After Effects :: Camera Linked Space Effect With Particular

Dec 15, 2013

how to create a self generating space (static stars/particles) which is driven by the movement of the 3d camera.
 
The reason I ask is because I need to create a space flythrough over a long period (3mins) and i don't want to create a huge volumetric space to simply fly through as it seems very inefficient. Plus it has the drawback of the partcile cloud being visible at the boudary of the volume due to the lack of particles the other side of the volumetric boundary.
 
What the particular effect would need to do is act as a volume attached to the cameras position and rotation which generates particles at the exact opposite velocity of the camera so it gives the illusion that the particles are static and that the camera is flying past them.

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After Effects :: Camera And Composition Linked Sizes?

Jun 21, 2013

Having trouble working with a large composition and camera work. The size is 11264 x 6928 and when I add in my camera it wants to be comp size. But the size I only want the camera to show is 1920 x 1080.
 
Is there anyway to edit or unlink the camera and composition sizes so that they are separate? I have tried editing the comp size , adding in a camera at that point and then resizing the comp, but the camera resizes with it!!!
 
At the moment my work around is having the cameras z position closer to the comp and having this large comp nested within a regular 1920 x 1080. This seems all a bit unnessary though.

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After Effects :: 3d Camera Tracker Applying Key Frames To Camera And Not Null Object?

May 31, 2013

I don't know how to phrase it correctly but the 3d camera tracker inside of After Effects will only apply key frames to the null object. This causes the footage to rotate around itself.

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After Effects :: 3D Camera Tracker - Get Text To Only Move When Camera Moves?

Nov 23, 2013

I am working on a project where I am incorporating 3d text into a shot with an onscreen talent speaking to the camera.  I am trying to get the text to only move when the camera moves such as a pan or a hand held shake, making it look like it's part of the environment.  It will track with the camera and looks great until my talent /subject moves, then the text moves with the subject.  What am I doing wrong in my tracking?  I have looked up tutorials and articles searching for others who have had this problem and cannot find anything that replicates my issue.  Every tutorial I've seen does the same thing with fantastic results but I can never get the text to not move with my subject.

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After Effects :: Importing Sequences To Premiere Pro With Camera And Effects?

Aug 1, 2013

I have made a short film of 6 minutes (in 6 parts on after effects) I have added all the effects and the camera work on AE, but it needs a lot of editing here and there, which I find impossible to do on AE since you can't cut and join scenes like Premier pro. I need to import all these sequences onto premier pro for editing now. The problem is once I import the files, it imports in the right order in systematic folders etc, but it doesn't show any of the camera work or the special effects like gaussian blur etc. All my hard work has gone.
 
There must be a way you can import the after effects file on premier the way it looks on AE.
 
Another problem is I read some boards and it has been suggested to edit the clips first on premier and then add effects on AE but I read this really late and I've already composited the whole film on AE. I just need premier for cutting now.
 
P.S: I also thought about exporting the AE sequences as TGA files but there's ZERO space left in my internal hard disk for that, and it would take forever to export them all anyway. Any other kind of export would reduce the original quality which I dont want, and which I dont have space for anyway, so that option is out as well.

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After Effects :: How To Expose World Coordinates Of A Linked Object

Dec 16, 2013

Is there a way to expose the world coordinates of a linked object like a null?
 
When you link an object to another it uses its parent space coordinates or coordinates that are relative to the parent. I really need to know the actual world space coordinates.

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After Effects :: Use Crop Effect Brings Up Wrong Effect Controls

Jan 28, 2014

This happens in all versions I have been able to check in - CS5.5, CS6 & CC.
 
Repro: Import any footage to a new project - any resolution or frame rate. Create new composition from clip. Type in "Crop" in effects search Double click to load it. Result is an effect called "Wigglerama" & "transform" gets loaded instead of the required "Crop" effect
 
See attached image below - cannot believe I never saw this before

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Illustrator :: Objects Linked On Different Artboards - Transform Dynamic Effect

Apr 12, 2012

New to Illustrator, coming from CorelDraw background, wanting to notch up a lvele or two. I am trying to make a series of business cards, for some people in the same company, and thought I should make new artboard for each business card, but somehow duplicate common text and graphics on all of them. Is this possible with something lika a Transform dynamic effect?

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After Effects :: Embedding Countdown Timer That Is Linked To Real Time Into A Video

Mar 24, 2014

What I am trying to accomplish is to make a 10-sec video that has a real time countdown clock to a certain part of the day (Ie: 5 hours and 10 secs left till 8 pm). Designing the clock is simple, what I cannot figure out is what program i should use and how to make it link to real time. Is this possible in after efects or do i need to use flash professional or something else. To give you a little bit more information, typically I design ads that just run on a loop, this ad has to be different because it needs to run in a loop and somehow go and get the countdown according to real time and not just the videos length.  (I've heard of somehow making a flash SWF file that either links to computer or RSS file, but how to do that in aftereffects.) This is what i can find, but NOT what i want: [URL].... I want it to use real time for countdown.
 
The media player running this 10-sec video ad is apparently compatible with Flash SWF.

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Maya :: How To Export Camera To After Effects

Jan 5, 2013

I'm trying to export a camera from maya to after effects. My null objects are coming in correctly but my camera is not. I've baked key frames but am still not having any luck. Look at my maya file and see if I'm not following the correct steps? up_wipe_camera_v01.3.zip

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After Effects :: Camera Only Should Affect On Layer?

Jan 3, 2014

I am trying to use the camera to zooom into one layer. the front layer should not be affected by that - so how can I make the camera only affect ONE layer not all?

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After Effects :: 3D Camera Tracker Error

Apr 5, 2013

When I take a clip from Premeire Pro with no effects on it, replace with after effects composition --> then try to apply the 3D camera tracker in After Effects (CS6) I get the error message "3D Camera Tracker analysis doesn't work with Collapse Transformations (514) ( 25 :: 101 ).

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After Effects :: More Flexible Imports For Camera Raw

Mar 21, 2014

Even if there are NO changes to the settings between individual (non-sequential) images, each import of a camera raw file must be approved by clicking okay for each file. In projects which involve hundreds (thousands?) of unique stills this is needlessly tedious.
 
Instead, the option of one CR dialogue would suffice that could (again, optionally) be applied to all.Adopting Photoshop’s Camera raw dialogue’s ability to process BATCH images in the window and opening them all in PS seems like a natural solution to AE import hangup.
 
This should also  allow for the option to re-open the dialogue after import on one or more stills to modify the contents and then close.
 
In addition the fact that AE insists that a still need be at least one full second seems like an unnecessary restriction. Why is it not possible to import an image as just one frame?
 
The modification I suggest would saves tremendous time and allows for incredible flexibility.
 
We had an animation project where we have to manipulate1200 stills in After Effects to create an animation. Since the stills were not shot sequentially and the editing/compositing needed to happen within AE, importing as a sequence was not an option. The impediments in basic import functions added a full day's work just to import the files(!). We ended up selecting the images in LR, applying minor correction, exporting the selects as DNG files, importing them into AE (clicking the OKAY button in the CR dialogue for each of 1200 images) then selecting all the images and creating proxies so they were easier and faster to work with.  (note: we ended up buying a proxy creator script because AE won’t generate proxies for multiple items in one action)
 
This is not an isolated case for one project. We require this function all the time. But the tedious importing of 1200 images in one project really broke our moral.

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After Effects :: Unable To Add A Camera To The Project?

Apr 1, 2014

I've been trying to add a camera to my project but when I do, instead of just popping up in the layer section it also pops up lines in the actual project, which is not supposed to happen.Also, when I try to zoom in or do anything with it, the camera lines on the screen reacts to it but not anynthing else.

Not the text, not the background, not the reflection, not the logo's, nothing!

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Photoshop :: Creating Shiny Space-like Effects

Jul 10, 2008

I wanted to find some space-related brushes from photoshop

Obviously using a solid color and painting the brushes on a black background isn't going to do very much for me. I'm kinda new to Photoshopping stuff but I was wondering how they got the shiny, mysterious coloring on those brush sets in the sample images, rather than a boring, solid color. What effects on they using?

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After Effects :: Set Default Working Space To Always Be SRGB Instead Of None?

Apr 9, 2013

How do you set the default color management / working space to be sRGB for all new projects, instead of reverting to none?

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After Effects :: Folder Doesn't Have Enough Space For Cache Even Though It Does

Jul 17, 2013

I recently purchased a LaCie external SSD solely for the purpose of storing my After Effects disk cache. The SSD connects to my MacBook Pro via Thunderbolt.
 
When I check the info on the SSD, it says it has 254 GB available, so I set the maximum disk cache size in AE to 200 GB, and created a folder on the SSD for the cache. Then I pointed to that folder in AE as the specified disk cache folder.
 
When I relaunch AE, though, it tells me I don't have enough space in my disk cache folder to accomodate the 200 GB max I set, even though I have 254 GB free on the SSD when I check.
 
Does this have to do with me creating an empty folder on the SSD to house the cache? Do I have to just use the root folder of the SSD to make use of all the available space?I just found out AE doesn't even let you use the root of a drive as the cache folder, so that can't be the problem..

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After Effects :: Mega Zoom In Z Space Is Getting Slow?

Jun 19, 2013

I need to make a 30 second long zoom in Z space and I'm using a 3D camera for that. I've separated the dimension on the positioning of the camera so I could use only the 'Z position' to make the zoom.
 
I'm starting the Z positioning from 0 until -700000  (I know, It's kinda far!) But I've noticed that my images (which I've placed in 3D space so they pass the camera in Z space)  are getting slower and slower because of the far zoom I quess?

How closer I get to the number -700000 how slower the camera movement is going.

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Lightroom :: Odd Effect With Camera Profiles?

Jan 30, 2013

how a raw file looks in LR straight out of the camera using the Adobe Standard profile.

and this is how it looks with the profile set to Camera Standard. It seems as though the Adobe Standard profile is clipping the green channel in the magenta shades for some reason.
 
Clearly switching to another profile will solve it but my presets often set the profile so it's a bit of a nightmare.

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After Effects :: CC Light Rays From Camera Perspective?

May 23, 2013

I have been messign with CC Lightrays in After Effects 5.5 and im using it by adding keyframes to lower and up the intensity back and fourth to make it look like the light is moving. My question is though, How can i get it so that the source of the rays is off screen yet fills the screen with its rays? Because the more you drag the source light off screen, the more it makes a cone chape of light. Also, i wanted to know how i can make the rays coming at me when im facing the camera. I have a shot where im looking at the camera and i want it to look like i'm looking into the light rays and i'm also surrounded by it.

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After Effects :: Getting Pixelation When Add Camera Layer To Imported MOV?

Jan 20, 2014

I've created a composition with animation in After Effects.  Because of the complexity of the composition and its many layers, adding a 3D camera layer to it spawned a whole lot of issues with the wipe effects I had on the pre-existing layers and movement of my layers.  So I rendered the composition without the camera layer, nested the .mov into a new comp and added a camera layer.  The animation works great but I'm getting a lot of pixelation.  Highest HD settings, full resolution, preserving quality of layers when nesting and not sure what's happening. 

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Illustrator :: Images Linked On MAC Not Linked On Windows In CC

Jan 25, 2014

My designer has created an Illustrator file on his Mac that has linked images.  When he sends me the all the files and I open the ai file in Illustrator CC on my Windows PC, I need to re-link the images. One image can't be found at all.
 
However, if I open the file in CS4 it finds the linked files no problem.
 
Is this some bug in Illustrator CC for Windows?

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AutoCad :: How To See Lineweight Effect In Paper Space

Feb 12, 2011

I think that line weight controls line thickness in plot.

If I want to see the result in paper pace, what shall I do?

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VideoStudio :: X3 - Adding Camera Flash Effect?

Mar 2, 2011

Any easy way of adding a camera flash effect to a VS project rather than refilming it? I am using VSx3

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Photoshop :: How To Remove Camera Phone Effect

Aug 9, 2008

I was wondering how do you take the camera phone effect on a picture. I've tried many times but it would come out really burnt looking or too bright and you can still see the little dots that the camera phone leaves. Anyone know how?

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After Effects :: Working With 3D Layers And Camera Only In Miniature Scales?

Feb 10, 2013

I'm matching 3D layers in AE to footage shot with camera. When I try to work with this I seem to work with sizes that AE can't cope with. In real life a layer should be 20 meters away from the camera. When I try to set these settings it jumps back to about 12 meters. ALso the camera can't be offset more than about -12000 mm (12 meters). That's no good. After Effects seems to work with tiny sizes. (you can't use meters or even cm as units, just mm). When I look in top view in my windows everything is out of reach. can't find the camera, can't find the layers. So...of course it's me doing something wrong and AE should be set differently, but how?

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After Effects :: Extracted C4D Camera Data From Cineware Does Not Align?

Dec 17, 2013

I spent the better part of the day animating a Camera (using the CSTools DocuCam setup) in Cinema. It's excatly how I want it. The camera rig is parented to a null which is simply changing its position around the scene. I'm also keyframing a target null that the DocuCam is following. The DocuCam has several xpressions that cause it to "wiggle" and quickly zoom in and out to give a handheld feel.
 
First attempt, I brought in the C4d (r14) file into AECC and hit Extract Camera data. Solo'd out just the DocuCam (the currently selected camera in the C4D source file), and added a Solid to the Comp. Scrubbed through the timeline to see if it moved away from the Camera as expected, and it is totally misaligned. The camera doesn't rotate or perform any of the same movement as it did in C4d.
 
I also tried baking all the keyframes for each of the elements in the c4d file, and re-import. Not any better. All the frames for the camera do import (without the nulls, etc), but again, it looks like I'd have to muck around with some nulls in AE to (maybe) get everything to align.

It will be annoying to have to CameraTrack my 3D rendered scene, when I have all that data in C4D.
 
Other attempts included:
 
Trying to use an .aec file and that only imported 1 keyframe for the camera, despite the baking method.
 
Repeat same procedure, this time with External Compositing Tags attached to the camera and assoc layers. Even attached it to a dummy object (Cube) in front of the camera and tag'd it.

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After Effects :: Why Cineware Not Exporting Camera Data To C4D Lite

Oct 28, 2013

I have a live shot that I have 3D Camera Tracked using the built in AE plugin. I select 'Create new Camera and Solid'. AE creates a new 3d tracked camera and a solid. I save my comp. I go to 'File-Export-Maxon C4D', and create a new .c4d file. I import that file to AE, and put it in my comp. I go to 'Edit--Edit Original...'. C4D Lite opens up. I can see a new null, with a plane and camera inside. Everything looks great, but the camera has no animation on it. Upon closer inspection, I realize that none of the keyframes from my AE camera have been exported to my C4D camera.
 
I've tried exporting a new camera to C4D in as many ways as I can think of. The other strange thing was that the 'Merge Camera' button in the Cineware plugin in AE is grayed out, no matter how many new cameras I make. I've even made my own cameras and animated them without using the 3d Tracker plugin and it never exports correctly. I've also tried reinstalling C4D Lite.

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After Effects :: Merged Cineware Camera Results In Jerky C4D Cam?

Jan 30, 2014

I am explorng the wonders of cineware and am running into a problem. animated a camera between two points. I animated the position, point of interest and X rotation I dragged a c4d file into the timeline and as expected the axis correlation is all goofy so I thought I would merge the camera data and recalibrate my c4d scene.
 
I selected "Comp Camera"  in the Cineware effect and then clicked "merge" under commands. I made sure that my c4d project was closed while I did this. I then hit command E to open my c4d project. The camera appears but instead of two set of keyframes, there are like 20 and as the timeline plays, the camera jerkes all over the place. there seems to be no rhyme or reason. It moves in the general directio nof the original ae cam animation but the cor. parameters are all over the place. I tries with the some easing interporlation in AE first and then just linear to make the animation translation easier. Same thing happens.

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After Effects :: How To Find Where An Effect Was Used

Jul 29, 2013

I'm running AE CS6 (on MBPro OS X 10.7.5) and I just re-opened a file made with AE CS4 that uses some BCC plug-ins which I haven't re-installed in CS6. I got an alert that some effects were missing from the project.  I'd like to find out where the effects are used in the project so I can delete them and end the alert message's reign of terror.  Is there a shortcut way of doing that or must I hunt through every layer manually?

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After Effects :: How To Multiply An Image And Animate It In 3d Space To Create A Shape

Sep 9, 2013

He wants me to take an image (Its just a square image) and have it start in the center of the screen, and as it scales down and moves to one of the bottom corners (I've already got that part done) the image multiplies and creates a seamless circular/oval band in 3D space. He also wants this done with another image, but for this other image (also simply a square) to create a sphere as it multiplies.
 
Is there an easier way to do this, or am I going to have to place, manipulate and animate each individual copy of the square image to create a solid band?

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