroom into PSPX4 for further processing. The images are 1 to 2 stops under exposed when compared to Lightroom's image.I have selected PSPX4 color profile to match LR export color space.
I have tried exporting the Tiffs as sRGB and adode1998 and still the images are under exposed. I have little knowledge about color management and have searched around the web for possible answers, but no luck.
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Jun 17, 2013
Is there a way to change the color of the Vignette to match the page background color. It appears to that only Black is available at this time.
Is there a transparent vignette available anywhere .
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Apr 13, 2012
It seems that, no matter how many times i save and update the profile, all the print setting (image size, sharpening, bit depth, color management, ...) are store within the preset, all but the Epson Driver settings, which have to be selected every single time.
I really can't remember if this bug was present in 4.0 or not (I'm currently running 4.1 RC), but I'm quite sure it was working OK under 3.x. Here's the thing.
I configure the printing settings and create. a profile: Profile1.I change all the settings and create a second profile: Profile2. The "Print Settings" settings are different, same printer, one for Color (Profile1), one for Advanced B&W (Profile2).I click on Profile1 (which was created with color Print Settings). Clicking on "Print Settings" or "Print", the printer settings selected under the epson driver is the ABW one (the one that belongs to Profile2).I reselect the correct setting from "Print Settings..." (Color).Click "Save" again.Righ-t click on Profile1 -> Update with current Settings. Setting seems to be saved.I then click on Profile2 and bam! The "Print Settings..." seems to be rverted to color instead of ABW.Update the correct settings, back to point #3
Can you reproduce this? This behavior is vanishig the power of the "Print One" button, unless you constantly print with tha same Driver settings.
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Lightroom version: 4.1 RC [820174]
Version: 10.7 [3]
Application architecture: x64
Physical processor count: 4
Processor speed: 2,4 GHz
Built-in memory: 8192,0 MB
Real memory available to Lightroom: 8192,0 MB
Real memory used by Lightroom: 2388,3 MB (29,1%)
Virtual memory used by Lightroom: 4759,6 MB
Memory cache size: 866,7 MB
Displays: 1) 2560x1440, 2) 1680x1050
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Epson R3000, latest OS X Epson Drivers.
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Feb 11, 2012
I have something like 1,850 photos, taken in RAW and later converted to DNG, to create a stop motion. All the photos were taken with the same camera (Canon 5D Mk II) and most of them with a 24-70L. All were taken in the same lighting conditions (in an interior, with the house lighting from flourescent lights) and the same day, in a period of maybe 2 or 3 hours. Each "take" was with the exact same camera and exposure parameters.
When processing the photos in Lightroom (using the LR4 beta) I can see some minor but very noticeable differences between color an exposure in the photos of the same "take". The exposure can be more or less automatically corrected by the Matching total exposures (although I think this doesn't work when the exposures are really similar, but there are some subtle differences like in this case, say, something along ~1/5 stop or so), but I haven't found how to try to match the white balance. All of the photos have already been set to a specific WB (I took a ColorChecker Passport at the beginning of the session), but there are still some differences between some of the shots. Some of them look a tad more greener. I blame the flourescent bulbs, but I'm not sure of the real cause.
So, the question is: is there a way to match the color balance of a series of photos to a target one? I really don't want to go photo by photo setting the white balance manually. Is there a tool like the Match total exposures, but for color balance? I have already tried with the automatic white balance, but the problem is that the decided WB for the photos is not the one I need, and I need to have the same WB for all the session, and this could change from different takes. The difference between shots is usually around 4 or 5 "points" in the Tint scale, some are with Tint +11, some with +15.
Or any other tool that could process this after? At the end I'll use JPGs to create the stop motion, so if there is a tool that could process the exported jpgs it could work too.
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