I've got a client that needs the PMS colors of his logo. The problem I have is that his logo has a gradient and since I didn't originally make it, I don't have the original source files.
View 1 RepliesI have a Swatch preset with special colors that has a purpos in a game. In order to create game graphics I need to be able to do gradients with only a group of selected swatch colors, without photoshop creating "new" colors in between these.
Is this possible? If not is there a workaround?
I'm currently working on a User Interface for a Wall Panel, but this Wall Panel has only 16bit (65.000) colors, i've tried a lot of different things but can't find a way to get smooth gradients, my images always have gradient banding.
I was wondering if there is a way to tell photoshop to work in 16bit mode ? (not 16bit by channel) so that the colors selected for the gradients would always be contained in the 65.000 available colors.
For the moment, the only way to get a 16bit image is when saving a file as a bitmap and selecting 16bit. But everytime i do this, gradient banding immediatly appear. Maybe photoshop bitmap encoder is just not that good for 16 bit mode bitmaps .
when i reopen a doc with vector shapes on cs6 the shapes that have a gradient change the colors to a gradient made of the foreground and background colors that i had set in that moment:( like all the gradients turn grayscale, usually or any other 2 color combination i had. i dont want to rasterize or convert to smart objects the vector shapes.
View 5 Replies View RelatedRectangular Selection > Blend tool > Gradient >then pick oh, maybe Burning Transparency for example,or Tube Red -- Is there any way to choose the colors forthose gradients? To make them FG & BG Colors forexample?
Using GIMP 2.6.11 on linux, Suse 12
I'm struggling to create gradients for screen printing purposes. The artwork will be printed on 12oz canvas using 3-4 pantone spot colors.
1) if I fill an object with a single Pantone color, create a mesh gradient from it using a variety of different opacity settings, say 100%, 50% and 25%, then play around with the mesh handles to produce a pleasant, mixed background, will a gradient of this type work for screen printing? I don't know if a gradient of this type will require halftones, as a linear or radial gradient would.
2) it's my understanding that when you prepare artwork for screen printing using spot colors, each color should be on its own layer. In an attempt to add highlights or shadows to an object, if I copy an object and paste it in front of itself, then apply a gradient using another Pantone spot color, say Pantone Process Black(100% to 0% opacity), does it matter what the blending mode is? Obviously you'll get different results based on the option you choose, but again, I'm concerned here only with screen printing. I can then place the gradient on the Black layer.
The problem is that I'm familiar with off-set printing, and apparently gradients have to be converted into halftones when screen printing, so I'm trying to figure out the best way of creating shadows and highlights.
I am working with Cs6 (Windows 7). I am trying to apply a gradient fill to an object, but don't know how to get the swatches to show colors. All I have is graytones. How do I load the color swatches? I do have the gradients and swatches open in the tools panel, but the swatches is just empty.
View 2 Replies View RelatedDevelop module sliders changed to grey from their previous colors and gradients. Any way to change back?
View 3 Replies View RelatedI click the gradients panel and then the dropdown of gradients on the left side.
All I see is: White Black, Gold Dust, and Blue Sky.
I know AI has a ton more gradients premade than that so why aren't they in the list? How do I add more to that dropdown?
How do you make a 3 colored gradient? Like Orange, Red and Blue?
View 6 Replies View RelatedHow do I create my own gradients? I know how to manipulate existing gradients and I DLed a few free gradients as well but i would really like to make my own. Anyone know how to do that?
View 2 Replies View RelatedI am trying to create a gradient glow effect like the attached, my attempt is on the right hand side but it has rings and just looks crap... Was this not done in Photoshop? I thought this was the best program to do this type of thing in... I just want to create nice gradients!
View 5 Replies View RelatedI recently installed CS5 on my laptop after first removing it from my previous machine.All licences were validated so no problems there.Now when using paint bucket in Photoshop, the colors that I select in the color picker are not the colors that result when I use the paint bucket.
If I create a new black canvas then the colors selected in color picker work with paint bucket.But if I attempt to recolor the background in an existing image that I import into Photoshop, I get the mismatch with colors when I use paint bucket. My method for selecting colors is the same in each case, I select 'set foreground color' and set the color using html values entry at the bottom of the panel.
Just wanted to print a new photo and realized that the colors in print preview do not match the colors in soft proofing. In both cases I selected the same icc profile and rendering method. The print colors matched the colors in print preview. I never had a problem so far. All new prints will be checked with soft proofing and adjusted when necessary. I never paid attention to the color rendition in print preview and all prints perfectly matched the colors from the soft proofing. I was surprised when my print came out of the printer and the colors weren't matching the soft proofing colors, but that of the print preview.
I don't understand why Photoshop renders the colors differently in the first place. See attached screenshot for the difference in the blue/cyan colors. I don't care if the print view colors will match the print, but I do care when soft proofing is not working.
I recently wrote myself an action that includes a gradient layer (two colors in radial so one color is in the center and fades to another on the outer edges)
The gradient's position is exactly as I want it when I return the action on horizontal images, but doesn't work on vertical, as the gradient stays horizontal when the action is run, and so the edges are more or less lost.
This might be a daft question, but is there anything I can write into the action so it knows when it's running on a vertical picture, and when it's running on a horizontal one, so the gradient layer will have the corresponding position? Or is this (as i have a feeling it might be) a case of inserting a stop, and message telling the user to manually adjust the angle of the gradient before continuing?
I have been trying the achieve a smooth colour gradient in one of my PS drawings using the gradient tool. No matter what I do I alway get banding. The worst scenario is when I try to use radial gradient.
I'm using large (80x50ins@200dpi) 8bit psd files on a colornavigator calibrated Eizo CG301w. (Vistax64)
Greyscale gradients are really smooth but the colour gradients are not....
there's a sharp transition after the smooth one (transition end and fill color doesn't match)... What is configured wrong? in the gradient settings, there's only one color, and gradient midpoints are also in the middle...
View 1 Replies View Relatedi used one of the preset gradiant colors and cant get it to use the pallete for gradients.
View 3 Replies View Relatedi'm working on a 16 bit psd photo file. i'm using an adjustment layer with a layer mask. when i draw a gradient or use the eraser tool on the layer mask i've been noticing a banding pattern.
View 4 Replies View RelatedI recently upgraded from CS to CS3 and I can't for the life of me figure out how you set the gradients so they add on top of each other rather than overwriting.
View 2 Replies View RelatedI'm an artist by profession and having problems trying to blend colours consistantly on canvas. At the moment it is trial and error. Is there software out there that if I select two colours , the programme will create a colour gradient and by selecting a certain point on the gradient by using a dropper, the programme is able to calculate in what proportions (%) the two original colours were mixed?
View 1 Replies View Related9.0 CS2, but it is not so important, because the questions are fundamental.
Gradient Overlay
1. Look at the gradient settings scale. Why gradient isn't stopped at the second opacity stop and go on till the edge of the settings scale? After all, following the logic it’s the opacity stop and the gradient filling have to be stopped at it. That is to say If the logic of gradient algorithm is next. Filling begins from the left edge of the settings scale and stops at the first opacity stop(this filling is initiated by first markers). Then it continues since first markers and stops at the second opacity stop(this filling is initiated by second markers). But in practice filling continues since second markers also, though there is no third markers which initiate it.
2. Why second markers are necessary(they can’t be deleted)? I can suggest if second markers would be deleted and the first would be moved to position of the second, we would got the same gradient preview. Of course if the filling begins from the left edge and is initiated by the markers as I wrote above.
3. User color – you can set fixed color, which you can choose for the future in a dialog window. The window can be called via click to the pointer near the color icon.
When I click the pointer I see only one window where are three text items – foreground, background, user color. All is clear about foreground and background, they are set in two squares in the tools palette. When I choose “user color” there is no any window is appeared which have to contains at least current user color icon, color picker window, and buttons that allow to tune and apply user color: “set as user color sample” for picked color, “use user color sample as user color”. So how I can tune and choose user color?
Gradient:
4. I use gradient tool from tools palette. I spent it since canvas top edge till guide line. What is the gist of spending it for a specific distance? Why the color of first color stop fills the space till the guide line changing and stops at some light blue. And then monotonically fills with it all distance from guide line till canvas bottom and have no any opacity changes at bottom. Although it have to have some opacity changes because them present in the end of gradient settings scale.
I frequently find myself recreating gradients created in illustrator using Photoshop. however, even when using the exact settings for color, opacity, and location, they never come out the same. is there some rule of thumb or some logic as to how those two applications create gradients and how to better approximate them?
View 5 Replies View RelatedI try to load gradients I saved in cs5 and it now says I've exceeded the number of gradients. it would never save them so I had to keep loading.
View 3 Replies View Relatedi`m trying everything to get the smoothest softest blends possible in photoshop, and I think its possible because Ive seen a lot of digital graphics where it is really nicely done, but mine is a disaster.the banding and artifacts in it are disheartening. whether with brush or gradient, even on small areas like 7 to 12 inches. I'm not talking about poster size just average A4 pages being painted.
I've used the brush tool on the softest setting, and a wacom bamboo tablet, with pen pressure determines opacity seeming to produce the best results, low opacity to try build it up, opaque etc, and very close tones, as close as possible, and the gradients don't fair much better,
is this the way it is or is there another technique to get smooth blends with the brush or gradients? the colour picker seems to have smooth silky powdery blends, I thought it would be possible to paint like this with the airbrush in PS but it doesn't produce this kind of softness.. of course the colour picker is code generated not with a brush,,
-here the brush is used on 3 types of settings, the last being with pen pressure determines opacity producing better results, but not what I expected.
-here I used a large soft brush which was larger than the oval, and a few swipes across but I can still see artifacts or shapes in there,
getting rid of some of the gradients in the gradient palette. I'm using Photoshop CS3. Sometimes the graients I create are added to the palette, sometimes they are not, (regardless of whether of not I save them.) The palette is full of gradients at this stage, (some of which are default gradients I would never use.) There doesn't seem to be any logical way to get rid of some of the gradients that have been stored in the gradient palette.
View 4 Replies View RelatedI'm demo-ing Photoshop CC, and I came across an unexpected behavior when opening a CS6 PSD.
I have a shape layer that is composed of closed curves which use the path operation "Intersect Shape Areas." In CS6, I added a layer style with a tight gradient that is vertically positioned to show a certain part of the gradient, and the gradient seems to be confined to only the visible intersection of the paths.
In CC, however, the gradient seems to be applied to the entire region of the paths, and not just the intersection - as if there were no path operation performed. Here's an image to show what I mean:
The only way I could reproduce the desired effect in CC was to merge the shape components. But, I'd rather be able to keep the shapes editable at a boolean level.
Using CS6, I created a sky gradient on a new layer, then imported some photos to other layers for a composite. Then I noticed horizontal banding of varying widths in the sky area of the gradient. When I use the Move Tool to move the gradient layer around, the bands move along in a fixed position, so it's not my monitor. When I Option-click on the gradient layer eyeball icon to make just that layer visible, there is no banding on the screen, just a smooth gradient as it should be.
I have never noticed this happening before. What causes it and what can I do about it?
I am now using CS5 and I have spent probably at least 10 hours trying to learn how to efficiently use the gradient tool to fade luminosity and color adjustments. I have comletely failed to figure it out on my own or find any useful tutorials.
One of the editors I used to have made it really easy to drag out a gradient wherever I wanted it. That may have been CS, can't recall.
I'm not the slightest interested in all the colored effects type gradients that are all over the internet. Any good tutorial that focuses on the underlined task? Or, where to find a good plugin or seperate program to do the job?
I found an issue with how Photoshop CC is dealing with gradients and other soft edge transitions on a transparent background with Adobe RGB.made a new document, 2"x2" at 300 ppi and Adobe RGB, added a new layer, used a black to transparent gradient across the document, and made sure the background layer was turned off.
In CS6 I get a nice smooth transition, but in CC there is an abrupt and ugly transition. If I turn a white background layer on gradient looks nearly identical other than CC showing slightly worse banding. Changing the color mode to CMYK produces a smooth gradient on both. Soft brushes produce the same effect. I noticed it when using a soft brush on a mask.
All settings are the same and I have checked the results on two co-worker computers (all 3 are Mac Pros) with the same outcome.
I've searched on "irregular" and "gradient" and a few other terms, but I did not find anything from the past to answer my question. If I am repeating an old topic, I'm sorry.
I am trying to find an easy way to create gradient fills that are not linear or circular. I want to create them in irregular shapes. So far, the only way I can think of is to draw my shape, select it, fill it, then go to Select>Modify>Contract then fill it with a slightly lighter color then repeat the process over and over and over again until I reach the center. I could certainly create an action to do the contraction of the selection so it would be a little easier, but I would still have to change the fill color each time and then fill the new shape. Is there an easier way?
I'll attach an image to show you what I am talking about. This one has banding since I do not have the patience to contract the selection one pixel at a time over and over. I am hoping that there is an automated way. Incidentally, I am using version 7. I am not completely opposed to upgrading if the feature exists in a newer version, but I am hopeful that there is some feature I am not aware of that will make it easy even in my version.