I'm asking specifically about rigging a gun, where there are about 3 moving parts.
I'm not able to paint weights when it's all put together, so need them separate, and need to assign bones exclusively to each moving part.
I've migrated from Maya to 3ds Max for character animation and was wondering - When I apply a skin modifier then go to 'Edit envelopes' - is there an equivalent to maya's artisan interface? i.e. Can I paint weights with a brush rather than vertex by vertex or entering numbers?
View 1 Replies View RelatedI have an object with several animation layers. When I clone(copy) it, the new object also has the same animation layers. That should be OK.
The weird thing is, when I start to mess with the animation layers of the second object. If I disable, lets say, layer02 on the second object, it affects(disables) layer02 on the first one. Somehow the objects are connected through the animation layers.
Is this the normal behavior of the animation layers? And if it is, how can I make two separate copies of the animated objects?
I have an old figure that is high poly and skinned to a bone skeleton. I want to rig it to a CAT rig for some of its quick animation features. Ultimately I want to be able to export the model into UDK to learn 3d demonstration and game development.
I have aligned a CAT rig to match the bones of the old figure. If I select and link the bones to the respective bones in CAT rig I can get the figure to animate perfectly and quickly, but when I export to the UDK through FBX the figure is severely distorted. I've found that the old rig needed to match the rotational axis order to the new CAT rig bones which worked a little on several of the limbs, but the initial translation of each bone does not get transferred giving an offset to the bones that still distorts the figure.
I want to rig the character with the CAT, but the figure uses painted vertex weights. I could spend an immense amount of time to try and replicate the quality done by the vertex weights, but if there is a tool or script that could speed up the process. I am looking for a tool that would be able to transfer vertex weights between bones. Ideally I'm looking for a workflow like so
1. Load figure
2. Add CAT bones to skin
3. Edit envelopes
4. Select bones or vertexes to copy
5. Copy vertex weights
6. Select bone destination
7. Paste vertex weights
The paste should then delete the influence on the original bone to complete the process.
I've seen something very similar to what I've been needing from this artist that goes by the name of Sun Dawei. A search for "Dawei Sun transfer vertex skin weight" minus the quotes gives you a video that would visually show the process I'm looking for. I don't know the policy on putting links for videos that I don't own so I won't put the actual link here.
I would like the script that Sun Dawei developed, but I could not find a download for it. He might have wanted to keep his work private, so I'll respect that.
Should I put elbow FK orient wieght 0 or 1 and vice-versa.
View 2 Replies View Relatedi need to know how separate a portion of an animation.
I have an animation from 0 to 200, i want the part of animation from 30 to 60, so i used the rescale - time. Ok now i have only the animation from 30 to 60, but i want to move it to 0 - 30. How i can do?
am working on a rigged character thst's been weighted but I need to make some adjustments to the weights. When I try to zero out by painting the part of the mesh that;s being tugged during animation run I get a message "Warning, Specified weight can't be set due to locked influence".
How do I unlock the influence?
how to edit revit objects in 3dsMax. How do I separate objects to make them individual objects? In other words, when I try to select the roof, I get ALL objects that are "dimensional lumber" i.e. I joists, roof, fascia, etc.
I tried selecting a roof polygon and making a copy and editing it but still when I apply materials to this polygon they apply to all of the dimensional lumber. Probably because I made a copy as a clone but it didn't give me the "copy" option.
I've been learning about skinning and weight painting. I have a problem where I don't see any color feedback on my mesh when I paint it. My vertices move with my brush strokes but I'm basically painting blindly as I can't see the colors. In all tutorials that i've found on the subject, they just activate the tool and the mesh turns black (or colorful depending on their settings)
View 2 Replies View RelatedI would like to move elements of that painting onto a separate layer. What is the best way to do this? An example of this would be a painting with the moon in a night sky. I might want to move that moon object into a separate layer.
My reason for wanting to do this is I want to change the background of the painting without worrying about doing fine details around the objects I am moving. A second benefit of moving the objects to a layer is that I can then easily move the location of those elements in the painting around, trying to reposition them.
can I get all of the elements I am moving onto a SINGLE layer AND still have the ability to move those elements around separately? If I want to move 10 elements in a painting to a separate layer, it is REALLY inconvenient to have to put those into 10 separate layers and constantly maintain naming of these different layers.
Is there a way to quickly assign all the Skin vertices with 0.0 weight to their correct biped link?
In my attachment there is about 50 vertices remaining having already corrected about 50 by hand. This is not a problem to do by hand however I have 20 more characters to modify after this any scripts/tips etc.
How do I measure the weight of some steel objects in autocad 2012 ? For instance if you draw a 10mm plate 2 meters by 1 meter ?
Are there any plug-ins or extra programs that work with steel shop manufacturing detailing etc when drawing in Autocad?
I need to paint the weights of two verts to cling to the middle back. These verts are on arrows that are stuck in a quiver. The quiver is painted to one back joint, as are the top of the arrows. However, the tips of the arrows are painted to the clavical.
I went into the component editor to try to weight them manually to the back, but in the CE, in smooth skins, they are weighted (1.0) to the clav. I know how to weight a vert to different bones if the CE lists them at the top, but since these verts are only weighted to the clav I don't have the option to set the clav weight to 0 and the back joint as 1. And, obviously, I don't know how to manually add the joint I need into the CE to weight it to 1 and kill the influence on the clav to 0.
I tried massively increasing my clip plane to zoom in, doesn't work. The paint weights brush just will NOT pick these verts up.
i have a rigged single mesh character, but now for a video games i need to separate mesh in submeshes. (For example i want to separate the right and left hands from the body). So how can we break the mesh without breaking the rig and the vertex skinning?
View 2 Replies View RelatedI would like to use the same bones to skin a mesh in two different ways. I would like the first weight map to handle how the mesh reacts to the influences' transltes and rotates, and a second map that handles how the mesh reacts to the influences' scale.
View 1 Replies View RelatedI'm familiar with blend shapes within a given model, but I'm wondering if there's some way to blend SEPARATE models so that one blends into another, perhaps by assigning points manually or something of the sort.
I study vertebrate development. I will be creating a bunch of 3D files based on confocal microscope data at different developmental time points, and I'd like to make a 3D model in Maya that blends these various models chronologically.
I'm wondering if I can use "File > Export > Send video to preview device" to play an open timeline document on a separate monitor, while at the same time working on the document on my computer.
For example, I want to do an animation demonstration. I want to be able to work on the animation on my computer (adding new frames/video layers, and drawing on them), and have a preview of the whole video play continuously on a separate monitor, without me having to stop and and switch back and forth between working and previewing.
I'm using Photoshop CS6 on a Macbook Pro, OSX v10.6.8
Is there a way to export all frames of an animation at once as a sequence of gif files? (rather than going to file-->save for each frame)
A related question: is there a way to select multiple objects on different frames for easy editing?
Is there a way to morph 2 separate objects from one to another?
So far all I've found is morphing 2 objects who have the same root-object
Is it possible to morph 2 totally different objects without any root-relation?
Intel 7 - 2.8Ghz
NVidia Quadro 4000 2Gb GDDR5
8Gb RAM
3D Studio Max Design 2013 x64
Windows 7 x64
I want to make a robot arm that bends in the middle and has a tube connected at the top and the bottem so it bends along with the arm.I don't want to use reactor I just want it to be constrained at the top and bottem and just move near the arm and the arm moves and bends.
View 3 Replies View RelatedThe weight of the parts is correct but if the quantity is greater than 1 in a weldment the BOM collumm does not do the math and multiply the quantity X the weight. If it is a formula what is the syntax?
View 1 Replies View RelatedFor theoretical purposes, let's say that I am building an animation and that I have 10 layers in this animation thus far. Now, let's say that I would like a watermark to be overlay on every single one of these individual layers.
The only way that I would know how to do this would be to make a layer with the watermark, duplicate it nine times so that there were a total of ten layers with the watermark and then painstakingly go about the process of merging one layer of the animation with with one layer of the watermark and then repeat this process nine more times.
Whenever this situation comes up, whether it is a watermark or a correction of some sort that belongs on ALL LAYERS and I do this the only way that I know how, I think to myself that with something as powerful as CS 5, there has GOT to be an more automated and easier way of going about this.
Fro example when i release to layers in illustrator i than can use separete objects in after effects to animate it. In xara i find one option is to export separate layers as png. Is kind a way to go but not when i have my entire document with hundreds of objects on one layer.
View 9 Replies View RelatedIs there a way to have separate objects in 1 layer, what i mean is that if you paste something, that i want it to show up as a objects in de layer, like in photoshop, so i can still drag it around.
but the way it is now, is just if you paste something that it REALLY pastes it on the images, you can't move it around after you deselected it.
On illustrator cs6, I have a complex shaped with a gradient fill. when I go to expand there is an option that says Expand Gradient and you select the amount of objects. so I selected 6 objects, and the expand tool did what I expected, my object got divided into 6 objects with fill colors relative to the gradient.
so I hit undo, and I moved a stop on my gradient slightly to affect the results a bit, and now it wont expand the same way. my gradient stays a gradient. I tried drawing new shapes with gradients and the gradient wont expand.
Is there a way to assign just specific vertices to a bone by selecting a separate part of an object? Like for example, I have a model of a gun which I'm trying to rig now and this gun has two barrels, one obove the other, and each of this barrel needs to be assign to a different bone. Those bones are there, but the problem is that certain parts (vertices) of second barrel are assigned as well to the second bone, which is incorrect. How do I select only part (an element) of an object and assign it to the bone?
View 5 Replies View RelatedHow do you make someone appear thinner or fatter in Photoshop.
View 9 Replies View RelatedI came across this site a few weeks ago and was happy to see that a community like this existed. I am new to CorelDraw and have been playing around with it because my friend just bought a Roland GX-24 vinyl cutter and I wanted to make some designs for it. I, however, am overly experienced with Photoshop and not enough with CorelDraw, but would like to balance that out.
I came across my recent predicament when I exported my CorelDraw image into Roland CutStudio and it wanted to cut all the underlying curves from each layer, instead of the black and white image as it appeared. I wasn't surprised this happened because I couldn't figure a way to join/ merge the curves before I exported, but I was still hopeful that it might cut the image as it appeared.
This first object is a blade layer and as you can see from the picture, when selected, its curve goes right through the other spiral object. How can I merge these curves? As it stands right now, I can't even figure out a way to select the two of them at the same time, let alone join the curves.
....and vice versa in this picture, the spiral object when selected goes right through the blade
....and in the foremost layer of the image when selected, the curves also continue through the spiral
Here is a picture of the current layers for this whole image. The front layer I paint bucket filled numerous portions of it with white so it stuck out above the bottom two other layers, so all the fills make it a group of 161 objects, and the next layer is a group of 2 objects which are the spiral and the blade from the first 2 pictures.
My question is how can I merge or join all the curves in the entire image, essentially flattening the whole image as it appears?
I have a block which represents a piece of equipment on a factory floor. It has two subcomponents which are blocked with the main equipment. Consider a rectangle and two smaller circles blocked together. Each of the subcomponents (circles) has a point parameter and a move feature so that the components can be moved independently from each other and from the main equipment.
Here's the issue: If a user accidentaly (or purposely) places the grip from one of the subcomponents snapped to the grip of the other subcomponent, then the two seem forever attached; when I try to grab the grip of one of the subcomponents to separate them, both grips get selected and both components move together. At this point the two components appear to be inseparable with the grips permanently joined.
Here's the question: Is there a way to separate the two components once their grips are made coincedent? Or is this a case of "just don't snap the grips together"? I'd like there to be a way to pull the components apart.
I have created custom text, so that each letter in my 3 letter word is a separate compound object.
Now I have made a filled (with gradient) ellipse and rectangle behind the text to create a clipping mask with all 3 text objects. (see image1) However, when I select all the objects and select: object>clipping mask >make, it only mask the one letter, which is the one on top. (see image 2)
However, when I group the 3 letters together, it does not create a clipping mask at all, it shows nothing... (see image 3)
How do I ake all 3 letters be in the mask?
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Is this possible? The problem with the express tools is that they place these single line text objects into one MLtext which is not what I want.
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